scholarly journals Media Scandals as Fake News is Dangerous for the National Security

2019 ◽  
pp. 31-37
Author(s):  
Boryana Angelova-Igova

In a Requiem for Media Jean Baudrillard described the civil war in Timisoara, Romania, in 1989. He discovered that the war was to a large extent instigated by the mass media. Nowadays, the media have the possibility to decontextualize events and objectify them by placing them in a different context, alongside other decontextualized events. This could be very dangerous and lead to serious national security problems. Media could provoke social turbulence and “real” crimes. My aim in this paper is to describe this problem and show possible solutions. While following the methodology adopted, I examine case studies and analyze specific historical events.

Author(s):  
Lyudmila Shesterkina ◽  
Lidiya Lobodenko ◽  
Anna Krasavina ◽  
Arina Marfitsyna

The article, being a part of a major study into fake news phenomenon, fact checking and information verification, analyzes the issues related to journalism education in the context of the increasing amount of fake news. The topicality of the study is determined by the fact that journalism education is failing to comply with the ever-changing requirements of the mass media market. Moreover, in the current era of information wars, post-truth, and social media regarded as sources of news, teaching future journalists to check facts and verify information is one of the primary demands of the mass media market. The study involved interviewing lecturers, students and specialists in media industry; the original results of the study add to its scientific novelty. The authors aimed at searching for cutting-edge practices to train skills of fact checking and verification. The results of the study indicate the necessity of introducing these practices into the academic process of training journalists, contribute to the research database in the field of journalism and the education, and provide for bridging the gap between universities and the media in terms of professional requirements for journalists.


Author(s):  
Maximiliano Emanuel Korstanje

Based on the contributions of Jean Baudrillard, a French well known philosopher who exerted a radical criticism to the mass-media and its position respecting to migration and terrorism, Korstanje alluded to a neologism, “Thana-Capitalism”, which situates as a new stage of production where the suffering of others is the main commodity exchanged among classes. In times of Thana Capitalism, though we horrify from refugees and their miseries or the latest terrorist blow in CNN, we have doing nothing to change reality. This begs an interesting question, how does perception form in times of thana capitalism? what is the concept of reality in the age of pseudo-reality? is the media and the spectacle of disasters disorganizing social ties? This chapter centers on the role of reality in times where others` death crystalized as a criterion of consumption.


TEME ◽  
2017 ◽  
pp. 391
Author(s):  
Ђорђе П. Ђорђевић

Jean Baudrillard is one of the authors that constantly attract the attention of theoreticians. There are hardly any sociology textbooks which do not discuss his key ideas. In spite of all the controversy around his work, Baudrillard is an unavoidable author in any discussion on the postmodern discourse in sciences. At the same time he has inspired many artists, resulting in the fact that many film artists have created totalitarian dystopian worlds which have commonly been referred to as Baudrillard's worlds. When it comes to the mass media, Baudrillard's works emphasize the term simulacrum. According to Baudrillard, all original cultural forms are absorbed in commercial discourse. Baudrillard notices a tendency of the commercial to become a supreme form of expression, even when it does not come to a nominal commercial. His specific view of the modern means of mass communication has made him one of the key theoreticians of the media culture.


Author(s):  
Saveleva Zh.V.

The prevalence of autism is growing, the problems of stigmatization and discrimination of people with autism spectrum disorders in society are exacerbating. The mass media play an important role in enlightening and reducing stigmatizing effects, in connection with which the goal was formulated to study the construction of images of a person with ASD in the mass media by the method of qualitative and discourse analysis of video clips from the federal channel. According to the results of the study, it can be argued that the range of characteristics used to describe people with autism in media discourse is diverse, but in retrospect, dominant interpretation models can be identified. At an early stage, the prevailing image of a person with ASD was deprived of the quality’s characteristic of normotypical people who do not want to leave their world. People diagnosed with autism were referred to as the intolerant category of "autistic". Since 2013, there has been a discursive turn, within which the category “autist” is replaced by tolerant speech patterns, adults with autism get into the lens of the media, the topic of uncommunicability as a property of a person with autism is replaced by the intention of the lack of opportunities to communicate, one of the reasons for which is social exclusion. In television stories of recent years, the mass media are actively constructing the image of a person with autism spectrum disorder through his inner world, through the advantages that a person with ASD can have due to his characteristics. However, it cannot be said that there has been a complete change of the image: the old cliches, as a rule, manifest themselves at a more latent level of grammatical constructions and semiotic meanings.


Media Watch ◽  
2019 ◽  
Vol 10 (1) ◽  
Author(s):  
OKSANA N. BERDUYGINA ◽  
TATYANA N. VLADIMIROVA ◽  
ELENA V. CHERNYAEVA
Keyword(s):  

2021 ◽  
Vol 17 ◽  
pp. 61-72
Author(s):  
Bolu John Folayan ◽  
Olubunmi Ajibade ◽  
Olubunmi Dipo Adedoyin ◽  
Toyin Segun Onayinka ◽  
Toluwani Titilola Folayan

The mass media play at least five basic functions which include news dissemination, surveillance of the environment, correlation of the components of the society, entertainment and transmission of social heritage.  Sometimes, disruptions and impairments do occur in the performance of these roles and some of these basic functions become dysfunctions, which turn the media into purveyor of negative values. The present study investigates how popular the Nigerian TV reality show, Big Brother Naija (BBN), is perceived by its viewers. Three hundred heavy viewers of the programme were surveyed from Lagos and Ede, South-West Nigeria, and their opinions and attitudes were sought regarding; why they like or dislike the programme; the gratifications that those who like the programme derive and whether the BBN, as media content, is generally functional or dysfunctional to the society. Sixty-six per cent 66 (33.7%) of respondents like the programme because it entertains. Half of the respondents, 99(50.5%) dislike ‘immoral aspects’ of the programme. The viewers affirm that the eviction part of the programme was their highest form of gratification.  Most respondents, despite public outcry against the programme, consider the programme to be “functional”. Findings reinforce the postulation that TV viewers are not passive consumers of media contents.


2015 ◽  
pp. 179-199
Author(s):  
Federico Ruozzi

The article presents the entanglement of the Catholic Church and the media by focusing on the case of the Second Vatican Council and the television broadcast of its events. The mass media attention of the council stimulated, according to the author, a double level: the media conveyed more information about the church event than it had ever done before, but at the same time, the mass media influenced the discussion of the council fathers. The article also analyzes, through the lens of the Council, the recent relationship between the Catholic Church and the Italian television.  


2021 ◽  
Vol 20 (2) ◽  
pp. 163-176
Author(s):  
Muhammad Yunus Patawari

Mass media is one of the leading sectors in handling COVID-19. Amidst current health emergency, public trusttowards the information conveyed by the mass media is the key to successful mitigation. Various types of newsregarding massive COVID-19 reports in several media channels have the potential to cause information bias whichends in pros and cons. Insubstantial debates in varied media are counter-productive to the efforts of various partiesin educating the society to avoid misinformation. Based on this, it is important to know the media that are referencesand that gain public trust in seeking information. This study examines the level of public trust in information aboutCOVID-19 in the mass media, both old and new media, using an online questionnaire methodology on May 3, 2020,which was given to 60 respondents. The results show that the respondents’ level of faith in television is higher, but itsconsumption by viewers is much lower than that of online media (news sites and social media). The results showedthat viewers still deemed television a reliable reference for information. From these data it was found out why themedia are rarely used by the people but are able to gain high trust in the eyes of the public. The results of this studyare expected to provide an overview of the attitudes and behavior of the community in understanding COVID-19information so that relevant parties can make appropriate policies in the perspectives of media and communication.


2015 ◽  
Vol 6 ◽  
pp. 110-120
Author(s):  
Oksana Olshevskaya

An attempt to define the degree of media freedom in contemporary Russia leads to contradiction between the declaration of the mass media freedom provided by the Constitution of the Russian Federation and the Soviet Union heritage of unequivocal control of the press by the government, described by Siebert et al. (1984) as the Soviet-Communist Press Theory. The reason for this ambiguity could be explained by the great deal of different factors that exert an influence on the journalism, such as features of mass media legislation, governmental control of the media, the diversity of media ownership, sources of media incomes, and traditions of censorship in Russia.  The current development of the media legislation in Russia shows no improvement regarding the freedom of speech. In the beginning of the third presidential term in 2012, Vladimir Putin has signed several laws that reduced the freedom of speech through the limitation of public assembly, criminalization of defamation in the mass media, and intensification of governmental censorship on the internet. On the other hand, the contemporary press freedom that appeared in conditions of the new market economy in the beginning of the 1990s has brought discredit as to the conception of an exclusively positive impact of unconditional freedom on the mass media since the newspapers, television and radio channels were controlled by several powerful oligarchs who used the owned mass media to spread and support their political influence. However, after the authorities’ reference in the 2000s the balance was not regained. As a result, the majority of the media outlets in Russia became co-owned or fully controlled by the government. Another crucial aspect of the mass media freedom as the cultural phenomenon should be kept in mind: seven decades of severe censorship could not be erased from the journalism professional community’s memory in several years. The negative experience of predecessors transforms censorship into self-censorship in modern Russia.


2021 ◽  
Vol 4 (2) ◽  
pp. 113-124
Author(s):  
Aji Susanto Anom Purnomo ◽  
Novan Jemmi Andrea ◽  
Monica Revias Purwa Kusuma

2020 is the year when the world is faced with a health crisis, namely the Covid-19 pandemic or also known as the Corona Virus. All aspects of life are affected by this crisis, the joints of humanity are faced with limitations. The mass media are intensively reporting various incidents regarding the Covid-19 pandemic. The stories are often accompanied by journalistic photos. One of the functions of photojournalism is to strengthen the story of what the media wants to convey. Journalistic photos during this pandemic usually feature scenes from medical activities, government policies and large narratives that are cold on empathetic human relations. However, different from most photojournalism in most mass media, The New York Times publishes "Still Lives" photography projects that are done by its photographers. The project presents a different narrative from this time of the pandemic. The “Still Lives” photography project is important because it presents journalistic photos that tell a domestic narrative that is close to the sides of universal humanity, namely the stories of the photographers' homes and families. This study aims to describe and interpret the “Still Lives” photography project as an alternative in creating a different narrative from photojournalism during the pandemic. This study used a descriptive qualitative research method based on phenomenology with Roland Barthes' main theory of semiotics and supported by journalistic photography theory and representation theory. The research results obtained a complete explanation and meaning of the “Still Lives” Project from The New York Times. The project according to the theory of photo journalistic is photo story based on personal experiences. From the analysis through the theory of semiotics from Roland Barthes and representation theory successfully obtained a result that basically projects “Still Lives” can be understood as a representation of the universal experience and feeling by mankind. Project “Still Lives” provides the representation of covid-19 pandemic through the mass media journalistic that show an alternative offer to journalistic practice to use lyrical narratives and personal experience in the story and more empathy in the mass publication of pandemic covid-19.


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