scholarly journals The symbolism and function of the Window of Appearance in the Amarna Period

1970 ◽  
Vol 24 ◽  
pp. 77-98
Author(s):  
Maria M. Kloska

During the reign of the Amarna spouses, giving gold necklaces to royal officials took place (almost always) from the so-called Window of Appearance. From them, Akhenaten and Nefertiti, often with princesses, honoured deserved and devoted dignitaries. The popularity of the Window of Appearance closely relates to the introduction of a new religious system introduced by Akhenaten and Nefertiti. According to the new religion, Akhenaten and Nefertiti were a pair of divine twins like Shu and Tefnut, who in the Heliopolitan theology, were the children of the god Atum – replaced by Aten in Amarna. The royal couple prayed to the main solar god, while their subjects prayed to the king and queen. Since Akhenaten performed the role of a priest through whom ordinary people could pray to the god, it was necessary to createa construction that would allow the king to meet with his subjects publicly. The Window of Appearance was such architectural innovation. It was crucial because the king was an intermediator between the people and the only right sun god, Aten. The Windows of Appearance were probably located in various places in Akhetaten, including the Great Palace, the King’s House, the North Palace, the Small Aten Temple and in the temples of the Sunshades of Re in the Kom el-Nana and Maru-Aten. The characteristic shape of the Window of Appearance often appears in the architecture and the art of the Amarna Period. The structure resembles the Axt hieroglyph, which is the morning sun rising between two hills. This symbol is a part of the name of the new capital Axt-itn – The Horizon of Aten.

2017 ◽  
Vol 74 (3) ◽  
pp. 801-807 ◽  
Author(s):  
Joseph Egger ◽  
Klaus-Peter Hoinka ◽  
Thomas Spengler

Abstract Inversion of potential vorticity density with absolute vorticity and function η is explored in η coordinates. This density is shown to be the component of absolute vorticity associated with the vertical vector of the covariant basis of η coordinates. This implies that inversion of in η coordinates is a two-dimensional problem in hydrostatic flow. Examples of inversions are presented for (θ is potential temperature) and (p is pressure) with satisfactory results for domains covering the North Pole. The role of the boundary conditions is investigated and piecewise inversions are performed as well. The results shed new light on the interpretation of potential vorticity inversions.


Social Change ◽  
2000 ◽  
Vol 30 (1-2) ◽  
pp. 55-73
Author(s):  
T. M. Vinod Kumar ◽  
Gayatri

“Urban poverty and its attendant human cost is perhaps the single greatest challenge of our time. The future of our towns and cities, which is where most humanity will live in the next century, hinges on our tackling it successfully. The centerpiece of urban policy as we enter the 21st Century must therefore be the struggle against poverty, with goals such as the integration of the informal city, the recovery and democratic use of public space, and the reversal of the trend towards the concentration of wealth and opportunities, which so often ends in a spiral of violence…. “The struggle against urban poverty is a world challenge. To succeed, we need to tap the experience of individuals and organizations in the South as well as in the North, promoting an exchange that, more than the answers, will teach us what questions to ask. To this end, people living in poverty must take part in communications networks, which are often monopolized by intermediaries and experts. The role of experts is important, but mechanisms should be developed to facilitate direct, horizontal, global exchange…. “Such horizontal, direct contacts must involve local governments, the pivate sector, non-governmental and community organizations. And if public pollicies are to respond to real needs, these must be built out of experience, and their formulation and implementation must involve the people for whom they are intended…. “To do this, safety nets are not enough. Let us resolve to invest in the struggle against urban poverty, to invest in the poor themselves. Let us help people confronted with poverty in their efforts. New means of communication and successful experiences demonstrate that this can be done in a demoy-lXcratic and affordable manner. The struggle against poverty cannot be relegated to second-class expertise and technology. It is a huge challenge. It deserves the best.” (’Recife Declaration March 1996 Habitat II on ‘Urban Poverty-a World Challenge’).


Matatu ◽  
2020 ◽  
Vol 51 (1) ◽  
pp. 118-138
Author(s):  
Pepetual Mforbe Chiangong

Abstract The collaboration between theatre directors and funding agencies can impede and/or promote the aesthetics and functionality of theatre performances, thus (dis)empowering the ordinary people. The paper, focusing on two performances, The Boomerang and Pamela’s Journal sponsored by the Fobang-Mundi Foundation and The Society for Women and AIDS in Africa-Cameroon (SWAA-C), explores the role of institutions and organisations that fund theatre projects in Africa to highlight the impact of patronage, specifically in contexts where the patron-artist relation is evoked. Questioning whether such projects could actually confer “power to the people,” depend on the negotiation skills and professionality of the theatre facilitator; the paper focuses on the beneficiaries of commissioned performances.


Author(s):  
Dr. Agus Setiyanto, M. Hum

The background of the migration of the Bugis people is inseparable from the socio-cultural system that has been tradition in the lives of the people. One of the socio-cultural systems that has been embedded in the life view of the Bugis community is very strong, namely the so-called 'siri'. The Bugis recognize two types of siri, namely siri ripakasiri, and sirimasiri. The initial process of migration The large family of indigenous Bugis to Bengkulu in the seventeenth century, actually can not be separated from the role of the Indrapura kingdom as the gate way (entrance) of various tribes that came from the north towards the Benkoelen region (Bengkulu). Latar belakang migrasinya orang-orang Bugis sebenarnya tidak terlepas dari sistem sosial budaya yang telah mentradisi dalam kehidupan masyarakatnya. Salah satu sistem sosial budaya yang telah terpatri dalam pandangan hidup masyarakat Bugis yang sangat kuat, yaitu yang disebut 'siri'. Orang Bugis mengenal dua macam siri, yaitu siri ripakasiri, dan sirimasiri. Proses awal migrasinya Keluarga besar pribumi Bugis ke Bengkulu pada abad XVII, sebenarnya tidak lepas dari dari peranan kerajaan Indrapura sebagai gate way (pintu masuk) nya berbagai suku-bangsa yang datang dari arah utara menuju wilayah Benkoelen (Bengkulu).


2021 ◽  
Vol 21 (1) ◽  
pp. 1
Author(s):  
Elka Pebriyandi Suherlan ◽  
Messalina L. Salampessy ◽  
Abdul Rahman Rusli

The existency of conservation areas and surrounding communities is an inseparable part. The interaction of the people with the forest area is influenced by the perception of local community surrounding the forest. This study was aimed to describe the community's knowledge about the Nature Tourism Park (NTP) and community perceptions of the management of NTP. This research was conducted in May - June 2020 in Tugu Utara Village, Cisarua District, Bogor. Data obtained through field observations, interviews, questionnaires and literature studies, and were analyzed quantitatively by describing the percentage of people's understanding of the management of NTP. The results show that the community has high knowledge of the NTP concept, function and role of NTP, NTP management and community participation in NTP management and the community has a good level of understanding about the existence and role and function of NTP for the community, a good understanding of the active role of the community. in the management of TWA and the importance of building cooperation in the management of NTP. Therefore, it is necessary to make efforts to increase the role and participation of the local community in the effort to utilize the potential of the area and its preservation.


2018 ◽  

This book examines the active role of urban citizens in constructing alternative urban spaces as tangible resistance towards capitalist production of urban spaces that continue to encroach various neighborhoods, lanes, commons, public land and other spaces of community life and livelihoods. The collection of narratives presented here brings together research from ten different Asian cities and re-theorises the city from the perspective of ordinary people facing moments of crisis, contestations, and cooperative quests to create alternative spaces to those being produced under prevailing urban processes. The chapters accent the exercise of human agency through daily practices in the production of urban space and the intention is not one of creating a romantic or utopian vision of what a city "by and for the people" ought to be. Rather, it is to place people in the centre as mediators of city-making with discontents about current conditions and desires for a better life.


2021 ◽  
Vol 22 (1) ◽  
pp. 71-78
Author(s):  
Abi Waqqosh ◽  
Fani Hairani Yusfa ◽  
Sri Sudiarti ◽  
Tri Dessy Fadillah ◽  
Haris Al Amin

This study aims to determine the position and function of DPS in contract making, supervision of contract implementation, and the effectiveness of contract supervision at Bank BRI Syariah Binjai Branch. In this research, the researcher conducted research using qualitative methods. Research that uses a qualitative approach aims to explore or build a proportion or explain the meaning behind reality. Researchers are based on reality or events that take place in the field. Qualitative research methods can be interpreted as research that produces descriptive data, regarding spoken and written words, and observable behavior of the people being studied. Qualitative research is also research that produces descriptions in the form of words or verbally from the phenomenon under study or from people who are competent in their fields. The results of this study are that the position and function of the DPS in drafting the BRI Syariah Bank contract is appropriate. In general, what is being done is to supervise all forms of activities related to existing contracts in the bank. This supervision also takes the form of standardizing and ratifying contract standards that apply nationally in the sense that it applies to all BRI Syariah branches, as well as assisting parties in disseminating information to BRI Syariah branches in the regions.


2020 ◽  
pp. 60-64
Author(s):  
G.N. Khisamieva

The relevance of the study lies in the fact that the national and cultural life of the Tatar diaspora in the Northwest China has not been the subject of the research. The research interest is also caused by the fact that the history of the formation and development of the Tatar diaspora, every day, spiritual, educational and cultural life has not been studied at all and is of particular interest to researchers. The scientific novelty of the work lies in the fact that the article examines the process of formation of Tatar theaters and string orchestras in the cities of Kuldzha and Chuguchak for the first time, where the bulk of Tatar emigrants lived. Particular attention was paid to the role of Tatar theaters in the life of indigenous and visiting peoples of the XUAR of the PRC. The purpose of the work is to study and systematize the national and cultural life of the Tatars of Xinjiang. As a result of the study, it can be concluded that the creation of theaters and string orchestras has contributed to the rallying of the Tatars, as well as the preservation of the native language, literature, traditions, culture and identity of the people, which is also a very important factor in preserving identity among the local population of Xinjiang.


2020 ◽  
Vol 58 (9) ◽  
pp. 4-11
Author(s):  
Rafail Ayvaz Ahmadli ◽  
◽  
Lala Yashar Ahmadova ◽  

The article discusses the role of the "gachag movement (a form of rebel movement of fugitives)" in the formation of national self-consciousness in the north of Azerbaijan, the reasons for its occurrence, an appreciation of their struggle against the russian imperial regime and against the dishonesty of local oppressors by this regime, explores the causes of popular love, praise, protection and the creation of heroic epics about them. The article reveals the special activities of such famous fugitives who gained respect among ordinary people for their courage in the second half of the 19th and early 20th centuries, us Gachag Nyabi from Gubadli (in the former Zangezur district), Dely Alu and Gambar from Ganja, Suleiman, Murtuza and Mamed-Bek Cavalier from Karabakh, Yusif from Zagatala, Karim Efendi oglu Gutgashenli from Nukha, Gachag Karim from Gazakh and the woman Gachag Gulsum from Shamkir popularly known as “Gachag Suleiman”. The article emphasizes not only the national character of the "gachag movement" in Azerbaijan, but also their contribution to the formation of national self-consciousness to a greater extent than the role of thinkers of that time. Key words: North Azerbaijan, national identity, the Russian imperial regime, the "gachag movement", the occupation of Russian imperia, the 19th century, the struggle, local beks (nobles), gentlemen (little nobles)


2020 ◽  
Vol 5 (1) ◽  
Author(s):  
Irfan Kurniawan ◽  
Zelly Marissa Haque

<p align="center"><strong>Abstract</strong></p><p><em>This article discusses the form and function of Dol music in Bengkulu city society. This study uses qualitative methods, data collection is done by observation, interviews, and documentation. </em><em>The results of this study indicate that Dol music is an important element integrated in the Tabot ritual procession in the city of Bengkulu. 3 Dol music reporters in carrying out Tabot rituals, namely tamatam, swena, and sweri. The role of Dol music in the procession is to express the musical spirit of ritua tabot namely struggle, war and sadness. The existence of Dol music performance both in the context of Tabot rituals, as well as its development outside the Tabot event contest, has important values and functions for the community namely; 1) Functioning as entertainment for the community, 2) The function of emotional disclosure, seen from the emotional overflow of players in the </em><em>“beruji Dol” 3) functions as a ratification of social institutions, in this case Dol music is an important requirement in the Tabot ceremony, 4) symbolic function, as a symbol manifested through musical aspects expressing sadness or the spirit of warfare, 5) the function of community integration, uniting the community in togetherness and being involved in the wisdom of the Tabot ceremony, and 6) the function of cultural continuity; the existence of Dol music as a form of effort to preserve and strengthen the cultural identity of the people of Bengkulu city.</em></p><p><strong><em>Keywords : </em></strong><em>Dol music, Tabot </em><em>Rital, Form, Function</em></p><p class="SammaryHeader" align="center"><strong>Abstract</strong></p><p><em>Artikel ini membahas tentang bentuk dan fungsi musik Dol dalam kehidupan masyarakat kota Bengkulu. Penelitian ini menggunakan metode kualitatif, pengumpulan data dilakukan dengan teknik observasi, wawancara, dan dokumentasi. Permasalahan dibahas melalui deskriptif analisis. Hasil penelitian ini menunjukan bahwa musik Dol merupakan unsur penting yang terintegrasi dalam prosesi upacara Tabot di kota Bengkulu. Terdapat 3 reportoar musik Dol dalam pelaksanaan upacara Tabot yakni tamatam, swena, dan sweri. Adapun  peran musik Dol pada prosesi tersebut adalah mengekspresikan secara musikal </em><em>spirit</em><em> dari upacara yakni perjuangan,</em><em> perperangan </em><em>dan </em><em>kesedihan</em><em>.</em><em> Keberadaan seni pertunjukan musik Dol baik dalam konteks ritual Tabot, maupun perkembangnganya diluar kontes uapacara Tabot, memiliki nilai dan fungsi penting bagi masyarakatnya yakni; 1) Berfungsi Sebagai hiburan bagi masyarakat, 2)Fungsi pengungkapan emosional, terlihat dari peluapan emosional pemain pada prosesi “beruji Dol” 3) berfungsi sebagai pengesah lembaga sosial, dalam hal ini musik Dol merupakan syarat penting dalam upacara Tabot, 4) fungsi perlambangan, sebagai simbol yang diwujudkan melalui aspek musikal yang mengekspresikan kesedihan ataupun spirit perperangan, 5) fungsi pengintegrasian masyarakat, menyatukan masyarakat dalam kebersamaan dan terlibat dalam hikmatnya upacara Tabot, dan 6) fungsi kesenambungan budaya; eksistensi musik Dol sebagai bentuk usaha pelestarian dan penguatan idenitas budaya masyarakat kota Bengkulu.</em></p><strong><em>Kata kunci : </em></strong><em>Musik Dol, upacara Tabot, Bentuk, Fungsi</em>


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