scholarly journals THE PHENOMENON OF THE CITY: SOCIO-CULTURAL DIMENSION

2019 ◽  
pp. 26-31
Author(s):  
O. D. Rykhlytska
Keyword(s):  
Urban Space ◽  
Urban Culture ◽  
Rapid Development ◽  
Industrial Relations ◽  
Cultural Practice ◽  
Cultural Development ◽  
Human Interaction ◽  
Cultural Dimension ◽  
The Creation ◽  
The City

The article deals with theoretical and practical analysis of modern approaches to the study of the city and urban culture, which in the study is un- derstood as a special phenomenon that ontologically determines the form and content of cultures in various manifestations of socio-cultural practice: physical, symbolic, mental. That is, a special space of embodiment of the semantic and symbolic needs and interests of human cultural activity. Modern processes of globalization and the rapid development of cities are definitely changing the role of the city, its space, affect cultural tradi- tions, creative subjects of culture, innovative practices and cultural policy in general. The change in the semantic dominant and functions of the city is reflected in the search for a special urban space and culture, which are certain symbols of urban identity and their influence in general on the infrastructure of cities, urban rhythm of life, creation of architectural structures, etc. Particular attention is paid to the factors that influence the development of the city and urban culture, it is the loss of special relationships be- tween people, urban space and the environment, as well as the mechanisms of transfer of cultural heritage, as a symbol of collective aspirations, values. It is argued that the uncontrolled growth, glut, growth of industrial relations, consumer character and the leveling of the value basis of human interaction, the feeling of alienation, the growth of violent activity, as well as artificial modeling of urban space and destruction of the environ- ment, are not only evidence of "absolute indifference" of the cities but also the devastating changes in the cultural and symbolic system of the city. In such a torn apart, polycentric world of the modern city ("techno cities", "exemplary ghost cities" "cyborg-cities"), a person loses rational integri- ty and psychological stability, and needs more harmonious techno-natural and cultivated space. There has been demonstrated the experience of harmonious construction of urban environment (E. Howard's "garden-city", "zoo policy") and various practices ("ecology of culture", "visual ecolo- gy", etc.) of creation, and its influence on interpersonal interaction that requires significant sociocultural transformations. The progressive development of the city and urban culture is creating new conditions for socio-cultural development. Which in a certain way requires dramatic changes in the creation of a harmonious urban space and the reproduction of the diversity of cultural habitat, the creation of the unified natural-semiotic environment.

The Exploring for the Concept of History and Culture on City Square Design - Exampled by Lanzhou City

2011 ◽  
Vol 99-100 ◽  
pp. 1297-1301
Author(s):  
Xiang Wu Meng ◽  
Ming Hui Ye ◽  
Han Zhang ◽  
Qi Zhou
Keyword(s):  
Cultural Identity ◽  
Urban Space ◽  
Cultural Context ◽  
Urban Culture ◽  
Yellow River ◽  
Rapid Development ◽  
Living Environment ◽  
Lanzhou City ◽  
Local Residents ◽  
The City

For thousands of years, Lanzhou city has long history and bright culture, and has numerous historic buildings and cultural relics. But with the rapid development of the city, many cultural heritages had been destroyed. The cities appearance are becoming more and more similar, urban culture roots has not clear, the city began to become unfamiliar. The reason is the local residents have a lack of cultural identity to living environment. City square, as a major public urban space. By a sense of spiritual civilization, it should be a window of the city and essential building space to daily life of local residents; it also bears an important responsibility which is heritage city in cultural context. Based on the Yellow River in Lanzhou City, and the study of the new square design concept, analyzed and summarized, presented the concept of square design to create a historical and cultural context of urban culture, the importance of heritage and modern artistic expression should be united with urban history and culture diversity, to make people re-establish the cultural identity for the city to gain ownership in their spirit.

Perancangan Boneka Edukasi Terinspirasi oleh Pencipta Boneka Si Unyil

2018 ◽  
Vol 1 ◽  
Author(s):  
Azhari Amri
Keyword(s):  
Design Process ◽  
Urban Culture ◽  
Urban Life ◽  
Rural Region ◽  
The Public ◽  
The Creation ◽  
The Difference ◽  
The City ◽  
Simple Materials

Film Unyil puppet comes not just part of the entertainment world that can be enjoyed by people from the side of the story, music, and dialogue. However, there is more value in it which is a manifestation of the creator that can be absorbed into the charge for the benefit of educating the children of Indonesia to the public at large. The Unyil puppet created by the father of Drs. Suyadi is one of the works that are now widely known by the whole people of Indonesia. The process of creating a puppet Unyil done with simple materials and formation of character especially adapted to the realities of the existing rural region. Through this process, this research leads to the design process is fundamentally educational puppet inspired by the creation of Si Unyil puppet. The difference is the inspiring character created in this study is on the characters that exist in urban life, especially the city of Jakarta. Thus the results of this study are the pattern of how to shape the design of products through the creation of the puppet with the approach of urban culture.

A IRMANDADE DO SENHOR DOS PASSOS E A SANTA CASA DE MISERICÓRDIA: HISTÓRIA, CARIDADE E EXPERIÊNCIAS DE URBANIDADE EM PORTO ALEGRE/RS. SÉCULOS XVIII-XIX "The 'Senhor dos Passos' brotherhood and the Holy House of Mercy..."

2014 ◽  
Vol 5 (9) ◽  
pp. 93
Author(s):  
Mara Regina do Nascimento
Keyword(s):  
Urban Space ◽  
Urban Culture ◽  
Social Representation ◽  
Porto Alegre ◽  
Urban Experience ◽  
Regional Aspect ◽  
Religious Associations ◽  
The Status ◽  
Xix Century ◽  
The City

Este artigo propõe-se a ser uma colaboração com os estudos dedicados às irmandades religiosas brasileiras, na sua face regional. A linha de pensamento adotada toma a cidade, a experiência urbana e as ditas associações religiosas como instâncias sociais intimamente relacionadas e interdependentes. Durante o século XIX, a irmandade gestora da Santa Casa de Misericórdia em Porto Alegre cumpria um papel fundamental não apenas para a composição material de seu espaço, mas igualmente para conferir-lhe o status de importante cidade dentro do mosaico urbano que compunha o Império brasileiro. Tomando por base o histórico de ações concretas da irmandade, como a construção do Hospital, as iniciativas para a caridade e filantropia e a promoção das festas litúrgicas, este artigo analisa o vínculo indissociável entre o associativismo católico e o estilo de vida urbano dos setecentos e oitocentos. Palavras-chave: Irmandades Religiosas. Santa Casa de Misericórdia. Cultura Urbana.AbstractThis paper intends to collaborate with other works dedicated to the study of brazilian religious brotherhoods, in their regional aspect. The line of thought  adopted takes the city, the urban experience and the religious associations above mentioned as closely related and interdependent social instances. During the XIX century, the brotherhood in charge of the Holy House of Mercy in the city of Porto Alegre played a fundamental role, not just in the material composition of the urban space, but also in giving it the status of an important city within the urban mosaic comprised by the Brazilian Empire. Based on the (historic of) concrete actions of this brotherhood, as were the construction of the Hospital, the creation of a social representation for the notion of charity, and the promotion of liturgic feasts, this article analyses the unbreakable bond between catholic associativism and the urban lifestyle of the XVIII and XIX centuries.Keywords: Religious Brotherhoods. Holy House of Mercy. Urban Culture. 

Strategy of Adaptable Renewal Planning on Culture-Led Existing-Blocks in the Main City of Chongqing

2011 ◽  
Vol 255-260 ◽  
pp. 1612-1616
Author(s):  
Yu Hui Xu ◽  
Jia Xu
Keyword(s):  
Rapid Development ◽  
Functional Decline ◽  
Social Economy ◽  
Urban Regeneration ◽  
Cultural Development ◽  
Urban Context ◽  
Main Research ◽  
Planning Strategy ◽  
Neighborhood Relationship ◽  
The City

Culture-led urban regeneration is an influential planning strategy in Western countries, which is to maintain the city character while enhancing the overall competitiveness of the city through the construction of cultural development to meet the urban environment of the new cultural needs. For the moment, the rapid development of social economy of Chongqing has accelerated its urbanization process. As one of the available land stock resources of urban, existing-blocks need updating to meet the new environmental requirements immediately because of physical and functional decline. So it is essential to consider the strategy of culture-led urban regeneration synthetically. It can not only maintain the social network structure and neighborhood relationship of the existing-blocks to continue urban context while improving its image, but also provide a sustainable competitive city. Taking existing-blocks in Chongqing as the main research object, analyze the current characteristics of the existing-blocks, then put forward the culture-led planning strategy from macro, micro and mid-scale to adapt the development of Chongqing existing-blocks by drawing on the experience at home and abroad.

scholarly journals HETERO-TEXTUALITY AND CO-SPATIALITY: FROM THE SEMIOTICS OF THE CITY TO THE TRANS-SEMIOTICS OF THE POST-CITY

2021 ◽  
Vol 70 (1) ◽  
pp. 70-79
Author(s):  
Dmitry N. Zamyatin ◽  
◽  
Keyword(s):  
Urban Space ◽  
Urban Spaces ◽  
Literary Texts ◽  
General Context ◽  
Research Material ◽  
Single Text ◽  
Urban Narratives ◽  
Key Features ◽  
The Creation ◽  
The City

Literary texts can be considered as the most attractive research material for analyzing the key features of both the semiotics of the city as a whole and the semiotics of individual cities, to which many works of art are devoted. The urban space of Modernity as a result of the processes of powerful semiotization can be considered as both textual and intertextual. The intertextuality of Modern urban spaces presupposes sets of “floating” topological signifiers corresponding to similar sets of “floating” topological signs. In the traditional semiotics of the city, the existence of two realities is assumed — the “real” reality and the “semiotic” reality, between which clear logical correspondences and/or relations can be observed and analyzed. The appearance of non-classical/post-classical urban narratives focused on the problems of dis-communication at the beginning of the 20th century became one of the important signs of the primary formation of the post-city and post-urbanism phenomena. The post-city is not a text and can not be regarded as a text; at the same time, it can generate separate texts that are not related to each other in any way. Post-urban texts, which are the communicative results of specific co-spatialities, remain local “flashes” that do not form a single text or meta-text (super-text). Hetero-textuality is a phenomenon of post-urban reality, which is characterized by the coexistence, as a rule, of texts that do not correlate with each other, relating to certain stable urban loci. Trans-semiotics in general context is understood as the study of any texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts in the process of signification. Trans-semiotics of post-cities are studies of (literary) texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts related to a particular urban locus in the process of signifying any urban loci. The post-city heterostructuality can be considered as the co-spatiality of mutually exclusive texts corresponding to “non-seeing” post-city loci. Post-urban trans-semiotics in the course of their development form a kind of “dark zones” that reject or neutralize any attempt at any semiotic interpretation.

Simple Discussion on Creating a Historical and Cultural Concept on City Square Design — Exemplified by Hundred Miles of the Yellow River in Lanzhou

2011 ◽  
Vol 368-373 ◽  
pp. 3435-3439
Author(s):  
Ming Hui Ye ◽  
Xiang Wu Meng ◽  
Han Zhang
Keyword(s):  
Urban Space ◽  
Cultural Context ◽  
Urban Culture ◽  
Yellow River ◽  
The Yellow River ◽  
Lanzhou City ◽  
Spiritual Civilization ◽  
Local Residents ◽  
Line Design ◽  
The City

City square, as a major public urban space. By a sense of spiritual civilization, it should be a window of the city and essential building space to daily life of local residents; it also bears an important heritage city in cultural context responsibility. Based on the Yellow River in Lanzhou City, Barry style line design concept of the study, analyzed and summarized, presented the concept of square designs to create a historical and cultural context of urban culture, the importance of heritage and modern artistic expression should be on urban history and culture diversity to interpretation, to make people re-establish the cultural identity for the city to gain ownership of the spirit.

scholarly journals An attempt of creating new museum narratives by the example of the exhibition project «Shevchenko by the urban tongue»

2021 ◽  
pp. 112-123
Author(s):  
Mykhailo Zubar ◽  
◽  
Oleh Mahdych ◽  
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Historical Period ◽  
The Public ◽  
New Public ◽  
New Meanings ◽  
Process Of Urbanization ◽  
The Creation ◽  
The City ◽  
Ukrainian Society

Taras Shevchenko is one of the most researched and discussed figures in Ukrainian society. In each historical period receptions and assessments around Shevchenko` personality differentiates, depending on the public circumstances or prevailing trends in humanitarian discourse. These perceptions swayed between positive and critical judgment. Authors identified several key perceptions of Shevchenko in Ukrainian public space, for instance, «national hero», «father of the nation», «poet», «revolutionary democrat». In their opinion, modern Ukraine still faces the search for Shevchenko` new image. New forms of public honour (commemoration) are being developed, including through museum exhibition projects. Authors also analyze the significance of the museum narrative expositions and exhibitions for the creation of new public images, giving the example of the exhibition project «Shevchenko by the urban tongue», which took place in the Taras Shevchenko national museum from November 4th to January 31th in 2021. Curators attempted to explore how personal experience in the city changed due to the process of urbanization from the XIX-th century and how the urban space influenced the shaping of the Taras Shevchenko figure. Specifically, in the XIX-th century, cities ultimately transformed into an environment, which created trends, emphases of the global public development that influenced Shevchenko, since exactly in the city he gained domestic freedom, profession and widened his social circle. The city gave him a sense of understanding of the culture, its influence and importance not only for consumer purposes or acceptance but also for the creation of new meanings. According to the authors, this approach allows us to better understand the significance of Taras Shevchenko, his connection to modern Ukrainian realities and world context.

scholarly journals Language and meanings of human subjectivity in urban culture narratives: analyzing stickers used on cars

2015 ◽  
Vol 28 ◽  
pp. 169-187
Author(s):  
Felipe Gustsack ◽  
Sandra Maria de Castro Rocha
Keyword(s):  
Everyday Life ◽  
Urban Culture ◽  
Cultural Practice ◽  
Urban Context ◽  
Human Subjectivity ◽  
Happy Family ◽  
The City ◽  
Santa Maria

Based on conceptions about language, urban technologies and narratives consummated within everyday life interactions, we problematize the cultural practice of narration in the urban context. We present the analysis of the data gathered during a research developed in the city of Santa Maria, Brazil, involving the collection and analysis of images and conversations with car drivers, as well as readers of car stickers, popularly known as “happy family” stickers. Among other findings, we observed that “happy family” stickers, strategically applied on the bumpers of cars, instigate several enlightening meaning processes of individual and collective forms of self and hetero identitarian narrative in the urban context.

scholarly journals Urban water bodies as the basis for functioning of public spaces

2020 ◽  
Vol 217 ◽  
pp. 02005
Author(s):  
Valentina Kurochkina
Keyword(s):  
Urban Planning ◽  
Urban Environment ◽  
Urban Space ◽  
Public Spaces ◽  
Water Bodies ◽  
High Rate ◽  
The Creation ◽  
The Impact ◽  
The City

Recently, housing construction in cities has been carried out at a high rate. Increasingly, urban abandoned and flooded depressive spaces near water bodies (often rivers), which were previously used as industrial facilities or temporarily used, are becoming the sphere of architectural and landscape transformations. The restoration of such territories helps to improve the quality of urban space and improve its ecological properties. Correct development of territories near rivers and various water bodies has a great health-improving effect on the urban environment, improves its natural and climatic conditions. In addition, social and economic factors play an important role in this process, since such transformed territories and territories adjacent to them significantly increase investment attractiveness. This paper examines modern approaches to the development of urban public spaces, based on the formation of architectural environments that ensure the relationship of urban development with water bodies and adjacent territories. The paper notes that water bodies are not only an important component of the natural-ecological framework, but are also the basis for the framework of urban-planning natural-technogenic systems as a whole. And the creation of a continuous urban fabric is impossible without the organization of a ‘water’ line of development, provision of compositional, functional and communication interconnection of open urban and water spaces, which is actively being introduced today in architectural and urban planning practice. The paper examines the role of water bodies in the ecological system of the city, as well as in its structure as a whole. The aim of the study is to identify the features of the formation of a public urban space, to determine the patterns of its development, to identify criteria that reflect the nature, scale and features of the impact of urbanization on a water body. Some principles of revitalization of coastal areas, as well as the creation of a system of publicly accessible, compositionally expressive spaces are considered. The principles of space transformation aimed at the formation of a holistic image of the city, as well as the impact of such a spatial arrangement of urban and water bodies on the safety and quality of the urban environment are considered.

Of time and the city: curating urban fragments for the purposes of place marketing

2019 ◽  
Vol 12 (2) ◽  
pp. 181-196 ◽  
Author(s):  
Gary Warnaby
Keyword(s):  
Urban Space ◽  
Design Methodology ◽  
Corporate Identity ◽  
Full Potential ◽  
Place Marketing ◽  
Urban Management ◽  
Content Type ◽  
Theoretical Context ◽  
The Creation ◽  
The City

Purpose This paper aims to analyse the place marketing potential of historic urban “fragments”, with particular reference to old corporate identity symbols still extant in urban space. Design/methodology/approach Following a discussion of theoretical context, specifically incorporating spatial semiotics and psychogeography, the paper constitutes an interpretive account of a “tour” around the city of Manchester, UK, apprehending and discussing various historic corporate identity fragments still visible in the city. Findings Historic corporate identity fragments are identified and outlined, and issues arising from their continued existence, in terms of, for example, what constitutes heritage, and how this heritage can be used for the creation of urban distinctiveness (or genius loci) for the purposes of place marketing/branding are discussed. Originality/value The potential of heritage to be incorporated into the “representation work” of those responsible for urban management/marketing is highlighted, along with the need for such heritage fragments to be “curated”, if their full potential in this regard is to be realised.

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