scholarly journals LANGUAGE CONTACT IN THE MEDIA DISCOURSE: ANGLICISMS IN SECTION LEISURE IN THE NEWSPAPER LA PROVINCIA

Elia ◽  
2020 ◽  
pp. 113-146
Author(s):  
Carmen Luján-García

The presence of English is undeniable in various areas of Spaniards’ daily lives, and the domain of leisure activities is not excluded of such a trend. This paper examines the presence of Anglicisms in sections: “Life and style”; “Culture, leisure and society” and “Sports” of the digital edition of the newspaper La Provincia (Las Palmas de Gran Canaria) during the period from 1st March to 31st May 2019. The use of Anglicisms has apparently been increased throughout the last decades, considering a similar previous analysis (LujánGarcía, 1999). The compilation of a corpus of 207 Anglicisms reveals that the section “Life and style”, which compiles news of various fields (fashion, beauty, people, pets, gastronomy) presents the highest percentage of Anglicisms (65.2%). In the second position, “Culture, leisure and society” contains a percentage of 21.7% of the compiled corpus, and this is followed by “Sports”, with 12.9% Anglicisms of the sample. In qualitative terms, some examples of particular uses of the examined Anglicisms are studied in context, considering the whole sentence where they occur, in addition to the analysis of the orthographic markers employed, which tend to be quite inconsistent. Eventually, the pragmatic functions of these Anglicisms are discussed: specialized language, referential, expressive and textual functions, which will be illustrated with examples excerpted from the corpus. Keywords: Anglicisms, digital newspaper, life and style, leisure and sports neologisms.

Author(s):  
Saveleva Zh.V.

The prevalence of autism is growing, the problems of stigmatization and discrimination of people with autism spectrum disorders in society are exacerbating. The mass media play an important role in enlightening and reducing stigmatizing effects, in connection with which the goal was formulated to study the construction of images of a person with ASD in the mass media by the method of qualitative and discourse analysis of video clips from the federal channel. According to the results of the study, it can be argued that the range of characteristics used to describe people with autism in media discourse is diverse, but in retrospect, dominant interpretation models can be identified. At an early stage, the prevailing image of a person with ASD was deprived of the quality’s characteristic of normotypical people who do not want to leave their world. People diagnosed with autism were referred to as the intolerant category of "autistic". Since 2013, there has been a discursive turn, within which the category “autist” is replaced by tolerant speech patterns, adults with autism get into the lens of the media, the topic of uncommunicability as a property of a person with autism is replaced by the intention of the lack of opportunities to communicate, one of the reasons for which is social exclusion. In television stories of recent years, the mass media are actively constructing the image of a person with autism spectrum disorder through his inner world, through the advantages that a person with ASD can have due to his characteristics. However, it cannot be said that there has been a complete change of the image: the old cliches, as a rule, manifest themselves at a more latent level of grammatical constructions and semiotic meanings.


Author(s):  
Alexandra Makarova

The religious communication is the most ancient of human communication types. The pragmatic linguistics as well as rhetoric shows a special attitude to this special type of discourse. Today the Internet text with its unlimited abilities is being in the focus of linguists’ attention. That is why the orthodox journalists are covering not only print media but also the Internet that helps to widen the sphere of influence on the people’s minds and souls. The analyses show that the media context of the Orthodox sites (such as The Orthodox people laugh and etc.) includes humorous publications that prove the necessity of studying peculiarities of religious communication and humorous texts in orthodox sites. The integrative approach including content analyses, discourse and linguistic cultural methods helps the author to come to a conclusion that orthodox media texts are distinguished by intertextuality, hypertextuality, creolism, and the authors want to influence the addressee in the most effective way. To define the communicative task, the missionary function should be taken into account which is peculiar to the religious discourse.


Arts ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 8
Author(s):  
Sławomir Gawroński ◽  
Dariusz Tworzydło ◽  
Kinga Bajorek ◽  
Łukasz Bis

This article deals with the issues of architectural elements of public space, treated as components of art and visual communication, and at the same time determinants of the emotional aspects of political conflicts, social disputes, and media discourse. The aim of the considerations is to show, with the usage of the principles of critical analysis of media discourse, the impact of social events, political communication, and the activity of mass communicators on the perception of the monument of historical memory and the changes that take place within its public evaluation. The authors chose the method of critical analysis of the media discourse due to its compliance with the planned purpose of the analyses, thus, providing the opportunity to perform qualitative research, enabling the creation of possibly up-to-date conclusions regarding both the studied thread, and allowing the extrapolation of certain conclusions to other examples. The media material relating to the controversial Monument to the Revolutionary Act, located in the city of Rzeszów (Poland), was selected for the analysis. On this example, an attempt was made to evaluate the mutual relations between politically engaged architecture and art, and the contemporary consequences of this involvement in the social and political dimension.


2020 ◽  
pp. 175048132098209
Author(s):  
Quan Zheng ◽  
Zengyi Zhang

Current problems and controversies involving GM issues are not limited to scientific fields but spill over into the social context. When disagreements enter society via media outlets, social factors such as interests, resources, and values can contribute to complicating discourse about a controversial subject. Using the framework for the analysis of media discourse proposed by Carvalho, this paper examines news reports on Chinese GM rice from the dimensions of both text and context, covering the period of 2001–2015. This study shows that media may not only construct basic concepts, theme, and discursive strategies but also generate an ideological stance. This ideology constituted an influential dimension of the GM rice controversy. By following ideology consistent with the dominant position of the Chinese government, the media selectively constructed and endowed GM rice with a specific meaning in the Chinese social context, making possible the reproduction and communication of GM rice knowledge and risks to the public.


Author(s):  
Robin Björkas ◽  
Mariah Larsson

AbstractSex dolls are a complex phenomenon with several diverse possible emotional, sexual and therapeutic uses. They can be part of a broad variety of sexual practices, and also function as a sexual aid. However, the media discourse on sex dolls first and foremost concerns how we perceive the relationship between intimacy and technology. A critical discourse analysis of the Swedish media discourse on sex dolls reveals six themes which dominate the discourse: (a) the definition of what a human being is; (b) a discourse on the (technological and existential) future; (c) a social effort; (d) a loveless phenomenon; (e) men’s violence against women; and (f) pedophilia. Accordingly, this discourse is very conservative and normative in its view of sexuality, technology, and humanity. Overall, the dominant themes do not provide any space for positive effects of technology on human sexuality, and if they do, it is usually as a substitute for something else.


2011 ◽  
Vol 7 (3) ◽  
pp. 215-219 ◽  
Author(s):  
Fernando Resende ◽  
Ana Beatriz Paes
Keyword(s):  

Author(s):  
Charlotte Barlow

This chapter discusses the media construction of women co-offenders and their relationship with their male partner/ co-offender, using the case/ court file material as a comparative tool. It particularly considers the ways in which the women’s representation served to minimise and discredit their perspectives and defence, particularly in relation to the potential influence of their relationship with their male partner on their offending behaviour. It also considers the ways in which the women’s suggestions of coercion or coercive techniques (at varying levels) by their male partner were constructed, particularly in media discourse. In doing so, the chapter is divided into a number of key themes, such as ‘bad women’ and ‘equally bad or worse’. It is important to note that the themes apply to the women at varying levels and the extent to which they were evident in the women’s legal and media representation will be discussed.


2021 ◽  
Vol 7 (3) ◽  
pp. 205630512110382
Author(s):  
Wesley E. Stevens

This article examines blackfishing, a practice in which cultural and economic agents appropriate Black culture and urban aesthetics in an effort to capitalize on Black markets. Specifically, this study analyzes the Instagram accounts of four influencers (Instagram models) who were accused of blackfishing in late 2018 and is supplemented with a critical analysis of 27 news and popular press articles which comprise the media discourse surrounding the controversy. Situated within the literature on cultural appropriation and urban redevelopment policies, this study explores how Black identity is mined for its cultural and economic value in the context of digital labor. I assert that Instagram’s unique platform affordances (including its racial affordances) and the neoliberal logics which undergird cultural notions of labor facilitate the mechanisms by which Black identity is rendered a lucrative commodity vis-à-vis influencing.


Ricercare ◽  
2021 ◽  
pp. 56-71
Author(s):  
Mariia Mykhalonok

This article examines linguistic framing of Medellin as the city of the musical genre reggaeton in online media discourse, drawing on Fillmore’s frame semantics theory (1977). The most salient frames applied towards Medellin are those of centrality, home, and music, whereby the city’s global significance as a musical hub is emphasized through the terms belonging to the frame of world. The use of components from the frames of crime and drugs suggests that the drug-related past of Medellin is integrated into its new cultural profile. Another part of the new Medellin brand are the city’s residents themselves, who are credited with supporting local reggaetonero/as, and are typically referred to with overtly positive vocabulary from the frames of love, help, and home. Although some texts evoke negative stereotypes about reggaeton, the media mostly present the Medellin reggaeton scene through the frames of success, power, and business.


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