scholarly journals Тенденції функціонування друкованих медіа в Україні

2021 ◽  
pp. 272-287
Author(s):  
Любов Василик ◽  

The print crisis – caused, it seems, by the digitization and transformation of digital media – is one of the problems of contemporary journalism. For this reason, over the past three years, the circulation of the printed press in Ukraine has sharply decreased (by 3 million copies, ie 27%). The most difficult situation is that of local media, which since 2016 have gradually been transformed into private ownership by the authorities. The delayed reform has led to a situation where publishing houses with no experience in business are going through a serious recession: some have already closed, some have barely survived under modern market conditions. The convergence of the media carries the risk of marginalization of smaller publishers and, consequently, of their recipients, whose voices will not be heard. This is already the case with the central press, as the most powerful print media belong to the largest companies: Star Light Media, UMH Group, Inter Media Group, 1 + 1 Media and Media Group Ukraine, whose owners are involved in Ukrainian politics. On the other hand, support for the local independent press is refused. Ukraine can follow the path of many other European countries following the „circular spiral” theory. According to her, the highest circulation newspapers receive more advertising funds and subscriptions, while smaller titles receive state aid in order to maintain pluralism of thought, prevent the disappearance of small publications and avoid excessive media concentration. This project was developed in 2016, but it was not approved by the government as it maintained the news-papers' dependence on public authorities and a corrupt model of fund distribution. The situation of uncertainty is beneficial for the authorities as it allows publishers to be influenced, especially during elections. During a financial recession, publishing houses easily succumb to politicians' suggestions and make abuses consisting in releasing materials designed to support their image. Media researchers recorded 28.1% of such publications in the regional press. The media sector is also negatively affected by the steady increase in the postal tariff for delivering the press and the reduction of Ukrposzta's stationary branches, which are also in the financial recession. Another problem is the lack of regulation on the status of electronic media, which is often involved in piracy of intellectual property, which negatively affects the print media. Young and middle-aged audiences are seldom readers of newspapers, so they need to transform their content into online material. The press is looking for additional channels, attracting readers' attention on the Internet, using websites, social networks, video hosts, various convergence models, various technologies. Central media – as opposed to smaller, regional ones – quickly adapted to the prevailing trends. More than half of the local media still doesn’t have a website. Due to the low tabloidization of printed media, it is of little use to create popular news channels such as infotainment. Only in isolated cases do publishers make an effort to shift from traditional information to communicating with readers, and editors try to use crowdsourcing and croudfunding models to generate content and raise funds to support and develop new ideas. Since 2017, the Local Media Support Agency has been teaching how to create modern content and profit on advertisements - the result is 23 agency websites with 1,307,000 users and 6,200,000 views (2018). Despite the crisis, the need for information has not diminished, so time will show the format in which the Ukrainian press will exist. It is possible that – as in Poland – it will be primarily an online newspaper.

2018 ◽  
Vol 13 (1) ◽  
pp. 34-53
Author(s):  
Jacob Nyarko ◽  
Ruth Elizabeth Teer-Tomaselli

The media was accorded the status of the fourth estate with the objective of making it autonomous of society players like the government and corporate entities. However, its funding questions the independence of these entities. Using an exploratory mixed method that combines semi-structured interviews with the content analysis of newspapers, this study investigated the impact of media funding on the independence of government and private print media outlets in Ghana, tagging advertising as a revenue-generating source to determine agenda-setting patterns. In Ghana’s media economy, government and corporate entities influence editorial autonomy and favour state-owned papers than private outlets.


MedienJournal ◽  
2017 ◽  
Vol 30 (2-3) ◽  
pp. 37
Author(s):  
Li Xiguang

The commercialization of meclia in China has cultivated a new journalism business model characterized with scandalization, sensationalization, exaggeration, oversimplification, highly opinionated news stories, one-sidedly reporting, fabrication and hate reporting, which have clone more harm than good to the public affairs. Today the Chinese journalists are more prey to the manipu/ation of the emotions of the audiences than being a faithful messenger for the public. Une/er such a media environment, in case of news events, particularly, during crisis, it is not the media being scared by the government. but the media itself is scaring the government into silence. The Chinese news media have grown so negative and so cynica/ that it has produced growing popular clistrust of the government and the government officials. Entering a freer but fearful commercially mediated society, the Chinese government is totally tmprepared in engaging the Chinese press effectively and has lost its ability for setting public agenda and shaping public opinions. 


2014 ◽  
Vol 22 (1) ◽  
pp. 144-149 ◽  
Author(s):  
Rodrigo José Martins Cardoso ◽  
João Manuel Garcia de Nascimento Graveto ◽  
Ana Maria Correia Albuquerque Queiroz

OBJECTIVE: to describe the coverage of news concerning the nursing profession in the Portuguese media: informative sites on the Internet and in print media. METHOD: a total of 1,271 health news items were collected in September and October of 2011 (956 online news items and 325 news items originating from the press review of the Portuguese Order of Nurses). Statistical analysis was used to characterize the variables. RESULTS: nurses were the sources of information in 6.6% of cases, suggesting limited media exposure. The health news collected is characterized by a production based on limited information sources, that is, male and official sources, on information disseminated by news agencies focused on economic and political issues in the health field. CONCLUSION: the presence of nurses in the news concerning nursing health is reduced. We suggest that nurses develop public communication skills to disseminate the importance of their profession in society and their relationship with the media.


2018 ◽  
Vol 3 (1) ◽  
Author(s):  
Nellis Mardhiah

Theoretically, the media and politics can not be separated. Media and politics are like two sides of the same coin in which each one requires another. This is what happened in Aceh. Media and political links are highly visible in the practice of the press in Aceh. The presence of the media in Aceh seems very much to serve the political ambition through the news. The practice of the press industry looks like it is thick with the nuances of interest, which is interestingly studied with the approach of political economy. Political economy theorists see that there are certain groups that control economic institutions that then affect other social institutions, including the media and the press. In other words, the mastery of economic institutions will lead to the mastery of almost all aspects of life, ranging from small things such as how to eat to big things like communication devices. The mastery is meant to perpetuate their economic power. In the context of Aceh specially post-enactment of the Law on Aceh Goverment. The presence of local media is not only a part of the vortex of information, but also present as part of local political democratization. This is the challenge of the media or the local press itself. Does the media capable of maintaining its independence in managing information? or actually engaging in political practices in favor of certain political groups? Keywords: Local Media, Political Economic Media, Elite Politic, Aceh.


Author(s):  
Angela Krewani

In this chapter, I explore the media coverage of the Arab Spring and the reactions of Western media communities. Focusing on interactive documentaries and websites, this chapter clearly demonstrates to what extent media bring about individualized coverage to major events. Digital media especially have merged with cartographic competencies to provide topical information. Compared to the informational range of classic print media and television, these digital platforms and digitally distributed art forms create new and interactive forms of media participation.


2012 ◽  
Vol 144 (1) ◽  
pp. 27-36
Author(s):  
Robert Crawford ◽  
Jim Macnamara

The status of Australia Day has long generated mixed responses – from patriotic flag-waving, to apathy, to outright hostility. Proponents of 26 January consequently have engaged in various public relations activities in order to promote Australia Day and to establish its credentials as the national day. From the early nineteenth century through to the present, local media outlets have had a dynamic relationship with Australia Day. Yet while they have been active proponents of Australia Day, their support was not unconditional. The emergence of various bodies with the specific aim of promoting Australia Day would alter this relationship, with the media becoming a potential adversary. As such, media relations assumed a more central function in the promotion of Australia Day. By charting the growth and development of media relations that have accompanied Australia Day celebrations, this study not only documents the evolution of media relations practice, but also reveals the extended history of public relations in Australia and its presence in everyday Australian life.


2020 ◽  
Vol 9 (2) ◽  
pp. 127-134
Author(s):  
Bella Dwi Syahputri Ispriadi ◽  
Devy Anggita Putri ◽  
Prahasti Ken Dewani

Abstract. This article discusses the existence of print media during the Covid-19 pandemic. Now, many printed media have lost their readership significantly. The Covid-19 pandemic has become a disruption that has a negative impact on the print media industry. People choose to switch to digital media because it is easy and the information they need is faster. Changing the media used in conveying information will certainly have an impact on the future of the media itself. When the turnover of print media decreases, the print media company will go bankrupt / close and lay off employees and cut employee salaries. The method used in this article uses a qualitative descriptive approach by using a research procedure according to the latest available facts to solve a problem regarding the existence of print media during the Covid-19 pandemic. Based on the data obtained, it is explained that from 434 print media throughout January to April 2020, 71 percent of print media companies experienced a decrease in turnover of 40 percent when compared to the same period in 2019. Based on the data above, it can be seen that a decrease in media existence print during the COVID-19 pandemic. This decline certainly had an impact on the business turnover of advertisers, which resulted in a decrease in advertising budgets on various media platforms.Keywords: Covid-19, Existence, Print Media, PandemicAbstrak. Artikel ini membahas tentang eksistensi media cetak pada masa pandemi Covid-19. Saat ini, amat banyak media cetak yang kehilangan para pembacanya secara signifikan. Pandemi Covid-19 ini sudah menjadi disrupsi yang berdampak negatif bagi para industri media cetak. Masyarakat memilih beralih ke media digital karena mudah dan informasi yang dubutuhkan lebih cepat. Berubahnya media yang digunakan dalam penyampaian infromasi tentu akan memberikan dampak pada masa depan dari media itu sendiri. Ketika omzet media cetak turun maka perusahaan media cetak akan mengalami bangkrut/tutup serta terjadi pemecatan pegawai dan  pemotongan gaji karyawan. Metode yang digunakan dalam artikel ini dengan menggunakan pendekatan deskriptif kualitatif dengan menggunakan sesuatu tata cara riset sesuai fakta-fakta yang terdapat terbaru untuk memecahkan sesuatu permasalahan mengenai eksistensi media cetak pada masa pandemi Covid-19. Beradasarkan data yang diperoleh menjelaskan bahwa dari 434 media cetak disepanjang bulan Januari hingga bulan April 2020, terdapat 71 persen perusahaan media cetak mengalami suatu penurunan omzet dari 40 persen bila dibandingkan dengan periode yang sama pada tahun 2019. Bedasarkan data diatas maka dapat dilihat penurunan eksistensi media cetak selama pandemi covid 19. Penurunan ini tentunya berdampak pada omzet usaha dari para pengiklan mengalami penurunan yang mengakibatkan anggaran iklan pada berbagai platform mediapun menjadi semakin berkurang.Kata Kunci: Covid-19, Eksistensi,Media Cetak, Pandemi


2019 ◽  
Vol 32 (1) ◽  
pp. 9-26
Author(s):  
Sami Kolamo ◽  
Jani Vuolteenaho

Berliinin vuoden 1936 olympialaiset olivat aikansa massiivisin ja järjestelyiltään erityisen tarkasti harkittu propagandanäytös, jossa esiteltiin ”uutta uljasta Saksaa” urheilua seuraavalle kansainväliselle yleisölle. Yhtäaikaisena tavoitteena oli Saksan kansalaisten ”spirituaalinen mobilisaatio” natsihallinnon hegemonian lujittamiseksi. Analyysimme ytimessä on yhdistetyn propagandan käsite. Arnd Krüger viittaa käsitteellään samanaikaisesti valtion sisä- ja ulkopuolelle suuntautuvaan mediavälitteiseen kokemusten muokkaamiseen ja kielteisten mielikuvien häivyttämiseen myönteisten mielikuvien tieltä.Lähestymme mediateollisuutta ja sen roolia Berliinin olympialaisten kokemuksellisessa tuotannossa kolmesta toisiinsa limittyvästä näkökulmasta. Ensiksikin havainnoimme sitä, millä tavoin media- ja kaupunkitila linkittyivät yhteen olympialaisten organisoinnissa ja esillepanossa. Ennen olympialaisia kaupunkitiloja ehostettiin ja siivottiin rotuopin ja -sorron merkeistä. Propagandististen kaupunkitilojen tuottamiseen osallistettiin aktiivisesti myös paikallisia ihmisiä. Toiseksi kiinnitämme huomiota mediateknologioiden eli lehdistön, radion ja television rooliin megatapahtuman tarinallistamisessa ja intensiivisen kisatunnelman kohottamisessa. Goebbels kuvaili lehdistöä ”suureksi näppäimistöksi, jota hallitus voi soittaa”. Natsipropagandan viestintäteknologioista radio oli erityisen keskeisessä asemassa. Olympialaisten aikana kisojen pääväylän, olympiastadionille johtavan Via Triumphaliksen varrelle sijoitettiin kaiuttimia, joiden kautta olympialaisten tapahtumat levisivät lähiympäristöön ja kokosivat ihmisiä yhteisen kokemuksen äärelle.Kolmanneksi analysoimme Leni Riefenstahlin Olympia-elokuvan tuotantoprosessia, dramaturgisia ratkaisuja ja vastaanottoa. Elokuvassa, jota natsivaltio avokätisesti rahoitti, pyrkimyksenä oli ikuistaa täydelliseksi hiottuja otoksia urheilijoiden kehollisesta kauneudesta, liikkeen estetiikasta ja haltioituneista yleisömassoista. Päätelmissä summaamme mediavälitteistä kokemusten muokkaamista valtiopropagandan kulta-aikana, jolloin urheilusta ja sen megatapahtumista oli tullut koko kansan viihdettä. Berliinin olympialaiset rikkoivat katsojamääräennätyksiä niin tapahtumapaikoilla kuin radion ääressä, ja näin voimistivat natsien valta-asemaa etenkin Saksassa.Nazis advocating friendship between nations – The logics of propaganda in the 1936 Berlin OlympicsAimed at displaying the “brave new Germany” to the attending international sporting community and media audiences in the rest of the world, the 1936 Berlin Olympics constituted an unprecedentedly massive propaganda show, planned and organised with the greatest care. Domestically, a simultaneous goal was the “spiritual mobilisation” of the German people to consolidate the Nazi regime’s hegemony over them. In this article, we apply Arnd Krüger’s concept of concerted propaganda to denote the media-driven shaping of experiences and effacement of unfavourable associations to leverage positive images of the Nazi Germany at domestic and international scales.In particular, we inquire into the media industry’s roles in the production of experiences in the Berlin Olympics from three overlapping perspectives. First, we observe the ways in which cityscapes and mediascapes were entangled in the organising and staging of the 1936 Olympics. In the run-up to the Games, public spaces across Berlin were decorated and scrubbed of the signs of racist Nazi ideology and oppression. The intra-urban propaganda also included encouraging local people to actively participate in the production of a veneer of hospitality. Second, we pay heed to press-, radio- and television-associated technologies in the propagandist narrativization and atmospheric intensification that occurred around the Olympic mega-event. According to Joseph Goebbels, the press is “a great keyboard which the government can play.” Meanwhile, radio was a central instrument in the Nazi’s Olympic propaganda. Along Berlin’s major arterial road during the Olympics, the so-called Via Triumphalis, loudspeakers were perched on lampposts, ensuring that people outside the main venues were also kept abreast of and emotionally captivated by ongoing Olympic events.Third, we analyse the production process, dramaturgic choices, and reception of Leni Riefenstahl’s artistic propaganda documentary Olympia, premiered a year and a half after the Berlin Olympics. Generously sponsored by the Nazi state, Olympia sought to perpetuate perfected shots on the athletes’ bodily beauty, kinetic aesthetics and enthralled spectator masses. In conclusion, we discuss the characteristics of the media-driven production of experiences during the heyday of state propaganda, in a historic context in which sporting mega-events had achieved a status as widely popular entertainment. The Berlin Olympics broke previous spectator and radio-listener records, and strengthened the Nazis’ ideological sway over people in Germany, in particular.


Author(s):  
Martin C. Njoroge ◽  
Purity Kimani ◽  
Bernard J. Kikech

The way the media processes, frames, and passes on information either to the government or to the people affects the function of the political system. This chapter discusses the interaction between new media and ethnicity in Kenya, Africa. The chapter investigates ways in which the new media reinforced issues relating to ethnicity prior to Kenya’s 2007 presidential election. In demonstrating the nexus between new media and ethnicity, the chapter argues that the upsurge of ethnic animosity was chiefly instigated by new media’s influence. Prior to the election, politicians had mobilized their supporters along ethnic lines, and created a tinderbox situation. Thus, there is need for the new media in Kenya to help the citizens to redefine the status of ethnic relationships through the recognition of ethnic differences and the re-discovery of equitable ways to accommodate them; after all, there is more strength than weaknesses in these differences.


2021 ◽  
pp. 65-83
Author(s):  
LOUISA KHACHATRYAN

Abstract: This study analyzes the role of the media during the 45-day war in Artsakh in 2020. It aims to understand how the local media responded and reacted to official propaganda, particularly to the statements of the Armenian Prime Minister Nikol Pashinyan. The research question of the capstone project is “What was the media framing of the official statements of the Armenian Prime Minister throughout the war?” To answer this question, the study first provides a short timeline of the war and the PM’s statements. Secondly, it conducts a descriptive content analysis of the three local media outlets, which are selected through purposive sampling. The analysis shows that the government-imposed censorship as well as the political economy of the media significantly affected the way the PM’s statements were being framed. The study tries to understand to what extent there was a “rally round the flag” effect and what caused certain behavior from different media outlets. Keywords: Artsakh war, media framing, propaganda, Nikol Pashinyan, rally round the flag


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