MAP Cartographies of Forgotten and Ruptured Relations

2020 ◽  
Vol 9 (2) ◽  
pp. 72-84
Author(s):  
Sarah Amira de la Garza
Keyword(s):  
Social Change ◽  
The Body ◽  
Artistic Expression ◽  
Ecological Approach ◽  
Verbal Representations ◽  
Level Of Understanding

This essay introduces a methodological praxis for those seeking a radically ecological approach to excavate relational narratives, experiences, and subjectivities that have been miniaturized through history and habituated practices. Through the progressive use of a MAP methodology (Movement, Art, and Poiesis) that seeks to question the body through movement, artistic expression, and invitation of poiesis, practitioners are encouraged to seek a form of catharsis that promises not release, but social change. The resulting cartographies are verbal representations for approaching an ecological level of understanding of broken, disrupted, and otherwise hegemonically damaged histories of relations.

Dance Imagery for Technique and Performance

2014 ◽  
Author(s):  
Eric Franklin
Keyword(s):  
Deep Understanding ◽  
The Body ◽  
Artistic Expression ◽  
Contemporary Dance ◽  
Improve Technique ◽  
Dance Class ◽  
Dance Improvisation ◽  
Dance Imagery ◽  
And Performance ◽  
Dance Educators

Renowned master teacher Eric Franklin has thoroughly updated his classic text, Dance Imagery for Technique and Performance, providing dancers and dance educators with a deep understanding of how they can use imagery to improve their dancing and artistic expression in class and in performance. These features are new to this edition: • Two chapters include background, history, theory, and uses of imagery. • 294 exercises offer dancers and dance educators greater opportunities to experience how imagery can enhance technique and performance. • 133 illustrations facilitate the use of imagery to improve technique, artistic expression, and performance. Franklin provides hundreds of imagery exercises to refine improvisation, technique, and choreography. The 295 illustrations cover the major topics in the book, showing exercises to use in technique, artistic expression, and performance. In addition, Franklin supplies imagery exercises that can restore and regenerate the body through massage, touch, and stretching. And he offers guidance in using imagery to convey information about a dancer’s steps and to clarify the intent and content of movement. This new edition of Dance Imagery for Technique and Performance can be used with Franklin’s Dynamic Alignment Through Imagery, Second Edition, or on its own. Either way, readers will learn how to combine technical expertise with imagery skills to enrich their performance, and they will discover methods they can use to explore how imagery connects with dance improvisation and technique. Dance Imagery for Technique and Performance uses improvisation exercises to help readers investigate new inner landscapes to create and communicate various movement qualities, provides guidelines for applying imagery in the dance class, and helps dancers expand their repertoire of expressiveness in technique and performance across ballet, modern, and contemporary dance. This expanded edition of Dance Imagery for Technique and Performance supplies imagery tools for enhancing or preparing for performance, and it introduces the importance of imagery in dancing and teaching dance. Franklin’s method of using imagery in dance is displayed throughout this lavishly illustrated book, and the research from scientific and dance literature that supports Franklin’s method is detailed. The text, exercises, and illustrations make this book a practical resource for dancers and dance educators alike.

scholarly journals Progressive Social Movements and the Internet

2018 ◽  
Author(s):  
Sarah J. Jackson
Keyword(s):  
Social Movements ◽  
Social Change ◽  
Mass Media ◽  
Public Sphere ◽  
Social Power ◽  
The Body ◽  
The Internet ◽  
The Public ◽  
Media Technologies ◽  
The Public Sphere

Because of the field’s foundational concerns with both social power and media, communication scholars have long been at the center of scholarly thought at the intersection of social change and technology. Early critical scholarship in communication named media technologies as central in the creation and maintenance of dominant political ideologies and as a balm against dissent among the masses. This work detailed the marginalization of groups who faced restricted access to mass media creation and exclusion from representational discourse and images, alongside the connections of mass media institutions to political and cultural elites. Yet scholars also highlighted the ways collectives use media technologies for resistance inside their communities and as interventions in the public sphere. Following the advent of the World Wide Web in the late 1980s, and the granting of public access to the Internet in 1991, communication scholars faced a medium that seemed to buck the one-way and gatekeeping norms of others. There was much optimism about the democratic potentials of this new technology. With the integration of Internet technology into everyday life, and its central role in shaping politics and culture in the 21st century, scholars face new questions about its role in dissent and collective efforts for social change. The Internet requires us to reconsider definitions of the public sphere and civil society, document the potentials and limitations of access to and creation of resistant and revolutionary media, and observe and predict the rapidly changing infrastructures and corresponding uses of technology—including the temporality of online messaging alongside the increasingly transnational reach of social movement organizing. Optimism remains, but it has been tempered by the realities of the Internet’s limitations as an activist tool and warnings of the Internet-enabled evolution of state suppression and surveillance of social movements. Across the body of critical work on these topics particular characteristics of the Internet, including its rapidly evolving infrastructures and individualized nature, have led scholars to explore new conceptualizations of collective action and power in a digital media landscape.

scholarly journals Iconografía y uso de la orina en la Historia del Arte / Iconography and Use of Urine in the History of Art

2018 ◽  
Vol 5 (2) ◽  
pp. 81-88
Author(s):  
José Antonio Colón Fraile
Keyword(s):  
Contemporary Art ◽  
The Body ◽  
Artistic Expression ◽  
History Of Art ◽  
History Of ◽  
And Gender ◽  
Complex Images

ABSTRACTWe studied how the urinating action and the use of the own urine have been used as an element of artistic expression in different art throughout history disciplines. This tour was organized by subject indexes, from the simplest to the most complex images semiotically. Contemporary art deserved special attention by incorporating the use of the body and its fluids as examples of human fears and obsessions, characterized the appearance of urine by its radicalism and gender affiliation.RESUMENSe estudia cómo se ha representado la acción de orinar y el uso de la propia orina como elemento de expresión artística en las distintas disciplinas a lo largo de la historia del arte. Se estructura este recorrido por índices temáticos, desde las imágenes más simples hasta las semióticamente más complejas, comenzando por la representación de niños que orinan, utilizados en todas las épocas como imagen de lo anecdótico y motivo decorativo para fuentes y jardines. Se continúa por otras imágenes que, aun siendo protagonizadas también por niños, poseen niveles de lectura culturalmente más elevados. Se divide este estudio en dos grandes épocas antagónicas: el mito de la Edad de Oro, estado natural y privilegiado para el ser humano, y el posterior mito de la caída en el que la sexualidad connota el acto de orinar ofreciéndonos nuevas lecturas desde el erotismo, la pornografía y su uso político-propagandístico. 

scholarly journals Spirituality, shifting identities and social change: Cases from the Kalahari landscape

2015 ◽  
Vol 71 (1) ◽  
Author(s):  
Mary E. Lange ◽  
Lauren Dyll-Myklebust
Keyword(s):  
Social Change ◽  
Community Development ◽  
Case Studies ◽  
Local Community ◽  
Tertiary Education ◽  
Artistic Expression ◽  
Development Projects ◽  
Spiritual Beliefs ◽  
Change Projects ◽  
Shifting Identities

Storytelling, art and craft can be considered aesthetic expressions of identities. Kalahari identities are not fixed, but fluid. Research with present-day Kalahari People regarding their artistic expression and places where it has been, and is still, practised highlights that these expressions are informed by spirituality. This article explores this idea via two Kalahari case studies: Water Stories recorded in the Upington, Kakamas area, as well as research on a specific rock engraving site at Biesje Poort near Kakamas. The importance of the Kalahari People’s spiritual beliefs as reflected in these case studies and its significance regarding their identities and influence on social change and/or community development projects is discussed. The article thus highlights ways in which spirituality can be considered in relation to social change projects that are characterised by partnerships between local community, non-government and tertiary education representatives and researchers and that highlight storytelling as an integral part of people’s spirituality.

Queer Dance

2017 ◽  
Keyword(s):  
Social Change ◽  
Social Norms ◽  
Coming Out ◽  
Queer Studies ◽  
Ways Of Knowing ◽  
The Body ◽  
Live Performance ◽  
Institutional Practices ◽  
Making Meaning ◽  
Wide Range

Queer Dance argues that dance has a particular charge in the larger field of queer activism and study because it emphasizes and offers language for how public, physical action can be a force of social change. It considers how queer dance has political potential and how it could productively challenge more conservative dance forms, both in terms of making meaning and in terms of institutional practices. Queer Dance brings together artists and scholars in a multi-platformed project—book, website, and live performance series—to ask: “What does dancing queerly challenge us toward?” The artists and scholars whose writing appears in the book and whose performances and filmed interviews appear online, stage a wide range of genders and sexualities as a way to challenge and destabilize social norms. Queer dance is a coalitional project, a gathering that works across LGBTQ identities and in concert with feminist, anti-racist, and anti-colonial artmaking, activism, and scholarship. The book engages with dance-making, dance scholarship, queer studies, and a host of other fields, always asking how identities, communities, and artmaking and scholarly practices might consider what queer work the body does and can do. Might the slide of a hand across a hipbone be just as much an act of coming out as an announcement offered in words? How does queerness exist in the realm of affect and touch, and what then might be revealed about queerness through these pleasurable and complex bodily ways of knowing?

Semiotics of the Protest

2019 ◽  
pp. 44-49
Author(s):  
Maria Paschalidou
Keyword(s):  
Social Change ◽  
Public Space ◽  
The Body ◽  
The Political ◽  
Street Protest ◽  
A Performance

In the Semiotics of the Protest performed video, I visually examine the key significance of the body and its language for the materialization of the street protest, the vital tool by means of which people reclaim public space and activate it as a political terrain. The video is based on a performance for which I invited a volunteer dancer to “rehearse” public gestures of resistance against oppression. Challenging dominant representations of protestors as “mobs” and protestors’ bodies as irrational and uncontrollable entities, in this performed video, I visually analyse the political demonstration as choreographic tactics executed by bodies which are meaningful and purposeful and which, through their gestures, move forward to social change. Keywords: participation, performed video, Phantasmagoria, politics and aesthetics, protest as choreography

scholarly journals Westerncentric in the Design of Costumes in Javanese Dance Opera in the XVIII Century

2021 ◽  
Vol 8 (1) ◽  
pp. 82
Author(s):  
R. M. Pramutomo ◽  
Riva Amelia
Keyword(s):  
Performance Art ◽  
Performing Arts ◽  
18Th Century ◽  
Scientific Basis ◽  
The Body ◽  
Design Model ◽  
Artistic Expression ◽  
Fashion Design ◽  
New Creation ◽  
Historical Methods

The 18th century Javanese performance art has given an artistic expression of the aristocrats known as the Langendriya genre. Langendriya's performing arts are the creativity of the Yogyakarta royal aristocrats who are recognized as the prototype of Javanese opera art. The creator of the Langendriya opera is Prince of Mangkubumi, the younger brother of Sultan Hamengku Buwana VII, the seventh king of the Yogyakarta kingdom. In the process of creation, Prince of Mangkubumi was assisted by his two sons, KRT. Kertanegara and KRT. Wiraguna. Through KRT Wiraguna figure Langendriya opera fashion design gets a European touch by combining Western designs and Javanese designs. This article wants to reveal the uniqueness of the Western design model applied to the Javanese designs created by KRT Wiraguna. As a new creation, the combination of Western and Javanese works by KRT Wiraguna became phenomenal in the 18th century. This article is written using historical methods combined with ethnochoreological methods as the scientific basis for opera drama. Therefore, ethnocoreological analysis will be useful in the application of design in the form of the body of the dance opera that is presented.

scholarly journals “A REVIEW OF PREVENTING AND CONTROLLING GERIATRIC DISORDERS THROUGH AYURVEDA

2018 ◽  
Vol 6 (06) ◽  
Author(s):  
Swarupa Shyam Mane
Keyword(s):  
Social Change ◽  
Health Status ◽  
Life Span ◽  
Broad Spectrum ◽  
Aging Process ◽  
The Body ◽  
Degenerative Changes ◽  
Early Age ◽  
Herbal Drugs ◽  
And Control

ABSTRACT:- Aging is a process of physical, psychological and social change in multidimensional aspects. As the age advances body becomes fragile, digestion and metabolism gets weakened and the body surrenders to various diseases. According to Ayurveda Vatadosha is most important factor in aging process. Aim of ayurveda is not only to treat the disease but also maintain the healthy status of individual. Vruddhavastha is last part of life span and it is mainly characterized by degenerating changes. In Ayurveda there are many concepts to decrease these degenerative changes in early age and maintain health status. Use of Rasayan chikitsa, Panchkarma and various herbal drugs can delay aging process. Rasayanchikitsa has also called as jara chikitsa is unique branch of Ayurveda to delay aging and control degeneration. Hence Ayurveda has broad spectrum of preventing measures for combating the aging process and related disorders.

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