scholarly journals The Verbal-Visual Architecture and Symbols of Sacred History in Russian Émigré Newspapers of Bulgaria

2021 ◽  
Vol 9 (2) ◽  
Author(s):  
Yordan Lyutskanov
Keyword(s):  
Analytical Approach ◽  
Literary Analysis ◽  
Historical Events ◽  
Work Of Art ◽  
Late Modernity ◽  
Literary Works ◽  
Sociological Approach ◽  
Methods Of Analysis ◽  
Historical Contextualisation ◽  
Sacred History

In this article, the author tests a novel analytical approach, confining himself to the necessary historical contextualisation of this approach and its objects. By applying it to the celebratory aesthetic activity of a non-clerical community in late modernity, it is possible to discern a sincere and sophisticated commitment to the sacred and a cultivation of mysticism that vivifies deeply traditional forms of the sacred. Referring to Hans Belting’s theory of cult image, Dimitŭr Georgiev’s methods of analysis of the “architecture of the newspaper”, Otto Demus’ theory of Byzantine mosaic decoration, and the theories of festivity of Roger Caillois, Mirchea Eliade, and Joseph Pieper, the author defines his core object as celebratory visual-verbal newspaper compositions and his approach as an architectural literary analysis of newspapers. In effect, a newspaper issue is viewed as a typographic projection of a festive chronotope and a potential visualverbal religious ensemble on the verge between a cult image and a work of art. The expressive forms within a newspaper, including literary works, are understood against the framework of such distinctions as those between appeal/expression and representation, aniconism and iconism, and tautegory and allegory. Referring to these distinctions and an analysis of the 1925 Easter composition in Rus’, the author introduces the concept of “grades/levels/degrees of illustrativity”, or “degree of mediation of the presence of the sacred”. The concept and its workability are exemplified by analysing elements of Easter compositions from 1924–1925 (Rus’ edited by Kallinikov), 1933–1935 (Golos Truda), and (again) 1934 (Rus’ edited by Butov): these examples were chosen after an examination of a wider range of sources from the period between 1922 and 1936. The author demonstrates that current historical events were perceived through a specific mental prism so that they were integrated into Christian sacred history. Visual and verbal elements of newspaper design were combined and artistic and non-artistic texts were concatenated in ways actively reminiscent of the liturgical function of the word and its connection to the architectural-liturgical ensemble, varying from a loose and conditional attachment to actual embeddedness. This article presents poetological preliminaries (while the author views the sociological approach as equally desirable) to an investigation of newspaper as the Gesamtkunstwerk form within the interwar Russian émigré community of Bulgaria.

scholarly journals TO PROBLEM OF EXAMINING ANIMALISTIC SYMBOLISM IN THE POETRY OF IVAN ZLATOKUDR

2021 ◽  
pp. 27-34
Author(s):  
Nemchenko I.V.
Keyword(s):  
Textual Analysis ◽  
Literary Analysis ◽  
Human Relations ◽  
Literary Works ◽  
Methods Of Analysis ◽  
The World ◽  
The Creation ◽  
Observation Selection ◽  
Artistic Image ◽  
Historical Epoch

Purpose. Many writers from various epochs and countries have been admirers and propagandists of the bestiary space. The purpose of the work is to analyze the animalistic images and symbols in the Ukrainian poet Ivan Zlatokudr’s lyrics in the late of 20th and early 21st century.Methods. The elements of the following methods are used in the research: cultural and historical (helps to investigate the functions of poet’s lyrical images in the process of representation of the features of Ukrainian national nature and historical epoch), aesthetic (allows analyzing each text as a phenomenon of literature and art), miphological (for coverage of reproduction of miphological images by poet), hermeneutic (ensures free and open interpretation of texts with the possibility for new explanations), biographic (helps to describe autobiographic markers in the writer's literary works), descriptive (systematization of various elements of the animalistic space in the lyrics of the poet), intertextual (links between writer’s poems and folklore songs and literary general tradition), textual analysis (for coverage of the animalistic motifs and images of Zlatokudr’s collection). The research is based on the general methods of analysis, synthesis, observation, selection and systematization of the material.Results. The author of this article represented the results of literary analysis accomplished over the texts of Ivan Zlatokudr with animalistic motifs and images. The symbols of a horse, dog, cow, ox, sheep, cat, deer, wolf, fox, bear and other animals play an important role in the creation of the artistic image of the world in the writer’s version and show his psychology. The article finds out that Ivan Zlatokudr has delicate understanding of bestiarial space. The effect of a hero’s co-living with the environment depicted by the author, with the animalistic environment in particular, is characteristic of writer’s lyrical collection. Ivan Zlatokudr’s works combine real and fairy plans, have characteristics of legends, tales and mysteries. The poet’s bestiarial dimension deepens understanding of nature and difficult world of human relations and feelings and it has national and similarity sounding. Мета. Бестіарний світ приваблює багатьох письменників різних часів і народів – від давнини й до сьогодення. Метою нашої статті є висвітлення особливостей творення образів-символів звірів у ліричних текстах українського поета з Польщі Івана Златокудра кінця ХХ – початку ХХІ століття.Методи. У статті використано елементи таких методів: культурно-історичного (допомагає виcвітлити функції ліричної образності у процесі відтворення поетом рис українського національного характеру та історичної епохи), естетичного (забезпечує розгляд творів митця як літературно-мистецького феномену), міфологічного (використовується для відстеження репродукування поетом міфологічних образів), герменевтичного (пропонується вільна інтерпретація текстів із можливістю подальших витлумачень), біографічного (простежуються риси автобіографізму в поезіях співця), описового (здійснюється систематизація різноманітних елементів анімалістичного простору в текстах поета), інтертекстуального (звертається увага на зв’язки між віршами митця й українським та світовим фольклором і літературною традицією), текстуального аналізу (застосовується для окреслення анімалістичних мотивів та образів у Златокудровому доробку). Дослідження засноване на загально-науковій методиці аналізу, синтезу, спостереження, добору та систематизації матеріалу.Результати. Автор статті репрезентує результати аналізу текстів Івана Златокудра, присвячених анімалістичним мотивам та образам. Символіка коня, собаки, корови, вола, вівці, кота, оленя, вовка, лисиці, ведмедя та інших тварин виконує важливу роль у розбудові автором художньої картини світу, сприяє розумінню його психології. Для поетичної творчості Івана Златокудра досить характерним є ефект органічного вживання ліричного героя в зображуваний світ, зокрема простір фауни рідного краю. Митець поєднує в текстах реальний і феєричний плани, переплітає дійсність із легендою, казкою, містичними уявленнями. Бестіарний вимір у поета поглиблює й розуміння природної стихії, і складність людських взаємин і почуттів, має як національне, так і загальнолюдське звучання. Висновки. Анімалістична образність у поетичній творчості Івана Златокудра закорінена у світ міфології та фольклору укра-їнського та інших народів, ґрунтується на літературних традиціях. Анімалістичні образи-символи в доробку митця відбивають особливості української ментальності, історико-культурний досвід нашого етносу, віддзеркалюють естетичні цінності нації.Ключові слова: лірика, фольклор, міфологія, зооморфні образи, анімалістична символіка.

scholarly journals The ethical turn in the early writings of Pär Lagerkvist

2015 ◽  
Vol 18 (1) ◽  
pp. 49-66
Author(s):  
Katarzyna Szewczyk-Haake
Keyword(s):  
Moral Sense ◽  
Work Of Art ◽  
Literary Works ◽  
Artistic Activity ◽  
Time Period ◽  
Unpublished Manuscripts

Abstract In the text presented, I have undertaken an analysis of the early essays of Pär Lagerkvist (dated 1915-1917), both the ones published in periodicals and the unpublished manuscripts in the possession of the Kungliga Biblioteket in Stockholm. In those essays, Lagerkvist paid considerable attention to the matters of the ethics of art and the conflict between the ethical and aesthetical criteria of assessment of the work of art, and those problems are discussed also in Lagerkvist’s letters from that time. The aim of the article is to present this less known area of the artist’s activity and to point to the fact that the consequences of those reflections can be tracked in Lagerkvist’s literary works written in the same time period. Moreover, it can be argued that the understanding of the ethical art and the moral sense of the artistic activity presented in the early texts became an import and lasting feature of Lagerkvist’s writing - and, consequently, it can be claimed that the essays under discussion have a formative effect on Lagerkvist’s later output.

scholarly journals Literary translation: implantation vs transference

2020 ◽  
Vol 6 (4) ◽  
pp. 88-94
Author(s):  
AlZu’bi Khaled
Keyword(s):  
Figurative Language ◽  
Literary Translation ◽  
Target Language ◽  
Work Of Art ◽  
Literary Works ◽  
Source Language ◽  
Figures Of Speech

The figurative language employed by authors, which reflects their styles of writing, is one main reason behind the challenges that most literary translators encounter when dealing with literary works. Usually employed for aesthetic and poetic purposes, figures of speech imply connotative meanings. In literary works, words are used only assigns to settle down the flying spirits of meanings and ideas so that the audience can have a thread that could lead them to intended meanings. I believe that literary translators should face the challenges of translating literary works through two main approaches. First, transferring the work of art as it is without trying to find any equivalent in the target language for any piece of text in the source language. The aim of such type of translation would be familiarizing the audience in the target language with the literature and culture of the source language. Second, translating the SL work of art creatively, i.e. using all possible strategies and procedures to find natural equivalents in the TL for any stylistic features in the SLT. This type of translation should aim at pleasing and entertaining the TL audience.

scholarly journals KAJIAN FILOSOFIS LONTAR CALONARANG

2018 ◽  
Vol 2 (1) ◽  
pp. 274
Author(s):  
I Gusti Ayu Widayanti ◽  
I Made Surada ◽  
I Made Adi Brahman
Keyword(s):  
Literary Work ◽  
Social Function ◽  
Cultural Preservation ◽  
Work Of Art ◽  
Literary Works ◽  
Art Form ◽  
The People ◽  
The Social ◽  
Black Magic ◽  
The Village

<p><em>Lontar Calonarang's literary works is a work of art. Calonarang term other than as one of the works of literature, Calonarang also means characterization</em><em> </em><em>or the name of a man in the play known as Rangda ing Girah. Calonarang is also known as art form such as wayang pacalonarangan and in staging pacalonarangan dance drama. Lontar Calonarang is a lontar manuscript that specifically tells about Calonarang revenge using black magic against the people in Girah village. This is because the people in the village of Girah no one wants to marry Calonarang child is Ratna Manggali. Lontar Calonarang literary work is interesting to read and researched because this literary work has a philosophical meaning of construct so easy to be understood in depth. </em></p><p><em>The results that can be obtained from this literary work are Teachings contained in lontar Calonarang include Rwa Bhineda, Catur Asrama, and Tantra. The function of the teachings contained in the Calonarang lontar is the religious function, the social function, and the function of cultural preservation. While the philosophical meaning derived from this literary work is the meaning of balance, meaning of education, and the meaning of divinity.</em><strong><em></em></strong></p>

scholarly journals MEMORIZING PROPAGANDA OF EQUALITY IN NGULANDARA AND KIRTI NDJOENJOENG DRADJAT, NOVELS OF BALAI POESTAKA (Mengingat Kembali Propaganda Kesetaraan dalam Novel-Novel Balai Poestaka, Ngulandara dan Kirti Ndjoenjoeng Dradjat)

Kandai ◽  
2020 ◽  
Vol 16 (1) ◽  
pp. 96
Author(s):  
Yohanes Adhi Satiyoko
Keyword(s):  
Lower Class ◽  
Point Of View ◽  
Literary Works ◽  
Colonial Era ◽  
Sociological Approach ◽  
Independence Era ◽  
Colonial Government ◽  
The Voice ◽  
Dutch Colonial ◽  
The Way

Equality of men is a great issue to maintain every country all the time. Indonesia is one of them which should struggle to maintain it so far. Fictional work is one of the aesthetical means to support it. The way of struggle can be memorized through the time of independence era in fictional works of Balai Poestaka publisher. Javanese language novels, Ngulandara and Kirti NdjoendjoengDradjat are two literary works published by BalaiPoestaka that were written in the dominance times of Balai Poestaka activities as commission for people’s reading in Dutch colonial era in Indonesia (Dutch Indies). Kepriyayian (nobility) was the theme of Ngulandara (1936) and Kirti NdjoendjoengDradjat(1924) novels. As seen from propaganda point of view, ideologically the portrayal of priyayi (nobleman) was analogy symbol of Dutch colonial government that ruled social system. Ngulandara and Kirti Njunjung Drajat showed a “struggle” through literary works as portrayed in wong cilik (Javanese: lower class people) who struggled against the existence of the authorities. The struggle emerged in the way of wong cilik behaved intellectually, morally, even mannerly better than the nobles (priyayi). This research used the theory of literature and propaganda using a sociological approach. Those oppositional relationships between deconstruction nobles and the raise of wong cilik in the field of intellectual, moral, and manner show the propaganda of equality of men through the voice of Jasawidagdo and Margana Djajaatmadja.Kesetaraan manusia merupakan isu besar yang harus selalu dijaga di setiap negara. Indonesia adalah salah satu negara yang harus tetap berjuang menjaga isu tersebut. Karya fiksi berfungsi sebagai salah satu peranti estetis untuk mendukung isu tersebut. Cara memperjuangkan isu tersebut ialah dengan mengingat kembali masa kemerdekaan melalui penerbit Balai Poestaka. Novel-novel berbahasa Jawa, Ngulandara dan Kirti Ndjoendjoeng Dradjat ialah dua karya sastra yang diterbitkan oleh Balai Poestaka yang ditulis pada waktu dominasi Balai Poestaka sebagai komisi bacaan rakyat di era kolonial Belanda di Indonesia (Hindia Belanda). Kepriyayian merupakan tema novel Ngulandara (1936) dan Kirti Njoendjoeng Dradjat (1924). Dilihat dari sudut pandang propaganda, penggambaran priyayi merupakan analogi simbol pemerintah kolonial Belanda yang berkuasa mengatur sistem sosial kemasyarakatan. Ngulandara dan Kirti Ndjoendjoeng Dradjat menunjukkan sebuah “perjuangan” melalui karya sastra seperti digambarkan melalui wong cilik yang berjuang melawan kemapanan penguasa. Perjuangan tersebut muncul dengan cara wong cilik tersebut bertindak secara intelektual, bermoral, bahkan bersikap lebih terhormat daripada para priyayi. Penelitian ini menggunakan teori sastra dan propaganda dengan pendekatan sosiologi. Relasi oposisional antara dekonstruksi priyayi dan bangkitnya wong cilik dalam ranah intelektual, moral, dan sikap menunjukkan propaganda kesetaraan manusia melalui suara Jasawidagdo dan Margana Djajaatmadja.  

scholarly journals KAJIAN INTERTEKSTUAL NOVEL CINTA BERTABUR DI LANGIT MEKKAH KARYA ROIDAH DAN NOVEL ASMARA DI ATAS HARAM KARYA ZULKIFLI L. MUCHDI DENGAN PENDEKATAN SOSIOLOGI

2021 ◽  
Vol 1 (01) ◽  
pp. 42-55
Author(s):  
Ririn Nurul Azizah
Keyword(s):  
Role Model ◽  
Descriptive Analysis ◽  
Literary Work ◽  
Social Aspects ◽  
The Novel ◽  
Analysis Method ◽  
Literary Works ◽  
Sociological Approach ◽  
Similarities And Differences ◽  
Religious Aspects

Literary works in this era of progress have been very developed. The creation of literary works is usually influenced by the literary works that preceded it. The literary work that precedes is used as an example or role model for later literary works. Two or more literary works with the same theme have similarities and differences. Similarities and differences in several literary works can be analyzed using the principle of intertextuality. This principle is intended to examine texts that are considered to have a certain relationship with other texts so that it is possible for a work to become a hypogram for subsequent literary works. In this study the author chose the title " Intertextual Study of the Novel Cinta Bertabur Di Langit Mekkah by Roidah and Novel Asmara Di Atas Haram  by Zulkifli L. Muchdi with a Sociological Approach ". Based on the object studied, this study aims to describe: (1) the structure of Roidah's novel Cinta Bertabur Di Langit Mekkah (CBM) and novel Asmara Di Atas Haram (ADH) by Zulkifli L. Muchdi, (2) similarities and differences in the novel Cinta Bertabur Di Langit Mekkah (CBM) by Roidah and novel Asmara Di Atas Haram (ADH) by Zulkifli L. Muchdi, (3) Intertextual relations between Roidah's novel Cinta Bertabur Di Langit Mekkah (CBM) and Zulkifli L. Muchdi's novel Asmara Di Atas Haram (ADH, and (4) sociological aspects of novel Cinta Bertabur Di Langit Mekkah (CBM) by Roidah and novel Asmara Di Atas Haram  (ADH) by Zulkifli L. Muchdi. The method used is descriptive analysis method. The results obtained in the research are intrinsic elements of the novel, similarities and differences between the two novels, intertextual relations and sociological aspects which include social aspects, religious aspects, economic aspects, and love aspects.

scholarly journals USING GIBBS� REFLECTIVE CYCLE IN MAKING REFLECTIONS OF LITERARY ANALYSIS

2020 ◽  
Vol 6 (2) ◽  
pp. 139
Author(s):  
Ikin Syamsudin Adeani ◽  
R. Bunga Febriani ◽  
Syafryadin Syafryadin
Keyword(s):  
Foreign Language ◽  
Short Story ◽  
Document Analysis ◽  
Literary Work ◽  
Reflective Writing ◽  
Literary Analysis ◽  
Amy Tan ◽  
Classroom Context ◽  
Literary Works ◽  
English As Foreign Language

In English as Foreign Language (EFL) classroom context, it is compulsory for the students to make reflections of literary works. The current study is aimed at examining how the students implement Gibbs� reflective cycle in making reflections of literary analysis. The qualitative study employed a document analysis upon the students� reflection artefacts. The students� reflections are their responses to a short story written by Amy Tan. The findings of the study revealed that Gibbs� reflective cycle is a good framework to be used by the students in writing reflections upon literary works they are working on. The well-structured framework of writing reflection helped the students explore the literary work deeply, since the reflective cycle accommodates important aspects that can be explored from the literary work by the students. It can be concluded from this study that among the models of reflective writing developed by Kolb, Johnson, and Gibbs, the latest model is considered the most suitable to be used in literary classroom since its well-structured model enables the students to write better reflections of literary works.Keywords: reflective writing; Gibbs� reflective cycle framework; literary works; literary analysis.

scholarly journals STEREOTIP KEHIDUPAN WARIA DALAM NOVEL RUMAH ILALANG KARYA STEBBY JULIONATAN

2021 ◽  
Vol 17 (1) ◽  
pp. 1-13
Author(s):  
Agus Syaiputra Sugiarto ◽  
Eggy Fajar Andalas
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Data Collection ◽  
Literary Works ◽  
Community Environment ◽  
Sociological Approach ◽  
Data Analysis Technique ◽  
Analysis Technique ◽  
Result Show ◽  
Analysis Design

ABSTRAK: Penelitian ini bertujuan mengetahui Stereotip yang melekat pada kehidupan waria dalam novel Rumah Ilalang karya Stebby Julionatan. Stereotip yang dimaksud adalah gambaran atau cerminan kehidupan waria yang terjadi pada lingkungan masyarakat dalam karya sastra. Jenis penelitian ini adalah penelitian deskriptif-kualitatif dengan pendekatan Sosiologi Sastra. Sumber penelitian ini berasal dari novel Rumah Ilalang karya Stebby Julionatan. Data penelitian ini berupa kutipan, kalimat, dan paragraf yang berupa gambaran atau cerminan kehidupan waria. Teknik pengumpulan data dilakukan dengan metode membaca Novel dan mengidentifikasikan konteks permasalahan yang akan diteliti. Teknik analisis data menggunakan model Miles dan Humberman melalui langkah-langkah (1) penyeleksian data, (2) pemaparan data, dan (3) penarikan kesimpulan. Hasil memperlihatkan waria direpresentasikan dalam tiga aspek, yaitu (1) tidak beragama, (2) tidak memiliki pekerjaan yang tetap, (3) tidak diterima dengan baik oleh masyarakat.KATA KUNCI: novel rumah ilalang; stereotip; waria STEREOTYPES OF TRANSVESTITE LIFE IN RUMAH ILALANG BY STEBBY JULIONATAN ABSTRACT: This study aims to determine the stereotypes inherent in transvestite life in the Rumah Ilalang by Stebby Julionatan. This stereotype is a picture or reflection of transvestite life that occurs in the community environment in literary works in the form of novels. This type of research is descriptive-qualitative research with a sociological approach to literature. The source of this research is Rumah Ilalang by Stebby Julionatan. This research datas are the form of quotes, sentences, and paragraphs in the form of a picture or reflection of the life of transvestites. Data collection techniques are done by reading novels and identifying the context of the problem to be studied. The data analysis technique used in this study is the data analysis design presented by Miles and Humberman through the steps (1) selecting data, (2) disclosing data, and (3) drawing conclusions. The result show transgenders were represented in three aspects, namely (1) not having religion, (2) not having a permanent job, (3) not being well received by the community.KEYWORDS: rumah ilalang novels; stereotypes; transvestite

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