scholarly journals Queen Victoria’s "Leaves from the Journal of Our Life in the Highlands": Illustrated Print Culture and the Politics of Representation

Author(s):  
Morna O'Neill

QueenVictoria published her first Highland memoir in 1867, a sentimental narrativeof royal life dedicated to Prince Albert entitled Leaves from the Journal ofOur Life in the Highlands.  Inresponse to the popularity of this edition, the publisher Smith, Elder and Co.released a lavishly illustrated edition in late 1868 to capitalize on theChristmas gift book market.  It featuredseventy-nine illustrations after works by various artists andphotographers.  When scholars have turnedtheir attention to the Queen’s journal, they have produced rich andsophisticated discussions of gender, monarchy, and celebrity, especially asthey relate to royal domesticity in the Scottish Highlands.  Yet these readings have rarely extended tothe illustrated version of the text. This article will consider the conjunctionof monarchy, the Scottish Highlands, and illustrated print culture in theillustrated Leaves through two different types of images:  steel plate engravings after watercolors bythe artist Carl Haag and wood engravings after watercolor sketches of Highlandgames by the Swedish artist Egron Lundgren. Each positions the male Highlander as a central figure in constructingthe dynamic of royal family life, sovereignty and empire.  Catherine Hall and Sonya Rose have recentlyexplored what it meant for the British to be “at home with the Empire,” asking“Was it possible to be ‘at home’ with an empire and with the effects ofimperial power or was there something dangerous and damaging about such anentanglement?” In the course of this article I will argue that theseillustrations constructed the male Highlander as a site of familiarity withinthe bounds of the nation, while simultaneously signaling his otherness andproximity to the more far-flung reaches of empire.   As a result, Leavesis as much about empire as it is aboutdomesticity, even as it eschews direct references to current events of theperiod that directly threatened both.   

Author(s):  
Alison James

This book studies the documentary impulse that plays a central role in twentieth-century French literature. Focusing on nonfiction narratives, it analyzes the use of documents—pieces of textual or visual evidence incorporated into the literary work to relay and interrogate reality. It traces the emergence of an enduring concern with factual reference in texts that engage with current events or the historical archive. Writers idealize the document as a fragment of raw reality, but also reveal its constructed and mediated nature and integrate it as a voice within a larger composition. This ambivalent documentary imagination, present in works by Gide, Breton, Aragon, Yourcenar, Duras, and Modiano (among others), shapes the relationship of literature to visual media, testimonial discourses, and self-representation. Far from turning away from realism in the twentieth century, French literature often turns to the document as a site of both modernist experiment and engagement with the world.


Author(s):  
Amy E. Nivette ◽  
Renee Zahnow ◽  
Raul Aguilar ◽  
Andri Ahven ◽  
Shai Amram ◽  
...  

AbstractThe stay-at-home restrictions to control the spread of COVID-19 led to unparalleled sudden change in daily life, but it is unclear how they affected urban crime globally. We collected data on daily counts of crime in 27 cities across 23 countries in the Americas, Europe, the Middle East and Asia. We conducted interrupted time series analyses to assess the impact of stay-at-home restrictions on different types of crime in each city. Our findings show that the stay-at-home policies were associated with a considerable drop in urban crime, but with substantial variation across cities and types of crime. Meta-regression results showed that more stringent restrictions over movement in public space were predictive of larger declines in crime.


2017 ◽  
Vol 141 (10) ◽  
pp. 1313-1315 ◽  
Author(s):  
Reena Singh ◽  
Kathleen R. Cho

Context.— Nonuterine high-grade serous carcinomas (HGSCs) are believed to arise most often from precursors in the fallopian tube referred to as serous tubal intraepithelial carcinomas (STICs). A designation of tubal origin has been suggested for all cases of nonuterine HGSC if a STIC is identified. Objective.— To highlight that many different types of nongynecologic and gynecologic carcinomas, including HGSC, can metastasize to the tubal mucosa and mimic de novo STIC. Data Sources.— A mini-review of several recently published studies that collectively examine STIC-like lesions of the fallopian tube. Conclusions.— The fallopian tube mucosa can be a site of metastasis from carcinomas arising elsewhere, and pathologists should exercise caution in diagnosing STIC without first considering the possibility of metastasis. Routinely used immunohistochemical stains can often be used to determine if a STIC-like lesion is tubal or nongynecologic in origin. In the context of uterine and nonuterine HGSC, STIC may represent a metastasis rather than the site of origin, particularly when widespread disease is present.


1973 ◽  
Vol 21 (3) ◽  
pp. 263-272 ◽  
Author(s):  
J. M. Pemberton ◽  
B. W. Holloway

SUMMARYOf 150 wild-type strains ofPseudomonas aeruginosaexamined, 48 formed recombinants when mated toP. aeruginosastrain PAO FP−and hence presumably possess sex factors. Three different types of sex factor were distinguished by the pattern of transfer of particular markers in different regions of the chromosome and by the ability to confer resistance to mercury in strain PAO. One new sex factor, FP39, was studied in detail, and while similar to the previously studied FP2 in terms of transfer kinetics, natural stability and resistance to curing by acridines, it differed from FP2 in promoting chromosome transfer from a site 10 min to the left of the FP2 origin and in showing apparently aberrant entry kinetics for a leucine marker situated 48 min from the FP2 origin. This was due to FP39 having a genetic determinant either for a structural gene of leucine biosynthesis or a specific suppressor gene for this locus. PAO strains carrying both FP2 and FP39 were unstable for both sex factors, suggesting a relationship between them.


2021 ◽  
Vol 18 (2-3) ◽  
pp. 309-326
Author(s):  
Kanupriya Dhingra

Daryaganj Sunday Book Market, popularly known as Daryaganj Sunday Patri Kitab Bazaar, is a weekly informal market for used, rare, and pirated books that has been operating on the streets of Old Delhi for the past fifty years. In this essay, I focus on one of the circuits that has been flourishing in this market, that of pirated or ‘duplicate’ or D-books. In order to examine the forms in which piracy thrives in the present-day Patri Kitab Bazaar, and the reasons behind it, I compare two types of pirated books found here: a low-price self-help manual in Hindi and a ‘D’ copy of an English novel by popular Indian author Chetan Bhagat. As I examine the essential role that ‘randomness’ plays in the constitution of pirated texts, I suggest that there is organization to this apparent lack of pattern or unpredictability. Such permutation of order and chaos resonates with the location of the bazaar – a site that thrives on the serendipity of the streets.


Author(s):  
Máire ní Fhlathúin

This chapter discusses the material conditions for the emergence of a publishing and print culture in early British India and throughout the first half of the nineteenth century. It explores the demographic and economic factors affecting the development of the publishing industry. It argues that newspapers and literary titles were not simply a conduit for the distribution of the news and culture of ‘home’ across India, but also provided a forum in which the British community in India could write for (and often about) itself, thus enabling the development of a sense of local and colonial identity, related to but also set apart from the identity of the British at ‘home’.


Author(s):  
Deanna Ferree Womack

Chapter 2 turns to the American Mission Press in Beirut, which was a site of American-Syrian collaboration and a resource for Syrian Protestants to participate in the Arab cultural and literary renaissance. Locating the Nahda in Beirut within the context of broader nineteenth-century Ottoman reform movements, the chapter explores the socio-cultural contributions of Protestant men who wrote for the American Mission Press beginning in the 1870s. It demonstrates that these authors - including the nahdawi scholar Ibrahim al-Hurani - engaged in Nahda production not only through Arabic poetry, scientific studies, and other “secular” publications, but also in their writings on Islam and through press debates with Jesuit missionaries, Syrian Catholics, and Greek Orthodox leaders.


Author(s):  
Krzysztof Pilarczyk

This chapter explores Jewish religious print culture in Poland during the second half of the sixteenth century and the first half of the seventeenth centuries. During this period, Jewish printers in Poland established their printing houses in Kraków and Lublin. Jews in the Polish diaspora in the second half of the sixteenth and the first half of the seventeenth century saw the development of Jewish typography as essential to the normal functioning of Jewish communities everywhere. The members of the communities needed books to study the Torah, and in particular they needed the Talmud — the fundamental work on which rabbinic Judaism is based. The printers in Kraków and Lublin in this period satisfied the needs of the Jewish book market in Poland to a considerable degree while also competing with foreign printers. Jewish typography in Poland, managed by a few families over two or three generations, could not equal that of Venetian printers or later of Dutch printers, who had a much greater influence on culture and economy and served many European communities. Nevertheless, printers in Poland played a significant role in printing the Talmud.


Author(s):  
Nick Williams

The chapter introduces key debates related to the role of the diaspora in their home economies, particularly the role that they can play as returnee entrepreneurs. With increased movements of people around the world, the role of transnational economic activity is becoming ever more significant. The chapter shows that the diaspora can be caught between isolation and assimilation. They can be isolated because of their years living abroad, as well as their negative perceptions of the institutional environment at home. Yet many of them also wish to become more assimilated and have an emotional desire to help their home country. Many stay away and do not invest. Those who return later can seek to avoid the negative impact of barriers to entrepreneurship, and can for example avoid government engagement activities as they mistrust policy actors’ intentions. The chapter sets out the implications of these different types of engagement for homeland economies.


Author(s):  
Gaini Mukhtarova ◽  
Assel Dadyrova ◽  
Mukhtar Baibossyn

The purpose of the article is to study the legacy of the Koyandy fair and its impact on the development of traditional Kazakh culture. The research is based on the scientific expedition results collected by the authors of this work during the field trip to Karkaralinsk (Karaganda region, Kazakhstan). The work studies the history of one of the largest fairs in Kazakhstan - the Koyandy fair, which was functioned from the second half of the XIX- the up to the beginning of the XX century territory Kazakhstan. The Koyandy fair had a significant impact on the spread of the popularity among the broad masses of the works of Kazakh artists. The renowned Kazakh folk composers such as Ukili Ybray, Birzhan sal, Akhan-Sere, Estay, Tattimbet Kazangapuly, performers Amre Kashaubaev, Maira Ualikizi, Isa Bayzakov, wrestlers Kazhymukan Munaitpasov and Balauan Sholak performed at the fair. It is essential to mention that the fair was a trading place and a site for a regional art festival's conduction. The Koyandy fair was a place for exchanging and interacting with different types, genres, and traditions of diverse performing arts schools.


Sign in / Sign up

Export Citation Format

Share Document