INTEGRATION OF INDIANS INTO THE SOCIAL AND ECONOMIC AND CULTURAL LIFE IN GERMANY AT THE BEGINNING OF THE 21 CENTURY

2016 ◽  
pp. 55-60
Author(s):  
Liudmila A. Pechishcheva ◽  
Keyword(s):  
Cultural Life ◽  
The Social

Cinematic Search for Identity in the Shade of Turkey’s 1960 Coup: The Social Realism Debate and The Hope

2017 ◽  
Vol 6 (1) ◽  
pp. 153-168
Author(s):  
Celal Hayir ◽  
Ayman Kole
Keyword(s):  
Party System ◽  
Social Realism ◽  
New Era ◽  
Cultural Life ◽  
The Social ◽  
Turkish Cinema ◽  
To Come ◽  
First Time ◽  
Democratic Constitution ◽  
Realism Debate

When the Turkish army seized power on May 27th, 1960, a new democratic constitution was carried into effect. The positive atmosphere created by the 1961 constitution quickly showed its effects on political balances in the parliament and it became difficult for one single party to come into power, which strengthened the multi-party-system. The freedom initiative created by 1961’s constitution had a direct effect on the rise of public opposition. Filmmakers, who generally steered clear from the discussion of social problems and conflicts until 1960, started to produce movies questioning conflicts in political, social and cultural life for the first time and discussions about the “Social Realism” movement in the ensuing films arose in cinematic circles in Turkey. At the same time, the “regional managers” emerged, and movies in line with demands of this system started to be produced. The Hope (Umut), produced by Yılmaz Güney in 1970, rang in a new era in Turkish cinema, because it differed from other movies previously made in its cinematic language, expression, and use of actors and settings. The aim of this study is to mention the reality discussions in Turkish cinema and outline the political facts which initiated this expression leading up to the film Umut (The Hope, directed by Yılmaz Güney), which has been accepted as the most distinctive social realist movie in Turkey. 

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

scholarly journals Youth in the margin in Morocco: a qualitative approach to the perception of subjectivity and agency politics

2021 ◽  
Vol 119 ◽  
pp. 01007
Author(s):  
Ilham Sadoqi
Keyword(s):  
Social Action ◽  
Population Based ◽  
Social Actors ◽  
State Institutions ◽  
Cultural Life ◽  
The Social ◽  
Youth Agency ◽  
And Gender ◽  
The Relationship ◽  
Third Moment

This paper seeks to investigate the potentials of youth agency in the margin of society and understand the prospects for social action or “Hirak” as an ongoing sweeping protest wave of a marginalized population. Based on a national qualitative study about youth and marginality in Morocco, this paper will focus on three moments. First, it will examine youth perception, their representation of their subjectivities, and how the realities and experiences of exclusion and “Hogra” manifested in inequalities, injustice, and systematic violence have shaped their beliefs and desire to act. The second moment brings to the fore their apprehension of the hegemonic powers of state institutions and social actors to determine their motivations and initiatives to articulate their actions locally and nationally under conditions of domination. The third moment will shed light on the dynamics of youth agency and the nature of their actions, be it individual or collective, subjective or rational. Similarly, it will also consider the structural limitations impinging on the social, political, cultural life, and gender relations. This paper examines the relationship between youth agency in the margin and the emergence of a new quest for social action “Hirak” in different regions of Morocco and how this might pave the way towards renegotiating the existing social contract between society and state.

Women, Food, and Diet in the Middle Ages

2020 ◽  
Author(s):  
Theresa A. Vaughan
Keyword(s):  
Material Culture ◽  
Middle Ages ◽  
Great Book ◽  
Italian Renaissance ◽  
Food Material ◽  
Early Modern Italy ◽  
Cultural Life ◽  
The Social ◽  
Health Accounts ◽  
The City

Latini’s masterpiece of Baroque cooking and household management was the first book to publish recipes using tomatoes and chilli peppers. This first complete English translation presents the text with contextual introduction and notes to aid the reader’s understanding. The Modern Steward was published in Naples in 1692-94, when the city was a major cultural centre. It includes a wealth of recipes, plus discussions of the kitchen and serving staff, setting the table, menus, protocol, entertainment, and wines. There are also sections on health, accounts of specific banquets, and even a description of an eruption of Vesuvius. It is the last great book of the Italian Renaissance and Baroque cooking tradition. Latini was also interested in local ingredients and customs, and open to new French trends. The book will interest historians of early modern Italy, food, material culture, and the social and cultural life of the European elites, as well as connoisseurs of fine dining, and cooks.

CULTURE OF TURKISTAN IN THE SECOND HALF OF THE XIX CENTURY

2021 ◽  
Vol 4 (7) ◽  
pp. 15-22
Author(s):  
Zebiniso A. Akhmedova ◽  
Keyword(s):  
19Th Century ◽  
Social Economic ◽  
Diplomatic Relations ◽  
Political Situation ◽  
Cultural Life ◽  
The Social ◽  
Before And After ◽  
Xix Century ◽  
The 19Th Century ◽  
The Military

The article analyzes the culture of Turkestan in the second half of the 19th century. The social, economic, politicaland cultural life of Bukhara during the Mangit dynasty is revealed. Clarified trade and diplomatic relations between Bukhara and Russia.On the basis of the works of Ahmad Donish, the economic and political situation in Bukhara, as well as relations with neighboring countries, are studied. The author draws attention to the military-bureaucratic colonial system of tsarism in Turkestan and reveals the reasons for the emergence of ideas of national liberation in the country. Examples are used to analyze the life of Bukhara before and after the invasion of tsarism

Cultural Life

2020 ◽  
pp. 168-200
Author(s):  
Anna Hájková
Keyword(s):  
Symbolic Capital ◽  
Social Hierarchy ◽  
Sporting Events ◽  
Secondary Importance ◽  
High Culture ◽  
Artistic Production ◽  
Cultural Life ◽  
Social Elite ◽  
Production And Consumption ◽  
The Social

Theresienstadt is famous as the “cultural ghetto.” Rather than following the traditional interpretation of cultural activities as resistance, this chapter explores how in Theresienstadt, as in other camps, artistic production and consumption were prestigious activities linked to symbolic capital. The social elite in the ghetto redefined “high culture” and marked as particularly valuable those works that were considered the most Czech. Inmates’ positions in the social hierarchy dictated who had access to which productions, and “wealthy” prisoners such as cooks acted as patrons for artists or could play soccer, a much-loved sport in Theresienstadt. The enthusiasm for the key cultural and sporting events demonstrates that the ideological divisions among Czech prisoners, Zionists, and Czecho-Jews were of secondary importance to Czech belonging.

Availability of public theaters for persons with disabilities

2019 ◽  
Vol 43 (1) ◽  
pp. 59-72
Author(s):  
Aleksandra Mazurek
Keyword(s):  
Social Exclusion ◽  
Social Participation ◽  
Social Life ◽  
Social Phenomenon ◽  
Persons With Disabilities ◽  
Artistic Creation ◽  
Cultural Life ◽  
The Social ◽  
Public Theaters ◽  
Symbolic Interactions

Accessibility is a prerequisite for participation in social life. The possibilities of a person with disability and environmental barriers determine the level of accessibility in various areas of cultural life. The degree of infrastructure adaptations and less visible symbolic interactions have a significant impact on the possibility of social participation and access to cultural artifacts by people from groups at risk of social exclusion. Theater is an area of art, an inseparable element of which is a meeting, and thus openness to what is different, conditions for establishing dialogue and performative interaction. In the Polish theater of recent years, the context of disability is more and more often perceived as a subject of artistic creation. The article discusses institutional theaters constituting significant culture-forming centers in individual regions and taking part in international festivals. The formal infrastructural availability of theatrical spaces to the needs of people with disabilities and the adaptation of the cultural offer to perceptive capabilities of people with different disabilities were analyzed. Other activities related to the social phenomenon of disability were also indicated, if it was possible.

TAVERNS IN INDRA IN THE 1930s FROM A HISTORICAL POINT OF VIEW

Via Latgalica ◽  
2008 ◽  
pp. 163
Author(s):  
Olga Krēgere
Keyword(s):  
Customer Service ◽  
Social Life ◽  
Point Of View ◽  
Main Function ◽  
Popular Entertainment ◽  
Rural Municipality ◽  
Brass Band ◽  
Cultural Life ◽  
The Social ◽  
Live Stock

Based on the sources and literature available to the author, as well as on data obtained during field study, the paper describes the origins and functions of a tavern in Daugavpils region (now Kraslava region) in the rural Indra municipality in the 1930s. The chronology of the paper is determined by the founding of the establishment in 1929 and its operation until 1940 when Latvia was occupied by the USSR army. The paper is organized into three topical parts: first, the origins of the tavern are described, then the environment and its development over time, and finally the fulfillment of the tavern’s objectives in the economic and cultural life. The paper is based on the following: 1) documents of the Latvian State Historical Archives (hereinafter LSHA): The 1935 census materials of the State Statistics committee; Orders to the authorities issued by the head of the administration of Daugavpils County; Notices of the Indra rural municipality (until 1937 Piedruja rural municipality) to the head of the administration of Daugavpils Region; Lists of taxpayers (1929–1940); Population statistics (1941– 1943), 2) Audiotape-recorded narrations of the tavern building heir Anna Šiško obtained during Rezekne University College’s (2007), as well as factual material obtained during the interview (2008). Judging by Jānis Šiško’s family’s purposeful construction of the tavern and its role in Indra’s economic and social culture in the 30’s of the 20th century, it can be considered that its main function was customer service. The operation and the use of the tavern was adjusted to the particular needs of the social life according to the conditions during that period. The location of the tavern within reach of the railway station and the market square provided advantageous lodging and recreation facilities. These were used by the buyers of agricultural goods and corners, called „uzkupči”, arriving on a regular weekly basis from far away, mainly from Riga, by the producers of these goods from the wide neighbourhood, as well as by local farmers in the periods of supply and sale of sugar-beet, flax, and live stock. Therefore, the operation of the tavern contributed greatly to the economic activity of the municipality. Organized recreation – dances and open-air parties in the tavern yard on the playground and in the specially arranged spacious premises of a shed with the border guards brass band, and regular theatre performances and celebrations at the occasion of public holidays – introduced the tavern to the social life of Indra and made it a popular entertainment place in the finest sense of the word and thereby contributed to the enrichment of the county’s cultural life.

A Farewell Address in Urdu Presented to John Panton Gubbins by the Citizens of Delhi in 1852

1964 ◽  
Vol 27 (2) ◽  
pp. 397-407
Author(s):  
S. A. A. Rizvi
Keyword(s):  
Nineteenth Century ◽  
African Studies ◽  
Cultural Life ◽  
The Social ◽  
History Of

This document is in the possession of Mr. J. K. Gubbins of High Wycombe, Buckinghamshire, and a photocopy has recently been acquired by the library of the School of Oriental and African Studies, University of London. It is unique in the history of Urdu prose, being the earliest known farewell address written in Urdu. The language is simple and idiomatic and the style is free from affectation and turgidity—defects from which documents of this type are not free even to-day. Though some commonplace adjectives have been used, it on the whole satisfactorily brings out the main contributions of John Panton Gubbins to the social and cultural life of the Delhi of the mid-nineteenth century.

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