scholarly journals Traduire l'ironie. L'exemple d'une œuvre romanesque de N. Kazantzaki et ses traductions française et anglaise

2007 ◽  
Vol 31 (2) ◽  
Author(s):  
Maria Constantinou

This paper sets out to study the ironical effects related to morphological, rhetorical and macro-structural cues of the novel by N. Kazantzakis's Ο τελευταίος πειρασμός (1951), and then to examine the degree of their transposition in the French and English translations, carried out by Saunier (1959 La dernière tentation du Christ) and by Bien (1960 The Last Temptation of Christ) respectively. Initially, from a theoretical point of view some definitions of irony as a thought and rhetorical figure are reviewed, while a particular attention is drawn to the theoretical insights of literary irony, in relation to Kazantzakis's work and life. From an analytical, enunciative perspective, this article will endeavour to locate, classify and analyze some techniques of ironization brought into play by Kazantzakis, with a view to comparing them with their transposition in the translated texts. The study privileges a pragmatico-textual approach, which embraces the theoretical background of enunciative polyphony.

2015 ◽  
Vol 52 (2) ◽  
pp. 221-232
Author(s):  
Pál Dömösi ◽  
Géza Horváth

In this paper we introduce a novel block cipher based on the composition of abstract finite automata and Latin cubes. For information encryption and decryption the apparatus uses the same secret keys, which consist of key-automata based on composition of abstract finite automata such that the transition matrices of the component automata form Latin cubes. The aim of the paper is to show the essence of our algorithms not only for specialists working in compositions of abstract automata but also for all researchers interested in cryptosystems. Therefore, automata theoretical background of our results is not emphasized. The introduced cryptosystem is important also from a theoretical point of view, because it is the first fully functioning block cipher based on automata network.


Author(s):  
L. Nettis ◽  
F. De Bellis ◽  
A. Javed ◽  
G. Doulgeris ◽  
S. O. T. Ogaji ◽  
...  

Aircraft noise is nowadays considered a pollutant like exhaust gases. Moreover, future requirements for aircraft certification impose a remarkable reduction in noise emission in the next 20 years. Since current technologies are insufficient to achieve the target, new technologies have to be developed, both for engines and airframes. In this paper, three novel engine cycles have been studied from a preliminary and theoretical point of view, considering noise and fuel consumption reduction as key design drivers. The innovative cycles analysed are: Variable Fan Nozzle Area (VFNA), Constant Volume Combustor (CVC) and Inter Cooled Recuperated (ICR). A parametric analysis has been performed for each one of them in order to select the best cycle; then, the three optimums have been compared. The designed VFNA engine provides the largest reduction in jet noise (64%) in comparison to the baseline, whilst the CVC has the lowest fuel consumption. However, both use two fans per engine, with weight and drag penalties. A further noise reduction is obtained installing the engines upon the wings, and not beneath them as in conventional designs. Obtained results show that noise shielding technique is responsible for a 20 dB decrease in OASPL, leading to a noise level, perceived on the ground, lower than 60 dB. This value implies a full satisfaction of the new environmental laws. Finally, the three propulsion systems have been installed on a medium range, twin engine aircraft and its flight performance has been evaluated. Simulations establish the superiority of the novel cycles against the baseline, in terms of reduced fuel consumption for the given mission.


2015 ◽  
Vol 7 (1) ◽  
pp. 73-81
Author(s):  
Vilma-Irén Mihály

Abstract The present paper aims at analyzing the significance and occurrence of pilgrimages as inner and outer journeys, focusing on their form(s) and role(s] in today’s postmodern society. The introductory part presents the phenomenon from a theoretical point of view, that is taking into consideration its possible definitions (e.g. as a religious phenomenon in pre-Christian and Christian cultures from the Middle Ages to the present: and pilgrimages in literature). The core of the paper then discusses Paulo Coelho’s novel entitled The Pilgrimage. A Contemporary Quest for Ancient Wisdom, which, though extremely popular, has not yet undergone any significant literary analysis. We shall examine the protagonist’s spiritual journey from the perspective of the postmodern human condition. The questions that the paper tries to answer also refer to the relationship between the novel and different religions such as Christianity and New Age. respectively neo-pagan movements that are the product and proof of postmodern pluralism at the same time.


2021 ◽  
Vol 3 ◽  
pp. 11-20
Author(s):  
Adam Regiewicz

The definition of the novel's frame has been familiar to literary researchers since the appearance structural theory. They are defined by the compositional norm or form of expression or the boundaries in which the plot is located. In all these approaches, the frame is only a reference point for artistic expression. At the same time, since the 1970s, there has been a clear turn towards autothematicism in literature, accompanied by a postmodern type of narrative, focusing on this context. The narrative itself and the narrator's self-awareness play a kind of game with the reader. From the theoretical point of view, it is the frame on which the recipient focuses. On the example of Łukasz Orbitowski's book Cult, the article shows this mechanism of shifting attention to the frame of expression.


Author(s):  
Natalia S. Bruffaerts ◽  
Valeria A. Labko ◽  
Liudmila S. Sorokina

The paper deals with a comparative analysis of notes to the French and English translations of The Cathedral Clergy by N. S. Leskov. It involves analyzing the language of the notes which determines their function. The neutral lexical and grammatical composition of the notes to the English text ensures their referential function while the use of deictic elements in the French notes, namely first-person pronouns, informs the latter ones a phatic function. The paper examines the objects of the notes, most of which relate to the religious discourse sphere. The study reveals the specifics of commenting which is more detailed in the English text. Special attention is paid to the notes related to fiction. A wide range of works is covered by the notes in the French translation, including those indirectly related to the text of the novel. The author also dwells on the notes concerning names and historical events, which turn out to be more informative in English translation and more affective in the French one.


2007 ◽  
pp. 86-94
Author(s):  
A. Manakov

The article provides theoretical analysis and evaluation of the timber auctions reforms in Russia. The author shows that the mechanism of the "combined auctions", which functioned until recently, is more appropriate from the theoretical point of view (and from the point of view of the Russian practice) as compared to the officially approved format of the English auction.


2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.


Metahumaniora ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 411
Author(s):  
Abu Bakar Ramadhan Muhamad

AbstrakHegemoni kolonialisme dalam budaya poskolonial merupakan alasan penelitian inikemudian mengkaji wacana kolonial dalam novel Max Havellar (MH) khususnya dampakditimbulkannya. Dampak dimaksud adalah posisi keberpihakan pemikiran tersirat darikarya tersebut. Hasil pembahasan menunjukkan, secara temporal maupun permanen MHmenyuarakan ketidakadilan dalam kondisi-kondisi kolonial menyangkut penindasan sangpenjajah terhadap terjajah. Hanya saja, upaya mengatasnamakan atau mewakili suarakaum terjajah terbukti mengimplikasikan ciri ideologis statis kerangka kolonialisme(orientalisme); yakni cara pandang Eropasentris, di mana “Barat” sebagai self adalah superior,dan “Timur” sebagai other adalah inferior. Dalam konteks poskolonialisme, MH dengan sifatkritisnya yang berupaya “menyuarakan” nasib pribumi terjajah, justru menampilkan stigmapenguatan kolonialitas itu sendiri secara hegemonik. Artinya, “menyuarakan” nasib pribumidimaknai sebagai keberpihankan kolonial yang kontradiktif, di mana stigma penguatankolonialitas justru lebih terasa, ujung-ujungnya melanggengkan hegemoni kolonial. Tidakmembela yang terjajah, tetapi memperhalus cara kerja mesin kolonial.AbstractThe hegemony of colonialism in the culture of postcolonial society is the reason this studythen examines the colonial discourse in the novel Max Havellar (MH) in particular the impactit brings. The impact in question is the implied position of thought in the work. The resultsof the discussion show that, temporarily or permanently, MH voiced injustice in the colonialconditions regarding the oppression of the colonist against the colonized. However, the effort toname or represent the voice of the colonized has proven to imply a static ideological characterin the framework of colonialism (orientalism); ie Eropacentric point of view, in which “West” asself is superior, and “East” as the other is the inferior. In the context of postcolonialism, MH withits critical nature that seeks to “voice” the fate of the colonized natives, actually presents thestigma of strengthening coloniality itself hegemonicly. That is, “voicing” the fate of the pribumiis interpreted as a contradictory colonial flare, where the stigma of strengthening colonialityis more pronounced, which ultimately perpetuates the hegemony of colonialism. No longerdefending the colonized, but refining the workings of the colonial machinery.


Metahumaniora ◽  
2018 ◽  
Vol 8 (3) ◽  
pp. 300
Author(s):  
Tania Intan ◽  
Trisna Gumilar

AbstrakPenelitian ini bertujuan untuk (1) mendekripsikan tanggapan pembaca terhadap novel Le Petit Prince (2) mendeskripsikan horizon harapan pembaca terhadap novel Le Petit Prince, dan (3) mendeskripsikan faktor-faktor penyebab perbedaan tanggapan dan horizon harapan pembaca. Penelitian ini termasuk jenis penelitian deskriptif kualitatif. Data penelitian berupa teks yang memuat tanggapan pembaca novel Le Petit Princeyang terdiri dari 20 orang, sedangkan sumber datanya berupa artikel dan makalah yang dimuat di media massa cetak dan elektronik termasuk internet. Instrumen penelitian berupa seperangkat konsep tentang pembaca, tanggapan pembaca, dan horizon harapan. Teknik pengumpulan data dengan cara observasi dan data dianalisis dengan menggunakan teknik deskriptif kualitatif. Hasil penelitian yang didapat sebagai berikut. (1) Seluruh pembaca menanggapi atau menilai positif unsur tema, alur, tokoh, latar, sudut pandang, gaya bahasa, teknik penceritaan, bahasa, dan isi novel Le Petit Prince. (2) Harapan sebagian besar pembaca sebelum membaca novel Le Petit Prince sesuai dengan kenyataan ke sembilan unsur di dalam novel Le Petit Prince, sehingga pembaca dapat dengan mudah menerima dan memberikan pujian pada novel Le Petit Prince. (3) Faktor penyebab perbedaan tanggapan dan horizon harapan pembaca selain perbedaan stressing unsur yang ditanggapi juga karena perbedaan pengetahuan tentang sastra, pengetahuan tentang kehidupan, dan pengalaman membaca karya sastra.Kata kunci: tanggapan pembaca, horizon harapan, Le Petit PrinceAbstractThis study aims to (1) describe reader’s responses to the novel Le Petit Prince (2) to describe the reader's expectations horizon of Le Petit Prince's novel, and (3) to describe the factors causing differences in responses and the horizon of readers' expectations. This research is a descriptive qualitative research type. The research data consist of a set of paragraphs that contains readers' responses to Le Petit Prince's novel, while the data sources are articles and papers published in print and electronic mass media including the internet. The research instruments are a set of reader concepts, reader responses, and expectations horizon. The technique of collecting data is observation and data are analyzed by using qualitative descriptive technique. The results obtained are as follow: (1) All readers respond and valuethe theme elements,plots, characters, background, point of view, language, titles, storytelling techniques, language, and extrinsic novel Le Petit Prince positively. (2) The expectations of most readers before reading Le Petit Prince's novels are in accordance with the nine facts in Le Petit Prince's novel, so readers can easily accept and give prise to Le Petit Prince's novel. (3) Factors causing differences in responses and horizon of readers' expectations other than the stressing differences of the elements being addressed also due to the differences in knowledge of literature, knowledge of life and literary reading experience. Keywords: readers responses, expectations horizon, Le Petit Prince


Sign in / Sign up

Export Citation Format

Share Document