scholarly journals Sie sammeln und sie tauschen. Schloss Ambras als Knotenpunkt eines europäischen Netzwerks kunstaffiner Fürstenhöfe der Spätrenaissance

2019 ◽  
pp. 301
Author(s):  
Ricarda Hofer
Keyword(s):  
Material Culture ◽  
Everyday Life ◽  
Cultural Exchange ◽  
Research Area ◽  
Mutual Exchange ◽  
The Arts

This paper explores dimensions of cultural exchange, a research area that traces mutual exchange activities of various kinds in material culture, including portraits and statues, but also tools of everyday life. At the heart of this study is Castle Ambras, a centre of regional cultural exchange activities in Renaissance Tyrol. Since the days of Archduke Ferdinand II of Tyrol, its proprietors cultivated relationships with other European princes interested in the arts. As will be shown in this paper, various objects found their way to Tyrol as part of this cultural exchange – and can still be found in the halls of Ambras’ present-day museum.

Introduction

2017 ◽  
Author(s):  
Tom Hamilton
Keyword(s):  
Sixteenth Century ◽  
Material Culture ◽  
Early Modern ◽  
Everyday Life ◽  
Civil Wars ◽  
Modern History ◽  
Early Modern History ◽  
History Of Collecting ◽  
History Of ◽  
Late Renaissance

This chapter explores the material culture of everyday life in late-Renaissance Paris by setting L’Estoile’s diaries and after-death inventory against a sample of the inventories of thirty-nine of his colleagues. L’Estoile and his family lived embedded in the society of royal office-holders and negotiated their place in its hierarchy with mixed success. His home was cramped and his wardrobe rather shabby. The paintings he displayed in the reception rooms reveal his iconoclastic attitude to the visual, contrasting with the overwhelming number of Catholic devotional pictures displayed by his colleagues. Yet the collection he stored in his study and cabinet made him stand out in his milieu as a distinguished curieux. It deserves a place in the early modern history of collecting, as his example reveals that the civil wars might be a stimulus as much as a disruption to collecting in sixteenth-century France.

Рукопись Д. С. Бембеева-Сальмина «Ойратские триады»

2020 ◽  
Vol 15 (3) ◽  
pp. 107-121
Author(s):  
Larisa Badmaevna Mandzhikova ◽  
Keyword(s):  
Material Culture ◽  
Everyday Life ◽  
Full Text ◽  
Scientific Center ◽  
Biographical Information ◽  
The World ◽  
Kinship Relations ◽  
Academy Of Sciences ◽  
First Time ◽  
Political Figure

Introduction.Dorje Soktunovich Bembeyev-Salmin is one of the famous representatives of the old Kalmyk intelligentsia, a linguist, orientalist, public and political figure. His scientific works and biographical information are preserved in the private archive of D. S. Bembeev-Salmin in the Scientific Archive of the Kalmyk Scientific Center of the Russian Academy of Sciences (F. 10). This archive contains 12 items of storage for 1959. Among them are translations of works by Russian writers to the Kalmyk language, manuscripts of the text «The Orthography of the Oirat-Mongolian writing», Kalmyk folk proverbs and sayings, triads, pentastichesrecorded by D. S. Bembeev-Salmin. Of particular interest are the triads ― «orchlngingurvnts»(‘that there are three in the world’), recorded by him in 1931, they are one of the varieties of Kalmyk riddles. The themes of the riddles of the triads are diverse: everyday life, house hold activities, material culture, nature, family and kinship relations, ethics. D. S. Bembeyev-Salmin translated some of the three verses himself. This determines the value of the materials collected by him and their introduction into scientific circulation. The full text of the manuscript materials is published for the first time in this article.

scholarly journals Bienes De Consumo Cotidiano, Cultura Material E Identidad A Lo Largo Del Camino Real En El Norte De México

Xihmai ◽  
2014 ◽  
Vol 9 (18) ◽  
Author(s):  
Patricia Fournier Garcí­a ◽  
Bridget M. Zavala Moynahan
Keyword(s):  
Social Identity ◽  
Material Culture ◽  
Everyday Life ◽  
20Th Century ◽  
Archaeological Sites ◽  
Historical Sources ◽  
Camino Real ◽  
Palabras Clave ◽  
Royal Road ◽  
Life Consumption

Resumen A lo largo del Camino Real los habitantes usaron la cultura material - incluyendo objetos de uso cotidiano destinados a la preparación, almacenamiento y servicio de alimentos- para construir y reafirmar aspectos identitarios. En este ensayo, derivado de nuestras investigaciones concluidas en 2013, consideramos patrones de consumo de estos objetos desde el siglo XVIII hasta inicios del XX reflejados en inventarios de bienes de la época y contextos arqueológicos de la Nueva Vizcaya colonial (hoy Durango y Chihuahua). Contrastamos entre las vajillas que emplearon las personas con alto poder adquisitivo y los de uso entre el común de la gente, según los registros documentales y los contextos arqueológicos con diversas funciones y temporalidades registrados en el valle del Rí­o Sextí­n, Durango.   Palabras clave: Nueva Vizcaya, Camino Real, consumo cotidiano, haciendas, identidad Abstract   The residents along the Royal Road used material culture, including everyday life objects related to the preparation, storage and serving of foods, to construct and reaffirm aspects of their social identity and status. In this article, based on our research finished in 2013, we consider their consumption as reflected in 18th to 20th century documents and archaeological contexts from southern New Biscay (modern-day Durango and Chihuahua). We compare ceramic goods used by individuals with high economic standing with those employed by commoners, as registered in historical sources and data from archaeological sites with diverse functions and temporalities, recorded in the Sextí­n valley, Durango. Keywords: New Biscay, Royal Road, everyday life consumption, haciendas, identity

scholarly journals The Lashkendar Church and the Alan-Abkhazian Cultural Contacts: Prospects of Studying

2018 ◽  
Vol 15 (3) ◽  
pp. 298-308 ◽  
Author(s):  
E. Yu. Endoltseva
Keyword(s):  
Material Culture ◽  
Ethnic Groups ◽  
Cultural Exchange ◽  
Silk Road ◽  
Byzantine Empire ◽  
Close Proximity ◽  
Krasnodar Region ◽  
The Church ◽  
The Silk Road ◽  
Christian Beliefs

The article studies the Alan-Abkhazian cultural contacts by analyzing architectural decorations of these peoples. Actuality of the study is determined by considering the architectural decorations as a cultural marker of Abkhazians and Alans in the period of the 8th—10th centuries. This point of consideration is primarily important for studying the material culture of the ethnic groups living in close proximity to the route of the Silk Road, which is regarded as a powerful catalyst for cultural exchange between the numerous tribes and peoples each having its own unique and diverse artistic skills. The article compares a number of artifacts: some fragments of the altar barrier from Anacopia (Republic of Abkhazia, New Athos) and some fragments of the altar barrier from the Ilyichevskoe Hillfort (Krasnodar Region, Otradnensky District). This allows the author to state that there existed common ornamental schemes in the monumental art of those peoples in the period preceding the 13th—14th centuries. The article analyzes the patterns and zoomorphic images of “animals in a heraldic pose” from the church on Mount Lashkendar (Republic of Abkhazia, Tkuarchalsky District), and a dog from the Alan tomb of the Kyafarskoe Hillfort (Karachay-Cherkess Republic, Zelenchuksky District), providing additional arguments for the animals’ identifi cation. The author explores the system of images of the Alan tomb to determine the semantics of the dog’s image in the Christian church’s decoration and comes to the conclusion that the symbolism of the dog’s image originates from pre-Christian beliefs (namely, those Zoroastrian). The article emphasizes the fruitfulness of studying the Alan-Abkhazian contacts using the example of architectural decoration: it makes possible to identify some images and specify their dates. The author offers a variant of identifi cation of the relief from Mount Lashkendar; defi nes the place of this unique monument in the course of formation of the original artistic culture of the Abkhazian Kingdom; notes the heterogeneous infl uences on this process, coming both from the territories of different regions of the Byzantine Empire (Constantinople, Cappadocia, etc.) and from Transcaucasia (Armenia, Georgia). The Alan-Abkhazian layer of cultural contacts is highlighted.

Yavi-Chicha and the Inka expansion: a petrographic approach

Antiquity ◽  
2014 ◽  
Vol 88 (342) ◽  
pp. 1261-1274 ◽  
Author(s):  
María Beatriz Cremonte
Keyword(s):  
Material Culture ◽  
Everyday Life ◽  
Central Andes ◽  
Archaeological Sites ◽  
Petrographic Analysis ◽  
The South ◽  
Local Identities ◽  
South Central ◽  
Production Processes ◽  
The Social

The social complexities underlying imperial control are manifest in the material culture of everyday life encountered at archaeological sites. The Yavi-Chicha pottery style of the south-central Andes illustrates how local identities continued to be expressed in practices of pottery manufacture during the process of Inka expansion. The Yavi-Chicha style itself masks a number of distinct production processes that can be traced through petrographic analysis and that relate to the different communities by whom it was produced and consumed. The dispersion of pottery fabric types in this region may partly be attributable to the Inka practice of mitmaqkuna, the displacement and relocation of entire subject populations.

Humans, Heroes and Artists: (Re)Creating the Unexpected Situation

2013 ◽  
Vol 8 (2) ◽  
Author(s):  
Kathleen Coessens
Keyword(s):  
Everyday Life ◽  
Free Choice ◽  
Human Being ◽  
Music Improvisation ◽  
Time Experience ◽  
The Arts ◽  
Patterns Of Behavior ◽  
Set Up ◽  
Over Time ◽  
Urgent Action

Life is difficult, never the same, always challenging acquired patterns of behavior and expectation, urging the human being to improvise. Improvisatory acts in everyday life are the result of unexpected situations, where the encounter between self and environment suddenly disrupts the banal rituals of life. Over time, experience and knowledge enhance ways to cope with unexpectedness, and to 'improvise' better, or even 'less.' In music, improvisation is often a situation of choice. The unexpected situation is created, set up, purposively leading to an improvisatory encounter between body and environment. The musician knows he/she will 'improvise' the next hour. But it can also resemble life, by way of sudden unexpected moments which the musician still did not 'set up.' Experience and expertise enhance the fluidity of improvisational acts in the arts. This paper seeks to explore these tensions between improvisation in everyday life and in arts: between 'urgent action' and 'play,' between determined and created situations. It will be argued that the shift is not radical, and the tensions but a matter of degree. The 'artification' of improvisation originates in everyday life by play, tactics (de Certeau) and experience (Dewey) and reaches an aesthetic and ethic level of kairos (Aristotle) in art, exploring actions of choice and risking failure by (re)creating unexpectedness. The artist, like the human being in life, but now from his/her own free choice, is challenged to leave security and encounter the unexpected. But isn't that also the quest of the hero?

Slaves without Shackles: An Archaeology of Everyday Life on Gorée Island, Senegal

2011 ◽  
Author(s):  
Ibrahima Thiaw
Keyword(s):  
Eighteenth Century ◽  
Material Culture ◽  
Everyday Life ◽  
Settlement Pattern ◽  
Heterogeneous Population ◽  
Archaeological Record ◽  
Urban Settlement ◽  
Archaeological Evidence ◽  
Transnational Community ◽  
Changing Patterns

This chapter examines how slavery was imprinted on material culture and settlement at Gorée Island. It evaluates the changing patterns of settlement, access to materials, and emerging novel tastes to gain insights into everyday life and cultural interactions on the island. By the eighteenth century, Gorée grew rapidly as an urban settlement with a heterogeneous population including free and enslaved Africans as well as different European identities. Interaction between these different identities was punctuated with intense negotiations resulting in the emergence of a truly transnational community. While these significant changes were noted in the settlement pattern and material culture recovered, the issue of slavery — critical to most oral and documentary narratives about the island — remains relatively opaque in the archaeological record. Despite this, the chapter attempts to tease out from available documentary and archaeological evidence some illumination on interaction between the different communities on the island, including indigenous slaves.

Urban Achievement in Early Modern Europe: Golden Ages in Antwerp, Amsterdam and London. Edited by Patrick Karl O'Brien, Derek J. Keene, Herman Van der Wee, and Majolein't Hart. Cambridge: Cambridge University Press, 2001. Pp. xiv, 361. $64.95.

2003 ◽  
Vol 63 (1) ◽  
pp. 249-250
Author(s):  
Anne E. C. McCants
Keyword(s):  
New York ◽  
Material Culture ◽  
Early Modern ◽  
Early Modern Europe ◽  
Urban Centers ◽  
Science Culture ◽  
The Arts ◽  
Modern Development ◽  
Modern Europe

This edited volume is the result of a series of interdisciplinary conferences and seminars sponsored by the Renaissance Trust between 1990 and 1995 to examine “Achievement in Intellectual and Material Culture in Early Modern Europe” (p. 3). Historians of science, culture, the economy, and architecture and urban design were brought together to reflect on the intersections between past achievements in their respective fields within urban centers, as well as on the transfer of those achievements from one urban place to the next over time. These scholars were also called upon to consider the connections between the findings of more traditional “case-study” urban history and the grand narratives of modern development and geopolitical conflict. All of the contributors to this volume agreed to address the same meta question: “Why do recognized and celebrated achievements, across several fields of endeavor, tend to cluster within cities over relatively short periods of time?” (p. 5). In a schema entirely consistent with the Braudelian paradigm of early modern development (Fernand Braudel, The Perspective of the World. New York, 1981–84.), three cities in particular were chosen as representative of these episodic peaks of early modern achievement: Antwerp, Amsterdam, and London in roughly the sixteenth, seventeenth, and eighteenth centuries respectively. The chapters of the book are thus organized in groups of three, with one chapter devoted to each area of endeavor in each of the three cities, beginning with their material bases in economic growth and ending with high culture as exemplified by the arts, books, and scientific research and discovery.

Placemaking in the Transnational Caribbean: A Rastafari Community in Ethiopia

2020 ◽  
pp. 002193472096704
Author(s):  
Scott Timcke ◽  
Shelene Gomes
Keyword(s):  
Material Culture ◽  
Everyday Life ◽  
Social Imaginary ◽  
Sacred Place ◽  
Racial Capitalism ◽  
Everyday Practices ◽  
Basic Infrastructure

Considered a sacred place, Shashamane plays a foundational role in the Rastafari transnational social imaginary, especially when one considers how it is a purposeful response to the horrors of racial capitalism. Through an analysis of scenes of everyday life in Shashamane, Ethiopia, we examine the components of migrant Rastafari material culture and the resultant placemaking practices. Like other places in Ethiopia, in the last 20 years Shashamane has undergone a significant transformation in its basic infrastructure. The result is qualitative shift in everyday practices, with significant improvements to relations. We examine how some of these facilitate a culture of bonds that stave off extreme vulnerability.

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