scholarly journals Designing a Renaissance for Digital News Media

2018 ◽  
Vol 6 (4) ◽  
pp. 115-118 ◽  
Author(s):  
Anette Novak

User participation in the journalistic context has theoretically been possible since the emergence of the Internet. The few interface formats which have been developed to link newsrooms and citizens have, however, not followed the same explosive development as other parts of the media landscape. One reason often referred to by the scientific community is the defensive newsroom culture. This essay presents an alternative interpretation and argues that bridging the gap between interaction design research, media and communications research, and practitioners within digital news media, could shed new light on the stalled process of newsroom co-creation with users.

Author(s):  
Sreekala Girija

The rising adoption of the Internet in India has contributed to the growth of digital news media organisations. Unlike the traditional advertiser-subsidised business model based on audience commodification, some of these new media firms rely on technology to offer news as a public service under an ad-less business model. Using a case study of Newslaundry, this article critically analyses whether interactive online technologies can help create media organisations untainted by the economic rationalities of capitalism. Following a mixed methodology approach that utilises data from 25 interviews with the Newslaundry team and mainstream journalists as well as a variety of text materials, the study finds that news loses its public good character due to Newslaundry’s efforts to make profits. The analysis suggests that the interactive nature of the Internet does not automatically lead to democratic participation.


2021 ◽  
pp. 146144482110271
Author(s):  
Nick Hagar ◽  
Johannes Wachs ◽  
Emőke-Ágnes Horvát

Digital news outlets rely on a variety of outside contributors, from freelance journalists, to political commentators, to executives and politicians. These external dependencies create a network among news outlets, traced along the contributors they share. Using connections between outlets, we demonstrate how contributors’ publishing trajectories tend to align with outlet political leanings. We also show how polarized clustering of outlets translates to differences in the topics of news covered and the style and tone of articles published. In addition, we demonstrate how contributors who cross partisan divides tend to focus on less explicitly political topics. This work addresses an important gap in the media polarization literature, by highlighting how structural factors on the production side of news media create an ecosystem shaped by political leanings, independent of the priorities of any one person or organization.


Tripodos ◽  
2021 ◽  
pp. 41-61
Author(s):  
Carlos Lopezosa ◽  
Lluís Codina ◽  
Mario Pérez-Montoro

This paper undertakes a comparative analysis of the visibility, and of other SEO indicators, of the culture sections of Spain’s leading digital newspapers —specifically, elmundo.es, elpais. com, lavanguardia.com, abc.es, el­confidencial.com and 20minutos.es— based on data collected by the media analytics company, comScore, and the web traffic metric, Alexa Rank. The analysis employs a set of positioning in­dicators: namely, a visibility index, keywords, social signals, keyword profiles, URLs, SERP-Snippets, reference domains and best anchor texts, as made availa­ble by SISTRIX, an SEO analytics audit toolbox. Thus, we were able to deter­mine which of the digital newspapers’ culture sections has the best visibility. Likewise, we were able to identify which of these media are best positioned on Google, presumably as a result of more effective positioning strategies. We con­clude with a discussion of our results and, on the basis of these findings, re­commend ways in which the visibility of journalistic information can be optimi­sed in search engines.   SEO i cibermitjans: visibilitat de la informació cultural dels principals diaris d’Espanya Aquest article realitza una anàlisi com­parativa de visibilitat i altres indicadors SEO de la secció de cultura dels principals cibermitjans espanyols: elmundo.es, elpais.com, lavanguardia.com, abc. es, elconfidencial.com i 20minutos. es. Les anàlisis s’han dut a terme amb la utilització d’un conjunt d’indicadors de posicionament (visibilitat, paraules clau, senyals socials, paraules clau, url, snippets, dominis de referència i mi­llors textos àncora) utilitzant l’eina de auditoria i anàlisi de posicionament en cercadors, SISTRIX. Ens preguntem quin d’aquests mitjans té millor una secció de notícies culturals amb millor visibilitat. L’estudi dut a terme amb els indicadors seleccionats permet, d’aquesta manera, presentar una anàlisi comparativa del periodisme cultural i identificar quins d’aquests mitjans presenten millors posicions a Google, presumiblement, com a resultat d’estratègies de posicio­nament. Finalitzem amb una discussió dels resultats juntament amb unes re­comanacions finals per optimitzar la vi­sibilitat de la informació periodística en els cercadors.


2013 ◽  
Vol 311 ◽  
pp. 360-365
Author(s):  
Tsen Yao Chang

Achieving a balance between visual aesthetics and usability to enhance user experience has enjoyed an increasing popularity in Web design. This study combines creative drawings as intuitive probes to investigate users’ emotional reactions and needs. The basic purpose of these creative exercises is to inspire design researchers and practitioners into applying a strategy in practicable design research to probe real user experiences and create an enjoyable and effective user environment. Emotional engagement with design is vital in design research. Unfortunately, laboratory usability tests often involve complex technical and mechanical tools that discourage user participation, thus limiting the opportunity to receive feedback. The research exercise in this study includes a series of intuitive practices that engaged the participants as target users to sketch an imagined garden layout, a library landscape layout, and a personal home page. We hypothesized from their drawings that a connection exists among the users’ sketches, Web interface preferences, and a classification of personality types. Significant results were obtained: (1) Creative drawing is an effective tool in understanding the personality of a user; (2) Three graphic practices establish emotional connections with the users’ Web interface preferences and product design; and (3) User personality categorization reveals preferences in Web interface and product design. This study focused on the effect of visual aesthetics and user-friendly methods on usability assessments in response to the increasing emotional conciliation of human-computer interaction design. These findings are beneficial in keeping abreast with the developments in design creativity and the qualitative contributions of design inspiration.


2016 ◽  
Vol 5 (2) ◽  
pp. 305
Author(s):  
Aceng Ruhendi Saifullah

The discourse of terrorism is a global issue but tends to be interpreted as controversial. This study sought to dismantle the controversy of meanings through the analysis of signs and meanings, with a view to explore and demonstrate the wave of democratization that took place in post-reform era in Indonesia. This study was a case study using readers’ responses to terrorism issues provided by cyber media on the Internet. It also rests primarily on the semiotic theory of Peirce and the concept of democratization of Huntington. The results showed that participation, freedom of expression, and equal power relations occurred in the interactive discourse in the cyber news media in the form of a dialogue between the responders, the media, and the debate among the responders. Responders tended to argue that signs and meanings are constructed by the media and to interpret information about terrorism as "political engineering" which was expressed by means of emotive tone. Meanwhile, the media tended to construct a "political imagery" which was expressed in a confrontational way, and the resources tended to understand it as "noise level of political elite ", which was expressed in a persuasive manner. Such differences occurred due to the factors of media context that tended to be "convivial" and the context of the communication situation on the Internet that tends to show "discretion". Based on these findings, this study concluded that interactive discourse in the Internet can be formulated as a democratic forum as the meaning making of the text is no longer dominated by media and the sources of information, but tend to be shared with the public. However, in terms of discourse process, interactive discourse in cyber media tends to be anarchic because the tone of interaction tends to be little, the relationship patterns tend to center on and be dominated by responders, the identities of responders tend to be anonymous, and linguistic expressions of the responders tend to be emotive.


Author(s):  
Ted Gest

Police and the media have had a close relationship but it has become an increasingly uneasy one. For more than a century, the mainstream United States media—mainly newspapers, radio, television and magazines—have depended on the police for raw material for a steady diet of crime stories. For its part, law enforcement regards the media as something of an adversary. The relationship has changed because of the growth of investigative reporting and of the Internet. Both developments have increased the volume of material critical of the police. At the same time, law enforcement has used social media as a means to bypass the mainstream media to try getting its message directly to the public. However, the news media in all of its forms remains a powerful interpreter of how law enforcement does its job.


2017 ◽  
Vol 17 (1) ◽  
pp. 49-65 ◽  
Author(s):  
Liudas Mažylis ◽  
Ingrida Unikaitė-Jakuntavičienė ◽  
Romualdas Povilaitis

Abstract The rapid growth of the numbers of unaffiliated voters and the internet users caused politicians’ interest in these audiences and the start of their activities in these communication channels by establishing more personalized relationships with voters. This paper aims to analyze the communication of main parties and their candidates in social media channel “Facebook” and in popular Lithuanian internet news media portals, such as delfi.lt, lrytas.lt and others before the Parliamentary elections in 2012 and the forthcoming 2016 Parliamentary elections. Both quantitative and qualitative aspects of campaign coverage in the media portals and Facebook are analysed. The paper addresses the following questions: How important are factors such as new party emergence, parallel referendum campaign, and activity of using social media for the final result of elections? How active were the politicians in the Facebook? What content dominated their profiles? How much personalized were their messages? What strategies were used for communication? Did the politicians aim at mobilizing or at persuasion the voters? Involvement of citizens, voters’ turnout and political results are linked with campaign arguments and the value normative environment. We conclude by providing the discussion on the noticed tendencies and possible improvements in the communication of candidates for the future.


Media-N ◽  
2018 ◽  
Vol 13 (1) ◽  
Author(s):  
Randall Packer

While the mainstream media largely dominate the discourse and narrative of the daily news cycle, we have, since the dawning of the Web some twenty-five years ago, seen this tight grip of control loosening at an increasing rate. The emergence of citizen-journalism via the blogosphere in the early 2000s, followed by the explosive and ubiquitous presence of social media in the late 2000s, has empowered the individual in the act of distributing their own view of events as they unfold.The key question raised here is the following: how might the artist engage rogue tactics of journalism via the Internet to directly challenge the dominance and status quo of the broadcast media? For the past 15 years, through networked art projects that include the US Department of Art & Technology (2001-2005), Media Deconstruction Kit (2003-2004), and The Post Reality Show (2012-), I have used techniques of media to appropriate, transform, and rebroadcast live cable news media via the Internet to amplify and distorts its contents: allowing us to view the broadcast in a new way, revealing its hidden mechanisms of control, a détournement that jolts us out of the sensationalism of media and its seductive hold on our gaze. In contrast to the citizen journalist who brings unreported events to the light of day, the artist's reportage here takes shape as a disruption of the media broadcast, attempting to expose its effects of disinformation by shocking the viewer out of obedient assimilation of its contamination.


2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Minna Horowitz ◽  
Markus Ojala ◽  
Janne Matikainen ◽  
Johanna Jääsaari

Finland provides an interesting case study on trust in the media in the digital era. The country is known to exhibit the greatest levels of trust in the political establishment and the government, as well as the media. In the Finnish “digital welfare state,” the news is an inseparable part of the mechanism, producing a high level of social trust within the welfare state system, and Finland features the highest level of media freedom and literacy in Europe. This multimethod study examines different understandings of trust by studying in what ways Finnish audiences experience trust in news, especially when consuming news on digital platforms, and what factors explain trust in different news sources. Our basic premise is that trust can be understood in three ways: as dispositions of individual actors, as the social organization and the relationship between different social nodes and the system, and as a constantly negotiated property of social relations. We apply this three-dimensional framework in two sets of audience survey research data (2019, 2020) and reflect the findings with a focus group and expert interviews as well as with two similar surveys a decade prior. Our results depict relatively high levels of trust in the media in Finland and surprisingly little change in audiences’ perceptions of trustworthiness compared to the earlier surveys. The most defining characteristic of Finnish audiences is critical trust. Audiences are aware of the impacts of digitization, especially the dangers of social media bubbles and disinformation. They also recognize market-driven imperatives of journalism yet appreciate legacy news media in its different digital forms. Our study indicates that a balance between skepticism and reliance on news outlets can exist in audiences’ perceptions of the trustworthiness of digital news.


Author(s):  
Pere Freixa ◽  
Mario Pérez-Montoro ◽  
Lluís Codina

Interaction and visualization together yield an interesting, fruitful, and promising combination for producing content in digital news media. In an era in which the press no longer exclusively provides the news, interaction and visualization combined in innovative products for the public are powerful value propositions for the media. Together, they are capable of winning readers’ loyalty and engagement, both of which are crucial for the media’s sustainability. In this work, we present a review of the literature and formulate the theoretical bases for this binomial pairing and its main components, which, we argue, should be available to citizens, the interests of whom journalism must defend if it aspires to be viable.


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