scholarly journals Mediatization Studies and Cultural Studies: A Possible Dialogue for Further Critical Analysis?

2017 ◽  
Vol 1 (1) ◽  
pp. 31
Author(s):  
Myriam Durocher
Keyword(s):  
Cultural Studies ◽  
Power Relations ◽  
Cultural Practices ◽  
Critical Research ◽  
Critical Perspective ◽  
Common Assumption ◽  
Cultural Life ◽  
The Social ◽  
Analyse Power ◽  
Privileged Site

<p>Over the last decades, it has been possible to observe an increasing amount of research having for common assumption the impossibility to dissociate changes which occur within medias, culture and society. Mediatization theories, particularly developed in Scandinavian countries, and American configurations of cultural studies utilize interesting tools and conceptual material to think about the transformations that occur within the social field. Both encourage questioning the power relations and struggles that inform those transformations. However, their manner of conceiving and using “culture” and “media” as conceptual tools for analysis differ, bringing multiple and diverging ways to study and question objects, phenomenon and processes. These two approaches do not appear as irreconcilable and would take advantage of being put in dialogue as a way to see how they can possibly complement each other. For example, by enriching their mutual understanding of power and, therefore, their critical character. This article draws points of tension and convergence between cultural studies and mediatization studies. It explores cultural studies' focus on (cultural) practices as a privileged site to analyse power relations and their ongoing negotiations by and through media. This approach may resonate or complement Couldry’s (2004) proposal for a paradigm of media as practice “to help us address how media are embedded in the interlocking fabric of social and cultural life” (p. 129). This dialogue between mediatization theories and cultural studies is being put to the forefront with the hope it may allow further discussions and relevant theoretical avenues for critical research located within both fields. Thinking of this possible interplay let foresee the possibility of questioning objects, processes and phenomenon in a critical perspective in a context produced and characterised by medias’ omnipresence. It would allow researchers to question the power struggles that are negotiated through practices themselves, without neglecting the consideration that most of these practices are made by, with or within media.  </p>

scholarly journals Structural Foundations of Social Resilience

2020 ◽  
Vol 19 (4) ◽  
pp. 539-552
Author(s):  
Hulya Dagdeviren ◽  
Luis Capucha ◽  
Alexandre Calado ◽  
Matthew Donoghue ◽  
Pedro Estêvão
Keyword(s):  
Conceptual Framework ◽  
Power Relations ◽  
Theoretical Development ◽  
Social Resilience ◽  
Economic Crises ◽  
Critical Perspective ◽  
The Social ◽  
Contemporary Context ◽  
Distinct Role

This article aims to contribute to the theoretical development of the social resilience approach. Recognising the interface between resilience and poverty studies, it proposes a distinct role for resilience research from a critical perspective to understand the dynamics of hardship in exceptional times, such as times of socio-economic crises, rather than explaining the long-term trajectories of poverty. It then provides a conceptual framework on the structural foundations of social resilience, highlighting three components: rules, resources and power relations. The article uses the 2008 crisis and the ensuing period of austerity as a microcosm to place the discussion within a contemporary context.

scholarly journals The Ideology Behind the Power Relations of Punggawa-Sawi in Bajo Ethnic Fishermen in North Tiworo, West Muna Regency

2019 ◽  
Vol 11 (2) ◽  
pp. 20
Author(s):  
Akhmad Marhadi
Keyword(s):  
Data Collection ◽  
Power Relations ◽  
Social Economic ◽  
Qualitative Approach ◽  
Cultural Life ◽  
Maximum Profit ◽  
The Social

The power relations that arise in the life of Bajo ethnic fishermen are predominantly influenced by the ideology practiced by the superior group, punggawa to control sawi as an inferior group. The purpose of this study is to analyze the ideology behind the power relations of punggawa-sawi in Bajo ethnic fishermen in North Tirowo. The method used was a qualitative approach with data collection techniques namely observation, interview and document study. The results of the study showed that the ideology of power, the ideology of capitalism, and the ideology of religiosity are the ideologyies that cause the existence of power relations of punggawa to sawi. The ideologies are used by punggawa to lead, control and manage the social, economic, political and cultural life of sawi fishermen to get the maximum profit while fulfilling all the interests and desires of punggawa.

scholarly journals Cultural China 2020: The Contemporary China Centre Review

2021 ◽  
Keyword(s):  
Cultural Practices ◽  
Religion And Spirituality ◽  
Critical Perspective ◽  
Contemporary China ◽  
Republic Of China ◽  
Interdisciplinary Dialogue ◽  
The Social ◽  
Current Events ◽  
China Today ◽  
The University

Cultural China is a unique annual publication for up-to-date, informed, and accessible commentary about Chinese and Sinophone languages, cultural practices, politics and production, and their critical analysis. It builds on the University of Westminster’s Contemporary China Centre Blog, providing additional reflective introductory pieces to contextualise each of the eight chapters. The articles in this Review speak to the turbulent year that was 2020 as it unfolded across Cultural China. Thematically, they range from celebrity culture, fashion and beauty, to religion and spirituality, via language politics, heritage, and music. Pieces on representations of China in Britain and the Westminster Chinese Visual Arts Project reflect our particular location and home. Many of the articles in this book focus on the People’s Republic of China, but they also draw attention to the multiple Chinese and Sinophone cultural practices that exist within, across, and beyond national borders. The Review is distinctive in its cultural studies-based approach and contributes a much-needed critical perspective from the Humanities to the study of Cultural China. It aims to promote interdisciplinary dialogue and debate about the social, cultural, political, and historical dynamics that inform life in Cultural China today, offering academics, activists, practitioners, and politicians a key reference with which to situate current events in and relating to Cultural China in a wider context.

scholarly journals Sport as a Means of Promoting Universal Humanistic Values

2021 ◽  
Vol 11 (12) ◽  
pp. 69-79
Author(s):  
Anton Bilous
Keyword(s):  
Cultural Studies ◽  
Theoretical Study ◽  
Modern Society ◽  
Life Strategies ◽  
Social Phenomenon ◽  
Methodological Basis ◽  
Cultural Life ◽  
The Social ◽  
The Individual ◽  
Special Studies

Aim. Conceptualization of the axiological potential of sport as an important social phenomenon that covers all levels of modern society. Material and methods. The theoretical and methodological basis of our study is: 1) works of Ukrainian and foreign scientists in the process of learning the essence of sport, its place in the socio-cultural space; 2) the results of modern cultural studies; 3) speculations of representatives of axiological knowledge. The specifics of the theoretical study also determined the need to involve a number of scientific approaches to the analysis of the phenomenon of sport: 1) systemic; 2) personality-oriented; 3) axiological; 4) culturological. Results. The analysis of the special literature on the chosen topic provided the basis for: 1) determining the formation of humanistic values ​​of the task relevant to the society; 2) conceptualization of the basic conditions for the promotion of the following values ​​(gaining value experience by engaging in axiological knowledge and examples of success of life strategies based on humanistic values; involvement in the value reality, which formulates clear requirements for the individual in combination with creating conditions to meet its needs ); 3) appeal to sport as a specific phenomenon of cultural life and a source of a significant number of examples of success of life strategies based on humanistic values; 4) highlighting the potential of sport in terms of promoting universal humanistic values. Conclusions. Special studies prove that the topic of humanistic values ​​does not lose relevance. Accordingly, the task is to ensure their promotion in society. There are reasonable grounds to claim that one of the means of solving this problem is modern sport. It is the social phenomenon that has the potential to provide the basic conditions for the promotion of humanistic values: 1) considerable space for gaining valuable experience; 2) effective involvement in the value reality.

Pembinaan Semula Peradaban Komuniti Cina Muslim Berasaskan Dialog Antara Agama: Pengalaman di Terengganu dan Brunei

Sains Insani ◽  
2019 ◽  
Vol 4 (1) ◽  
pp. 77-84
Author(s):  
Azarudin Awang ◽  
Azman Che Mat ◽  
Sophian Ramli
Keyword(s):  
Cultural Practices ◽  
Family Members ◽  
Interfaith Dialogue ◽  
Chinese Community ◽  
Cultural Life ◽  
Muslim Communities ◽  
Muslim Family

Bagi sesebuah negara yang mempunyai etnik pelbagai anutan kepercayaan dan perbezaan amalan budaya, dialog antara agama berperanan membetulkan semula kekaburan dalam kehidupan beragama dan berbudaya. Melalui peranan Saudara Baru, dialog antara agama mampu menjadi medan bagi menjelaskan kebenaran tentang agama Islam kepada masyarakat bukan Muslim dan pelaksanaan amalan budaya asal kepada Muslim asal. Objektif kajian ini ialah melihat pengalaman pelaksanaan dialog antara agama di Terengganu dan relevansi dalam kehidupan beragama di negara Brunei. Metode kajian ini menggunakan kajian dokumen yang menyentuh komuniti Cina Muslim di Terengganu dan Brunei. Pengalaman pelaksanaan dialog antara agama di Terengganu dan negara Brunei memperlihatkan dialog antara agama mampu membetulkan salah faham dan selanjutnya mengendurkan ketegangan hubungan antara agama dan budaya antara komuniti Saudara Baru, ahli keluarga bukan Muslim dan masyarakat Muslim asal. Biarpun begitu, adalah dicadangkan agar kajian yang menyentuh dialog antara agama perlu diperkukuhkan sebagai medium membina semula peradaban memandangkan penduduk di kedua-dua lokasi ini terdiri daripada berbilang etnik dan agama sedangkan pada masa yang sama masalah yang menyentuh hubungan antara agama sentiasa timbul. Abstract: For a country with diverse ethics of beliefs and cultural practices, interfaith dialogue plays a role to redefine ambiguity in religious and cultural life. Through the role of the New Muslim (Muslim Convert), interfaith dialogue can become a medium to explain the truth about Islam to the non-Muslims and the implementation of real cultural practices to the others Muslim. The objective of this study is to examine the experience of interfaith dialogue in Terengganu and in Brunei. The method of this study is being conducted in document research that related with the Muslim Chinese community in Terengganu and Brunei. In addition, interviews with people involved in the management of New Muslims also carried out. The experience of interfaith dialogue in Terengganu and Brunei shows that dialogue capable explains misunderstandings and further loosening the tension between religion and culture among New Muslims, non-Muslim family members and Muslim communities. However, it is recommended that studies on interfaith dialogue should be strengthened as a medium for rebuilding civilization as the residents of both locations are multi-ethnic and religious while at the same time the problem of interreligious persists.

Cinematic Search for Identity in the Shade of Turkey’s 1960 Coup: The Social Realism Debate and The Hope

2017 ◽  
Vol 6 (1) ◽  
pp. 153-168
Author(s):  
Celal Hayir ◽  
Ayman Kole
Keyword(s):  
Party System ◽  
Social Realism ◽  
New Era ◽  
Cultural Life ◽  
The Social ◽  
Turkish Cinema ◽  
To Come ◽  
First Time ◽  
Democratic Constitution ◽  
Realism Debate

When the Turkish army seized power on May 27th, 1960, a new democratic constitution was carried into effect. The positive atmosphere created by the 1961 constitution quickly showed its effects on political balances in the parliament and it became difficult for one single party to come into power, which strengthened the multi-party-system. The freedom initiative created by 1961’s constitution had a direct effect on the rise of public opposition. Filmmakers, who generally steered clear from the discussion of social problems and conflicts until 1960, started to produce movies questioning conflicts in political, social and cultural life for the first time and discussions about the “Social Realism” movement in the ensuing films arose in cinematic circles in Turkey. At the same time, the “regional managers” emerged, and movies in line with demands of this system started to be produced. The Hope (Umut), produced by Yılmaz Güney in 1970, rang in a new era in Turkish cinema, because it differed from other movies previously made in its cinematic language, expression, and use of actors and settings. The aim of this study is to mention the reality discussions in Turkish cinema and outline the political facts which initiated this expression leading up to the film Umut (The Hope, directed by Yılmaz Güney), which has been accepted as the most distinctive social realist movie in Turkey. 

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

Manifesting Ecofeminism in Peatland Restoration: Policies, Actions, and Challenges

2020 ◽  
Vol 25 (1) ◽  
pp. 1
Author(s):  
Myrna Asnawati Safitri
Keyword(s):  
Power Relations ◽  
Sufficient Time ◽  
Resource Tenure ◽  
Peatland Restoration ◽  
Women's Participation ◽  
The Social ◽  
The Government

<p>Degradation of peatland ecosystems occurs as a result of excessive exploitation leading to peat drainage and fires. This was influenced by a masculinity perspective in resource tenure and utilization. Ecofeminism presents a different perspective on narratives and inter-relationships of human with nature, including the place of women in them. Injustice that befalls women occur due to unequal power relations in the control and utilization of resources in the peatland ecosystem. This paper discusses the Government of Indonesia’s efforts to reduce gender injustice through Peatland Restoration’s policy. Two policies are discussed here, namely the Social Safety Safeguard and Peat Cares Village Program. It is concluded that women's participation must be able to resolve the imbalance of power relations among women as well as between gender. This requires sufficient time and everlasting education.</p><p> </p>

Jumbos and Jumping Devils

2020 ◽  
Author(s):  
Nisha P R
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
South Asia ◽  
Social History ◽  
Post Colonial ◽  
The Social ◽  
Wide Range ◽  
History Of

Jumbos and Jumping Devils is an original and pioneering exploration of not only the social history of the subcontinent but also of performance and popular culture. The domain of analysis is entirely novel and opens up a bolder approach of laying a new field of historical enquiry of South Asia. Trawling through an extraordinary set of sources such as colonial and post-colonial records, newspaper reports, unpublished autobiographies, private papers, photographs, and oral interviews, the author brings out a fascinating account of the transnational landscape of physical cultures, human and animal performers, and the circus industry. This book should be of interest to a wide range of readers from history, sociology, anthropology, and cultural studies to analysts of history of performance and sports in the subcontinent.

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