scholarly journals Organizacja rzemiosła i handlu w gminie ormiańskiej w Stanisławowie w XVII i XVIII wieku

Lehahayer ◽  
2021 ◽  
Vol 7 ◽  
pp. 43-69
Author(s):  
Andrzej Gliński
Keyword(s):  
Significant Role ◽  
18Th Century ◽  
17Th Century ◽  
Dried Fish ◽  
The City

Organization of crafts and trade in the Armenian commune inStanisławów in the 17th and 18th centuries “Orientalization” of artistic taste, which could be observed in 17thcenturyPoland, contributed to the development of crafts and trade in Stanisławów.The owners of the city, the Potocki family, were aware of the benefits that the Armeniansettlement carried. In the second half of the 17th and throughout the 18thcentury, a dozen or so Armenian merchant families from Stanisławów occupiedthemselves with trade in Wallachian and Moldavian farms. Both of these countriesplayed a significant role in the transit of goods from the East. In the last decadesof the 17th century, Stanisławów to some extent replaced in oriental trade KamieniecPodolski, which was then under the Turkish rule. In the 18th century, themain subject of trade for Stanisławów Armenians became oxen and horses, importedfrom Moldova via Pokucie, and then driven to markets in Lublin, Warsawand Gdańsk, or to Silesia. Several Armenian families from Stanisławów also tradedin dried fish from the Danube, morocco leather, silk and wine imported fromHungary. In the second half of the 18th century, trade in textiles and products of Armenian furriery in Stanisławów regressed due to being cut off from the marketsafter the first partition of Poland.

scholarly journals The earliest public green areas connected with Jelenia Góra, part. 2

1970 ◽  
Vol 14 (3) ◽  
pp. 109-118
Author(s):  
Marzanna Jagiełło ◽  
Wojciech Brzezowski
Keyword(s):  
18Th Century ◽  
17Th Century ◽  
Public Parks ◽  
Natural Landscape ◽  
The Third ◽  
The North ◽  
Green Areas ◽  
Western Side ◽  
The City ◽  
North Western

In the third part of the 18th century the earliest public landscape gardens began to appear in the area of suburban Jelenia Góra. They were the first public parks in Silesia. When establishing them, the natural landscape features of the area were used (Karkonosze). Two of them, Hausberg and Helkon, were created at the end of the 17th century on the north-western side of the city.

scholarly journals The wooden architectural complex of the city and royal residence of the John III Sobieski in Kukizów

2020 ◽  
Vol 18 (4) ◽  
pp. 059-082
Author(s):  
Mykola Bevz
Keyword(s):  
Urban Planning ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
Art Historians ◽  
The 19Th Century ◽  
The City ◽  
Early 18Th Century ◽  
European Architecture

The palace in Kukizów of King of Poland John III Sobieski is known only to a narrow group of architecture and art historians. The palace and park complex ceased to exist in the 19th century. The architecture of the palace is known especially from the descriptions in the inventory documents from the early 18th century. Although the authorship of the palace design belongs to the well-known artists of the era – Augustyn Wincenty Locci and Piotr Beber, its architecture has not yet been reconstructed. A specific feature of the royal residence in Kukizów was the construction of royal buildings and town buildings in a wooden material. The intention to create a city complex and an entirely wooden residence was a unique experiment in the field of European architecture and urban planning of the 17th century. In the paper we present the results of our research on the architecture of the palace and town for the end of the 17th century.

The Honnêête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music

2003 ◽  
Vol 20 (1) ◽  
pp. 3-44
Author(s):  
DON FADER
Keyword(s):  
Significant Role ◽  
18Th Century ◽  
17Th Century ◽  
Classical Rhetoric ◽  
Good Society ◽  
Rhetorical Figures ◽  
Music Making ◽  
Italian Music ◽  
The Ideal

ABSTRACT The French concept of Taste (goûût) has largely been viewed from an 18th-century tradition of aesthetics in which philosophers attempted to incorporate it into a rationalized systematic theory of musical expression. Its original 17th-century usage, however, was derived from the principles of classical rhetoric and noble etiquette, or politesse. Following the tenets of Cicero communicated by humanist writers, these principles require the ideal gentleman (the honnêête homme) to adapt his knowledge and talents (agrééments) to the requirements of good society just as an orator carefully chooses the appropriate rhetorical figures to convince and move his hearers. According to the principles of rhetoric, any overuse of figures (or agrééments) vitiates their very effectiveness by drawing attention to their artificiality. Thus the 17th-century understanding of taste required the concealment of labor, knowledge, and ““artifice”” behind an effortlessly ““natural”” and pleasing courtly facade. This concept of taste became influential in courtly contexts of amateur music-making in the early part of the century, when it was incarnated by Pierre de Nyert, whose manner of singing was hailed as the model of ““politesse du chant.”” The principles of politesse played a significant role in the controversy over Italian music, whose perceived overuse of ““learned”” musical figures (dissonance, chromaticism, and other techniques) was viewed as a bourgeois flaunting of musical talent and rhetorical artifice.

scholarly journals “His Soul Is Weeping inside That He Cannot Bury the Dead as before.” Plague and Rebellion in Debrecen (Hungary), 1739–1742

Religions ◽  
2020 ◽  
Vol 11 (12) ◽  
pp. 687
Author(s):  
Ildikó Sz. Kristóf
Keyword(s):  
18Th Century ◽  
Medical Science ◽  
Historical Analysis ◽  
Criminal Proceedings ◽  
Historical Sources ◽  
Anthropological Study ◽  
Late 18Th Century ◽  
The Social ◽  
Religious Piety ◽  
The City

This is a historical anthropological study of a period of social and religious tensions in a Calvinist city in the Kingdom of Hungary in the first half of the 18th century. The last and greatest plague epidemic to devastate Hungary and Transylvania between cca. 1738 and 1743 led to a clash of different opinions and beliefs on the origin of the plague and ways of fighting it. Situated on the Great Hungarian Plain, the city of Debrecen saw not only frequent violations of the imposed lockdown measures among its inhabitants but also a major uprising in 1739. The author examines the historical sources (handwritten city records, written and printed regulations, criminal proceedings, and other documents) to be found in the Debrecen city archives, as well as the writings of the local Calvinist pastors published in the same town. The purpose of the study is to outline the main directions of interpretation concerning the plague and manifest in the urban uprising. According to the findings of the author, there was a stricter and chronologically earlier direction, more in keeping with local Puritanism in the second half of the 17th century, and there was also a more moderate and later one, more in line with the assumptions and expectations of late 18th-century medical science. While the former set of interpretations seems to have been founded especially on a so-called “internal” cure (i.e., religious piety and repentance), the latter proposed mostly “external” means (i.e., quarantine measures and herbal medicine) to avoid the plague and be rid of it. There seems to have existed, however, a third set of interpretations: that of folk beliefs and practices, i.e., sorcery and magic. According to the files, a number of so-called “wise women” also attempted to cure the plague-stricken by magical means. The third set of interpretations and their implied practices were not tolerated by either of the other two. The author provides a detailed micro-historical analysis of local events and the social and religious discourses into which they were embedded.

scholarly journals Labour Conflicts and Working-Class Culture in Early Modern Holland

1990 ◽  
Vol 35 (3) ◽  
pp. 377-420 ◽  
Author(s):  
Rudolf Dekker
Keyword(s):  
Working Class ◽  
Early Modern ◽  
Textile Industry ◽  
18Th Century ◽  
Economic Recession ◽  
17Th Century ◽  
Class Culture ◽  
Informal Workers ◽  
Ancien Régime ◽  
Modern Era

SUMMARYFrom the 15th to the 18th century Holland, the most urbanized part of the northern Netherlands, had a tradition of labour action. In this article the informal workers' organizations which existed especially within the textile industry are described. In the 17th century the action forms adjusted themselves to the better coordinated activities of the authorities and employers. After about 1750 this protest tradition disappeared, along with the economic recession which especially struck the traditional industries. Because of this the continuity of the transition from the ancien régime to the modern era which may be discerned in the labour movements of countries like France and England, cannot be found in Holland.

Study of Painting Materials and Techniques in the 18th Century St.Athanasius Church in Moschopolis, Albania

2007 ◽  
Vol 1047 ◽  
Author(s):  
Eleni Pavlidou ◽  
N. Civici ◽  
E. Caushi ◽  
L. Anastasiou ◽  
T. Zorba ◽  
...  
Keyword(s):  
18Th Century ◽  
Orthodox Church ◽  
Wall Paintings ◽  
Cultural Center ◽  
Green Earth ◽  
Almost All ◽  
The City ◽  
The Church ◽  
Compositional Characterization

AbstractIn this paper are presented the studies of the paint materials and the technique used in 18th century wall paintings, originated from the orthodox church of St Athanasius, in the city of Maschopolis, a flourishing economical and cultural center, in Albania. The church was painted in 1745 by Konstantinos and Athanasios Zografi, and during the last years, restoration activities are being performed at the church. Samples that included plasters and pigments of different colors were collected from important points of the wall paintings. Additionally, as some parts of the wall-paintings were over-painted, the analysis was extended to the compositional characterization of these areas. The identification of the used materials was done by using complementary analytical methods such as Optical Microscopy, Fourier Transform Infrared spectroscopy (FTIR), Scanning Electron Microscopy (SEM-EDS) and X-ray fluorescence (TXRF).The presence of calcite in almost all the pigments is indicative for the use of the fresco technique at the studied areas, while the detection of gypsum and calcium oxalate, indicates an environmental degradation along with a biodegradation. Common pigments used in this area at 15-16th centuries, such as cinnabar, green earth, manganese oxide, carbon black and calcite were identified.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

Revising the Assumption that Ḥadīṯ Studies Flourished in the 11th/17th-Century Ḥiǧāz: Ibrāhīm al-Kūrānī’s (d. 1101/1690) Contribution

Arabica ◽  
2021 ◽  
Vol 68 (1) ◽  
pp. 1-35
Author(s):  
Naser Dumairieh
Keyword(s):  
General Framework ◽  
18Th Century ◽  
Critical Role ◽  
17Th Century ◽  
Main Interest ◽  
Islamic World ◽  
The Core ◽  
Revival Movement ◽  
Almost All

Abstract The Ḥiǧāz in the 11th/17th century has long been considered the center of a “revival” movement in ḥadīṯ studies. This assumption has spread widely among scholars of the 11th-/17th- and 12th-/18th-century Islamic world based on the fact that the isnāds of many major ḥadīṯ scholars from almost all parts of the Islamic world from the 11th/17th century onward return to a group of scholars in the Ḥiǧāz. The scholarly group that is assumed to have played a critical role in the flourishing of ḥadīṯ studies in the 11th/17th-century Ḥiǧāz is called the al-Ḥaramayn circle or network. However, to date, there have been no studies that investigate what was actually happening in that century concerning ḥadīṯ studies. Examining the actual ḥadīṯ studies of one of the scholars at the core of al-Ḥaramayn circle, i.e. Ibrāhīm b. Ḥasan al-Kūrānī, will unpack the main interest of Ḥiǧāzī scholars in ḥadīṯ literature, reveal previously unstudied aspects of ḥadīṯ studies in the 11th/17th-century Ḥiǧāz, correct some unexamined assumptions, and situate the ḥadīṯ efforts of scholars of the 11th/17th-century Ḥiǧāz within a general framework of developments within ḥadīṯ studies.

Conversations with the Malabar Pagans (according to the Documents of the Danish Royal Tranquebar Mission)

2021 ◽  
pp. 259
Author(s):  
Kseniia D. Nikolskaia
Keyword(s):  
18Th Century ◽  
Local Population ◽  
Special Kind ◽  
17Th Century ◽  
East India Company ◽  
Basic Principles ◽  
Hindu Religion ◽  
The University ◽  
Local Languages ◽  
Coromandel Coast

At the beginning of the 17th century, the Danish East India company (Dansk Østindisk Kompagni) was established in Europe. In particular, Tranquebar (Dansborg fortress) became the stronghold of the Danes in India. In another hundred years, at the very beginning of the 18th century, the first Lutheran missionaries appeared on the Coromandel coast. At this time the Danish Royal mission was established in Tranquebar, funded by king Frederick IV. It consisted mainly of Germans who graduated from the University of the Saxon city of Halle. Those missionaries not only actively preached among the local population, but also studied languages of the region, translated Gospels into local languages and then published it in the printing house they created. They also trained neophytes from among the local children. One of the first missionaries in Tranquebar was pastor Bartholomäus Ziegenbalg, who lived in India from 1706 to 1719. Information about Pastor's activities in the Royal Danish mission has been preserved in his letters and records. These letters and papers were regularly printed in Halle in the reports of the Royal Danish Mission («Ausführliche Berichte an, die von der königlichen dänischen Missionaren aus Ost-Indien»). However, besides letters and reports, this edition constantly published texts of a special kind, called «conversations» (das Gespräch). They looked like dialogues between pastor Bartholomäus Ziegenbalg and local religious authorities. Those brahmans explained the basic principles of the Hindu religion, and their opponent showed them the absurdity of their creed by comparing it with the main tenets of Christianity. The following is a translation of one of these dialogues.

Sign in / Sign up

Export Citation Format

Share Document