scholarly journals National and cultural activities of the Tatar diaspora in the North Western China in the first half of the XX century: theater and string orchestra

2020 ◽  
pp. 60-64
Author(s):  
G.N. Khisamieva

The relevance of the study lies in the fact that the national and cultural life of the Tatar diaspora in the Northwest China has not been the subject of the research. The research interest is also caused by the fact that the history of the formation and development of the Tatar diaspora, every day, spiritual, educational and cultural life has not been studied at all and is of particular interest to researchers. The scientific novelty of the work lies in the fact that the article examines the process of formation of Tatar theaters and string orchestras in the cities of Kuldzha and Chuguchak for the first time, where the bulk of Tatar emigrants lived. Particular attention was paid to the role of Tatar theaters in the life of indigenous and visiting peoples of the XUAR of the PRC. The purpose of the work is to study and systematize the national and cultural life of the Tatars of Xinjiang. As a result of the study, it can be concluded that the creation of theaters and string orchestras has contributed to the rallying of the Tatars, as well as the preservation of the native language, literature, traditions, culture and identity of the people, which is also a very important factor in preserving identity among the local population of Xinjiang.

2020 ◽  
Vol 3 (4) ◽  
pp. 76-89
Author(s):  
Zurab D. Dzhapua ◽  

The article analyses the contribution of Meletinsky to Caucasian epic studies. The role of Caucasian epic traditions in the study of the problem of the origins and the early forms of the epos is considered. A significant number of the comparative-typological studies of Meletinsky are based on the materials of mythoepic cultures of Caucasus mountain people. The scholar singled out the Caucasian epics, along with some other traditions, as the special early stage in the history of the epic. Meletinsky was one of the pioneers in the fundamental studies of the Caucasian Nart epics. Based on the analysis of materials available to him at that time, Meletinsky comes to the fundamental conclusions on the genre nature, national versions, images, subjects and motifs of the Nart epic. The scholar considered Sataney and Sasrykua to be the earliest characters in the epic, whose images clearly reflected the features of a cultural hero, especially in the close Abkhaz and Adyg versions. Furthermore, according to Meletinsky, the Transcaucasian legends about the chained heroes – Abkhaz Abryskil, Armenian Mger and Georgian Amiran – represent a kind of interweaving of mythological epic and heroic tales, in which the motives of cultural exploits are largely supplanted by episodes of the heroic struggle with Giants. In the studies of Meletinsky, the epic traditions of the people of the North Caucasus and Transcaucasia are subjected to the deepest analysis at a very high level of comparative studies.


2020 ◽  
Vol 10 ◽  
pp. 208-213
Author(s):  
E.-B. M. Guchinova ◽  

This publication is devoted to an important period in the history of Kalmykia, but not yet sufficiently studied by anthropologists and sociologists - the deportation of the people to Siberia (1943–1956), and the memory of this. The goals and objectives of the publication are to show the role of the oral history method in the study of the daily survival practices of Kalmyks in Siberia, as well as the specifics of the Kalmyk narrative of deportation, which reflects the social dynamics of relations between repressed Kalmyks and the local population, from the first meeting, part of the traumatic one to subsequent friendships. The author shows examples of positive work with a traumatic past that is reflected in the Trains of Memory and focuses the work of a grateful memory.


Author(s):  
Szymon Godziemba-Trytek

Relevance of the study. The author’s commentary of Szymon Godziemba-Trytek concerns the role of sacred symbol in his work “Crux Christi Salva Nos” for mixed choir, soloists, horns, double basses and percussion (2017). This study for the first time acquaints the Ukrainian audience with the creativity of a modern Polish composer, who fruitfully works in the field of symphonic, chamber, and especially vocal and choral music. Main Objective of the article is to show the author’s way of interpreting sacred symbols in the composition and drama of his work; to reveal the role of a symbol as a tool for integrating a composition into an intercultural context that arises on the basis of musical and extra-musical listening experience. Methodology/How the study was done. The empirical and analytical methods used in the research reflect the two sides of the author’s activity — he is a composer and a scientist. From the Christian symbol of Caravaca Cross that inspired him — to the compositional idea and its implementation in sounds: these are the stages of the creative process described in the article. Results/Findings and Conclusions. The composition of the work «Crux Christi Salva Nos» was determined by two aspects of the European Christian symbol Caravaca Cross — its graphics and the history of its existence in culture. The external feature of the Caravaca Cross is the mnemonic signs applied to its surface, they fix the sequence of prayer lines. The sequence of the placement of these signs forms the architectonics of Godziemba-Trytek’s musical work. The symmetry in the arrangement of the signs corresponds to the symmetry of the music composition. In the history of the existence of Caravaca Cross in European culture, the composer is most attracted by the emergence of various religious cults associated with it. They origins often are in folklore. Reflections on the process of acceptance of theological ideas among the people led the composer to some decisions in the field of drama, performing resources, stylistics. Specially, composer use the text of the Polish traditional Lent Song as the epilogue of his work. This epilogue becomes the quiet climax of the composition. The choir’s location and the way haw it is used in the work are also symbolic: within each subsequent movement, the choir is situated closer to the listener. Stylistic means reflect the idea of giving the dogmas of faith a human dimension.


Author(s):  
Vladimir E. Polyakov ◽  

Introduction. The article deals with the Crimean period (August 1941 – June 1942) in the life of Basan Badminovich Gorodovikov, Hero of the Soviet Union and a major military and political figure of Kalmykia. The present article aims at describing and analyzing this less-known period of his biography, which was significant and full of dramatic events. Data and research methods. For the purposes of this research, the author has used a wide range of archival materials, as well as memoirs of participants of the partisan movement in the Crimea (including unpublished papers). Results. The author describes the first battles in the north of the Crimea in which Gorodovikov’s regiment was engaged; then, its retreat into the mountains and transition to partisans, the creation of a partisan detachment and the actions behind enemy lines. The activities of Gorodovikov’s detachment are shown against the general background of the partisan movement in the Crimea; special attention given to the discussion of warfare under the specific conditions on the peninsula. The article focuses on the role of the military personnel, especially at the first stage of the partisan movement, revealing, among other things, the problems in the relationship between the command staff of the 48th cavalry division and the partisan leaders in the Crimea. For the first time, the article sheds light on the history of awarding Gorodovikov with the Order of the Red Banner, which was the first award of the Crimean partisans. The dramatic story of his evacuation from the partisan forest to the “Bol´shaia zemlia” is also documented in detail; with previously unknown documents and materials introduced in this paper. The undertaken research allows to conclude that the Crimean period in the life of Gorodovikov was one of the most dramatic in his biography. During a difficult period for the Crimea, he became the commander of one of the most successful partisan detachments, which after he left was officially named after him, its first commander. Notably, Gorodovikov was among the first Crimean partisans to be awarded a military order and to get a promotion in rank and in office.


2021 ◽  
pp. 088832542095081
Author(s):  
Virág Molnár

This article belongs to the special cluster, “National, European, Transnational: Far-right activism in the 20th and 21st centuries”, guest edited by Agnieszka Pasieka. Research on populism attributes great significance to mapping the distinctive discursive logic of populist reasoning (e.g., the trope of pitting corrupt elites against the people). This article aims to move beyond the primary focus on discursive structures to stress the role of symbols, objects, and different modalities of circulation in the political communication of populist ideas, using the case of Hungary. By tracing the history of one of the key symbols of nationalist populism—the image of “Greater Hungary”—from its emergence in the interwar period to its present-day use, the article shows how the meanings and material forms this symbol assumed in political communication that evolved under different political regimes. The analysis builds on extensive archival, ethnographic, and online data to highlight how the diversity of material forms and the conduits through which this image circulated have contributed to its endurance as a key political symbol. Symbols, like the Greater Hungary image, condense complex historical narratives into a powerful sign that can be easily objectified, reproduced, and diffused. Today’s differentiated consumer markets provide convenient conduits for this kind of material circulation. These symbols carry meaning in and of themselves as signs, and once they are turned into everyday objects, they facilitate the normalization of radical politics by increasing their salience and broad visibility.


2021 ◽  
pp. 204589402110295
Author(s):  
Hirohisa Taniguchi ◽  
Tomoya Takashima ◽  
Ly Tu ◽  
Raphaël Thuillet ◽  
Asuka Furukawa ◽  
...  

Although precapillary pulmonary hypertension (PH) is a rare but severe complication of patients with neurofibromatosis type 1 (NF1), its association with NF2 remains unknown. Herein, we report a case of a 44-year-old woman who was initially diagnosed with idiopathic pulmonary arterial hypertension (IPAH) and treated with PAH-specific combination therapy. However, a careful assessment for a relevant family history of the disease and genetic testing reveal that this patient had a mutation in the NF2 gene. Using immunofluorescence and Western blotting, we demonstrated a decrease in endothelial NF2 protein in lungs from IPAH patients compared to control lungs, suggesting a potential role of NF2 in PAH development. To our knowledge, this is the first time that precapillary PH has been described in a patient with NF2. The altered endothelial NF2 expression pattern in PAH lungs should stimulate work to better understand how NF2 is contributing to the pulmonary vascular remodeling associated to these severe life-threatening conditions.


2013 ◽  
Vol 5 (1) ◽  
pp. 155-175 ◽  
Author(s):  
Hou Yuxin

Abstract The Wukan Incident attracted extensive attention both in China and around the world, and has been interpreted from many different perspectives. In both the media and academia, the focus has very much been on the temporal level of the Incident. The political and legal dimensions, as well as the implications of the Incident in terms of human rights have all been pored over. However, what all of these discussions have overlooked is the role played by religious force during the Incident. The village of Wukan has a history of over four hundred years, and is deeply influenced by the religious beliefs of its people. Within both the system of religious beliefs and in everyday life in the village, the divine immortal Zhenxiu Xianweng and the religious rite of casting shengbei have a powerful influence. In times of peace, Xianweng and casting shengbei work to bestow good fortune, wealth and longevity on both the village itself, and the individuals who live there. During the Wukan Incident, they had a harmonizing influence, and helped to unify and protect the people. Looking at the specific roles played by religion throughout the Wukan Incident will not only enable us to develop a more meaningful understanding of the cultural nature and the complexity of the Incident itself, it will also enrich our understanding, on a divine level, of innovations in social management.


1995 ◽  
Vol 29 (4) ◽  
pp. 817-840 ◽  
Author(s):  
Hiroko Willcock

Inspired by Japanese influences among others the late Qing period saw a great surge in the writing of fiction after 1900. The rate of growth was unprecedented in the history of Chinese literature. The great surge coincided with rapid socio-political changes that China underwent in the last fifteen years of the Qing Dynasty. At the psychological level, the humiliating defeat by Japan in 1895 gave rise to a feeling of urgency for reform among some progressively minded Chinese intellectuals. Those reformers came to view fiction as a powerful medium to further their reform causes and to arouse among the people the awareness of the changes they believed China most urgently required. Fiction was no longer considered as constituting insignificant and trivial writings. It was no longer the idle pastime of retired literati composed to entertain a small circle of their friends, or written by a discontented recluse to vent a personal grudge through a brush. The role of fiction came to be defined in relation to its utility as an influence on politics and society and its artistic quality was subordinated to such a definition.


2014 ◽  
Vol 54 (3) ◽  
pp. 303-322 ◽  
Author(s):  
KuuNUx TeeRIt Kroupa

In May 2009, the Arikara returned to the land of their ancestors along the Missouri River in South Dakota. For the first time in more than a half century, a Medicine Lodge was built for ceremony. The lodge has returned from its dormant state to regain its permanent place in Arikara culture. This event will be remembered as a significant moment in the history of the Arikara because it symbolizes a new beginning and hope for the people. Following this historic event, Arikara spiritual leader Jasper Young Bear offered to share his experience and deep insight into Arikara thought: You have to know that the universe is the Creator's dream, the Creator's mind, everything from the stars all the way to the deepest part of the ocean, to the most microscopic particle of the creation, to the creation itself, on a macro level, on a micro level. You have to understand all of those aspects to understand what the lodge represents. The lodge is a fractal, a symbolic representation of the universe itself. How do we as human beings try to make sense of that? That understanding, of how the power in the universe flows, was gifted to us through millennia of prayer and cultural development… It is important for us to internalize our stories, internalize the star knowledge, internalize those things and make that your way, make that your belief, because we're going to play it out inside the lodge. It only lives by us guys interacting with it and praying with it and bringing it to life… We're going to play out the wise sayings of the old people… So you see that it's an Arikara worldview. A learning process of how the universe functions is what you're actually experiencing [inside the Medicine Lodge]. What the old people were describing was the functioning of how we believed the universe behaves. And we had a deep, deep understanding of what that meant and how it was for us. So that's what you're actually seeing in the Medicine Lodge.


2004 ◽  
Vol 3 (2) ◽  
pp. 337-369 ◽  
Author(s):  
David Koh

AbstractIn the drama of negotiation of state boundaries, the role of local administrators as mediators is indispensable. They mediate between state demands for more discipline and societal demands for more liberties. Their ability and willingness to enforce determines the extent of state power. They are a particular type of elites chosen by the state to administer; yet often they have an irrational and morally corrupt relationship with their subjects. The questions that arise then are: When do the local administrators decide to or not to enforce the rules? What considerations do they hold in the face of contradicting demands for their loyalties? This paper seeks answers to the above questions by examining state enforcement of its construction rules in Hanoi after 1975, in which the ward, a level of local administrators in the urban administration landscape, plays an important role in holding up (or letting down) the fences. I will examine the irrationality of the housing regime that led to widespread offences against construction rules, and then show why and how local administrators may or may not enforce rules. This paper comprises two parts. The first part outlines the nature and history of the housing regime in Vietnam and the situation of state provision of housing to the people. These provide the context in which illegal construction arises. Part Two looks at illegal construction in Hanoi chronologically, and focuses on important episodes. The theme that runs through this paper is the role of local administrators in the reality of illegal construction.


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