Fiktive Tatsachen, ihre Relativität und deren Angabe

2020 ◽  
Vol 24 (1) ◽  
pp. 133-172
Author(s):  
Adrian Brauneis

AbstractThe present article is concerned with the term realism. It develops an argument to distinguish between two different types: epistemically reflexive and non-reflexive realism. Wherever a fiction prompts its readers to distinguish between speaker-utterances from utterances not tied to a fictive character realism of the epistemically non-reflexive variety is at hand. Such a fiction posits a reality not to be reduced to the conceptual scheme of its fictive inhabitants. Realism of the epistemically reflexive sort indicates the relativity of the very conceptual fabric by which utterances not tied to a fictive entity give access to a fictive reality. In such a game of make believe there is, ontologically speaking, no room for the conjecture of a reality providing its fictive inhabitants as well as its non-fictive interpreters with concepts to name things as they are in themselves. How this comes to pass is shown by making use of Roland Barthes’ famous term ›reality effect‹ and subsequently illustrated by using the example of Franz Innerhofer’s novel Schöne Tage (Beautiful Days, 1975). The main argument is framed by a discussion of 19th century literary realism, on the one hand, and some concluding remarks on the potential cognitive benefits of epistemically reflexive realism, on the other hand. Whereas epistemically non-reflexive realism is a part of the family resemblance of a large portion of 19th century narrative fiction, so-called poetic realism is, according to the present article, to be considered as epistemically reflexive realism. Finally, it is argued that whenever a fiction, so to speak, loosens the connection between a fictive reality and certain concepts by suggesting the conceptual relativity of its own prescriptions to imagine certain things as fictionally true readers might be all the more willing to transfer those very same concepts into their own world.

2014 ◽  
Vol 8 (2) ◽  
Author(s):  
Simone Elisabeth Lang

AbstractIn describing the position of the narrator, research in literary studies generally follows Gérard Genette’s pioneering theory of narrative in distinguishing between the homo- and heterodiegetic type of narrator. This categorization is not sufficient to allow the position of the narrator to be described properly. The different ways in which the terms are used in literary studies reveal a shortcoming in the distinction behind them. Even in Genette’s work, there is a contradiction between the definition and the names of the two categories: Genette defines homo- and heterodiegesis with reference to the narrator’s presence in the narrated story, whereas he elsewhere states that the diegesis (in the sense of FrenchThe present article aims to do just that, starting from a theoretical standpoint. Thus, the different types of narrator that are possible are sketched in outline, and then explained with the help of examples.I begin by exposing the problems that result from using the terms in Genette’s manner (1), in order then to develop a list of possible narratorial standpoints based on the one hand on the involvement of the narratorial instance in the narrated world and on the other on its involvement in the story. By establishing separation of the two aspects as a ground rule in this way, a number of misunderstandings that are due to the varied ways in which the terminology has been used to date can be overcome.There follows a description of those cases that are unambiguously hetero- and homodiegetic (2), after which the problematic cases are considered (3), yielding the different types of homodiegetic narration that are possible. This latter set of distinctions will, like the others, shed light on the contours of the different narratorial positions and thus be capable of being put profitably into practice in textual interpretation. Accordingly, what is suggested is a way of using the terms that is first unambiguous and second beneficial to the interpretation of works, thus doing justice to the heuristic importance of narratology (see Kindt/Müller 2003; Stanzel 2002, 19).Thus, whereas the concept of diegesis provides the foundation for a distinction based on an ontological criterion that divides homo- and heterodiegesis from each other, the relationship between story and narrator is used to describe various types of homodiegetic narration. In the process, there come to light two types that are distinguished from each other by involvement in events (›homodiegetic, in the story‹ and ›homodiegetic, not in the story‹ narrators). If the narrator is not involved in events, the question arises of whether it would in principle have been possible for him to be involved in events, which is the norm with ›homodiegetic, not in the story‹ narrators, or whether a physical impossibility is the reason for his lack of involvement in the story. A special case of the ›homodiegetic, not in the story‹ narrator can be derived from this: peridiegetic narration: whereas narratorial instances of the ›homodiegetic, in the story‹ and ›homodiegetic, not in the story‹ types could in principle have been involved in the action and those of the ›homodiegetic, in the story‹ type actually were, peridiegetic narrators are marked by the fact that they cannot have been involved in the events.In summary, it will be shown that the concept of homodiegesis – in particular in the form in which it has previously been used, where links with the action and appearance in the story were not kept distinct – is in effect an umbrella term that brings together a number of possible forms. There is a prominent distinction between the ›homodiegetic, in the story‹ and the ›homodiegetic, not in the story‹ types of narrator (these types are represented in the present article by the old lawyer in Leo Perutz’s »The Beaming Moon« and the narrator who is a friend of Nathanael in E. T. A. Hoffmann’s »Sandman« respectively). The different degrees of homodiegetic narrator, which have often been mentioned in previous research and are defined by the strength of the character’s presence in the narrated world (from an uninvolved witness to an autodiegetic protagonist), are also to be situated between these two poles.It will also be shown in the process that the case of the narrator who is, for reasons of physical difference, not involved in events (the peridiegetic narrator) should be treated as a form of homodiegesis (for instance the schoolmaster in Theodor Storm’s


2019 ◽  
Vol 15 (2) ◽  
pp. 116
Author(s):  
Rahimah Hamdan ◽  
Arba’ie Sujud

This paper was aimed at identifying the guidance to parenting that emerged in the first Malay autobiography, the Hikayat Abdullah, and subsequently, to analyse those instructions on parenting in the context of the traditional Malay society of the 19th century. The recognition accorded to Abdullah Munshi as the Father of Modern Malay Literature has attracted various reactions from scholars. Some scholars regard Abdullah Munshi as the one who brought renewal to Malay literature through his courageous criticism of the customs and culture that had been in practice for generations. On the other hand, there are scholars who disapprove of that recognition being given to him and who consider Abdullah Munshi’s criticisms in his works as a deviation from the reality expressed in previous works. Nevertheless, not a single study has suggested that perhaps Abdullah Munshi firmly emphasized those criticisms with the intention of providing some sort of guidance. Hence, by analysing certain texts in the Hikayat Abdullah and by reviewing the evidence from the perspective of Swettenham (1895), who objectively evaluated the thinking and culture of the Malay community, this study was able to rectify the image of Abdullah Munshi, who, all this while, was considered to be pro-British because of his harsh criticism of the Malay community. Moreover, those criticisms were meant to provide guidance for the family institution, especially for parents. This indirectly proves that Abdullah Munshi took a serious view of parenting and believed that improvements were necessary to produce a dignified and civilized generation. In conclusion, the autobiography, the Hikayat Abdullah, was not just a new form of writing that deviated from the conventions of traditional Malay literature, but was the fruit of the wisdom of the author that was meant to benefit his readers.


1996 ◽  
Vol 46 (1) ◽  
pp. 207-216 ◽  
Author(s):  
Gianpiero Rosati

Of all the works attributed to Ovid but of disputed authenticity, the epistle of Sappho to Phaon is notoriously the one which has most perplexed scholars. Most philologists at the end of the 19th century asserted the Ovidian paternity of the epistle; but in recent years the discussion has flared up once again, especially following an important contribution, tending in the opposite direction, by R. J. Tarrant, and today, above all in Anglo-American studies, the pendulum seems to be swinging more in the direction of inauthenticity, according to the movement typical in debates of this kind. The present article obviously does not intend to discuss the whole question once again nor to reaffirm tout court the attribution to Ovid, but brings to the attention of scholars certain arguments which should not be neglected in the discussion (and which point in the direction of authenticity). I do not mean to underestimate the linguistic, stylistic, and metrical anomalies which scholars up to Tarrant and beyond have imputed to the epistula Sapphus, but rather to indicate some characteristics, above all of compositional technique, which have not been considered but which I think have a not insignificant weight in the debate on authenticity.


2019 ◽  
pp. 131-149
Author(s):  
Ágnes Máté

The present article discusses a set of poems registered in print nr. 1620 of the Régi Magyarországi Nyomtatványok catalogue. The poem was dedicated by a doctor of medicine from Levoča, Samuel Spillenberger to his alleged godson, the nobleman János Máriássy. Spillenberger wrote three poems in the name of each married brothers of Máriássy. The second poem, allegedly sang by Máriássy’s youngest brother, András, tells a story about a bigamist crusader from the 12th century. After presenting the family backgrounds of both the author and the addressees, the paper sheds light on the origin and possible sources of the story. Pointing out some specific textual properties of Spillenberger’s poem, the paper tries to trace down its exact source. It also offers a panoramic picture about the presence of the bigamist figure in German neo-Latin Literature and culture from the 16th to the 19th century. Finally, the article closes with some remarks about the position of the poem in its own literary context of seventeenth-century neo-Latin wedding poetry in Hungary.


2019 ◽  
Vol 29 ◽  
pp. 25
Author(s):  
Σταυρούλα ΣΟΛΩΜΟΥ

The present article examines the secular offices, titles and honorific epithets mentioned in testaments. The term testament is used here not only in its strictly legal sense, the disposal of property, but also in the wider one, that of confession, advice, political direction and monastic foundation. The purpose and the demands of the testator dictate the frequency and the kind of offices and titles. Τhey correspond to the government, army and judicial power. Both the highest offices and titles are attested as well as the lowest ones, and they crop up in testaments after the middle of 14th century, when court lists are absent. The reference to the office of basileus is made when the emperor, apart from holding his usual role, is called upon as guardian (trustee) of the testament, restorer or donor of monasteries and receiver of charities. The title despot is the one most commonly mentioned, whereas, the wide use of the honorific epithets doulos, oikeios, pansebastos sebastos is confirmed. Both the social status and the family networking of the testators are obvious


Author(s):  
Dmitry Feldman ◽  

Тhe article, based on published and archival sources, is devoted to the problem of Jewish family conflicts occurred in Russia at the beginning of the 19th century due to the daughters’ leaving the family and their baptism. There are non-conflict cases of assimilation of Jewish girls in the article. These girls became representatives of the Russian aristocracy through marriage. It is noted that Jewish family conflicts were the result of more active and close contacts between the Jewesses and non-Jews. They took place during progressive changes in the education and upbringing of children, on the one hand, and the crisis phenomena in the social and economic life of the Russian Jewry at that time, on the other.


Author(s):  
Irene Mira Navarro

Resum: El present article té per objectiu explorar la poesia dels anys seixanta de Carmelina Sánchez-Cutillas en contrast amb la de Vicent Andrés Estellés des de l’òptica d’estudi de la «poètica de la resistència» proposada pels autors Cornelia Gräbner i David Wood (2010). D’una banda, analitzarem l’obra dels dos poetes en tant que autors que formen part de la resistència cultural durant els anys de la dictadura per formar part d’una literatura minoritzada. I, d’altra banda, estudiarem com aquesta situació imprenga el contingut dels textos i articula una «poètica de la resistència» en què les veus literàries mostren a través dels versos la seua dissensió ideològica amb l’entorn dictatorial, especialment pel que fa a la reflexió de la consciència social, de gènere i nacional.Paraules clau: poètica de la resistència, poesia, franquisme, política, realisme Abstract: This paper aims to explore the poetry of the 60s of Carmelina Sánchez-Cutillas in contrast with the poetry of Vicent Andrés Estellés as an example of «poetics of the resistance» proposed by the authors Cornelia Gräbner and David Wood (2010). On the one hand, we will analyze the work of the two poets like authors that form part of the cultural resistance during the years of the dictatorship because they are part of minoritised literature. On the other hand, we will study how this situation permeates the content of the texts and articulates a «poetics of resistance». The poetic voices of these authors show through the verses his ideological dissent with the dictatorial frame, especially regarding the reflection of social conscience, gender conscience and national conscience.Keywords: poetics of resistance, poetry, francoism, politics, literary realism


1970 ◽  
pp. 38-45
Author(s):  
May Abu Jaber

Violence against women (VAW) continues to exist as a pervasive, structural,systematic, and institutionalized violation of women’s basic human rights (UNDivision of Advancement for Women, 2006). It cuts across the boundaries of age, race, class, education, and religion which affect women of all ages and all backgrounds in every corner of the world. Such violence is used to control and subjugate women by instilling a sense of insecurity that keeps them “bound to the home, economically exploited and socially suppressed” (Mathu, 2008, p. 65). It is estimated that one out of every five women worldwide will be abused during her lifetime with rates reaching up to 70 percent in some countries (WHO, 2005). Whether this abuse is perpetrated by the state and its agents, by family members, or even by strangers, VAW is closely related to the regulation of sexuality in a gender specific (patriarchal) manner. This regulation is, on the one hand, maintained through the implementation of strict cultural, communal, and religious norms, and on the other hand, through particular legal measures that sustain these norms. Therefore, religious institutions, the media, the family/tribe, cultural networks, and the legal system continually disciplinewomen’s sexuality and punish those women (and in some instances men) who have transgressed or allegedly contravened the social boundaries of ‘appropriateness’ as delineated by each society. Such women/men may include lesbians/gays, women who appear ‘too masculine’ or men who appear ‘too feminine,’ women who try to exercise their rights freely or men who do not assert their rights as ‘real men’ should, women/men who have been sexually assaulted or raped, and women/men who challenge male/older male authority.


2016 ◽  
Vol 4 (6) ◽  
pp. 26
Author(s):  
Zaidan Ali Jassem

This paper traces the Arabic origins or cognates of the “definite articles” in English and Indo-European languages from a radical linguistic (or lexical root) theory perspective. The data comprises the definite articles in English, German, French, Spanish, Portuguese, Italian, Romanian, Latin, Greek, Macedonian, Russian, Polish, Sanskrit, Hindi, Bengali, Persian, and Arabic. The results clearly indicate that five different types of such articles emerged in the data, all of which have true Arabic cognates with the same or similar forms and meanings, whose differences are due to natural and plausible causes and different routes of linguistic change, especially lexical, semantic, or morphological shift. Therefore, the results support the adequacy of the radical linguistic theory according to which, unlike the Family Tree Model or Comparative Method, Arabic, English, German, French, Latin, Greek, and Sanskrit not only belong to the same language family, renamed Eurabian or Urban family, but also are dialects of the same language, with Arabic being their origin all because only it shares the whole cognates with them all and because it has a huge phonetic, morphological, grammatical, and lexical variety. They also manifest fundamental flaws and grave drawbacks which plague English and Indo-European lexicography for ignoring Arabic as an ultimate ancestor and progenitor not only in the treatment of the topic at hand but in all others in general. On a more general level, they also show that there is a radical language from which all human languages stemmed and which has been preserved almost intact in Arabic, thus being the most conservative and productive language


2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>


Sign in / Sign up

Export Citation Format

Share Document