scholarly journals «Memory Wars»: between Metaphor and Concept

2021 ◽  
Vol 2 (1) ◽  
pp. 43-52
Author(s):  
O. V. Golovashina ◽  

The article is devoted to the study of the semantic field of "memory wars", identification of prerequisites and models of conceptualization of this concept, substantiation of the possibility of using the metaphor "memorial wars" as a concept. The theoretical and methodological basis of the research involves reference to the works of M. Foucault, R. Kozellek, M. Halbwachs, as well as to cognitive theories of metaphors (D. Lakoff, M. Johnson, A. P. Chudinov). Analysis of existing models for studying the history of concepts, analysis of specific social and discursive factors allowed us to trace the conceptualization of "memory wars" and to state the appearance of the corresponding scientific category, but additional theoretical work is needed to distinguish related concepts, as well as a clearer distinction between the metaphor "memory wars" and the corresponding scientific category.

Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 318-320
Author(s):  
Scott L. Taylor

Saccenti’s volume belongs to the category of Begriffsgeschichte, the history of concepts, and more particularly to the debate over the existence or nonexistence of a conceptual shift in ius naturale to encompass a subjective notion of natural rights. The author argues that this issue became particularly relevant in mid-twentieth century, first, because of the desire to delimit the totalitarian implications of legal positivism chez Hans Kelsen; second, in response to Lovejoy’s The Great Chain of Being and its progeny; and third, as a result of a revival of neo-Thomistic and neo-scholastic perspectives sometimes labelled “une nouvelle chrétienté.”


2021 ◽  
pp. 1-31
Author(s):  
MIMI HADDON

Abstract This article uses Joan Baez's impersonations of Bob Dylan from the mid-1960s to the beginning of the twenty-first century as performances where multiple fields of complementary discourse converge. The article is organized in three parts. The first part addresses the musical details of Baez's acts of mimicry and their uncanny ability to summon Dylan's predecessors. The second considers mimicry in the context of identity, specifically race and asymmetrical power relations in the history of American popular music. The third and final section analyses her imitations in the context of gender and reproductive labour, focusing on the way various media have shaped her persona and her relationship to Dylan. The article engages critical theoretical work informed by psychoanalysis, post-colonial theory, and Marxist feminism.


2021 ◽  
pp. 0961463X2110212
Author(s):  
Kirill Postoutenko ◽  
Olga Sabelfeld

This article aims to demonstrate that the transition from the mainstream narrative to the interactional history of concepts promises tangible benefits for scholars of social time in general and temporal comparisons in particular. It is shown that the traditionally close alignment of narration with the production of historical consciousness at various levels hinders the study of time as a semantic variable perpetually contested, amended and upheld across society. Alternatively, the references to time made in public settings, allowing for more or less instant reactions (turn-taking) as well as expression of dissenting opinions (stance-taking), offer a much more representative palette of temporal semantics and pragmatics in a given sociopolitical environment. In a particularly intriguing case, the essentially deliberative venue where contestation is supported by both institutional arrangements and political reasons (British House of Commons) is put to test under circumstances commonly known as ‘the post-war consensus’ – the unspoken convention directing opposing political parties to suspend stance-taking regarding the past actions of the government during WWII, its immediate aftermath and its future prospects. As a reliable indicator of this arrangement, the contestation of temporal comparisons between relevant pasts and futures is tested in oppositions reflecting party allegiances (Conservatives vs. Labour vs. Liberals) and executive functions (government vs. opposition) between 1946 and 1952. It is shown that, notwithstanding the prevalence of non-contested statements aimed at preserving interactional coherence and pragmatic functionality of the setting, the moderately active contestation of the adversary’s temporal comparisons in the House of Commons at that time helped all parties, albeit to a different degree, to shape their own political and institutional roles as well as to delegitimize their respective adversaries.


2020 ◽  
Vol 23 (9) ◽  
pp. 65-73
Author(s):  
Olena Khodus

The article implements the reception of the original research perspective of the "history of concepts" in order to conceptualize the phenomenon of privacy. The heuristic expediency of this particular analytical optics is substantiated. It makes possible to comprehend in a new way the private reality, which, as it turned out, is devoid of substantiality (today the private can be everywhere) and universality (in the sense that the word "private" can mean a lot of things and these meanings. in representative culture, embedded in the latent structures of power dispositions). It has been proved that the analytical apparatus of the "history of concepts" can be useful as a methodological tool for overcoming the theoretical insufficiency of the classical type of social cognition with its conceptual imperatives of "natural" certainty, rigid orderliness, abstract rationality, "value neutrality", universality, and general applicability to any realities. The "history of concepts" approach, on the other hand, suggests taking into account reflexivity, contextual involvement, double hermeneutics, revealing the origin of the phenomena of human existence, "captured" in a representative linguistic order – concepts, categories, metaphors articulated in linguistic communications. The application of the epistemological principles of the "history of concepts" to the conceptualization of privacy made it possible, therefore, to expand the traditional ideas about this concept and to establish under what conditions this conceptual form: a) is filled with normative meanings; b) acquires a special value status in the actual conceptual vocabulary involved in the everyday interpretive strategies of the "personal I"; c) it is supplemented with new semantic connotations ("linguistic innovations" in R. Kosellek's terminology) in the structure of thinking similar to "publishing the private", "privatizing the public", which brings to the fore the issue of reflection on the specific contextuality that guides the work of the language.


2021 ◽  
Vol 32 (2) ◽  
pp. 261-281
Author(s):  
Andrea Perunovic

This article approaches the notion of engagement from the perspective of critical ontology. With language as the starting point of its hermeneutic task, it commences with an etymological analyses of diverse Indo-European words gravitating around the semantic field of the notion of engagement. From these introductory insights obtained by an exercise in comparative linguistics, devotion and commitment are mapped as two opposite, yet inseparable, modes of being of engagement. Both of these modes seem to condition engagement in an ontologically disparate manner. While examining their fundamental structures, some of the canonical concepts of history of philosophy such as being, existence, subjectivity, or world - and also some of its constitutive binary oppositions such as body/mind, individual/collective, transcendence/immanence, light/darkness and sacred/secular - will be reconsidered through the prism of different ontological dispositions that devotion and commitment impose respectively on engagement. The overall aim of this investigation is to bring forth the main existential characteristics of being-engaged, by interpreting the roles of who, where, and what of engagement, and in order to provide a fundamental conceptual apparatus for a critical ontology of engagement.


Author(s):  
Luis Fernández Torres

The extension in the use, its semantic transformation during the late eighteenth and early nineteenth centuries and its comparatively scarce interest as a subject of reflection for contemporary writers constitute three features that distinguished and provided with a peculiar history the concept of interest. Only in rare occasions this dominated the centre of discourse over that period. Notwithstanding this minor position, the concept of interest proved to be a key lexical tool in the efforts to redefine both the idea of social and political community and the nature of links that help maintain this community united.Key WordsInterest, Spanish Enlightenment, history of concepts, liberalism, common good.ResumenLa extensión en el uso, su transformación semántica entre finales del siglo XVIII y comienzos del XIX y su comparativamente escasa atracción como objeto de estudio en los autores coetáneos constituyen tres rasgos que singularizan y dotan de una historia peculiar al concepto de interés. Solo en raras ocasiones este se erigió en centro del discurso en el citado período. A pesar de esa posición secundaria, dicho concepto fue un instrumento léxico clave en los esfuerzos de reformulación tanto de la idea de comunidad social y política como de la naturaleza de los vínculos que mantienen unida de dicha comunidad.Palabras claveInterés, Ilustración española, historia de los conceptos, liberalismo, bien común.


Muzealnictwo ◽  
2020 ◽  
Vol 61 ◽  
pp. 208-218
Author(s):  
Ewa Toniak

Two exhibitions at the Xawery Dunikowski Museum of Sculpture at the Królikarnia Palace, branch of the National Museum in Warsaw: the ‘Inventorying’ Display-Research Project, which was a kind of a public inventory of the sculpture collection (2012) and the Exhibition ‘The Estate. Sculptures from the collection of the Von Rose family and films and photographs from the archive of Zofia Chomętowska’ (2015) are case studies serving the Author to analyse curatorship practices with respect to the collections whose major part is composed of ‘displaced assets’, first of all from the so-called ‘Regained Territories’. In the words of the Chief Curator at the Królikarnia Museum since 2011 and the Exhibitions’ Curator Agnieszka Tarasiuk: it is a troublesome collection testifying to a difficult heritage and not yielding to conservation. The paper’s methodological basis is the museum exhibits’ provenance research conducted by R. Olkowski, L.M. Kamińska, and M. Romanowska-Zadrożna, while its context is found in the programme assumptions of the Strategy for the Operations and Development of the National Museum in Warsaw 2010–2020 worked out by the former National Museum’s Director Piotr Piotrowski. One of its priorities is to clarify the origins of the collections of unknown provenance, and settling accounts with their former owners. Furthermore, the question related to constructing museum’s genealogy and the memory of history of the period immediately following WWII in the new socio-political situation in Poland after 1989 is posed. The position for dealing with collections’ provenance research introduced by P. Piotrowski was liquidated following the Director’s dismissal in 2012. The paper forms part of a bigger whole.


2021 ◽  
pp. arabic cover-english cover
Author(s):  
لعبيدي بو عبد الله ◽  
شيماء عبد الله عبد الغفور

تُعَدُّ ظاهرةُ الاشتراكِ الدلاليّ ظاهرة مركزية في جميع اللغاتِ الإنسانيّةِ، فهي تستمدُ كينونتها من الهيكل المفاهيمي للإنسان، ومن تفاعل إدراكه مع العالم الخارجي. وقد جاءَتْ هذه الورقة لتقارب ظــاهرة الاشتراك الدلاليّ إدراكيًّا في المعجم العربي -وفق منهج وصفي تحليلي-، متخذةً من كلمة (الرأس) أنموذجًا. وتهدفُ هذه الدراسة للإجابة عن التساؤلات الآتية: ما البنية الإدراكية الكامنة وراء حدوث ظاهرة الاشتراك الدلاليّ في ألفاظ أجزاء الجسد عامة وكلمة (رَأْس) خاصةً؟ وما الحقول الدلاليّة التي امتد إليها واتساعاتها الاستعارية والكنائية؟ كما تعمل الدراسة على الكشف عن البنية الإدراكية التي تجمع المعاني المتعددة للفظ (الرأس) بالإضافة إلى الكشف عن شبكة العلاقات الدلاليّة بين المعاني المتعددة التي يضمها. وقد خَلُصَتْ هذه الورقة البحثية إلى كون التوسعاتِ الدلاليّةِ، والاستعمالاتِ الاستعاريّةِ، والكنائيّةِ لكلمة (رَأْس) تتصلُ بنسقنا التصوّري، وبالتفاعل الدائم بين تجاربنا اليوميّة مع رؤوسنا والعالم الخارجي. الكلمات المفتاحية: (الاشتراك الدلاليّ، اللسانيات الإدراكية، تاريخ اللسانيات الإدراكية، الجسد، رأس) Abstract Polysemy is a central phenomenon in all languages. It shows the interaction between human cognition and human environment. This paper aims to answer the following questions: what is the language mechanisms that is used among Arabs and makes sense of body part terms extend to a new semantic domain? And What are the semantic domains that the word ‘head’ extended to? To achieve the objectives this paper, the researchers adopted the cognitive approach. As well as the descriptive and analytical approaches using the word ‘head’ as a case study and traced its meaning as it developed through metaphor and metonymy. Also, it crossed over from one semantic field to another. It will show that demonstrate of ‘head’ and its semantic extensions derive directly from conceptual patterns that were created as a result of experiences and interaction between our heads, and the outside world. Key words: (polysemy, cognitive linguistics, the history of cognitive linguistics, body, head).


Sign in / Sign up

Export Citation Format

Share Document