RESEARCH WORK IN THE FIELD OF THE RUSSIAN NOBLE COOKING OF THE FIRST HALF OF THE XIX CENTURY, RECONSTRUCTIONS OF DINNER PARTIES IN AN ESTATE

2016 ◽  
Vol 10 (3) ◽  
pp. 108-114
Author(s):  
Евгения Шапарина ◽  
Evgeniya Shaparina

Last ten years attention to gastronomic tourism has grown up noticeably. This term came to us rather recently but has become usual and understandable for both Russian and foreigner tourist. Without abandoning traditional working with visitors, today museums are interested in realizing of new partner projects aimed to creation of the past century atmosphere. The Museum-Reserve «The Estate «Muranovo» already some years works on the study of economic papers belonged to an owner of the Muranovo estate Leo Engelgardt. This artifact is studied in comparison with culinary rules are known in Russia from the beginning of the XIX century. Special attention is paid to the «New Full Cookbook» published in 1808. Basing on this archival and stock material we form touristic product – «Dinner party in an estate». As a result of a reconstruction of dinner menu of a landlord living here at the turn of XVIII–XIX centuries lively atmosphere is created in estate. Thereby visitors can touch the cultural and historical treasures of ages gone by. Science workers, developing and introducing this kind of programs to the daily work, select associate partners are ready to realize requirements of museum ethics. Creation of authentic cultural product is the main task of new museum projects in a field of the gastronomic tourism. This is a vivid example of organization of tourist services programs based on intangible cultural heritage, which has come down to us through the centuries.

Author(s):  
Lyudmila Іvаnоvа

The purpose of the article is a realization of tradiтionalism as mеtаdirection of art in XX century that historically comparable with mеtаdirection of styles modern-vanguard, jointly forming artistic paradigm of the past century, then the last becomes firmly established in nеоrеnaissаnce world-outlook according to with "system of Leonardo da Vinci" P. Valéry. The methodology of the study is a historian-cомpаrаtive approach, as this demonstrates works of A.Losev, also culturology foreshortening of musicology analysis, as this is given in "Symphonic etude" and others beside B.Asafiev. The scientific novelty of the work is conditioned, first, that that for the first time in specified foreshortening is presented analysis composition of V.Vlasov, but, secondly, original is a theoretical idea about cultural intrusion in style-typology life length Neo-Gothic that impossible was in classicist of music creative activity to XIX-XX cent. Conclusions. Traditionalism forms mеtаdirection since in base this style unity prescribed expressiveness of romanticism-pоstromanticism and realism XIX century that forms analogies to mеtаstyle forming of the modernism (vеrism at the end XIX - at the beginning initially XX century, "hard" type of the neoclassicism I. Stravinsky and P. Hindemith, others), in which vanguard took place as focus of the symbiosis of the styles-directions expressionism, futurism, primitivism, having formed new unity of the vanguard of the second wave in the manner of nеоexpressionism.


Alzheimer's disease (AD) is a degenerative brain disease, a common health problem in elderly pesople which causes decline in memory and affected on nerve cells. AD has different stages like mild congestive impairment (MIC) (early stage), moderate (middle stage), severe (late stage) it is essential to detect AD early in MIC, so that pre-emptive measures can be taken. Significant research was carried out over the past century to diagnose and detect this disease early. The objective of the article is provide a review evaluation and critical analysis of the recent research work done to early diagnosis of AD using Machine Learning Strategies.


Elore ◽  
2012 ◽  
Vol 19 (1) ◽  
Author(s):  
Kirsi Niukko

This article examines a group of Swedish houses in Pinomäki district in Pori built during the reconstruction period which followed the Winter War (1939 – 1940) and the Continuation War (1941 – 1944; Second World War). The purpose of the article is to explore the research work on built cultural environment from the point of view of resident interviews, and it is aimed at discussing the importance of folkloristics and intangible cultural heritage in the fieldwork concerned with built environment. The folkloristic approach has not traditionally been combined with cultural heritage research. However, in this article the starting point is that especially in building inventories, which are compiled for the purpose of acting as background reports for zoning, the folkloristic perspectives are related to space through the narrative elements therein. As part of the building inventories, resident interviews are conducted, in which the residents inform the researcher about modifications and repairs made in the building. When buildings are described, they do not appear as a separate physical phenomenon, but various life events are integrated into the stories. Based on these stories, the researchers focus on picking out information that is related to living and building use. Through this information, concrete connections can be found to the area and to the historical events which have shaped it. The stories told by residents are especially essential in cases where no other information is available on the area. When it comes to the reconstruction period, the importance of intangible cultural heritage as well as the stories told by the residents are significant, because the residential areas are rather similar to each other in appearance and their interpretation methods have become stereotypical. The present and former residents of Pinomäki district in Pori provided a significant amount of new information about the construction and the occupation of the area, which has not been written down before. Thus it is important to increasingly evaluate the significance of building inventories and to aim at developing a method to comprehend more widely the crucial role that the intangible cultural heritage has in cultural environmental processes.


2017 ◽  
Vol 5 ◽  
pp. 7
Author(s):  
Festo W. Gabriel

This paper examines local communities’ understanding of archaeology and cultural heritage resources. This study was conducted among the Makonde communities of the Mtwara Region of south-eastern Tanzania. The paper presents and critically discusses local communities’ views upon the meaning of archaeology and cultural heritage resources in general. The study used community-based methods by use of interviews, archaeological ethnography and focus group discussions. The results of this study reveal that the local communities in the Mtwara Region are not aware of the meaning of archaeology regardless of the number of archaeological researches that have been conducted in the region. Their understanding of the past is very much confined to intangible cultural traditions which are inherited and practised from one generation to another. Some conclusions are provided which undoubtedly indicate that according to the local communities’ perceptions cultural heritage resources are mainly characterized by intangible cultural practices and beliefs. As this study unveils, in this case tangible heritage resources have less importance to the local communities. This is contrary to the professional or academic conceptions which provide a dual focus on conservation and protection of tangible cultural heritage resources. It is only very recently that we see some studies being conducted focusing on intangible cultural heritage resources.


2021 ◽  
Vol 2 ◽  
pp. 7-15
Author(s):  
Veronika Aschenbrierová

The territory of Slovakia is rich in places with an ironworks history, which formed important urban and economic centers in the past. The valuable urban-architectural settlements emerged due to favorable geographical conditions, availability of forest and water resources. Currently, these important historical spots find themselves in the regions suffering from lack of job opportunities and low level of life quality. The research work deals with one of the most important 19th century‘s Slovak ironworks, its urban and architectural values ​​in the setting, and regenerative activities involving development activities to preserve the constantly overlooked part of Horehronie‘s cultural heritage. This study aims to contribute to the knowledge about the ironwork complex, to present its current state and research, which has stimulated interest in the protection of so far degrading industrial heritage. The result of this work is to show potential of industrial heritage in regional development and tourism, which is an opportunity to strengthen the region identity, its competitiveness, as well as to the potential of industrial heritage in regional development and tourism, which is an opportunity to strengthen the region identity, its competitiveness, and improve the socio-economic conditions of its inhabitants.


2021 ◽  
Vol 15 (2) ◽  
pp. 89-111
Author(s):  
Heidi Henriikka Mäkelä

Abstract This article examines the inventorying of Finnish intangible cultural heritage with regard to UNESCO’s Convention for the Safeguarding of the Intangible Cultural Heritage. I analyse the participatory Wiki-inventory for Living Heritage, concentrating on entries that discuss food and foodways to study how food, materiality, and the national intertwine with practices of producing intangible cultural heritage. The article’s theoretical background draws from the fields of banal nationalism and critical heritage studies. Food is eminently important in narratives of Finnishness: by using the concepts of naturalness and pastness, I show how Finnish food becomes interpreted as ‘authentic’ Finnish heritage. The concepts illuminate the complex processes in which the materiality of food, the Finnish terroir and landscape, narratives of the past, and the consumer who prepares, eats, and digests the heritagised food are tied to each other. These processes reinforce the banality of Finnishness, although the practices of inventorying paradoxically strive for the ideal of cultural diversity that UNESCO promotes.


2015 ◽  
Vol 97 (900) ◽  
pp. 1253-1275 ◽  
Author(s):  
Christiane Johannot-Gradis

AbstractIn war, individuals are vulnerable not only physically but also in terms of their cultural identity, and the obliteration of cultural heritage often becomes a central issue. This is particularly the case in armed conflicts with an ethnic, cultural or religious character. In some regions, cultural heritage consists more of monuments and objects; it is a “tangible” heritage, mostly protected by the law of armed conflict. Elsewhere, where structures are impermanent, cultural heritage is mainly expressed through orality, gestures, rituals, music and other forms of expression that individuals create using various media and instruments. Such heritage is mainly “intangible”. This essay aims to show that cultural heritage is both tangible and intangible, and that the law which protects such heritage is not limited to the law of armed conflict. Cultural heritage also benefits from the protection of other applicable instruments, such as human rights treaties and the UNESCO cultural heritage conventions.


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