Obsessed with the Past: On the Topicality of the Historical Novel in Eastern Europe Today

After Memory ◽  
2021 ◽  
pp. 429-454
Author(s):  
Matthias Schwartz
Keyword(s):  
Eastern Europe ◽  
Historical Novel ◽  
The Past ◽  
Europe Today

Uncommon Grounds

2017 ◽  
Author(s):  
Jeffrey Lawrence
Keyword(s):  
American Literature ◽  
Latin American ◽  
Historical Novel ◽  
Latin American Literature ◽  
Historical Account ◽  
American Novel ◽  
Song Of Solomon ◽  
The Past ◽  
The North ◽  
The Us

This chapter turns from a historical account of the development of the US literature of experience and the Latin American literature of reading to a textual analysis of the US and Latin American historical novel. Hemispheric/inter-American scholars often cite William Faulkner’s Absalom, Absalom! (1936), Gabriel García Márquez’s One Hundred Years of Solitude (1967), and Toni Morrison’s Song of Solomon (1977) as exemplifying instances of literary borrowing across the North–South divide. As I demonstrate, however, each of the later texts also realigns its predecessor’s historical imaginary according to the dominant logics of the US and Latin American literary fields. Whereas the American works foreground experiential models of reconstructing the past and conveying knowledge across generations, García Márquez’s Latin American novel presents reading as the fundamental mode of comprehending and transmitting history.

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

From Black Death to Black Hole

2018 ◽  
Author(s):  
Marcin Piatkowski
Keyword(s):  
Economic Development ◽  
Black Hole ◽  
Sixteenth Century ◽  
Eastern Europe ◽  
Rule Of Law ◽  
Western Europe ◽  
Black Death ◽  
European Continent ◽  
The Past

In this chapter I explain why Poland and most countries in Eastern Europe have always lagged behind Western Europe in economic development. I discuss why in the past the European continent split into two parts and how Western and Eastern Europe followed starkly different developmental paths. I then demonstrate how Polish oligarchic elites built extractive institutions and how they adopted ideologies, cultures, and values, which undermined development from the late sixteenth century to 1939. I also describe how the elites created a libertarian country without taxes, state capacity, and rule of law, and how this ‘golden freedom’ led to Poland’s collapse and disappearance from the map of Europe in 1795. I argue that Polish extractive society was so well established that it could not reform itself from the inside. It was like a black hole, where the force of gravity is so strong that the light could not come out.

Ainsworth's Historical Accuracy Reconsidered

1972 ◽  
Vol 4 (1) ◽  
pp. 23-28
Author(s):  
Llewellyn Ligocki
Keyword(s):  
Historical Novel ◽  
Sir Walter Scott ◽  
Crucial Importance ◽  
Historical Sources ◽  
The Past ◽  
Waverley Novels ◽  
Literary Figure ◽  
Historical Fact ◽  
The Common ◽  
Failure To Progress

After Sir Walter Scott made the historical novel popular with his Waverley novels, many other writers, including the major novelists Dickens and Thackeray and the minor novelists Ainsworth, G. P. R. James, Bulwer-Lytton, and Reade, took up the form. But while the major novelists are credited with artistry in their use of history, the minor ones are generally regarded as hacks who used history indiscriminately in any way they wished in order to “make saleable novels.” The disparaging criticism of William Harrison Ainsworth's use of history exemplifies this unreflective critical tendency.For several probable reasons, critics have not been inclined to credit Ainsworth with using history responsibly; however, none of the reasons is based on an examination of his sources: his rapid ascension and decline as an important literary figure, his popularity with the common reading public, and his failure to progress artistically after his first few good novels. His artistic growth seems to have ended in 1840, forty-one years before the publication of his last novel. These critics have seen him as a “manufacturer of fiction,” and therefore not responsible in his treatment of historical fact and his use of historical documents, even though time and place are of crucial importance to Ainsworth. One could hardly regard Ainsworth more incorrectly. A close reading of Ainsworth's historical sources demonstrates that Ainsworth's history is extremely reliable in both generalities and particulars; his alterations, usually minor, serve only to adumbrate his concept of history as cycle. Thus, even though he is a novelist and not a historian, the faithful revelation of the past is central to his work. He examines history carefully in order to present truths about life and in order to demonstrate how history reveals these truths.

1968. The “Prague Spring”: Fifty Years Later. Historical Essays

2021 ◽  
Keyword(s):  
Twentieth Century ◽  
Eastern Europe ◽  
Market Economy ◽  
Central And Eastern Europe ◽  
Educational Institutions ◽  
General Reader ◽  
The Past ◽  
Relevant Today ◽  
Prague Spring ◽  
The Military

This book is devoted to a symbolic event that defined the life and values of several generations. Half a century ago, Czech communists tried to give a new impetus to their country’s system of government by combining socialist values with a rational market economy and the mechanisms of a developed democracy. This effort failed, and the state was occupied by the military. This book is the result of joint efforts by Russian, Czech, and Romanian historians, archivists, and cultural and literary scholars, who—exploring new documents and materials—have reinterpreted these events and their lessons from a present-day perspective. Objectively, the “Prague Spring” is from a bygone era, but it is still a milestone, and many of the problems encountered during the Prague Spring are still relevant today. The authors hope that they have contributed to the historiography of the now-distant events of 1968 and that their contributions will help in analysing the experiences of the past in order to be prepared for the events of the future. This book is aimed at specialists in the history and culture of Central and Eastern Europe, students of higher educational institutions, and the general reader interested in twentieth-century history.

Feeling Like It Wasn't

2018 ◽  
Vol 47 (1) ◽  
pp. 99-103
Author(s):  
Rae Greiner
Keyword(s):  
French Revolution ◽  
Historical Fiction ◽  
Historical Novel ◽  
Georg Lukacs ◽  
The Past ◽  
Two Cities ◽  
Renaissance Italy ◽  
Or History ◽  
The Way ◽  
The French Revolution

In “Is There a Problem with Historical Fiction (or with Scott's Redgauntlet)?”—an essay, as it happens, on Sir Walter Scott's great counterfactual novel—Harry E. Shaw calls on literary critics more fully to register “the remarkable variety of things history can do in novels, by short-circuiting the assumption that the representation of history in fiction is really always doing the same sort of work, or should be.” History might be a source of imaginative energy, a sort of launching pad for a book about timeless truths, as in Charles Dickens's A Tale of Two Cities (“ultimately about individual sacrifice and transcendence, not about the French Revolution in the way in which Scott's Waverley is about the Forty-Five”); or the past might function as “a pastoral,” which is to say, as a field onto which authors project the concerns of their own times, as in Romola (depicting problems “in definitively Victorian terms and then project[ing them] back on to Renaissance Italy,” where they would have been understood quite differently [176–77]). Or history, what Shaw calls “objective history,” might be a work's actual subject (180). An historical novel of this last sort tells it like it was, or tries to. But even that novel is only doing so much, only making a use of history. Georg Lukács is therefore wrong in thinking that “a sufficiently dialectical mode of representation could capture everything” (Shaw 175). No one mode can capture all of even a highly delimited history at once.

Negotiating agency and structure: Trade union organizing strategies in a hostile environment

2015 ◽  
Vol 38 (3) ◽  
pp. 473-494 ◽  
Author(s):  
Dragoș Adăscăliței ◽  
Ștefan Guga
Keyword(s):  
Eastern Europe ◽  
Central And Eastern Europe ◽  
Organized Labor ◽  
General Situation ◽  
Political Environment ◽  
Union Organizing ◽  
Hostile Environment ◽  
The Past ◽  
Automotive Assembly ◽  
Agency And Structure

This article investigates a case of successful union organizing in one automotive assembly plant in Romania. The authors argue that in order to explain why the union succeeds in defending workers’ rights there is a need to consider both structural and agency aspects that condition labor’s capacity to effectively defend their interests. The findings show that the union at the Romanian plant has made use of a diverse repertoire of protest activities in order to defend its worker constituency. The authors also discuss why as of late protests are less and less used by the union in response to the shifting economic and political environment in which the plant is embedded. They argue that a closer look at the strategy of the Romanian union and the path it has taken in the past decade provides a better understanding of the conditions for union success in an economic, legal, and political environment that has become increasingly hostile toward organized labor. In this sense, the article points to the more general situation unions in Central and Eastern Europe have found themselves in recent years.

scholarly journals Riña de Gatos. Madrid 1936: Mendoza desde la óptica de la memoria histórica en el siglo XXI

2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Durba Banerjee
Keyword(s):  
Civil War ◽  
21St Century ◽  
Historical Novel ◽  
Transition Period ◽  
Historical Memory ◽  
War Literature ◽  
New Wave ◽  
Eduardo Mendoza ◽  
The Past ◽  
Civil War Literature

Abstract: 21st century Spain has witnessed a re-awakening of the past with Zapatero’s Historical Memory Law legislated in 2007 and a clamor to re-visit the Civil War (1936-39) and the Transition period with a critical stance. This new historical conscious has also resulted in a new wave of literature published on the Civil War. The objective of this paper is to explore how a work like Riña de Gatos. Madrid 1936 challenges the traditional boundaries of what is known as Civil War literature in Spain. The paper would encompass a thorough reading of the work authored by Eduardo Mendoza. In the process, it shall demonstrate the ability of this contemporary historical novel to transcend the boundaries of Civil War literature through a "rediscovery" of the Falange leader, Primo de Rivera (1903 – 1936) who was instrumental in the coup of 1936. Reseña: La España del siglo XXI ha atestiguado una vuelta del pasado con la Ley de Memoria Histórica de Zapatero (2007) y un clamor de retomar la Guerra Civil (1936-39) y el período de la Transición desde una postura crítica. Esta nueva consciencia histórica también ha resultado en una nueva ola de literatura publicada sobre la Guerra Civil. El objetivo de este trabajo es explorar cómo la obra Riña de Gatos. Madrid 1936 (2010) desafía los límites tradicionales de lo que se conoce como literatura de la Guerra Civil en España. El trabajo pretende una lectura detallada de esta obra de Eduardo Mendoza. En el proceso, demostraría su capacidad de trascender los límites de la literatura de la Guerra Civil a través de un "redescubrimiento" del líder de Falange, Primo de Rivera (1903 - 1936), que jugó un papel fundamental en el golpe de estado de 1936.

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