scholarly journals THE SIMILARITIES AND DIFFERENCES OF HANG TUAH AND CINDUA MATO CHARACTERS

2020 ◽  
Vol 19 (1) ◽  
pp. 123-130
Author(s):  
Suhardi Suhardi ◽  
Thahirah Thahirah
Keyword(s):  
Ethnic Groups ◽  
Analytical Study ◽  
Literary Work ◽  
Oral Literature ◽  
Ethnic Communities ◽  
Literary Works ◽  
Cultural Elements ◽  
Moral Context ◽  
Similarities And Differences ◽  
The Aesthetic

The Malay and Minangkabau people are those who like to speech and act on literature. This can be seen through the existence of several genres of literary works from those ethnic, ranging from the form of saga, tale, and legend. Among them are Hang Tuah and Cindua Mato saga. Hang Tuah saga grew and developed in Malay society, while Cindua Mato saga grew and developed in Minangkabau society. Both sagasare interesting to be studied as an analytical study. First, Hang Tuah and Cindua Mato saga is a great literary work owned by both ethnic groups. As a masterpiece, they both have an appeal to be analyzed in many ways. Secondly, Hang Tuah and Cindua Mato figures by both ethnic communities have become a big myth. Hang Tuah became myth by the Malay community as a brave and loyal figure to the king. So did with the figure of Cindua Mato who became myth by Minangkabau society as a brave and loyal figure to the king. As with other literary works, Hang Tuah and Cindua Mato saga contains the aesthetic, moral, and cultural elements of their owners. It is as stated by Taum that oral literature has an aesthetic effect and moral context as well as a particular society culture. This research analyzed and examined the cultural similarities and differences (characters) in Hang Tuah and Cindua Mato saga. This study is expected to produce the same perception of both sagas. Likewise, the possibility of a kinship element exists between ethnic Malay and Minangkabau.

scholarly journals Imagology of Iranians in One Thousand Nights and One Night

2016 ◽  
Vol 4 (1) ◽  
pp. 74
Author(s):  
Ehsan Ghabool ◽  
Mina Ravansalar
Keyword(s):  
Comparative Literature ◽  
Literary Work ◽  
Real Image ◽  
Economic Prosperity ◽  
Literary Works ◽  
Arabic Translation ◽  
The Real ◽  
Similarities And Differences ◽  
Definition Of

Imagology is a branch of comparative literature which explores the image of one nation in the literature of another nation. One Thousand Nights and One Night is among the important books which can show the image of different nations and people such as Indians, Iranians and Arabs. Since the oldest version of the book is in Arabic, it is considered an Arabic literary work though it was translated from a Persian tale in the first place. On this basis the study of the image of Iranians in One Thousand Nights and One Night can be included under the definition of imagology. In this article, first we explain, analyze and study the image of Iranians in the book One Thousand Nights and One Night with respect to 1. anthropology (including entertainments, personification of animals, disapprobation of lies and betrayal of spouses), 2. religious and mythical beliefs (including the belief in daevas and jinnis, magic, fire-worshipping and similar plots), 3. politics (emphasizing the position of vizier and his family in government), 4. economics (emphasizing economic prosperity), then we will compare the collected information with the image of Iranians in credited works and in this way we will identify the similarities and differences of Iranians’ image in One Thousand Nights and One Night and the above-said literary works. Finally we come to this conclusion that the similarities belong to the real image of Iranians in the pre-Islamic days and that differences show the image of post-Islamic Iran which is added through Arabic translation.

scholarly journals Unsur Budaya Material dalam Novel Entrok Karya Okky Madasari

ATAVISME ◽  
2019 ◽  
Vol 22 (2) ◽  
pp. 200-216
Author(s):  
Miftahurohmah Hikmasari ◽  
Wening Sahayu
Keyword(s):  
Material Culture ◽  
Research Problem ◽  
Literary Work ◽  
Aesthetic Value ◽  
Literary Works ◽  
Descriptive Research ◽  
The Third ◽  
Qualitative Descriptive ◽  
The Aesthetic

This research aims to classify and describe the material culture elements contained in Okky Madasari’s novel Entrok. The research problem includes the classification of material culture elements which only exist in Indonesia, and most of them are related to Javanese culture. This research was a qualitative descriptive research. The data were in the form of words and phrases obtained from Okky Madasari’s Entrok. The result showed that there were six elements of material culture. The most commonly found material culture element was food, the second was house, the third was clothes, and the least found were vehicle, daily equipment, and art tool. The use of material culture elements in literary works, such as novel, not only improves the aesthetic value of the work, but also can be used as a media of education, so that the literary work enthusiasts can recognize better and are able to preserve the cultures in Indonesia.

scholarly journals REPRESENTASI KUASA RAMALAN: PANGERAN DIPENOGORO DAN AKHIR TATANAN LAMA DI JAWA 1785-1855 KARYA PETER CAREY DALAM AKU DIPENOGORO! OLEH LANDUNG SIMATUPANG

IdeBahasa ◽  
2021 ◽  
Vol 3 (1) ◽  
pp. 1-10
Author(s):  
Septiani Nur Alifah
Keyword(s):  
Performing Arts ◽  
Literary Work ◽  
Literary Works ◽  
Peter Carey ◽  
Dramatic Effect ◽  
The Past ◽  
Similarities And Differences ◽  
Descriptive Qualitative

Literary works are never separated from previous works or other texts. “Aku Dipenogoro!” is a literary work in the form of a drama script written by Landung Simatupang which was inspired by the power of divination by Peter Carey. The process of forming a literary work based on the acceptance of the past works can be said to be a reception. Therefore, this study used a reception approach to see how far the acceptance of previous works in Aku Dipenogoro!. The method used in this study is descriptive qualitative. In this case, the researcher compares the texts by looking at the similarities and differences. Furthermore, the findings are described. Based on the results of the analysis conducted by Aku Dipenogoro! as a literary work made several changes from the previous work (Peter Carey's Power of Prediction). These changes are used to give a dramatic effect in the work. Improvisation is used to get certain effects and aesthetics in a work. As a drama script Aku Dipenogoro! refers to dramatic effects in the performing arts (theater).

scholarly journals KAJIAN INTERTEKSTUAL NOVEL CINTA BERTABUR DI LANGIT MEKKAH KARYA ROIDAH DAN NOVEL ASMARA DI ATAS HARAM KARYA ZULKIFLI L. MUCHDI DENGAN PENDEKATAN SOSIOLOGI

2021 ◽  
Vol 1 (01) ◽  
pp. 42-55
Author(s):  
Ririn Nurul Azizah
Keyword(s):  
Role Model ◽  
Descriptive Analysis ◽  
Literary Work ◽  
Social Aspects ◽  
The Novel ◽  
Analysis Method ◽  
Literary Works ◽  
Sociological Approach ◽  
Similarities And Differences ◽  
Religious Aspects

Literary works in this era of progress have been very developed. The creation of literary works is usually influenced by the literary works that preceded it. The literary work that precedes is used as an example or role model for later literary works. Two or more literary works with the same theme have similarities and differences. Similarities and differences in several literary works can be analyzed using the principle of intertextuality. This principle is intended to examine texts that are considered to have a certain relationship with other texts so that it is possible for a work to become a hypogram for subsequent literary works. In this study the author chose the title " Intertextual Study of the Novel Cinta Bertabur Di Langit Mekkah by Roidah and Novel Asmara Di Atas Haram  by Zulkifli L. Muchdi with a Sociological Approach ". Based on the object studied, this study aims to describe: (1) the structure of Roidah's novel Cinta Bertabur Di Langit Mekkah (CBM) and novel Asmara Di Atas Haram (ADH) by Zulkifli L. Muchdi, (2) similarities and differences in the novel Cinta Bertabur Di Langit Mekkah (CBM) by Roidah and novel Asmara Di Atas Haram (ADH) by Zulkifli L. Muchdi, (3) Intertextual relations between Roidah's novel Cinta Bertabur Di Langit Mekkah (CBM) and Zulkifli L. Muchdi's novel Asmara Di Atas Haram (ADH, and (4) sociological aspects of novel Cinta Bertabur Di Langit Mekkah (CBM) by Roidah and novel Asmara Di Atas Haram  (ADH) by Zulkifli L. Muchdi. The method used is descriptive analysis method. The results obtained in the research are intrinsic elements of the novel, similarities and differences between the two novels, intertextual relations and sociological aspects which include social aspects, religious aspects, economic aspects, and love aspects.

The Problematic Status of the Literary Work of Art in Contemporary Aesthetics

2017 ◽  
Vol 13 (2) ◽  
pp. 119-144
Author(s):  
Ioana-Eliza Deac
Keyword(s):  
Literary Work ◽  
Work Of Art ◽  
Dual Nature ◽  
Shared Set ◽  
The Arts ◽  
Similarities And Differences ◽  
Literary Work Of Art ◽  
The Aesthetic ◽  
Physical Manifestation ◽  
Different Levels

Developing a system that would reunite all the arts and account for their similarities and differences on the basis of a shared set of criteria was one of the main objectives of the aesthetic discipline, whose roots run deep into romantic philosophy. The diversity of modernist experiments poses a number of challenges to such systematisation and invites theoreticians to start anew. To illustrate some of the main difficulties arising from this situation, particularly in the case of the literary work of art, this article will focus on Gérard Genette’s two volume work L’œuvre de l’art (1994, 1997). Genette’s main purpose is to offer a conceptual framework for the description of the work of art that would find a place in the system for its material mode of existence. His objective is achieved at the expense of the coherence of the model since the structure of what he terms allographic and autographic works proves to be asymmetrical. Thus, the autographic works are presented as having a dual nature: transcendental and immanent (that is, physical), while the allographic works comprise three different levels: transcendence – immanence (understood as ideal) – and (physical) manifestation. After confronting Genette’s premises with the conclusions of several disciplines which study the same object of immanence from a different perspective, this paper will propose a revised and more coherent version of his system.

scholarly journals Literary Translation Analysis of Indonesian Short Story Apel dan Pisau

2021 ◽  
Vol 4 (12) ◽  
pp. 172-180
Author(s):  
Lusi Mardiana ◽  
Ahmad Jum’a Khatib Nur Ali
Keyword(s):  
Foreign Language ◽  
Short Story ◽  
Quantitative Methods ◽  
Analytical Study ◽  
Literary Work ◽  
Literary Translation ◽  
Literary Works ◽  
Translation Strategies ◽  
Qualitative And Quantitative Methods ◽  
Translation Analysis

Translation allows readers to enjoy literary works from all over the world without being constrained by foreign language mastery. For Producing commensurate literary works, translation strategies are employed to deal with different language systems. This research aims at investigating strategies employed by the translator in translating the Indonesian literary work into English. This Descriptive-Analytical Study has been completed by qualitative and quantitative methods. The data sources used are the Indonesian short story Apel and Pisau by Intan Paramaditha and its translation. The 219 collected data are analyzed by using Kazakova’s theory of literary translation. The results in this study indicate that the translator used (1) The Observer Strategy 70,78% (155 data), (2) The Helper Strategy 23,74 % (52 data), (3) The Adherent Strategy 3,65 % (8 data), and (4) The Enlightener Strategy 1,83% (4 data). The study reveals that the strategy dominantly prevailed is the observer strategy (70,78%), and the most dominant approach is unbiased (74,71 %). Also, it is found that the translation ideology is foreignization, where the translator tries to keep the sense of originality of the author’s work.

scholarly journals KAJIAN TEORI FORMALISME DAN STRUKTURALISME

2019 ◽  
Vol 3 (1) ◽  
pp. 79
Author(s):  
Fadlil Munawwar Manshur
Keyword(s):  
Literary Work ◽  
Raw Material ◽  
Literary Texts ◽  
Critical Approach ◽  
Verbal Art ◽  
Literary Works ◽  
Literary Research ◽  
Sound Levels ◽  
Close Relationship ◽  
The Aesthetic

From the perspective of formalism theory, this study aims to reveal that a research on literary texts does not only pay attention to textual facts existing in literary works, but also needs to pay attention to what exists outside the text. In the literary works, the element of defamiliarization holds that literary language is able to express facts of stories using unfamiliar languages. From the perspective of structuralism theory, this study aims to reveal that structuralism is conceptually a continuation of formalism which largely depends on language. Structuralism theory has a close relationship with linguistics, especially in analyzing the functions of the language used. The analysis of language function can help understanding language semiotics that views literature as a sign that then led to literary semiotics. Therefore, functioning to examine a phenomenon, the concept of semiotic structuralism emerged as a social fact.  Critical approach was deemed suitable to be used in this study because formalism theory and structuralism theory are part of a social construction and part of a discursive formation in the formation of subject and reality. As a result, it could be seen the position of formalism theory and structuralism theory in literary research of which raw material is language. The findings in this study are that the formalism theory in its development is dynamic and its language construction stimulates readers to respond. In principle, literary work is not autonomous because it contains author’s feelings and society’s mind. Literary research should exceed the boundaries of formalism and be able to create new vocabularies in writing novels. In the novel, there is intertextual polyvalence, which is a series and intensive dialogic linkages that are capable of giving birth to new novels. Another finding is that structuralism theory has a close relationship with linguistics, for example phonological elements in linguistics which can help literary theory in analyzing sound levels in oral literary works. This theory has also developed a study of poetry to the aesthetic level so that this study has shifted from its original aspects of verbal art only to all art and artistic aesthetics in the present time. This shift distinguishes the views between formalism and structuralism in relation to norms and values inherent in language.

ANALYSIS OF FEELING IN JOHN KEATS’ AND KATE CHOPIN’S LITERARY WORKS

2018 ◽  
Vol 1 (1) ◽  
pp. 1-10
Author(s):  
Sri Winarsih
Keyword(s):  
Comparative Literature ◽  
Social Life ◽  
John Keats ◽  
Literary Work ◽  
Kate Chopin ◽  
Literary Works ◽  
The Awakening ◽  
The World ◽  
Similarities And Differences ◽  
The Way

Some of the best literary works around the world are very good to learn, such as a poem “Ode on a Grecian Urn” by John Keats which is phenomenal by the quote “Beauty is truth, truth beauty”, and in prose, the work from Kate Chopin entitled The Awakening which is also phenomenal by the way the story ends. By using the theory of comparative literature, this study aims to describe the intense feeling of two different kinds of literary work by depicting their similarities and differences. The analysis shows that those works provide the description of different feeling delivered by each author. Keats presents the poetry in romantic mood, full of cheers and energy, although it serves momento mori. While Chopin presents the prose in elegiac or tragic mood. Those feeling are depicted throughout the way both authors represent the values of their works. Three values which are depicted in its similarities and differences are; 1) the meaning of death, 2) nature attribute, and 3) revealing truth. The feelings shown in the both literary works are basically about the reality of life. The beauty, the truth, the life, and the death are enclosed into the social life experienced by the people in the world. Keywords: comparative literature, feeling, , values of literary works

scholarly journals The Cavern Concept of Main Character in Beauty and The Beast

CALL ◽  
2020 ◽  
Vol 2 (1) ◽  
Author(s):  
Mella Nur Mauliah ◽  
Tenny Sudjatnika
Keyword(s):  
Literary Work ◽  
Main Character ◽  
Aesthetic Value ◽  
Story Line ◽  
Literary Works ◽  
Beauty And The Beast ◽  
Study Researcher ◽  
Emotional Changes ◽  
The Aesthetic ◽  
The Grotesque

Literature is a fiction in which the author has freedom in expressing their imagination. In viewing a film, the audience can represent the film according to what they see.  This can be seen from the story line, moral massage, character, and so on. The character in a literary work elevates the aesthetic value, any character can be described by the author. It can be contained in a literary works, because it is an idea or imagination of someone to created an aesthetic purposes. The ugliness in the character it is called as grotesque. The grotesque character cause their alienation from his society, because the structured of body in ugly or odd. Researcher look for data relating to the question of the problem, how the of Cavern Concept in Beauty and The Beast. In this study, researcher used descriptive methods according to Suryana (2010:20) “metode yang digunakan untuk mencari unsur-unsur, ciri-ciri, sifat-sifat suatu fenomena. Metode ini dimulai dengan mengumpulkan data, menganalisis data dan menginterpretasikannya.” These conflicts to revealing the cavern concept includes: (1) condemnation of a Prince become an ugly figure. (2) transformation into to a Beast. (3) character’s emotional changes, because he as a Beast. (4) beast’s alienation from his environment or his world.

scholarly journals The Artistic Use of Imagery in the Literary Works of Jubran An Analytical Study

2019 ◽  
pp. 142-152
Author(s):  
Dr. Yahya KHAN
Keyword(s):  
Twentieth Century ◽  
Analytical Study ◽  
Literary Work ◽  
Single Line ◽  
Good Characteristic ◽  
Imaginary World ◽  
Literary Works ◽  
Artistic Value ◽  
Figure Of Speech ◽  
The Mind

The use of Imagery is a good characteristic of any literary artist; it is defined as a mythical device, which makes illustrative representation of the ideas of the poet, novelist to create a fictional and imaginary world in the mind of the readers. The ability of a poet or novelist to effectively use the imagery enables him to convey his message by creating an image in a single line rather than writing a whole book full of arguments. In this paper the literary work of one of the greatest writers of the twentieth century, jibran khalil jibran is reviewed. He successfully employs this figure of speech in his writings. It is observed that he is among st the best writers who utilized all distinctive types of imagery in his work which deserves to be looked into for artistic value. He used imagery, which is a powerful tool of literature to convey his philosophical ideas.

Sign in / Sign up

Export Citation Format

Share Document