scholarly journals Prison Museums in Soviet Russia in the 1920s

2021 ◽  
Vol 17 (50) ◽  
pp. 103-130
Author(s):  
Mikhail Pogorelov

The paper is devoted to the history of early Soviet prison museums which were opened and operated at research institutes and penitentiaries in the 1920s. It proposes to consider these museums within the context of positivist criminology that emerged in the late 19th and early 20th century. The increasing interest in criminal and prison culture motivated scholars and enthusiasts to collect and exhibit objects related to criminals and prisoners. Developing the model of the criminological museum, the Soviet prison museum pursued not only a purely scientific goal but had different functions. By comparing the Soviet penal system to its Tsarist counterpart, prison museums emphasized the revolutionary and emancipatory nature of the former. Representing artifacts (playing cards, tattoos, hand-made prison tools) and the rules of inmate subcultures, museum expositions condemned it as symbols of the old Tsarist prison. The exhibitions with prison factory products (manufactured goods and handicrafts) and samples of inmate initiatives and creativity (newspapers, journals or artwork) had to demonstrate the progressiveness of Soviet penitentiaries, rehabilitating criminals through labor and education. While historians neglected this topic, the article raises questions about the origins and functions of Soviet prison museums for the first time in historiography. The research is based on previously unstudied sources including archival documents, academic publications, museum guides, as well as newspaper and journal articles.

2021 ◽  
pp. 193-204
Author(s):  
Natalya I. Gorlova ◽  

The article draws on extensive sources discovered by the author in the State Archive of the Russian Federation (GARF) to reconstruct the history of volunteering in preservation of material patrimony of Russia in the 1960–1980s under the auspices of the All-Russian Society for the Protection of Monuments of History and Culture and to investigate forms and methods of public conservation activities. The relevance of the problem is connected to the development of national volunteer movement in preservation of historical and cultural monuments, which coincided with a rise in the scholars’ interest to volunteering in general. The author has identified archival documents, many of which are being introduced into scientific use for the first time. The article reviews the composition of archival documents in the GARF fond, substantiates the possibility of integrated approach to studying of documentary materials on the history of volunteering in conservation and restoration. Documents differ in their content and quite adequately cover the multifaceted activities, forms and methods of work of voluntary activists. The first group is associated with organizational and administrative documents. The second group includes sources of reporting documentation. Office correspondence is the third group of sources. The information potential of various types of documents has been investigated. The value of these materials for studying organization and substantive aspects of voluntary public participation in the conservation activities (restoration and conservation work, identifying, photographing, assessing the condition and usage of historical and architectural monuments, patronage work, inspection, etc.) differs greatly. The author has revealed the names of participants in restoration volunteer groups and associations. The article takes on a special meaning in the context of development and replication of public activities in the field of preservation of material patrimony, while taking into account the historical experience.


2020 ◽  
Vol 1 (2) ◽  
pp. 95-102
Author(s):  
V. A. Aleksandrova ◽  

The article is devoted to the history of an unrealized performance of M. P. Mussorgsky’s opera "Khovanshchina" orchestrated by B. V. Asafyev. On the basis of archival documents, stored in the Russian State Archive of Literature and Arts, the Russian National Museum of Music, Central State Archive of Literature and Art of Saint Petersburg, the Bolshoi Theatre Museum, most of which are introduced into scientific circulation for the first time, studied the circumstances under which the opera was planned to be staged in the State Academic Theatre of Opera and Ballet (nowadays — the Mariinsky Theatre). Fragments from the reports of the Artistic Council of Opera at the State Academic Theatre of Opera and Ballet meetings, the correspondence between B. V. Asafyev and P. A. Lamm, the manuscript "P. A. Lamm. A Biography" by O. P. Lamm and other unpublished archival documents are cited. The author comes to the conclusion that most attempts to perform "Khovanshchina" were hindered by the difficult socio-political circumstances of the 1930s, while the existing assumptions about the creative failure of the Asafyev’s orchestration don’t find clear affirmation, neither in historical documents, nor in the existing manuscript of the orchestral score.


2019 ◽  
Vol 2 ◽  
pp. 237
Author(s):  
Dmytro Arkhireyskyi

The purpose of the article is to establish and investigate the dependence of the population of Soviet Russia, which in 1918 − the first half of 1919 was suffering from the food crisis caused by the policy of the Bolsheviks, as well as the communist regime itself on Ukrainian food, also, to review the plans of the RSFSR leadership on Ukrainian agricultural resources in the context of the actual conquest of Russia by Ukraine in early 1919.Methods of research: chronological, structural-system, logical-historical.The main results. The reasons for the birth in Russia in 1918 of the traffic of bagmen and the peculiarities of the penetration of Russian private suppliers into the territory of Ukraine were researched; the reaction of the Ukrainian State to the appearance of Russian bagmen in the country was studied; the level of efficiency of trade relations of independent Ukraine and RSFSR is analyzed; the relationship between the food situation in Russia and the attempts of the Bolsheviks to overcome it by establishing control over Ukrainian bread in the first half of 1919 was established; it has been proved that the establishment of the Bolshevik authorities in Ukraine and the introduction of the policy of the War Communism here meant the use of force, non-economic methods of influencing Ukrainian peasants for the purpose of actually extracting food resources from them.Practical significance. The results of the article are recommended for use in synthetic works on the history of Ukraine and Russia during the revolution period of 1917−1921, as well as for the development of special courses on the history of Ukraine, Russia and Eastern Europe. These materials can also be used to promote historical knowledge.Originality. The article is completely original, performed on the basis of the generalization of the experience of a number of domestic and foreign researchers with the involvement of archival and narrative sources.Scientific novelty. For the first time in the national historiography, the data revealing the reasons and the peculiarities of the food crisis in Soviet Russia in 1918, and also the doom of a significant part of the Russians to self-help, were synthesized and investigated; the dependence of the starving population of Russia and its authorities on Ukrainian food was first shown; the ways of obtaining Ukrainian bread by Russian bagmen and the Bolshevik regime in the context of the events of the end of 1918 − the first half of 1919 were highlighted.Type of article: anlytical.


Author(s):  
Yulia Shustova ◽  

The article reviews the monograph by Alexandra Kirichuk and Irina Orlevich, which examines the activities of the Lviv Stavropigi Institute. This organization played a significant role in the socio-political, religious, cultural, educational, scientific life of the Ukrainians in Galicia. It arose as a result of the reform of the Lvov Ukspensky Stavropigian brotherhood in 1788. The chronological framework of the work covers the period from the transformation of the Lvov brotherhood into the Stavropigian Institute in 1788 until the outbreak of the First World War. More than a century of the organization's activity is considered in the broadest context of the spheres of public life in Lviv and Western Ukraine. The study was written on the basis of sources that are diverse in their species structure. Most of the sources are archival documents and are introduced into scientific circulation for the first time. The authors gave a detailed description of the legal and financial foundations of the activities of the Lviv Stavropigi Institute. The monograph provides a description of the achievements and failures of the Lviv Stavropegia in different spheres of public life in different periods. – The authors examined in detail the national-political, church-religious, cultural, educational, publishing and charitable activities of Stavropigia. The monograph by О. Kirichuk and I. Orleviy is a significant contribution to the study of the history of one of the most important institutions in the Ukrainian lands in the last quarter of the 18th – early 20th centuries.


2021 ◽  
Vol 18 (3) ◽  
pp. 284-298
Author(s):  
Elena M. Shabshaevich

The article presents a focused look at the professional relations of the composer and pianist Anton Grigoryevich Rubinstein (1829—1894) with his main Russian publishers — V.V. Bessel and P.I. Jurgenson. The article is based on musical and historical research concerning the history of the Bessel and Jurgenson publishing houses, works on copyright, A.G. Rubinstein’s epistolary, and archival documents from the Russian National Museum of Music. For the first time in music science, there are revealed some pages of the history of personal and business contacts of the three named persons, primarily the conflicts related to the rights to publish the composer’s works in Russia. The first documented contract for the publications of A.G. Rubinstein was received by P.I. Jurgenson (for op. 82, 1868). However, the contract of A.G. Rubinstein with the trading house “Bessel and Co.”, concluded in 1871 (though Rubinstein’s first work had been published by Bessel two years earlier), was much more extensive and significant. Under this contract, it was supposed to publish more than fifty A.G. Rubinstein’s works of various genres, so in the 1870s, V.V. Bessel became the main Russian publisher of the composer. However, in 1879, A.G. Rubinstein unexpectedly changed his main publisher in Russia. This position was taken by P.I. Jurgenson, whose trading house also published an extensive list of Rubinstein’s compositions, as well as his literary works. This is evidenced by several notarized contracts, stored in the Russian National Museum of Music, between Rubinstein and “P.I. Jurgenson” company. Thus, the two leading Russian publishers of A.G. Rubinstein legally formalized their relations with the composer, which allows us to follow, in a reasoned and substantive way, the process of maturation of the institution of copyright for music publications in Russia in the last third of the 19th century.Using the example of A.G. Rubinstein, in comparison with the position of M.A. Balakirev, the article also raises the issue of granting copyright to a publisher not only in Russia, but also “forever and for all countries”. The comparative analysis of publications of the same composer by different publishing companies is also new to Russian musicology, this helps identify certain accents that publishers put in popularizing A.G. Rubinstein’s works. The publication of the composer’s works by various publishers also highlights new aspects in his creative process, in the history of the creation, receipt of the opus number, and the titles of some of his works.


2016 ◽  
Vol 125 (1) ◽  
pp. 34-38 ◽  
Author(s):  
Nils Hansson ◽  
Heiner Fangerau ◽  
Annette Tuffs ◽  
Igor J. Polianski

Abstract Taking the examples of the pioneers Carl Ludwig Schleich, Carl Koller, and Heinrich Braun, this article provides a first exploratory account of the history of anesthesiology and the Nobel Prize for physiology or medicine. Besides the files collected at the Nobel Archive in Sweden, which are presented here for the first time, this article is based on medical literature of the early 20th century. Using Nobel Prize nominations and Nobel committee reports as points of departure, the authors discuss why no anesthesia pioneer has received this coveted trophy. These documents offer a new perspective to explore and to better understand aspects of the history of anesthesiology in the first half of the 20th century.


2021 ◽  
Vol 27 (2) ◽  
pp. 76-81
Author(s):  
Yury S. Nikiforov

The article examines the factors and sources of inequality and legal delimitation of the industrial societas in the USSR in the 1950-1980s. The article raises the question of the key aspects of regional and sectoral inequality of the Soviet societas. The theoretical and methodological basis of the study is associated with the paradigm of the "global intellectual history of inequality". Much attention is paid to the analysis of the concepts of "estate" and "class" in modern historiography. The article is based on the ideas of Mikhail Beznin and Tat’yana Dimoni on the legal demarcation of the production societas in the USSR and the formation of special social classes in Soviet Russia in the 1950s-1980s. An important theoretical role is played by the controversial thesis of the researcher Simon Kordonskiy on the existence of special estates – social registration groups – in the USSR. The source base of the study is represented by the official normative documents of the Soviet era, statistical data, unpublished archival documents of the Russian State Archive of Social and Political History. The article expresses a scientific hypothesis that the main criteria for inequality and legal delimitation of the production societas of the USSR included 3 indicators in the second half of the 20th century – a formally determined size of wages, social security, horizontal social mobility.


2021 ◽  
Vol 20 (6) ◽  
pp. 54-61
Author(s):  
V. A. Esipova

The problem of publications made by students in the early 20th century recently became a matter of interest among scholars. The purpose of the article is to study one of them, “Soyuz” magazine, which was published by students of the theological seminary in Tomsk in 1907. The problem is that not a single issue of the magazine has survived to this day. Therefore, the research relies on the method of historical reconstruction based on the archival documents. The main achievements of this study are as follows. Based on the analyses of previously unknown archival sources, it reconstructs the history of the magazine, its team, printing equipment, and capacities, and the list of authors. It discovers a description of the magazine made by the Tomsk gendarme office. The article contains the contents of two issues of the magazine. It establishes that the magazine stuck to social-democratic ideas and was the structural element of the Tomsk branch of the All-Russian Seminary Union. It indicates the place of the magazine among other Tomsk periodicals. On the one hand, it fully fitted into the practice of the work of social-democratic organizations, on other hand, in terms of the methods of technical and organizational creation, it was a typical students self-published publication.


2021 ◽  
Vol 8 (1) ◽  
pp. 42-60
Author(s):  
Albina Bessonova

The history of the Dostoevsky estate Darovoe, which is an important period in the life of Fyodor Dostoevsky, still contains unresolved issues. The most ambiguous is the fate of the writer's father, who ended his days in Darovoe. The cause of the tragic death of M. A. Dostoevsky and the place of his burial are still controversial. The document from the State Archive of the Tula region, published for the first time, allows to dispel all doubts about the location of the grave of M. A. Dostoevsky. The article examines the history of the issue, including oral tradition, analyzes well-known documentary sources, and the entry in the metric book of the Holy Spirit Church of the village Monogarovо in 1839 confirms the testimony of A. M. Dostoevsky about the burial of his father in the churchyard. The fact of M. A. Dostoevsky's affair with the house serf Ekaterina Alexandrova is questioned, since it was based on rumors and undocumented. The author analyzes the oral tradition phenomenon and its influence on the formation of the image of M. A. Dostoevsky as a cruel landowner killed by peasants out of revenge. New archival documents allow us to revise the stereotypes that have become entrenched in Dostoevsky studies.


Author(s):  
Roman Blikharskyi

The Ukrainian religious Christian press, since its inception, was an important means of disseminating information necessary for the life of the Church. Besides the issues of purely Christian doctrine, the authors of religious journals outlined and criticized the ideological tendencies among the representatives of the Ukrainian secular intelligentsia. Their scientific, artistic, social and political activities greatly influenced the then social realities, and partially determined a political future of Ukraine. In the early 20th century, on the pages of the Ukrainian Galician religious periodicals, namely the «Nyva» journal (Lviv, 1904—1939s), there were published a series of articles dealing with the Christian worldview. We have elucidated the reasons why in the late 19th century—the early 20th century for the first time there emerged a necessity to discuss the Christian worldview, contrary to other non-religious worldview models of the modernity. The history of the worldview concept and variation of approaches to its meaning clarifying, the theory of the process of formation of the mindset as well as ways of classification of its different forms, specifically religious worldview, in the philosophical works of Karl Jaspers, Max Scheler and Wilhelm Dilthey, have been researched. As for the Christian-based worldview, we have determined the approaches to the systematization and unification of the ideological principles of the Christians. Those were studied in the writings of thinkers of different Christian denominations, namely Protestantism (James Orr, Abraham Kuyper), Orthodoxy (Mikhail Tareiev), and Catholicism (specifically, the authors of the «Nyva» journal). Keywords: worldview, Christianity, Christian worldview, religion, philosophy, religious periodicals, «Nyva» journal.


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