scholarly journals The Transcendental Illusion of History

KÜLÖNBSÉG ◽  
2016 ◽  
Vol 17 (1) ◽  
Author(s):  
György Czétány
Keyword(s):  
Transcendental Philosophy ◽  
Cultural Development ◽  
The Core ◽  
Actual Reality ◽  
History Of ◽  
Transcendental Illusion ◽  
Historical Periods

The paper forms one chapter of the upcoming book to be titled The Rise and History of Transcendental Illusion. The book project relies on the terminology of critical transcendental philosophy in order to analyse and criticise the process of how synthetic principles function in the constitution of actual reality. The article aims at studying the relation of history and synthetic principles in particular:  how in certain historical periods certain synthetic principles dominate the constitution of reality. The core question is how cyclic, linear, or contingent philosophies of history come into being in certain periods of socio-cultural development.

THE CORE AND PERIPHERY OF THE CURRENT CULTURE OF ARTISTIC CREATION ABOUT THE GREAT PATRIOTIC WAR IN THE STUDENTS’ VIEWS

2020 ◽  
Vol 6 (3) ◽  
pp. 130-149
Author(s):  
Elena N. NARKHOVA ◽  
Dmitry Yu. NARKHOV
Keyword(s):  
Historical Memory ◽  
Soviet Period ◽  
Russian Society ◽  
Student Culture ◽  
The Core ◽  
Musical Works ◽  
Great Patriotic War ◽  
History Of ◽  
Current Student ◽  
Historical Periods

This article analyzes the degree of demand for works of art (films and television films and series, literary and musical works, works of monumental art) associated with the history of the Great Patriotic War among contemporary students. This research is based on the combination of two theories, which study the dynamics and statics of culture in the society — the theory of the nucleus and periphery by Yu. M. Lotman and the theory of actual culture by L. N. Kogan. The four waves of research (2005, 2010, 2015, 2020) by the Russian Society of Socio¬logists (ROS) have revealed a series of works in various genres on this topic in the core structure and on the periphery of the current student culture; this has also allowed tracing the dynamics of demand and the “movement” of these works in the sociocultural space. The authors introduce the concept of the archetype of the echo of war. The high student recognition of works of all historical periods (from wartime to the present day) is shown. A significant complex of works has been identified, forming two contours of the periphery. Attention is drawn to the artistic work of contemporary students as a way to preserve the historical memory of the Great Patriotic War. This article explains the necessity of preserving the layer of national culture in order to reproduce the national identity in the conditions of informational and ideological pluralism of the post-Soviet period. The authors note the differentiation of youth due to the conditions and specifics of socialization in the polysemantic sociocultural space.

I Think, I Am Mad. Derrida, Gaslight and the Irony of the Cogito

2014 ◽  
Vol 36 (1) ◽  
pp. 81-93
Author(s):  
Dirk Setton
Keyword(s):  
Active Form ◽  
Transcendental Philosophy ◽  
Central Point ◽  
Transcendental Function ◽  
Stanley Cavell ◽  
The Core ◽  
A Value ◽  
Female Protagonist ◽  
History Of ◽  
Supreme Principle

At the climax of George Cukor's Gaslight, a film melodrama from 1944, the female protagonist utters the phrase ‘I am mad’ which Stanley Cavell takes to reveal her Cogito. As such, the formula seems to be a perfect exemplification of Derrida's central point in Cogito and the History of Madness, namely that there is ‘a value and a meaning of the Cogito’, detectable in Descartes's Mediations, which welcomes madness as its genuine and necessary possibility. But how can we conceive of the ‘I think’—the supreme principle of transcendental philosophy constituting the objectivity of cognition and experience—as embracing unreason as its own condition? This article attempts to highlight a quasi-transcendental interpretation of Derrida's answer to this question: deconstruction reveals a certain irony at the core of the primary text of transcendental philosophy. I argue that the formula ‘I am mad’ contains the decisive key to the argument: the irony of the Cogito consists in the fact of its double transcendental functioning—a transcendental function in the ‘middle’ form and a transcendental function in the active form.

scholarly journals Nepali Painting: Traditional Motifs in Modern Art

2017 ◽  
Vol 3 (1) ◽  
pp. 173-176
Author(s):  
Jyoti Prakash B.K.
Keyword(s):  
Art History ◽  
Modern Art ◽  
Cultural Development ◽  
Religious Development ◽  
The Core ◽  
Ancient Time ◽  
The World ◽  
History Of ◽  
Contemporary Situation ◽  
Weak Surface

 Art is mirror of society. Human Civilization developed through art. Philosopher Langinus said that the power of the art is to create sublime to viewers. There is lot of philosophy in art history but still no any conclusion or scientific answer about the art but art is more contemporary due to the globalization and individual expression. In the case of Nepali art, before the "Kirat" and "Lichhabi" period had also some paintings and sculpture. Because of the weak surface we didn't have any paintings but can know from the petrography of Lichhabi period. In the world the ancient time had been found to be developing from religious and cultural development. It is absolutely relevant to be saying that the Nepali paintings were also the cause of the religious development. The history of the Nepali painting had been developed on religious base from the history to contemporary situation. So the main objective of the research is to find the core relation between traditional and modern painting.

Personal and Eponymous Nicknames in Historical Retrospective

2020 ◽  
Vol 81 (2) ◽  
pp. 83-87
Author(s):  
Yu. V. Shcherbinina
Keyword(s):  
Secondary School ◽  
Daily Life ◽  
School Teaching ◽  
History Of ◽  
Methodological Practice ◽  
Historical Periods

The article is devoted to the genesis of personal and eponymous nicknames as a vivid phenomenon in the history of language and speech, which has irrefutable potential for developing methods of teaching and educating schoolchildren. The main varieties of nicknames, the conditions for their formation and the specifics of daily life in different historical periods are considered. The interconnections of nicknames with similar and related phenomena of Russian and European speech cultures are analyzed. The feasibility of analysing nicknames in the methodological practice of secondary school is postulated. Possible ways of the implementation of intrasubject and intersubject communications in the school teaching of humanities are offered on the basis of familiarizing students with the history of eponymous and personal nicknames.

Conclusion

2018 ◽  
Author(s):  
Ildar Garipzanov
Keyword(s):  
Cultural History ◽  
Middle Ages ◽  
Late Antiquity ◽  
Western Europe ◽  
Dominant Role ◽  
Ninth Century ◽  
Sources Of Authority ◽  
History Of ◽  
Historical Periods

The concluding chapter highlights how the cultural history of graphic signs of authority in late antiquity and the early Middle Ages encapsulated the profound transformation of political culture in the Mediterranean and Europe from approximately the fourth to ninth centuries. It also reflects on the transcendent sources of authority in these historical periods, and the role of graphic signs in highlighting this connection. Finally, it warns that, despite the apparent dominant role of the sign of the cross and cruciform graphic devices in providing access to transcendent protection and support in ninth-century Western Europe, some people could still employ alternative graphic signs deriving from older occult traditions in their recourse to transcendent powers.

Indexicality of Grammar: The Case of Japanese Transgender Speakers

2019 ◽  
Author(s):  
Hideko Abe
Keyword(s):  
Gender Identity ◽  
Gender Identity Disorder ◽  
Grammatical Gender ◽  
Core Structure ◽  
Subject Positions ◽  
Transgender Identity ◽  
The Core ◽  
History Of ◽  
History Of Scholarship ◽  
Grammatical Structures

This article discusses how the intersection of grammatical gender and social gender, entwined in the core structure of language, can be analyzed to understand the dynamic status of selfhood. After reviewing a history of scholarship that demonstrates this claim, the discussion analyzes the language practices of transgender individuals in Japan, where transgender identity is currently understood in terms of sei-dōitsusei-shōgai (gender identity disorder). Based on fieldwork conducted between 2011 and 2017, the analysis reveals how individuals identifying with sei-dōitsusei-shōgai negotiate subject positions by manipulating the specific indexical meanings attached to grammatical structures.

The Chronology of Yaxuna

1998 ◽  
Vol 9 (1) ◽  
pp. 167-182 ◽  
Author(s):  
Charles Suhler ◽  
Traci Ardren ◽  
David Johnstone
Keyword(s):  
Cultural History ◽  
Cultural Development ◽  
The Political ◽  
Ancient Maya ◽  
Urban Center ◽  
Maya Lowlands ◽  
Terminal Classic ◽  
History Of ◽  
Late Formative ◽  
Middle Formative

AbstractResearch at the ancient Maya city of Yaxuna, located in the heart of the Yucatan Peninsula, has provided sufficient data to suggest a preliminary chronological framework for the cultural development of this large polity. Primary ceramic and stratigraphie data are presented to support a five-phase scheme of cultural history, encompassing the Middle Formative through Postclassic periods (500 b.c.–a.d. 1250). In addition to chronological significance, the political ramifications of a pan-lowland ceramic trade are addressed. Yaxuna experienced an early florescence in the Late Formative–Early Classic periods, when it was the largest urban center in the central peninsula. A second renaissance in the Terminal Classic period was the result of Yaxuna's role in an alliance between the Puuc and Coba, in opposition to growing Itza militancy. This paper proposes a chronological framework for the cultural development of one northern Maya region in order to facilitate an understanding of this area as part of the overall history of polity interaction and competition in the Maya lowlands.

MODERN PERFORMANCE ON THE KAZAKH KOBYZ

2020 ◽  
Vol 1 (2) ◽  
pp. 176-180
Author(s):  
T. Zh. Yeginbayeva ◽  
Keyword(s):  
Cultural Development ◽  
Ancient History ◽  
Musical Culture ◽  
The Past ◽  
Ensemble Performance ◽  
Natural Tendency ◽  
New Development ◽  
Key Factor ◽  
History Of ◽  
Ancient Times

Global processes in the musical culture of Kazakhstan are the result of the numerous events that have taken place in the country over the past 20 years. The independence of the state has become a key factor that has had a decisive impact on the economic, socio-political and cultural development of the country. We have entered a new life, which has a rich cultural heritage and was carefully preserved by our ancestors. One of the proofs is the history of Kazakh kobyz art from ancient times to the present day. Modern kobyz art is closely connected with ancient history and has a rich natural tendency for new development, based on centuries of experience. Therefore, kobyz music of the XXth–XXIst centuries absorbed the traditions of European genres and styles, and is widely used in mass music, in various directions of ethnorock, art-rock, folk and others. Two lines of development of music for kobyz and music on kobyz existed in ancient times and nowadays. From here comes the divergence of creative direction among modern composers and in ensemble performance.

Dead-Ends and New Directions

2021 ◽  
Vol 15 (4) ◽  
pp. 327-347
Author(s):  
Jean Francesco A.L. Gomes
Keyword(s):  
Natural History ◽  
Scientific Theory ◽  
Good Science ◽  
Orthodox Christian ◽  
The Core ◽  
The Earth ◽  
New Directions ◽  
History Of ◽  
Evolutionary Science ◽  
Doctrine Of Creation

Abstract The aim of this article is to investigate how Abraham Kuyper and some late neo-Calvinists have addressed the doctrine of creation in light of the challenges posed by evolutionary scientific theory. I argue that most neo-Calvinists today, particularly scholars from the Vrije Universiteit Amsterdam (VU), continue Kuyper’s legacy by holding the core principles of a creationist worldview. Yet, they have taken a new direction by explaining the natural history of the earth in evolutionary terms. In my analysis, Kuyper’s heirs at the VU today offer judicious parameters to guide Christians in conversation with evolutionary science, precisely because of their high appreciation of good science and awareness of the nonnegotiable elements that make up the orthodox Christian narrative.

ЦЕННОСТИ И СМЫСЛЫ НЕНАСИЛИЯ В ПОЛИТИЧЕСКОМ ПРОТЕСТЕ

2021 ◽  
Vol 15 (4) ◽  
pp. 58
Author(s):  
Л. Ю. Логунова ◽  
Е. А. Маженина
Keyword(s):  
Political Culture ◽  
New Left ◽  
Political Protest ◽  
Self Awareness ◽  
Sociological Study ◽  
The Core ◽  
Long Term Study ◽  
History Of ◽  
The Individual ◽  
Left Movement

The article presents the results of a long-term study of protest as a cultural phenomenon, the transformation of values, realized in the activities of the best people of the planet and their followers. These values have absorbed the experience of many generations and the behavior of people defending the rights of an individual to dignity, equality before the law, fair attitude, freedom of thought. In the history of the development of political thought, values have formed that constitute the core of civil culture. The genesis of the birth of the nucleus of civil culture from the thinkers of Antiquity, ideologists of nonviolent resistance, leaders of the French bourgeois revolution, activists of the “new left” movement to the protests of our time is shown. The basis for updating the protection of these values is the socio-political situation, characterized by the divergence of interests of civil society and ruling political groups. The values of the core of civil culture (freedom of speech, freedom of conscience, freedom of assembly, human rights) acquire an acute urgency in situations of power crisis. This is the time of the birth of new values that will mobilize new generations of protesters. Protest, as an act of protecting the values of the individual, is a measure of the level of development of political culture in the state. The protest — it's not just a mass exit of dissent on the area. This is an indicator of the level of self-awareness of citizens and the development of the political culture of society. The symbols of political protest actions are a special text that expresses the meanings of values. The authors present the results of a sociological study, which used comparative, value-semantic, interpretive approaches, studied the meanings and values of political protests of the 20th — early 19th centuries, analyzed visual and publicistic evidence of protest actions: photo and video materials, publications in the press.

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