scholarly journals Festivals for Inclusion? Examining the Politics of Cultural Events in Northern Cyprus

2021 ◽  
Vol 9 (4) ◽  
pp. 168-179
Author(s):  
Rahme Sadikoglu

In Northern Cyprus, cultural festivals are increasingly popular. The routinely celebrated festivals transform small villages into colourful celebrations with lots of activities and great culinary experiences, offering opportunities for social contact between members of different generations. People meet in the streets, where traditional food and handicrafts are on display and traditional folk dance performances usually take place. Cultural events provide an important space in which older generations often nostalgically remember the past with others of their generation and share their memories with the young people. Bi‐communal interactions between Turkish Cypriots and Greek Cypriots in these public spaces also help leave behind and bury the violence of the past, nationalistic dogma, and intolerance. Drawing on ideas from postcolonial theory, cultural studies, sociology, and scholarship on public art, this article develops a post‐postcolonial approach to explore the politics and value of Turkish Cypriot cultural festivals and the ways in which Turkish Cypriots are bridging differences with Greek Cypriots. Through observations, conversations, and interviews conducted with Turkish Cypriots from June 2014 to October 2017, the article also discusses the ways in which public art encourages dialogue and multicultural tolerance in Cyprus. The article argues that the rise of interest in Turkish Cypriot folk arts and multicultural tolerance, as propagated by Turkish Cypriots, should be understood in more complex terms than simply that of positive inclusion, as an ambivalence closely connected to the East/West division. Accordingly, the article illustrates that the coexistence of inclu‐ sion and exclusion are at the heart of Turkish Cypriot society.

2019 ◽  
pp. 446-461
Author(s):  
Ekaterina Baydalova

The postcolonial studies have been under discussion in the Ukrainian historiography, social science, culture studies and literary criticism since 1990 years. They have originated from American, European, and Australian academic studies and became more and more popular in modern Ukrainian culture recently. The nation and the nationalism, Orientalism, multicultural and ambivalent individuality self-presentation, the search of cultural identity, the problem of ambivalent attitude to the past are in the paradigm of postcolonial studies. The problems of national identity, the totalitarian past, the interactions with neighboring countries especially Russia and Poland, the instable Ukrainian society’s condition are analyzed under the postcolonial ideas in the Ukrainian intellectual discourse. The postcolonial theory has become the main interpretative strategy of the Ukrainian researchers lately. Nevertheless, there is no unconditional modus vivendi in the Ukrainian academia about postcolonial conceptions, strategies and principles. One of the most important unsolved issues is the question of correlation of postcolonial and postmodern components of the Ukrainian national literature. The inclusion of the studies of trauma and anticolonial and posttotalitarian discourses into the framework of the postcolonial studies is the most distinguishing feature of postcolonial studies in the Ukraine.


Author(s):  
Nurit Yaari

How does a theatrical tradition emerge in the fields of dramatic writing and artistic performance? Can a culture, in which theatre played no part in the past, create a theatrical tradition in real time—and how? What was the contribution of classical Greek drama to the evolution of Israeli theatre? How do political and social conditions affect the encounter between cultures—and what role do they play in creating a theatre with a distinctive identity? This book, the first of its kind, attempts to answer these and other questions, by examining the reception of classical Greek drama in the Israeli theatre over the last seventy years. It deals with dramatic and aesthetic issues while analysing translations, adaptations, new writing, mise-en-scène, and ‘post dramatic’ performances of classical Greek drama that were created and staged at key points of the development of Israeli culture amidst fateful political, social, and cultural events in the country’s history.


2018 ◽  
Vol 1 (1) ◽  
pp. 15-26
Author(s):  
Richard Junior Kapoyos

The Phenomenon of Bia Music in Batu village community needs to be closely examined considering that the Bia Music in the past to the present time is shifting and changing, due to lack of awareness, people's behavior towards Mia Music. The music of this tradition is very apprehensive to see the reality of the players from year to year diminishing in quantity and quality. The purpose of this research is to analyze: (1) Function of Bia Music, (2) Social reality that happened in society. This research uses qualitative method with data collection technique of interview, observation and document study. The technique of data validity is based on the credibility criteria, using triangulation of data. Data analysis techniques used are data collection, data presentation, data reduction, and data verification. The results of this study indicate that the Functions of Bia Music, among others, as a medium of ritual, communication media, into evangelism media, events of cultural festivals, education, association, entertainment and publicity. There are three moments of dialectics in the social realities of externalization, objectivity, and internalization.


2017 ◽  
Vol 6 (2) ◽  
pp. 527 ◽  
Author(s):  
Ali Efdal Özkul ◽  
Gülcan Faika Ülvay

<p><strong>Abstract</strong></p><p>This study is based on the content analysis of the units on pre-historic periods of Cyprus History, Book 1 used in secondary schools between 2004 and 2009 and of Turkish Cypriot History, 6th Grade Books used for the secondary schools between 2009 and 2016. Mixed research methods, which compromises qualitative and quantitative research method, was used in this study. The qualitative part of the study includes the examination of the units on prehistoric ages in the textbooks according to criteria such as concepts, skills and visuals. In the quantitative part of the study, it has been consulted 67 teachers who are able to give a history lesson in secondary schools. According to the findings obtained from the study, it is possible to say that the opinions of the teachers with regard to the Cyprus History, Book I between 2004-2009 are more positive than 6th Grade Books of Cyprus History between 2009-2016. Additionally, it was seen that there were missing points in the units on pre-historic periods of the said course books in terms of concepts, skills and visuals. </p><p><strong>Öz</strong></p><p>Çalışmada 2004-2009 yılları arasında orta dereceli okullarda okutulan Kıbrıs Tarihi 1. Kitap ile 2009-2016 yılları arasında orta dereceli okullarda okutulan Kıbrıs Türk Tarihi 6. Sınıf ders kitaplarının tarih öncesi devirlerini içeren ünitelerinin içerik açısından değerlendirilmesi esas alınmıştır. Çalışmada nitel ve nicel araştırma yöntemlerini içerisine alan karma araştırma modeli kullanılmıştır. Çalışmanın nitel bölümünde ders kitapları içerisinde yer alan tarih öncesi çağları içeren ünitelerin kavramlar, beceriler ve görseller gibi kriterler doğrultusunda incelenmesi yer almaktadır. Araştırmanın nicel bölümünde ise orta dereceli okullarda tarih dersi verebilecek niteliklere sahip 67 öğretmenin görüşüne başvurulmuştur. Çalışmanın sonucunda elde edilen bulgulara göre 2004-2009 Kıbrıs Tarihi 1. Kitap ders kitabına ait öğretmen görüşlerinin 2009-2016 Kıbrıs Türk Tarihi 6. Sınıf ders kitabı öğretmen görüşlerine göre daha olumlu olduğunu söylemek mümkündür. Ayrıca söz konusu ders kitaplarının tarih öncesi devirleri içeren ünitelerinde kavramlar, beceriler ve görseller açısından eksikliklerin yer aldığı görülmektedir.</p>


Author(s):  
Marina E. Vilchinskaya-Butenko

Public art of the USSR and Mexico during the 1920s and early 1950s was chosen as the object of research. Both powers saw public art, especially frescoes, as the most direct and appropriate way of expressing a new revolutionary system of values, and considered it an ideal medium for creating metahistory. Established chronological framework is determined by the fact that during this period, similar changes took place in a political structure of both countries, which led to a transformation of the understanding of artistic production. The author highlighted the relationships between socio-political transformation of images in Mexican muralism and Soviet socialist realism of the 1920s and 1950s (prior to the period of Soviet modernism); she also identified the relationships between the system of images and their influence on the viewer and detected stylistic similarities and differences between both artistic trends, bearing in mind historical and political differences. Similarities in the relations of art and power in Mexico and the USSR manifested in redefining the structures of power; rethinking the concept of the nation and history; recreating the past and controlling it to build the future; rejecting contemporary trends in art of that time and turning to didactic art to educate people and transmit the ideals of the new state. They were also displayed in artistic legitimization of the new political order and creation of public art through appealing to a complex of beliefs, feelings, universal images and fetishes be revered and turned into national cults.


2001 ◽  
Vol 12 (5-6) ◽  
pp. 297-308

The Court found continuing violations of numerous rights protected by the Convention in respect to the following subject-matters: Greek-Cypriot missing persons and their relatives; the home and property of displaced persons; the living conditions of Greek Cypriots in northern Cyprus; and the situation of Turkish Cypriots living in northern Cyprus. Turkey's responsibility under the Convention could not be confined to the acts of its own soldiers and officials operating in northern Cyprus but was also engaged by virtue of the acts of the local administration (“the TRNC”), which survived by virtue of Turkish military and other support.


1986 ◽  
Vol 11 (4) ◽  
pp. 4-7
Author(s):  
Sue Boaden

As former colonial links and reliance on a technologically-developed ‘West’ recede into the past, Asian and Pacific countries, including Australia, are becoming increasingly aware of one another as neighbours. Circulation of exhibitions, artists’ visits, cultural festivals, government and UNESCO activities, and art publishing, provide a network for sharing art and art information between countries in this region. Among art libraries, those in Australia and New Zealand participate in the network represented by ARLIS/ANZ; the IFLA Section of Art Libraries and its global role offers scope for further developments. An Asian/Pacific ‘ARLIS’ is proposed.


2019 ◽  
Vol 23 (4) ◽  
pp. 578-597 ◽  
Author(s):  
Deniz Yucel ◽  
Charis Psaltis

One of the major challenges in divided societies is finding ways to overcome geographical partition by increasing readiness for cohabitation in mixed areas. Cyprus has faced a protracted situation of division (between Greek Cypriots and Turkish Cypriots) for the last 44 years. In this paper, we explore the role of intergroup contact (both quantity and quality of contact) in enhancing the willingness of members of these two communities to reestablish cohabitation, using representative survey samples from both communities. We hypothesize that such an effect is mediated by a decrease in the levels of prejudice between the two communities and an increase in the levels of trust. In addition, we hypothesize that the direct effect of intergroup contact and the indirect effect of intergroup contact through trust and prejudice are both moderated by age. To explore these hypotheses, we collected data from a representative sample of 502 Greek Cypriots and 504 Turkish Cypriots. The hypotheses are tested among the Greek Cypriot and Turkish Cypriot samples separately. In both samples, the results show that the positive effect of intergroup contact on willingness for renewed cohabitation is mediated by both trust and prejudice. There is also some support for the moderating effect of age for both the direct and indirect effects of intergroup contact.


Author(s):  
Ioannis Moutsis

The hopes created by the unexpected triumph of Mustafa Akıncı in the Turkish Cypriot parliamentary elections in 2015 opened once again the debate about Turkish Cypriot identity. Despite the various works on the issue since the opening of the borders in 2003, the issue of identity in the Turkish Cypriot community still remains under-researched. The hope of the Turkish Cypriots for reunification and an end to political isolation was replaced by skepticism after the rejection of the 2004 Annan Plan by the Greek Cypriots in a national referendum. Nevertheless the election of Mustafa Akιncı with an overwhelming sixty percent proves that the Turkish Cypriots should not be considered as loyal to the AKP-controlled Turkish political order as perhaps they were once thought to be. This article will attempt to examine the various aspects of Turkish Cypriot identity, as this has been formed by the Cyprus issue, their fifty-year-long isolation and the hope for an end of the present status quo that will open a window to the outside world forty-one years after the 1974 war and eleven years after the Annan Plan referenda.


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