ESAU, TAMAR, AND JOSEPH: CRITERIA FOR IDENTIFYING INNER-BIBLICAL ALLUSIONS

2002 ◽  
Vol 52 (2) ◽  
pp. 219-252 ◽  
Author(s):  
Paul Noble

AbstractAlthough the importance of inner-biblical allusion is now widely recognised, there is still some uncertainty about the criteria by which genuine allusions may be distinguished from, say, merely fortuitous resemblances. The present article tries to illuminate these issues through a study of Genesis xxxviii. Since there are numerous individual similarities between this chapter and the Succession Narrative, some scholars have claimed (by an argument of cumulative probabilities) that one story is intentionally alluding to the other. This method of identifying allusions, however, is here rejected - both because of difficulties in carrying it through consistently and non-arbitrarily, and also because it would lead to an implausible plurality of further supposed-allusions. Instead, a methodology based upon R. Alter's notion of a type-scene is proposed, by which allusion is discovered through identifying shared patterns of interconnected resemblances. Applying this methodology also to Genesis xxxviii, it is argued both that this text makes numerous allusions to the stories of Jacob and Joseph, and that recognising these allusions adds very considerably to our understanding of all three stories.

Moreana ◽  
2017 ◽  
Vol 54 (Number 207) (1) ◽  
pp. 36-56
Author(s):  
Gerard Wegemer

After establishing a context of More's lifelong engagement with the “calculus” of pleasure, this essay shows how the section devoted to the Utopians' pleasure philosophy is structured around five formulations of a “rule” to calculate “true and honest [honesta]” pleasure in ways that playfully imitate and echo the “rule” Cicero formulates several times in De officiis to discern one's duty when there seems to be a conflict between honestas et utilitas. When followed, the Utopian pleasure calculus shows the necessary role of societas, officii, iustitia, caritas, and the other aspects of human nature, most importantly friendship, that Cicero stresses in his rule and that he argued Epicurus ignored. Much of the irony and humor of this section depends on seeing the predominance of Ciceronian vocabulary in Raphael's unusual defense [patrocinium] of pleasure, rather than a Ciceronian defense of duty rooted in honestas. Throughout, however, this essay also shows how More goes beyond Cicero by including Augustinian and biblical allusions to suggest ways that our final end is not as Epicurus or the Stoics or Cicero claim; the language and allusions of this section point to a level of good cheer and care for neighbors and for God in ways quite different from any classical thinker.


2013 ◽  
pp. 174-183
Author(s):  
Piotr Sadkowski

Throughout the centuries French and Francophone writers were relatively rarely inspired by the figure of Moses and the story of Exodus. However, since the second half of 20th c. the interest of the writers in this Old Testament story has been on the rise: by rewriting it they examine the question of identity dilemmas of contemporary men. One of the examples of this trend is Moïse Fiction, the 2001 novel by the French writer of Jewish origin, Gilles Rozier, analysed in the present article. The hypertextual techniques, which result in the proximisation of the figure of Moses to the reality of the contemporary reader, constitute literary profanation, but at the same time help place Rozier’s text in the Jewish tradition, in the spirit of talmudism understood as an exchange of views, commentaries, versions and additions related to the Torah. It is how the novel, a new “midrash”, avoids the simple antinomy of the concepts of the sacred and the profane. Rozier’s Moses, conscious of his complex identity, is simultaneously a Jew and an Egyptian, and faces, like many contemporary Jewish writers, language dilemmas, which constitute one of the major motifs analysed in the present article. Another key question is the ethics of the prophetism of the novelistic Moses, who seems to speak for contemporary people, doomed to in the world perceived as chaos unsupervised by an absolute being. Rozier’s agnostic Moses is a prophet not of God (who does not appear in the novel), but of humanism understood as the confrontation of a human being with the absurdity of his or her own finiteness, which produces compassion for the other, with whom the fate of a mortal is shared.


Vox Patrum ◽  
2010 ◽  
Vol 55 ◽  
pp. 361-373
Author(s):  
Maciej Kokoszko ◽  
Katarzyna Gibel-Buszewska

The present article focuses on one of the Greek delicacies mentioned by Photius and Eustathius, i.e. a Lydian import called kandaulos/kandylos. The dish was developed before the mid. VI th c. BC and named after a Lydian king, Kandaules, who ruled in the VII th c. BC. The delicacy was (via the Ionians) borrowed by the Helens and established itself in Greece sometime in the V th c. It became popular in Hellenistic times. The information we possess allow us to reconstruct two varieties of kandaulos/ kandylos. The first was savoury and consisted of cooked meat, stock, Phrygian cheese, breadcrumbs and dill (or fennel). The other included milk, lard, cheese and honey. The dish is reported to have been costly, prestigious and indicating the social status of those who would eat it. Though there is much evidence suggesting its popularity in antiquity, we lack solid evidence proving that kaunaudlos/kandylos was eaten in Byzantine times. On the other hand, Byzantine authors preserved the most detailed literary data on the delicacy. If it had not been for the Byzantine interest, our competence in the field of Greek cuisine would be even faultier.


Author(s):  
Dubey Somil

The word Malahara or Malhama is derived from unani system of medicine. Yogaratnakara mentioned this first by the name of Malahara Kalpana. It derives its name as it removes Mala (residue etc.) from Vrana (wounds), Vidradhi (abscess) etc. This is similar to ointments in modern pharmaceutics. Malahara Kalpana is the ointment preparation which has Siktha Taila (bees wax and oil mixture) or Ghrita, as the basic constituent. The other ingredients may include herbal, metal, or mineral contents depending upon the usage. Malahara has a property like Snehana (oelation), cleansing, Ropana (healing), Lekhana (scaraping), and Varnya (beautifying), depending on the drugs used in the preparation. Rasa Tarangani a Rasa Shastra treatise of 20th century by Acharya Sadananda Sharma has enumerated various types of Malahara Kalpana taking mainly Siktha Taila as a base. Though this Kalpana holds firm roots in treating diseases the mention and explanation of this particular topic is scattered in this treatise. Hence the present article is an attempt to elucidate and unfold the Malahara Kalpana of Rasatarangani.


1980 ◽  
Vol 43 (3) ◽  
pp. 482-510
Author(s):  
C. Shackle

The Indo-Iranian linguistic frontier constitutes one of the most complex and interesting language-areas of the sub-continent. Given the nature of the area, it is perhaps inevitable that scholarly attention should have been directed particularly to its remoter corners, where so much that is of historical importance has been preserved, and we certainly have every reason to be grateful for the fascination which such out of the way survivals have held for the minds of several outstanding linguists. It is, on the other hand, a matter for regret that so little has been done by comparison on the languages which flourish in less inaccessible parts of the frontier, particularly on the Indo-Aryan side. The wide distribution of such languages alone, quite apart from their intrinsic interest, demands that they too be accorded adequate coverage if the peculiarly complex language-patterns of the area are ever to be properly understood as a whole. The present article, based largely on material collected during a recent field-trip to Pakistan,1 represents an attempt to fill one such gap in contemporary coverage, by providing descriptions of the extreme north-western extensions of the main body of Indo-Aryan.


Philosophy ◽  
1931 ◽  
Vol 6 (24) ◽  
pp. 472-484
Author(s):  
Hilda D. Oakeley

The treatment of history by philosophers seems to have entered upon a new phase, as regards the questions both what kind of knowledge we are dealing with and what is the relation of the historic experience to reality. As Professor Guido de Ruggiero pointed out in the April number of the Journal, this interest in the problems of history has not received much recognition in English thought at present. It is the purpose of the argument of the present article to maintain that whilst there are two methods of approach to reality, the one through knowledge and speculative thought, the other through history and practical experience, a philosophical interpretation is necessary to the understanding of history, though philosophies of history as usually conceived are not possible. The dualism of experience to which reference is here made is not identical with the dualism with which Professor de Ruggiero is concerned.


PARADIGMI ◽  
2009 ◽  
pp. 45-51
Author(s):  
Mauro Carbone

- Image The present article focuses on two topics underlying the lecture given by Maurice Merleau-Ponty in 1945 at the Institut des Hautes Études Cinématographiques, in Paris. One is the reflection on the peculiarities of filmic expression and cinematic image; the other, the convergence between the inspiration of cinema and that of philosophy, which Merleau-Ponty sees as a significant feature of his time: a convergence which the cinema of the nouvelle vague was also to acknowledge and which Christian Metz was to confirm retrospectively. Moreover, in developing both topics, the author finds a way to interpret Merleau-Ponty's lecture as an undeclared polemical response to Henri Bergson's famous negative judgement on cinema.Key words: Cinematic Image, Gestalt Psychology, Melody, Montage, Perception, Rhythm.Parole chiave: Dinamica di legittimazione, Immagine, Identitŕ, Narrazione, Soggetto, Tempo.


Lampas ◽  
2019 ◽  
Vol 52 (4) ◽  
pp. 437-452
Author(s):  
Gerard Boter

Summary The present article discusses three hotly debated interpretational issues in Diotima´s speech in Plato´s Symposium. The first of these is the relationship of Diotima´s speech to other dialogues, such as the Phaedo and the Republic, with regard to the immortality of the soul. It is argued that there is no discrepancy at all, because the immortality of the soul does not play any role in the Symposium. The second issue is the nature of the three classes of posterity: biological, spiritual and philosophical. Whereas the posterity of the first two classes can be relatively easily defined, the character of the philosopher´s posterity, ‘true virtue’, remains rather vague. It may consist in dialectical teaching of the Idea of Beauty by Socrates. Thirdly, it is argued that the philosopher´s immortality differs only gradually from the immortality of the other two classes, that is, the philosopher as a man only survives by means of his posterity.


2021 ◽  
Vol 14 (9) ◽  
pp. e243156
Author(s):  
Monika Gupta ◽  
Harshita Vig ◽  
Yajas Kumar ◽  
Aliza Rizvi

Double lip or macrocheilitis is a rare facial anomaly, mostly congenital in origin. It commonly involves the upper lip than the lower lip. It may occur in isolation or as part of the Ascher’s syndrome. It results due to deposition of excessive areolar tissue and non-inflammatory hyperplasia of labial mucosa gland of pars villosa. It may be acquired as a result of injury to the lips or lip-biting habit. The double lip becomes conspicuous when the lips are retracted during smiling resulting in the characteristic ‘cupid’s bow’ appearance. This disfigurement can pose aesthetic and functional problems and may result in psychological distress. A surgical intervention is must for restoration of functions and to address the aesthetic concerns. The present article reports a case of non-syndromic double upper lip with triple labial frena and its surgical management with laser on one side and with scalpel on the other side.


2019 ◽  
pp. 17-37
Author(s):  
Иосиф Александрович Фридман

Статья посвящена творческому наследию выдающегося итальянско-еврейского учёного, историка и библеиста Умберто Кассуто (1883-1951). Его основной вклад в науку о Священном Писании - развёрнутая критика документальной гипотезы происхождения Пятикнижия. Основная часть данной статьи представляет собой изложение воззрений Кассуто на первый из «столпов» документальной гипотезы - употребление в тексте Торы Божественных имён. Автор надеется показать, что, используя строго научные методы, Кассуто даёт вполне правдоподобные альтернативные объяснения тем феноменам, на исключительную правоту собственного объяснения которых с момента возникновения претендует документальная гипотеза. Вместо того чтобы опровергать частные аспекты названной теории, Кассуто, последовательно выступая против самого принципа деления текста Пятикнижия на первоначально независимые друг от друга «источники», фактически предложил в библеистике новую научную парадигму, потенциально претендующую на всеохватность и полную замену документальной гипотезы. В последующей статье на эту же тему автор намеревается продемонстрировать подход У. Кассуто ко второму, третьему, четвёртому и пятому «столпам» документальной гипотезы, а также остановить внимание на рецепции идей Кассуто в мире библеистики. The present article is devoted to the scientific heritage left by a major Jewish academician of Italian descent, historian and biblical scholar Umberto Cassuto (1883-1951). His main contribution to this field consists in large-scale criticism of the Documentary Hypothesis of the origin of the Pentateuch. In the main part of our article the author presents an outline of Cassuto’s views on the first of the five «pillars» onwhich the Documentary Hypothesis rests. The author endeavors to demonstrate that, using strictly scientific argumentation, Cassuto gives quite plausible alternative explanations to such phenomena as the Documentary Hypothesis claims its unique right to explain correctly. Instead of attacking and refuting any particular aspects of the hypothesis, Cassutoconsistently argues against the very principle according to which the Torah is divided among a number of «source texts» perceived to have once been independent of one another. As a matter of fact, U. Cassuto has presented a new scholarly paradigm with a potential that would suffice to make it a full-fledged substitution of the Documentary Hypothesis. In a second article on this topic the author intends to demonstrate Cassuto’s approach to the other four «pillars» of the Documentary Hypothesis as well as to devote special attention to the response that Cassuto’s ideas met in the world of Bible studies.


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