scholarly journals POLA SINTAKTIS LAKON JAKA SUKARA

2017 ◽  
Vol 4 (1) ◽  
pp. 15
Author(s):  
Sri Munawarah
Keyword(s):  
20Th Century ◽  
14Th Century ◽  
Development Period ◽  
Construction Property ◽  
Syntactic Pattern ◽  
Language Writing ◽  
History Of ◽  
Data Source ◽  
Characteristic Features

The history of Malay language has been going through a long way. Kridalaksana (1991:5) divided the development period of Malay language into four: the Melayu Kuna era (the 7th-14th century CE), the Melayu Klasik/Tengahan era (the 14th-18th), the Melayu Peralihan era (the 19th), and the Melayu Baru era (the 20th century). The Betawi language is the only Malay language that existed in Java Island. Dullaurier, as quoted by Hollander (1983;1984), said that the Malay language is divided into two groups: Malay language Malaka accent and Betawi accent (Muhadjir, 1999:21). In this research, the script of Lakon Jaka Sukara became the data source to find the characteristic features of Malay Betawi language syntax that is written in the script. Lakon Jaka Sukara is one of the scripts assumed to have been written by the Betawi people. In this case, the script of Lakon Jaka Sukara will be analyzed in its syntactic pattern. The research of the Betawi language writing variety, especially the ancient script has rarely been done. That case became important for this research to be conducted. After seeing the whole script, there is syntactic patterns that became the characteristic features of the writing variety of the Betawi language. That syntactic pattern is that there is construction property or possessive phrase, collocation [kasi], [beri], or [kerja] that is followed by verbs, construction [apa] that is followed by nouns, construction [barang] that is followed by [di mana], construction [pun] that is in front of male pronouns, and construction [pun] that is on the back of female pronouns.

scholarly journals Research of the History of Inter-Religious Relations in Ukraine in the Kyiv Theological Academy (Second Half of the 19th – Beginning of the 20th Century)

2021 ◽  
Vol 8 ◽  
pp. 60-79
Author(s):  
Luidmila Pastushenko
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Legal Aspects ◽  
Systematic Analysis ◽  
Literary Traditions ◽  
The Social ◽  
Academic Researchers ◽  
History Of ◽  
Characteristic Features ◽  
The 19Th Century

The article presents the first attempt of a complete and systematic analysis of historic and theological publications of teachers and pupils of the Kyiv Theological Academy in the second half of the 19th – beginning of 20th century in the field of studying the history of relations of Catholicism and Protestantism with Orthodox on the Ukrainian lands. The specifics of Kyiv academic historians studies was determined by the social and-political circumstances in the middle of the 19th century and denoted by an attempt to comprehend this issue in the perspective of the history of interconfessional relations of two Western Christian traditions with the eastern tradition of Orthodoxy in the historical gap of the 16th – 17th centuries – the period of the largest confrontation in confessional relations in Ukraine. The author clarifies the characteristic features of researching the question of inter-confessional interaction in the 15th – 17th centuries, which are expressed in attempts to describe the coexistence of three denominations as multidimensional and provoking а variety of different interpretations. Historical studies present the attempt to show confessional interaction in the political and legal aspects and to provide historical interpretations to the ground of philosophy of history. The article proves the tendency of Kyiv academic researchers to move away from the established Russian historiography of the 19th century view at confessional relations in Ukraine through the prism of hard confrontation and outline in religious life Ukraine conditions and circumstances of inter-confessional dialogue. Also, historians in their studies repeatedly note the significant educational and outlook influence of Western Christian denominations on the formation of educational, cultural, theological, literary traditions in Ukraine.

PEMAKAIAN AKSARA DALAM PENULISAN BAHASA MELAYU HINGGA BAHASA INDONESIA (THE USAGE OF LETTERS ON MALAY TO INDONESIAN LANGUAGE WRITING)

2018 ◽  
Vol 3 (1) ◽  
pp. 47
Author(s):  
Akhmad Yazidi
Keyword(s):  
20Th Century ◽  
Written Language ◽  
East Kalimantan ◽  
Arabic Script ◽  
Latin Script ◽  
Language Writing ◽  
History Of ◽  
Karo Batak ◽  
Ancient Persia ◽  
Bahasa Indonesia

AbstractThe Usage of Letters on Malay to Indonesian Language Writing. This paper discussesthe history of the Indonesian language, literacy in the writing of a variety of languages, Malay letter in writing to the Indonesian language, and spelling in Indonesian. Ofthis section may conclude that in writing the history of written language or alphabetletters contained Paku, the letter Babylonian, Assyrian letters, letters of Ancient Persia;Pallawa, Kawi Letter used in Sanskrit; Arabic, Kanjiin Japanese and Chinese, letters,Jawi Premodern, Modern Java, Bali Modern: literacy Hanacaraka from Lampung,Rencong, Karo Batak, Bugis-Makassar as well;and Latin script. Indonesian languagethat comes from the Malay language has a long history, There are some developmentspase formation of the Indonesian language, namely Old Malay, Malay Market, HigherMalay, and Bahasa Indonesian. Since the 5th century inscription has been found to beYupa in Kutai in East Kalimantan with a script and inscription Pallawa Tarumanegara,and inscriptions in Old Malay inscriptions in a script that is Pallawa Towu Gutters,Cape Inscription Land, and the inscription Limestone City. In a later development afterthe Arabs came to trade missions and preaching, use Malay Arabic script known asJawi letters, and beginning of the 20th century the concept put forward by the Ch. A.Dutch van Ophuysen applied linguists Latin letters into the Malay language. Ever seenon the spelling of force, then in the Indonesian language contained van OphuysenSpelling, Spelling Republic, and Spelling Enhanced.Keywords: letter of the alphabet, spelling, languageAbstrakPemakaian Aksara dalam Penulisan Bahasa Melayu hingga Bahasa Indonesia. Tulisanini membahas tentang sejarah bahasa Indonesia, aksara dalam penulisan berbagaibahasa, aksara dalam penulisan bahasa Melayu hingga bahasa Indonesia, dan ejaandalam bahasa Indonesia. Dari pembahasan ini dapat disimpulkan bahwa dalam sejarahtulisan atau aksara bahasa tulis terdapat huruf Paku, yaitu huruf Babylonia, hurufAssyiria, Huruf Persia Kuno; Pallawa, Huruf Kawi yang digunakan dalam bahasaSanskerta; huruf Arab, huruf Kanji dalam bahasa Jepang dan Cina, huruf, JawiPramodern, Jawa Modern, Bali Modern; Aksara Hanacaraka dari Lampung, Rencong,Batak Karo, serta Bugis-Makassar; serta aksara Latin. Bahasa Indonesia yang berasaldari bahasa Melayu mempunyai sejarah yang cukup lama, Terdapat beberapa faseperkembangan terbentuknya bahasa Indonesia, yaitu bahasa Melayu Kuno, MelayuPasar, Melayu Tinggi, dan Bahasa Indonesia. Sejak abad ke-5 sudah ditemukan prasastiberupa Yupa di Kutai Kalimantan Timur dengan aksara Pallawa dan PrasastiTarumanegara, kemudian prasasti dalam bahasa Melayu Kuno dalam aksara Pallawa,yaitu Prasasti Talang Towu, Prasasti Tanjung Tanah, dan Prasasti Kota Kapur. Dalamperkembangan kemudian setelah bangsa Arab datang dengan misi dagang dan dakwah,48digunakan aksara Arab Melayu yang dikenal sebagai huruf Jawi, dan awal abad ke-20atas konsep yang di kemukakan oleh Ch. A. van Ophuysen ahli bahasa Belandaditerapkan huruf Latin kedalam bahasa Melayu. Dilihat dari ejaan yang pernah berlaku,dalam bahasa Indonesia terdapat Ejaan van Ophuysen, Ejaan Republik atau EjaanSuwandi, dan Ejaan Yang Disempurnakan.Kata-kata kunci: aksara, ejaan, bahasa

scholarly journals Characteristics of development of Tajik jewelry art at the turn of the 21st century

2018 ◽  
Vol 50 ◽  
pp. 01226
Author(s):  
Zarrina Umarova
Keyword(s):  
Natural Resources ◽  
20Th Century ◽  
21St Century ◽  
Transitional Period ◽  
Early 20Th Century ◽  
Long Period ◽  
Folk Traditions ◽  
History Of ◽  
The Republic ◽  
Characteristic Features

The paper identifies and analyzes the characteristic features of the development of Tajikjewelry art in the late 20th - early 21st centuries. The author believes that at this time, after a long period of oblivion, there is a marked way to restoration of many lost and nearly forgotten folk traditions in Tajik jewelry art. This period of time can be distinguished as a transitional period in the history of Tajik jewelry art development. This issue carries a significant value in the history of Tajikistan because the jewelry art in the period from the 80ies ofthe 20th century to the early 20th century was previously not subjected to a dedicated study, which results in certain gaps in the research of modern Tajik jewelry art. Studying the characteristics of the development of jewelry art at the turn of the 21st century and of the problems faced by master jewelers (zargars) at that time will aid in the future to identify the most efficient ways of developing this industry and facilitate its becoming one of the export-oriented areas, taking into account that the Republic of Tajikistan possesses all the necessary natural resources.

scholarly journals PROFESSIONAL TRAINING OF PHYSICAL EDUCATION SPECIALISTS: THE HISTORICAL ASPECT (end of the 19th - the beginning of the 20th century)

2017 ◽  
Author(s):  
Tetiana Dereka
Keyword(s):  
Twentieth Century ◽  
Physical Education ◽  
20Th Century ◽  
Professional Training ◽  
Professional Activity ◽  
Training Problem ◽  
Historical Aspect ◽  
Development Period ◽  
Characteristic Features

The article describes the peculiarities of physical education specialists’professional training in the period from the end of the XIX to the beginning of the XX century. The professional activity of P. Lesgaft, O. Butovsky, I. Boersky, O. Anokhin as the founders of the national physical education was investigated. The methods of Lesgaft, Butovsky, Bobersky, Anokhin, aimedtoa person’sharmonious development and findingthe solution of physical education specialists’ professional training problem, while each of them set specific tasks and offered their own means of solving them, were characterized. The professional training of physical education specialists is described in the historical aspect. The characteristic features of national physical education and sport specialists’ professional training systemformation and development period in Ukraine in the twentieth century are defined. The first specialized physical education and sports pedagogical institutes of the beginning of the 20-th century are mentioned.

scholarly journals Interdisciplinarity and Collabo­rative Filmmaking in Anthropological Cinema

2018 ◽  
Vol 15 (6) ◽  
pp. 682-692
Author(s):  
Aleksandr E. Oganezov
Keyword(s):  
20Th Century ◽  
Collaborative Work ◽  
Scientific Discipline ◽  
Video Production ◽  
Visual Anthropology ◽  
Audiovisual Media ◽  
Anthropological Research ◽  
History Of ◽  
The Media ◽  
Characteristic Features

Anthropological cinema is the most representative form of visual anthropological research, due to which it can be considered a kind of calling card of visual anthropology. It is confirmed by facts from the history of the scientific discipline and by constant, continuous interest in anthropological films both from researchers and from the audience. This is caused by variety of different factors, though the key ones are the “visual turn” in the 20th century culture, the development of cinema and television, mostly in the second half of the 20th century, and the media-oriented socio-cultural direction in the period of postmodernism.We can see that the 20th century, despite a lot of negative events, was a fertile ground for the foundation and further development of visual anthropology. However, nowadays we can still observe new different trends in the development of this scientific direction. The increase in the number of interdisciplinary researches, the high degree of involvement in collaborative work of researchers from various scientific spheres, the advancing level of audiovisual media democratization and popularization, and the continuous development of filmmaking technologies — all these, clearly, are modern factors that determine the further direction and specificity of the development of visual anthropology and, in particular, anthropological cinema.This article considers and analyzes the above-mentioned characteristic features of the anthropological cinema of the postmodern period. Special attention is paid to the development of interdisciplinary contacts between visual anthropology and related scientific disciplines, the democratization of video production and the sphere of audiovisual media, and the direction of collaborative anthropological filmmaking.Study and analysis of these features of the anthropological cinema of the postmodern period can help to identify further ways for development of academic and applied visual anthropology in the socio-humanitarian sphere, to understand the nature of media relations within the framework of visual anthropological research, and to determine the role of author-researcher in contemporary visual anthropological discourse.

The museum and temporalization

2020 ◽  
pp. 0961463X2096264
Author(s):  
François Hartog
Keyword(s):  
20Th Century ◽  
14Th Century ◽  
The Past ◽  
15Th Century ◽  
Starting Point ◽  
The Future ◽  
History Of ◽  
The One ◽  
Challenging Situation

More than any other institution, the museum is preoccupied with time, perpetually creating, contesting, and regaining it. From the collections of ancient art amassed in mid-14th-century Italy to the contemporary galleries without their own collections, the museum has always been a leading force in shaping Western civilization’s perceptions of time. After a survey of the history of Europe’s museums, the article traces the configurations of temporality that have arisen in different periods. Beginning in the 15th century, museums exhibited recent art alongside classical masterpieces, highlighting the cleavage between new and old. Three and a half centuries later, however, the art of the present was proclaimed a contemporary of the art of the past and the future, a notion upheld in spite of the outpourings of revolutionary pathos. It was in the second half of the 20th century that this synchronizing tendency yielded to the domination of the one and only present, which remains in force today. This new and challenging situation could be a starting point for the reassessment of contemporary museums’ role in influencing and realizing social temporality.

Economic Views of L. Trotsky

2004 ◽  
pp. 142-157
Author(s):  
M. Voeikov ◽  
S. Dzarasov
Keyword(s):  
Civil War ◽  
20Th Century ◽  
Significant Role ◽  
Historical Perspective ◽  
Russian Revolution ◽  
Russian History ◽  
History Of

The paper written in the light of 125th birth anniversary of L. Trotsky analyzes the life and ideas of one of the most prominent figures in the Russian history of the 20th century. He was one of the leaders of the Russian revolution in its Bolshevik period, worked with V. Lenin and played a significant role in the Civil War. Rejected by the party bureaucracy L. Trotsky led uncompromising struggle against Stalinism, defending his own understanding of the revolutionary ideals. The authors try to explain these events in historical perspective, avoiding biases of both Stalinism and anticommunism.

History of thyroid surgery

2020 ◽  
Vol 99 (11) ◽  
Keyword(s):  
Surgical Technique ◽  
20Th Century ◽  
Thyroid Surgery ◽  
History Of ◽  
Ancient Times

The authors present an outline of the development of thyroid surgery from the ancient times to the beginning of the 20th century, when the definitive surgical technique have been developed and the physiologic and pathopfysiologic consequences of thyroid resections have been described. The key representatives, as well as the contribution of the most influential czech surgeons are mentioned.

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