scholarly journals Gwarowy leksem gryfny jako modny komponent kultury konsumpcyjnej

2019 ◽  
Vol 26 (1) ◽  
pp. 85-100
Author(s):  
Izabela Łuc
Keyword(s):  
The Internet ◽  
Upper Silesia ◽  
Communicative Practice ◽  
Polish Language ◽  
Cultural Texts ◽  
Cultural Linguistics ◽  
The Way

The object of the analysis is the way of creating commercial utterances and functional names in which the formal indicator is the dialectal lexeme gryfnie recognized as a fashionable component of Polish language of consumption. According to the communicative practice of the creators of cultural texts, the use of the gryfny component valorizes products, identifies service objects, assesses offers and highlights the speakers of the language living in the Upper Silesia region. The analytical material coming from the advertisements spread by media and on the Internet was described from the perspective of cultural linguistics and pragmalinguistics. The references to cognitive conception of meaning fields were made taking into account the appropriate methodological solutions and the complex polisystem of commercial conditions.

scholarly journals Frazeologizmy gwarowe w komunikacji internetowej

2019 ◽  
Author(s):  
Renata Kucharzyk
Keyword(s):  
The Internet ◽  
Internet Communication ◽  
Material Basis ◽  
Colloquial Language ◽  
Internet Users ◽  
Polish Language ◽  
Important Objective ◽  
The Way

The article discusses the way in which phrasemes of dialectal origin are transferred to the colloquial Polish language. The material basis includes the utterances of the Internet users posted on various kinds of forums and blogs. According to the analysis of the material, folk phraseology is quite expansive and it enriches the colloquial language phraseology to a great extent. Dialectal phrasemes have a specific stylistic value, they carry out assessments, they express the author’s emotions, and sometimes they make a text a bit humorous. Due to such values, they attract the readers’ attention, which is the most important objective in the Internet communication.

An analysis of the activity in the Polish internet sphere from the angle of social mobilization to perform acts of violence. A case study of the immigrant crisis

2019 ◽  
Vol 33 (33) ◽  
pp. 44-64
Author(s):  
Danuta Bożena Ożarowska
Keyword(s):  
Social Media ◽  
Local Population ◽  
Social Mobilization ◽  
The Internet ◽  
Number Of Factors ◽  
Polish Language ◽  
The Subject ◽  
The Way

This article is a case study of the process of mobilization to violence on the internet. The goal of this paper was to identify a select number of factors within the narrative on the topic of modern immigration that can be found on the internet and analyze them using the theoretical constructs that can be found in the literature on this subject. The scientists that study genocide have identified several factors commonly found in historically documented events that must be present in order for genocide to occur. In this paper the author will refer to works of scientists such as Helen Fein, Manus I. Midlarsky, Lech M. Nijakowski. The author of the paper analyzed the content published on the internet that deals with the topic of immigration. The materials selected for research contained topics that treat the subject of accepting refugees from outside of Europe, their process of assimilation and the way they coexist with the local population. The analysis was based on content in the Polish language which includes both materials that were created in Polish and those that were originally in a different language and then were remade with Polish footnotes. The content for the study was selected from among the following sources: propaganda movies which spread on the internet through social media, short unscientific propaganda and informational articles and finally memes (pictures with short footnotes). Factors that were analyzed in the following article: 1) Universe of obligation, construct created by Helen Fein. 2) Conspiratory discourse, described by Lech Nijakowski. 3) Utility and parasitism; discourse referring to them. 4) Two conditions necessary to instigate genocide, described by Manus I. Midlarsky. 5) Discourse on the topic of immoral sexual actions described by the author based on the theory of discourses created by Lech Nijakowski. During the study all the aforementioned factors have been identified. The author described the examples analyzed, interpreted them and subsequently matched them to the categories described above. It was determined that within those examples we can distinguish a number of factors that match the elements of mobilizing the population to violence. The article closes with an analysis of potential consequences of the phenomena described.

“The Fabric of our Lives”

2010 ◽  
Vol 4 (2) ◽  
pp. 150-167
Author(s):  
Jim McDonnell
Keyword(s):  
Information Society ◽  
Information Ethics ◽  
Media Ecology ◽  
The Internet ◽  
Active Engagement ◽  
Policy Debates ◽  
Problematic Area ◽  
The Way

This paper is a first attempt to explore how a theology of communication might best integrate and develop reflection on the Internet and the problematic area of the so-called “information society.” It examines the way in which official Church documents on communications have attempted to deal with these issues and proposes elements for a broader framework including “media ecology,” information ethics and more active engagement with the broader social and policy debates.

scholarly journals The Energy Industry in the Czech Republic: On the Way to the Internet of Things

Economies ◽  
2018 ◽  
Vol 6 (2) ◽  
pp. 36 ◽  
Author(s):  
Milos Maryska ◽  
Petr Doucek ◽  
Lea Nedomova ◽  
Pavel Sladek
Keyword(s):  
Czech Republic ◽  
Internet Of Things ◽  
Energy Industry ◽  
The Internet ◽  
The Czech Republic ◽  
The Internet Of Things ◽  
The Way

Soldier photography: visualising the war in Iraq

2009 ◽  
Vol 35 (4) ◽  
pp. 817-833 ◽  
Author(s):  
LIAM KENNEDY
Keyword(s):  
Real Time ◽  
Visual Communication ◽  
The Internet ◽  
Photographic Images ◽  
Historical Significance ◽  
The Everyday ◽  
War In Iraq ◽  
Digital Generation ◽  
Everyday Experiences ◽  
The Way

AbstractThis article focuses on the production and dissemination of photographic images by serving US soldiers in Iraq who are photographing their experiences and posting them on the Internet. This form of visual communication – in real time and communal – is new in the representation of warfare; in earlier wars soldiers took photographs, but these were not immediately shared in the way websites can disseminate images globally. This digital generation of soldiers exist in a new relationship to their experience of war; they are now potential witnesses and sources within the documentation of events, not just the imaged actors – a blurring of roles that reflects the correlations of revolutions in military and media affairs. This photography documents the everyday experiences of the soldiers and its historical significance may reside less in the controversial or revelatory images but in more mundane documentation of the environments, activities and feelings of American soldiery at war.

scholarly journals From Beatlemania to Bieber Fever: The Evolution of Celebrity/Fan Interactions

2021 ◽  
Author(s):  
Haley Coppins
Keyword(s):  
Textual Analysis ◽  
The Internet ◽  
Reciprocal Interactions ◽  
The Way

Celebrities and fans have been researched by scholars throughout the years, with differing opinions regarding their characteristics and relationships. Prior to the development of the internet, fans were characterized by scholars as deranged, hysterical and passive. Their relationships with celebrities were seen as exclusively one-sided and parasocial. Conversely, since the development of the internet fans have been characterized more favourably as active participants. In this paper, I perform a textual analysis of Twitter conversations between bands/artists and fans in an attempt to better understand if and how celebrity-fan interactions have changed from early scholarly interpretations. I argue that Twitter is changing celebrity-fan interactions, not only by encouraging reciprocal interactions but also by enabling more personal, intimate conversations. Twitter is allowing bands and fans to interact in a number of different ways that simultaneously build relationships and serve commercial functions such as promotion. Fans have become more actively involved in content production and powerful in influencing the way bands promote themselves. Used properly, Twitter can be a valuable tool for bands and artists to market themselves.

scholarly journals CITRA SANTRI PESANTREN DALAM CUPLIKAN FILM THE SANTRI

KOMUNIKE ◽  
2020 ◽  
Vol 12 (2) ◽  
pp. 167-186
Author(s):  
Mansur Hidayat
Keyword(s):  
Content Analysis ◽  
Boarding School ◽  
Qualitative Approach ◽  
Good Faith ◽  
The Internet ◽  
Self Confidence ◽  
The Way ◽  
Descriptive Qualitative

The appearance of the trailer for The Santri movie has sparked various responses on the internet, this can be observed from the existence of parties who are pro and contra with the movie trailer. This difference can be seen from the way the audience responds to and interpret the contents of the movie trailer. This study can understand the image of the student at Islamic Boarding School in the movie trailer of The Santri which can be seen through the account NU Channel on YouTube. The study used a descriptive qualitative approach model with content analysis on movie trailers. The results of the study show that the image of the student at an Islamic Boarding School in the movie trailer of The Santri can be divided into two parts, namely: first, an explicit image such as students must have self-confidence, have high dreams, love religion and their nation, have a good faith, and be a loyal friend. Second, implicit images such as students who have a simple, tough, and brave image, accept differences, and are open-minded.

scholarly journals Masters of Wine on Twitter: presence, activity, impact and community structure

2021 ◽  
Vol 10 (1) ◽  
pp. 73-88
Author(s):  
Enrique Orduña-Malea ◽  
Cristina I. Font-Julian ◽  
José Antonio Ontalba-Ruipérez ◽  
Raúl Compés-López
Keyword(s):  
Social Media ◽  
International Trade ◽  
Community Structure ◽  
Descriptive Statistics ◽  
Wine Industry ◽  
The Internet ◽  
The World ◽  
Credible Information ◽  
Do So ◽  
The Way

Globalisation, the Internet and social media have changed the kind of actors with influence in the wine industry and the way these actors create signals to communicate credible information about experience and trust attributes. Among the most prestigious experts in the world of wine are the Masters of Wine (MW). Although initially devoted to international trade, they have spread their activities and their opinion is more and more appreciated by producers and consumers. The main objective of this article is to determine this community of experts’ behaviour on Twitter. In order to do so, four factors (presence, activity, impact and community) have been considered. All Twitter profiles belonging to users awarded with the MW qualification were identified and analysed. In addition, a set of 35,653 tweets published by the MWs were retrieved and analysed through descriptive statistics. The results show MWs on Twitter as high attractors (number of followers), moderate publishers (original contents published), moderate influencers (number of likes and retweets), and low interactors (number of friends and mentions to other users). These findings reveal that the MW community is not using Twitter to gain or reinforce their reputation as an accredited expert in the wine industry, giving more influential space on Twitter to consumers and amateurs.

scholarly journals Geisha Fever: Changes in the Traditional Entertainment Districts in Kyoto in Response to Excessive Attention from Western Tourists

2020 ◽  
Vol 3 (2(6)) ◽  
pp. 125-137
Author(s):  
Magdalena Grela-Chen
Keyword(s):  
New Media ◽  
21St Century ◽  
Japanese Society ◽  
Traditional Culture ◽  
The Internet ◽  
Daily Routine ◽  
Tourist Industry ◽  
Popular Discourse ◽  
Living Form ◽  
The Way

In the popular discourse, geiko districts are described as places where traditional culture is preserved in a living form. Although this statement may be considered as true, the geiko community is a part of Japanese society as a whole and does not exist in complete isolation. Being able to survive as guardians of the Japanese tradition, in the 21st century geiko are discovering new opportunities, such as using new media to promote themselves in order to protect their lifestyle. However, outside world has forced them to change the way they manage their business in the districts. By using their own Internet sites, Facebook, Twitter and Instagram accounts to reach new customers, they display their daily routine, one in which traditional culture meets modern ideas. This paper shows the reception of usage of the Internet in traditional entertainment districts of Kyoto and the response of Western tourists to the geisha phenomenon. It appears that overwhelming attention on the part of tourist industry, as well as commercialisation, are becoming a threat to the values which have cemented relationships between customers, geiko and teahouses owners. For instance, while during the so-called “geisha hunting”, tourists often try to take photographs of them at all costs. Considering the aspects of geiko life and processes mentioned above it is worth analysing how the image of the geiko is perceived by Westerners.

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