scholarly journals Teaching the Humanities and Social Sciences at the Petrograd (Leningrad) Chemical-Pharmaceutical Institute in the 1920s

2020 ◽  
Vol 2 (3) ◽  
pp. 122-127
Author(s):  
Igor A. Narkevich ◽  
Stanislav V. Stepanov ◽  
Yuri Zvyagin Y. Zvyagin ◽  
Svetlana Vorobeva ◽  
Vladimir Perelygin ◽  
...  
Keyword(s):  
Foreign Languages ◽  
Medical Institute ◽  
Central State ◽  
Saint Petersburg ◽  
State Administration ◽  
Archival Documents ◽  
History Of ◽  
Pharmaceutical Institute ◽  
State Chemical ◽  
First Time

The article, based on unpublished sources from the Central State Administration of St. Petersburg, describes the role and the place of humanitarian disciplines in the training of pharmaceutical specialists at the Petrograd Chemical and Pharmaceutical Institute, then at the faculty of the Leningrad Medical Institute (now the Saint Petersburg State Chemical and Pharmaceutical University). Documented materials on the teaching activities of the founder of sociology P.A. Sorokin and the revolutionary and historian I.S. Scribe-Vetrov at the institute, as well as biographical information about teachers of foreign languages were given for the first time. The contribution of teachers of the 1920s was revealed on the basis of archival documents. It was shown that even in the past, considerable attention was paid to the history of pharmacy, the society foundations and foreign languages.

THE PROJECT OF STAGING "KHOVANSHCHINA" BY M. P. MUSSORGSKY IN B.V. ASAFYEV’S ORCHESTRATION

2020 ◽  
Vol 1 (2) ◽  
pp. 95-102
Author(s):  
V. A. Aleksandrova ◽  
Keyword(s):  
The State ◽  
National Museum ◽  
State Archive ◽  
Central State ◽  
Saint Petersburg ◽  
Russian State ◽  
Archival Documents ◽  
History Of ◽  
Orchestral Score ◽  
First Time

The article is devoted to the history of an unrealized performance of M. P. Mussorgsky’s opera "Khovanshchina" orchestrated by B. V. Asafyev. On the basis of archival documents, stored in the Russian State Archive of Literature and Arts, the Russian National Museum of Music, Central State Archive of Literature and Art of Saint Petersburg, the Bolshoi Theatre Museum, most of which are introduced into scientific circulation for the first time, studied the circumstances under which the opera was planned to be staged in the State Academic Theatre of Opera and Ballet (nowadays — the Mariinsky Theatre). Fragments from the reports of the Artistic Council of Opera at the State Academic Theatre of Opera and Ballet meetings, the correspondence between B. V. Asafyev and P. A. Lamm, the manuscript "P. A. Lamm. A Biography" by O. P. Lamm and other unpublished archival documents are cited. The author comes to the conclusion that most attempts to perform "Khovanshchina" were hindered by the difficult socio-political circumstances of the 1930s, while the existing assumptions about the creative failure of the Asafyev’s orchestration don’t find clear affirmation, neither in historical documents, nor in the existing manuscript of the orchestral score.

scholarly journals Alexander Stepanovich Ardemasov: Party director of the Leningrad Pharmaceutical Institute in 1940-1942

2020 ◽  
Vol 2 (3) ◽  
pp. 116-121
Author(s):  
Igor A. Narkevich ◽  
Stanislav V. Stepanov ◽  
Alla O. Volgusheva ◽  
Yuri Zvyagin Y. Zvyagin ◽  
Svetlana Vorobeva ◽  
...  
Keyword(s):  
Central State ◽  
State Institute ◽  
Scientific Center ◽  
Applied Chemistry ◽  
Saint Petersburg ◽  
Russian Scientific ◽  
Archival Documents ◽  
Pharmaceutical Institute ◽  
State Chemical ◽  
Post War

Based on unpublished archival documents from the Central State Archive of Party Historical Documents, the article reconstructs the biography of A.S. Ardemasov, a party worker, the Director of the Leningrad Pharmaceutical Institute (now Saint Petersburg State Chemical and Pharmaceutical University) in the pre-war period, during the Great Patriotic War (WWII) and the post-war years. During his path of life, A.S. Ardemasov headed the leading chemical enterprises of the USSR: the Leningrad Laminated Plastics Plant (now the Laminated Plastics Plant, LLC, St. Petersburg), the State Institute of Applied Chemistry (now the Russian Scientific Center of Applied Chemistry).

scholarly journals From the history of the creation of the Department of Psychiatry of the Dagestan Medical Institute (1936–1941)

2019 ◽  
pp. 115-120
Author(s):  
S. B. Manyshev ◽  
K. B. Manysheva
Keyword(s):  
Scientific Work ◽  
Medical Institute ◽  
State Archive ◽  
Central State ◽  
History Of ◽  
The Creation ◽  
The Republic ◽  
Psychiatric Department ◽  
Medical University ◽  
First Time

The work is devoted to the history of the establishment of the Department of Psychiatry of the Dagestan Medical Institute. In the article, based on the first time archival materials introduced into the scientific circulation from the funds of the Central State Archive of the Republic of Dagestan and the archive of the Dagestan State Medical University, the organization of the psychiatric department and the clinic is highlighted. The contribution of the first employees was noted, the difficulties encountered in the first years of the department’s existence were highlighted. Also reviewed is the scientific work of the Department of Psychiatry of the Dagestan Medical University in the late 1930s.

scholarly journals MYRHOROD DOCUMENTS FROM THE “BOOK-ARCHIVE” OF THE SAVIOR-TRANSFIGURATION MGARSKY MONASTERY OF THE XVII-XVIII CENTURIES

2020 ◽  
Vol 11 (2) ◽  
pp. 125-130
Author(s):  
Yurii Mytsyk
Keyword(s):  
City Government ◽  
Historical Sources ◽  
Central State ◽  
Archival Documents ◽  
History Of ◽  
Relationship Of ◽  
First Time ◽  
The Relationship ◽  
The City ◽  
The Church

This article presents archival documents of the Cossack era from the Central State Historical Archive of Ukraine in Kyiv. These are the universals of hetmans and colonels concerning the Mhar Monastery, its estates, its relations with Lubny and Zaporizhzhia Sich. The immediate task is the introduction into scientific circulation, the actualization of hitherto unknown historical sources that are important for the history of Ukraine, especially for the history of such a region as Poltava region. In the above-mentioned archives, hitherto unknown documents were discovered and published for the first time. The vast majority of documents belong to other categories of act documents — gifts, merchants, wills, court rulings. They shed light on the city government of Lubnу, the history of the relationship of general and regimental power with the Church, especially with the Mhar Monastery, the mechanism of increasing its land ownership. In general, the documents published here shed additional light on the history of Poltava region of the last third of the 17 — early 18 centuries. The article also contains previously unknown documents concerning the past of Poltava region of hetman times, towns and villages of Lubny, Myrhorod and Poltava regiments, Mhar monastery, their socio-economic, political history.

scholarly journals About the Ukrainian Church and the Studite monastery in Bethlehem. The history of one unfinished project of Metropolitan Andrey Sheptytskyi

2020 ◽  
pp. 179-219
Author(s):  
Justyn Boiko ◽  
Tetyana Teslya
Keyword(s):  
Catholic Church ◽  
Publishing House ◽  
Holy Land ◽  
Central State ◽  
Mutual Knowledge ◽  
The First World War ◽  
Archival Documents ◽  
History Of ◽  
First Time ◽  
First World

In 1906, an all-Ukrainian national pilgrimage set off from Lviv to the Holy Land, in which more than 500 people took part. This was the first official pilgrimage from Ukraine after the glorious Danylo the Pilgrim. It became possible thanks to Metropolitan Andrey Sheptytskyi. The details of this pilgrimage are described in detail in a commemorative book entitled «How Russ followed in the footsteps of Danylo», published in 1907 by the Publishing House of the Basilian Fathers in Zhovkva. However, this book does not mention anything about one of the grandiose projects of Metropolitan Andrey in the Middle East, which consisted in the creation of a Studite Monastery and a Pilgrim Center for pilgrims from Ukraine in Bethlehem. Negotiations on this matter with the Melchite Patriarch Cyril VIII were initiated by Metropolitan Andrey. The core of the project was of a Uniate character, since in the Metropolitan’s plans the Monastery with a Pilgrimage Center was to become a place of mutual knowledge and rapprochement between Orthodox and Catholics. For the realization of this aim, Metropolitan Andrey had allocated very respectable funds, and also began to train appropriate personnel from the Studite monks. But, unfortunately, due to various circumstances, mainly because of the outbreak of the First World War, this project was never implemented. In the Central State Historical Archive of Lviv there are many documents that shed light on the various stages of the implementation of the project for the construction of the Studite monastery and pilgrimage center for the Ukrainians in Bethlehem. This article presents the entire story of the planned but unfinished project of Metropolitan Andrey. Archival documents and their translations are published for the first time. Keywords: Ukrainian Greek Catholic Church, Metropolitan Andrey Sheptytskyi, Patriarch Cyril VIII, monks of the Studites, father Pierre Kure, Sknylivska Lavra of St. Anthony of the Pechersky Studites Rules.

Hebrew Incunabula in the Russian Researchers’ Publications. Bibliographic Review

2021 ◽  
Vol 70 (1) ◽  
pp. 21-34
Author(s):  
Semen M. Iakerson
Keyword(s):  
Religious Community ◽  
National Library ◽  
Saint Petersburg ◽  
15Th Century ◽  
Russian State ◽  
History Of ◽  
State Library ◽  
Academy Of Sciences ◽  
First Time ◽  
Private Collections

Hebrew incunabula amount to a rather modest, in terms of number, group of around 150 editions that were printed within the period from the late 60s of the 15th century to January 1, 1501 in Italy, Spain, Portugal and Turkey. Despite such a small number of Hebrew incunabula, the role they played in the history of the formation of European printing cannot be overlooked. Even less possible is to overestimate the importance of Hebrew incunabula for understanding Jewish spiritual life as it evolved in Europe during the Renaissance.Russian depositories house 43 editions of Hebrew incunabula, in 113 copies and fragments. The latter are distributed as following: the Institute of Oriental Manuscripts of the Russian Academy of Sciences — 67 items stored; the Russian State Library — 38 items; the National Library of Russia — 7 items; the Jewish Religious Community of Saint Petersburg — 1 item. The majority of these books came in public depositories at the late 19th — first half of the 20th century from private collections of St. Petersburg collectors: Moses Friedland (1826—1899), Daniel Chwolson (1819—1911) and David Günzburg (1857—1910). This article looks into the circumstances of how exactly these incunabula were acquired by the depositories. For the first time there are analysed publications of Russian scholars that either include descriptions of Hebrew incunabula (inventories, catalogues, lists) or related to various aspects of Hebrew incunabula studies. The article presents the first annotated bibliography of all domestic publications that are in any way connected with Hebrew incunabula, covering the period from 1893 (the first publication) to the present. In private collections, there was paid special attention to the formation of incunabula collections. It was expressed in the allocation of incunabula as a separate group of books in printed catalogues and the publication of research works on incunabula studies, which belonged to the pen of collectors themselves and haven’t lost their scientific relevance today.

scholarly journals Prison Museums in Soviet Russia in the 1920s

2021 ◽  
Vol 17 (50) ◽  
pp. 103-130
Author(s):  
Mikhail Pogorelov
Keyword(s):  
Penal System ◽  
Early 20Th Century ◽  
Journal Articles ◽  
Scientific Goal ◽  
Archival Documents ◽  
Academic Publications ◽  
History Of ◽  
Soviet Russia ◽  
First Time ◽  
Museum Guides

The paper is devoted to the history of early Soviet prison museums which were opened and operated at research institutes and penitentiaries in the 1920s. It proposes to consider these museums within the context of positivist criminology that emerged in the late 19th and early 20th century. The increasing interest in criminal and prison culture motivated scholars and enthusiasts to collect and exhibit objects related to criminals and prisoners. Developing the model of the criminological museum, the Soviet prison museum pursued not only a purely scientific goal but had different functions. By comparing the Soviet penal system to its Tsarist counterpart, prison museums emphasized the revolutionary and emancipatory nature of the former. Representing artifacts (playing cards, tattoos, hand-made prison tools) and the rules of inmate subcultures, museum expositions condemned it as symbols of the old Tsarist prison. The exhibitions with prison factory products (manufactured goods and handicrafts) and samples of inmate initiatives and creativity (newspapers, journals or artwork) had to demonstrate the progressiveness of Soviet penitentiaries, rehabilitating criminals through labor and education. While historians neglected this topic, the article raises questions about the origins and functions of Soviet prison museums for the first time in historiography. The research is based on previously unstudied sources including archival documents, academic publications, museum guides, as well as newspaper and journal articles.

scholarly journals M.E. Levberg’s Play “Danton” as Perceived by А. Blok

Literary Fact ◽  
2021 ◽  
pp. 115-130
Author(s):  
Veronika B. Zuseva-Özkan
Keyword(s):  
Russian Literature ◽  
State Archive ◽  
Silver Age ◽  
Saint Petersburg ◽  
Critical Attitude ◽  
Russian State ◽  
History Of ◽  
Aleksandr Blok ◽  
First Time ◽  
The Relationship

The article considers the unpublished play by Maria Levberg, a little known female writer of the Silver Age. Aleksandr Blok praised this drama entitled Danton; thanks to his efforts, it was performed in the Bolshoi Drama Theater in 1919. Danton is discussed in several articles by Blok (Bolshoi Drama Theater in the Next Season, of 19 May 1919, Tribune (Tiberius Sempronius Gracchus)) and in his correspondence; it is also mentioned in Blok’s notebooks. The author of the article analyzes all these mentions, reconstructs the history of interactions between Blok and Levberg. Some of her letters to the poet are published here for the first time. Blok’s notes on the typed copy of Danton, preserved at the Manuscript Department of the Institute of Russian Literature in Saint Petersburg, are described. The relationship between this version of the play and the version, preserved at the Russian State Archive of Literature and Arts in Moscow, is revealed. The author analyzes the plot and the system of characters, characterizes the concept of history expressed in Danton, and proposes the hypothesis why this play turned out to be so dear to Blok. Blok’s reviews on Danton are compared to those written by A.M. Remizov (who also welcomed the play, as well as other dramas by Levberg — Stones of Death and The Chevalier’s Epee) and by M.A. Kuzmin who displayed a more critical attitude. Finally, the place of this drama among Levberg’s works and her main themes and ideas are considered.

scholarly journals O. S. Kyrychuk, I.V. Orlevych. Lviv Stauropegian Institute (1788–1914s). The Role in the Socio-Political, Cultural and Religious Life of Ukrainians in Galicia. Lviv: Logos, 2018. 288 p.

2021 ◽  
pp. 137-140
Author(s):  
Yulia Shustova ◽  
Keyword(s):  
Public Life ◽  
Species Structure ◽  
World War ◽  
The First World War ◽  
Archival Documents ◽  
Western Ukraine ◽  
History Of ◽  
Charitable Activities ◽  
First Time ◽  
First World

The article reviews the monograph by Alexandra Kirichuk and Irina Orlevich, which examines the activities of the Lviv Stavropigi Institute. This organization played a significant role in the socio-political, religious, cultural, educational, scientific life of the Ukrainians in Galicia. It arose as a result of the reform of the Lvov Ukspensky Stavropigian brotherhood in 1788. The chronological framework of the work covers the period from the transformation of the Lvov brotherhood into the Stavropigian Institute in 1788 until the outbreak of the First World War. More than a century of the organization's activity is considered in the broadest context of the spheres of public life in Lviv and Western Ukraine. The study was written on the basis of sources that are diverse in their species structure. Most of the sources are archival documents and are introduced into scientific circulation for the first time. The authors gave a detailed description of the legal and financial foundations of the activities of the Lviv Stavropigi Institute. The monograph provides a description of the achievements and failures of the Lviv Stavropegia in different spheres of public life in different periods. – The authors examined in detail the national-political, church-religious, cultural, educational, publishing and charitable activities of Stavropigia. The monograph by О. Kirichuk and I. Orleviy is a significant contribution to the study of the history of one of the most important institutions in the Ukrainian lands in the last quarter of the 18th – early 20th centuries.

Anton Grigoryevich Rubinstein and his Russian Publishers

2021 ◽  
Vol 18 (3) ◽  
pp. 284-298
Author(s):  
Elena M. Shabshaevich
Keyword(s):  
Comparative Analysis ◽  
Creative Process ◽  
Historical Research ◽  
National Museum ◽  
Archival Documents ◽  
History Of ◽  
Publishing Houses ◽  
The 19Th Century ◽  
First Time ◽  
Extensive List

The article presents a focused look at the professional relations of the composer and pianist Anton Grigoryevich Rubinstein (1829—1894) with his main Russian publishers — V.V. Bessel and P.I. Jurgenson. The article is based on musical and historical research concerning the history of the Bessel and Jurgenson publishing houses, works on copyright, A.G. Rubinstein’s epistolary, and archival documents from the Russian National Museum of Music. For the first time in music science, there are revealed some pages of the history of personal and business contacts of the three named persons, primarily the conflicts related to the rights to publish the composer’s works in Russia. The first documented contract for the publications of A.G. Rubinstein was received by P.I. Jurgenson (for op. 82, 1868). However, the contract of A.G. Rubinstein with the trading house “Bessel and Co.”, concluded in 1871 (though Rubinstein’s first work had been published by Bessel two years earlier), was much more extensive and significant. Under this contract, it was supposed to publish more than fifty A.G. Rubinstein’s works of various genres, so in the 1870s, V.V. Bessel became the main Russian publisher of the composer. However, in 1879, A.G. Rubinstein unexpectedly changed his main publisher in Russia. This position was taken by P.I. Jurgenson, whose trading house also published an extensive list of Rubinstein’s compositions, as well as his literary works. This is evidenced by several notarized contracts, stored in the Russian National Museum of Music, between Rubinstein and “P.I. Jurgenson” company. Thus, the two leading Russian publishers of A.G. Rubinstein legally formalized their relations with the composer, which allows us to follow, in a reasoned and substantive way, the process of maturation of the institution of copyright for music publications in Russia in the last third of the 19th century.Using the example of A.G. Rubinstein, in comparison with the position of M.A. Balakirev, the article also raises the issue of granting copyright to a publisher not only in Russia, but also “forever and for all countries”. The comparative analysis of publications of the same composer by different publishing companies is also new to Russian musicology, this helps identify certain accents that publishers put in popularizing A.G. Rubinstein’s works. The publication of the composer’s works by various publishers also highlights new aspects in his creative process, in the history of the creation, receipt of the opus number, and the titles of some of his works.

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