scholarly journals Transdisciplinarity of preservation: postgraduate programs associated with conservation and restoration in the Brazilian context

2020 ◽  
Author(s):  
André Alexandre Gasperi ◽  
Raquel Franca Garcia Augustin
Keyword(s):  
Cultural Heritage ◽  
Doctoral Degrees ◽  
Interdisciplinary Projects ◽  
The University ◽  
Interdisciplinary Process

The sphere of knowledge covers complex gradations, whose evolution differs according to the approximation and relationships between disciplines. Transdisciplinarity results from the interdisciplinary process whose relationships are deep and cooperative. Considering this and the fact that Brazil does not have any master or doctoral degrees in Conservation and Restoration of Movable Cultural Heritage, this research aimed to identify the postgraduate programs developing interdisciplinary projects in conservation and restoration in the country. Accordingly, the areas of knowledge with strong relations with conservation and restoration were listed from the University graduate’s curricular matrices in the country. Then, a search was carried out in the CAPES Thesis and Dissertations Catalog. This study identified programs and institutions developing projects on conservation and restoration, creating transdisciplinary dialogues on the field of preservation.

Sabiedrības iesaistes akcija “Lasi skaļi”: estētiskie un izglītojošie dzejas ieskaņošanas aspekti

Letonica ◽  
2021 ◽  
Author(s):  
Eva Eglāja Kristsone ◽  
Signe Raudive
Keyword(s):  
Cultural Heritage ◽  
Public Engagement ◽  
Read Aloud ◽  
Sound Processing ◽  
The Public ◽  
Recording Process ◽  
Audio Recordings ◽  
Classical Poetry ◽  
Societal Participation ◽  
The University

Keywords: children’s poetry, public engagement, reading aloud, recording of poetry, Veidenbaums The development of public engagement technologies has provided new ways of ensuring societal participation. Public engagement events developed by various institutions provide ways to combine learning about cultural heritage with individual participants. Poetry readings serve as one of the ways the sound of Latvian literature and particularly Latvian classical poetry can be updated. The authors of this article analyse the first two public engagement actions (“Skandē Veidenbaumu” and “Lasīsim dzejiņas” of the series “Lasi skaļi” (Read Aloud) launched by the Institute of Literature, Folklore, and Art of the University of Latvia. During these events, participants were given the opportunity to record thematically-selected poems in the audio recording booth of the Latvian National Library or, as an alternative, to record a poem on their computer or mobile device and upload them to the action site. The events combined the creation of a recorded body of poetry readings with related educational content and represent one of the newer educational methods for reaching the general public and some of its subgroups (children, pupils, students, etc.). Through these events, the public was given the opportunity to become acquainted with Latvian cultural heritage while simultaneously creating new cultural artifacts. The participants creatively used different approaches of performance, recording the poems in a variety of voices, singing, or even incorporating digital sound processing programmes. They actively seized on the opportunity to create new versions of poems that had already been set to music. The main reasons for rejecting any particular recording were buffoonery or cursing during the recording process, or having left the recording unfinished. Both events resulted in more than 4,500 audio recordings which were then stored in the digital archive of the Institute. The set of recordings could be of interest to researchers in the fields of linguistics, sociolinguistics and computer linguistics, as it provides a unique representation of pronunciation during a specific period of time performed by people of different ages, genders, and nationalities.

scholarly journals The Cultural Revolution in David Lodge’s Changing Places

2019 ◽  
Author(s):  
AWEJ-tls for Translation & Literary Studies ◽  
Noureddine Friji
Keyword(s):  
Adverse Effects ◽  
University Students ◽  
Cultural Heritage ◽  
Cultural Revolution ◽  
Aesthetic Value ◽  
Cultural Traditions ◽  
One Dimensional ◽  
German Philosopher ◽  
The Aesthetic ◽  
The University

Utilizing Herbert Marcuse’s One-Dimensional Man (1962) and Counterrevolution and Revolt (1972) as a theoretical backdrop, this article seeks to gauge the extent to which the teachings of the German philosopher and political theorist lay the groundwork for the protests mounted by the university students in David Lodge’s campus novel Changing Places (1975). Admittedly, the Student Revolution spilled over into numerous fields. However, given space restrictions, only its cultural manifestations will be examined. It will be clear that at the root of Lodge’s students’ uprising lies an overpowering urge to break with the cultural heritage and with the academics upholding it. It will be equally clear, nonetheless, that these young activists’ faith in Marcuse’s political doctrine is unwelcome to conservative academics on the ground that it has diverse adverse effects on universities. Not only are politically oriented texts and discourses given precedence over traditional ones but also teachers and administrators are, at times, hindered from doing their duties. The plausible conclusion to draw, in the light of the research’s findings, is that although cultural revolutions undeniably pave the way for a number of personal and collective achievements and help us modernize many aspects of life, they should not blind us to the enduring significance of previous cultural traditions and of the aesthetic value of literary works.

scholarly journals Underwater Cultural Heritage as an Engine for Social, Economic and Cultural Development. State of Research at the University of Cadiz (Andalusia, Spain)

Heritage ◽  
2021 ◽  
Vol 4 (4) ◽  
pp. 2676-2690
Author(s):  
Carlota Pérez-Reverte Pérez-Reverte Mañas ◽  
Felipe Cerezo Cerezo Andreo ◽  
Pablo López López Osorio ◽  
Raúl González González Gallero ◽  
Luis Mariscal Mariscal Rico ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
New Technologies ◽  
Research Process ◽  
Cultural Development ◽  
Local Economy ◽  
Public Access ◽  
Bottom Surface ◽  
State Of Research ◽  
Definition Of ◽  
The University

Public access to underwater and maritime cultural heritage has proven to have a very positive effect on the local economy. This type of heritage is very attractive for the cultural tourism sector in general and for active and diving tourism. The Nautical and Underwater Archeology Line of the University of Cadiz, within the framework of the TIDE Project (Interreg Atlantic Area) and Herakles Project (FEDER-UCA18-107327) have been working on the enhancement of maritime and underwater heritage through the application of new technologies. In this paper, we will present the advances in the project in the Strait of Gibraltar, based on the first phase of scientific analysis and on the definition of a common working methodology that has resulted in a toolkit for the development of tourism activities linked to the MCH and UCH. Pilot activities under development are focused on accessible underwater heritage routes, VR applications to create Dry Dive experiences and the streaming of underwater archaeological works, thanks to a bottom-surface acoustic communication buoy. Results show that these types of outreach solutions and, by extension, of tourism application, must be preceded by a rigorous archaeological research process, a study of the target audience and the evaluation of the carrying capacity of the sites, to avoid falling into the mercantilisation or deterioration of the UCH. On the other hand, virtual or indirect access solutions are very useful, but always through the correct interpretation of the heritage.

scholarly journals Heritales 2017 - Beyond the academia. Re-thinking Heritage trough cinema and others art forms

2020 ◽  
Author(s):  
Maria Zozaya-Montes ◽  
Nicola Schiavottiello
Keyword(s):  
Cultural Heritage ◽  
Cultural Practices ◽  
Early Stage ◽  
World Politics ◽  
Positive Feedbacks ◽  
The Public ◽  
Intangible Heritage ◽  
Future Events ◽  
And Performance ◽  
The University

The UNESCO World Heritage city of Évora (Portugal) hosted the second Heritales – International Heritage Film Festival in September 2017. In this edition the festival focused on current and past sustainable communities, selecting works that explored and problematized the relationship and coexistence of modernity and sustainability when applied to human groups and societies. The films presented the everyday life, knowledge, crafts and know-how of ordinary people highlighting the changes and challenges that the expansion of consumer-based economies, globalization and world politics have brought. As organizers, by focusing on sustainability in heritage context, we wanted to go beyond current preservation strategies of the tangible and intangible heritage, to promote a reflection on the “culture of sustainability” itself, looking at how sustainable ways-of-existence have characterized various communities and cultural practices worldwide. Since its first edition, the festival has been a space for the promotion of a critical understanding of cultural heritage, aimed to the broader public. By using emblematic historical places as stage, Heritales has challenged the mainstream cultural heritage scientific communication. Its proposal is to approach heritage’s issues through multiple types of media and artistic work such as films and documentaries but also cultural heritage’s games, exhibitions, theatre and performance, with talks and several communication strategies to facilitate the encounter between the authors and the public. Although the festival has received many positive feedbacks and the support of various entities such as the UNESCO Chair of the University of Évora (Portugal) and the FCT (Science and Technology Foundation, Portugal) it is still at its early stage of action. In this paper we would like to present the results of our experiment and analyse its concept and results, so that more collaborative and sustainable methodologies can also become a part of our plan of actionfor the organization of future events.

scholarly journals Background to the University of Queensland Archaeological Services Unit's Lang Park Salvage Excavations: History, Significance Assessment and Methods

2002 ◽  
Vol 13 ◽  
pp. 21 ◽  
Author(s):  
Kevin Rains ◽  
Jonathan Prangnell
Keyword(s):  
Cultural Heritage ◽  
Management Plan ◽  
Heritage Management ◽  
Cultural Heritage Management ◽  
Building Activity ◽  
The University

<p>Brisbane's major football venue, Lang Park, is undergoing a $280 million redevelopment. As part of this project the University of Queensland Archaeological Services Unit (UQASU) developed a cultural heritage management plan for the site. UQASU identified that the Lang Park site once housed a number of historic cemeteries, dating from the 1840s, and an early brick drain. These were assessed to be of high cultural heritage significance, and in 2000 UQASU formulated policies and strategies for their management. In 2001, UQASU began the salvage of those parts of the culturally significant elements that were to be deleteriously affected by earthworks and building activity. To date 397 burials have been exhumed.</p>

‘This Whole Project Has Given Me Focus, Hope and Positivity’: The Co Presentation of Findings

2017 ◽  
Author(s):  
Rachael Kiddey
Keyword(s):  
Cultural Heritage ◽  
Historical Archaeology ◽  
Public Archaeology ◽  
Contemporary Archaeology ◽  
Public Meetings ◽  
Heritage Studies ◽  
University Of Bristol ◽  
Medieval Archaeology ◽  
The University ◽  
Do So

I was explicitly clear with everyone who became involved in the Homeless Heritage project that the intention was to present our findings publically in a number of ways. We did this by co-publishing articles in popular magazines and peer-reviewed journals, speaking at public meetings and academic conferences, and through co-curating two interactive public exhibitions on the heritage of homelessness. It was important to spread the ways in which our findings were presented across a variety of platforms so that our results reached diverse audiences; for example, John Schofield, my homeless colleagues, and I published co-authored articles in The Big Issue, and in British Archaeology, in the hope that our work might reach people outside academia. That said, we were equally keen to demonstrate that the Homeless Heritage project was just as valid as archaeological investigations into any other marginalized culture or period so we also published co-authored peer-reviewed papers in Public Archaeology, Post-Medieval Archaeology, and created, in collaboration with artist Mats Brate, a comic based on fieldwork for the Journal of Contemporary Archaeology. Further to this, various book chapters were co-produced for academic books,6 and I have since published a paper for the International Journal of Heritage Studies, which focused on how cultural heritage methodologies can function as tools for empowerment. I encouraged my homeless colleagues to co-present papers at a variety of conferences and public talks. Jane, Danny, Deano, and Whistler co-presented a paper entitled ‘Punks and Drunks: Counter Mapping Homeless Heritage’ at the conference of the Theoretical Archaeology Group (TAG) at the University of Bristol in 2010, while Andrew, Jane, Dan, and Mark co-presented a paper called ‘Stories from the Street: Contemporary Homelessness as Heritage’ at the Postgraduate Conference in Historical Archaeology at the University of Leicester Centre for Historical Archaeology in 2011. To me, it was essential that those homeless colleagues who wanted to remain involved with the project once fieldwork had been completed were given real opportunities to do so.

scholarly journals Developing creative product designs inspired by ethnic cultural heritage

2019 ◽  
Vol 11 (6) ◽  
Author(s):  
Keiphe Nani Setlhatlhanyo ◽  
Odireleng Marope ◽  
Richie Moalosi ◽  
Oanthata Jester Sealetsa
Keyword(s):  
Cultural Heritage ◽  
Visual Analysis ◽  
Soft Skills ◽  
Cultural Knowledge ◽  
Cultural Symbols ◽  
University Of Botswana ◽  
Current Trends ◽  
Innovative Products ◽  
The University

Due to colonisation and globalisation, ethnic cultures are changing and Botswana’s ethnic cultures are no exception to this change. This study aims to explore how the ethnic culture of different tribes in Botswana can be used to inspire the design of new products. A case study was conducted with students at the University of Botswana on particular themes of ethnic cultural knowledge, which inspired them to design futuristic innovative products. Visual analysis was used to assess the student designs for how they informed current trends without distorting their ethnic cultural meaning. The findings indicated that students were able to design using their own cultural heritage, to work in teams, thus, attaining soft skills, and to modernise ethnic cultural symbols to design symbolic, innovative, and futuristic products.

Doctoral Dissertations in Economics One-Hundred-Twelfth Annual List

2016 ◽  
Vol 54 (4) ◽  
pp. 1551-1580 ◽  
Keyword(s):  
Doctoral Degrees ◽  
Canadian Universities ◽  
Subject Classifications ◽  
Doctoral Dissertations ◽  
The University ◽  
Degree Recipients ◽  
Academic Year

The list below specifies doctoral degrees conferred by U.S. and Canadian universities during academic year July 2015 to June 2016. Lists of degree recipients and subject classifications are provided by the university. Note: Dissertations without classifications may be found under “Y Miscellaneous Categories.”

Recovering Yemen’s Cultural Heritage: The Stookey Microfilms

2018 ◽  
Vol 2 (1-2) ◽  
pp. 308-318
Author(s):  
Dale J. Correa
Keyword(s):  
Middle East ◽  
Cultural Heritage ◽  
Cultural Memory ◽  
The Internet ◽  
Considerable Time ◽  
University Of Texas ◽  
Foreign Service ◽  
Manuscript Tradition ◽  
Research Associate ◽  
The University

Abstract In 1973, recent PhD and newly-affiliated Research Associate at the University of Texas at Austin, Robert W. Stookey, made microfilm copies of a number of Arabic manuscripts in Yemen on a variety of subjects. Stookey was not himself a manuscripts expert, but was instead invested in preserving and making available for research the intellectual tradition of Yemen, a country in which he had spent considerable time as a researcher and member of the Foreign Service. Stookey’s microfilms were accessioned to the UT Libraries’ Middle East collection in 1980, and digitized starting in 2014. This article discusses the importance of the Stookey microfilms as an early post-custodial arrangement for preserving, making accessible, and ultimately recovering the intellectual heritage of Zaydism in Yemen. Through their inclusion in the Zaydi Manuscript Tradition portal, these microfilms will be made freely and openly available for anyone to discover and study on the Internet. While the destruction of life, property, and cultural memory continues in Yemen, this is an example of a way for North American library collections to help to recover Yemen’s precious heritage.

Lauro Quirini

2015 ◽  
Author(s):  
Seth Parry
Keyword(s):  
Ottoman Empire ◽  
Early Life ◽  
Domestic Politics ◽  
Doctoral Degrees ◽  
Political Career ◽  
15Th Century ◽  
University Of Padua ◽  
The University ◽  
The Impact ◽  
Academic Interests

Lauro Quirini (b. 1420–d. 1479) was a major Venetian humanist of the mid-15th century. He was born into a patrician family and pursued academic interests in his early life. He studied at the University of Padua, receiving doctoral degrees in arts in 1440 and law in 1448. Quirini was a recognized master in Greek and Latin, and he used his linguistic skills to spread his love of Aristotle in the original Greek. He participated in a number of controversies with fellow humanists (such as Poggio Bracciolini, Leonardo Bruni, and Lorenzo Valla) and corresponded with others. He translated a number of works into Latin from Greek and wrote a series of treatises concerning nobility. These treatises—which use Aristotelian categories to argue that nobility is an inborn attribute of the patriciate—are one of Quirini’s major legacies. In 1452, though, he relocated from Venice to Crete where his family owned lands. He remained there for the rest of his life, trading in a number of commodities. While on Crete, Quirini acted as a go-between book dealer for Cardinal Bessarion, with whom he maintained a lifelong relationship. As a result of his relocation, Quirini did not participate in Venetian domestic politics, a feature that differentiates him from other Venetian humanists, who usually pursued an active political career alongside their intellectual interests. Quirini’s second contemporary legacy is the series of letters he wrote from Crete concerning his worries about the advance of the Ottoman Empire after its conquest of Constantinople. In true humanist fashion, he particularly highlighted the impact that the fall of this ancient capital had on culture, maintaining that Turkish victories threatened the continued existence and preservation of countless antique manuscripts.

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