scholarly journals LONELINESS AND DESPAIR OF A PERSON IN VASYL STEFANYK’S NOVELS

Doxa ◽  
2021 ◽  
pp. 32-43
Author(s):  
Roman Galuyko

Vasyl Stafanyk entered into Ukrainian literature XIX – XX century as a master of the short story, where he emotionally passionately violates the existential problems of an individual person, lost in a world indifferent to him, of which he is forced to make certain decisions and take responsibility for his choices. The artist’s special attention is drawn to the loneliness of man, which often causes him despair and confusion. In particular, this is reflected in Stefanyk’s short stories on the lives of rural workers. The writer knew well the Ukrainian village, the problems of the peasants. There was already a gradual departure of the rural community from the collective responsibility for the fate of each of its members, which deepened the alienation, created a sense of abandonment, in his time. For example, the village and the community are calmly watching the decline of Anton’s farm – the hero of Stefanyk’s short story «Blue Book». In this short story, the cry of the soul of a once wealthy owner, who was unlucky, who in despair drinks the whole farm. In his drunken bravado there is sadness, rage and hopelessness, deep despair – Anton feels that everyone is indifferent to his grief, there is no compassion in his home community. Such loneliness, alienation and despair of man, indifference of others permeate the pages and short stories «Paliy». Its protagonist, old Fedor, worked all his life for the rich Andriy Kurochka, lost his strength and health on his farm, and is now forced to beg from strangers. The thought of this hurts Fedor’s aching soul, he goes mad with loneliness, deeply offends his human indifference. In despair, deeply offended, lonely in his grief, Fedor sets fire to the hen’s barn, taking revenge on him for his mutilated life. The lyrical hero of V. Stefanyk’s short story «My Word» chooses a different way of reacting to unfavorable life circumstances from the previous character. It is the confession of a lonely, abandoned man in a world indifferent to the fate of everyone. Detached from his native land, the hero of the novel doesn’t find peace and joy in the new world. His longing comrades, who agreed with this new world, don’t understand him. So, abandoned by them, he builds himself a world of his own imagination, in which he is comfortable and where he truly lives, hoping to find happiness. Accordingly, the author of the short story convinces that everyone is lonely and doomed to fight for their happiness, and therefore responsible for their choices. Very often Vasyl Stefanyk addresses the topic of lonely old age, when adult children become busy with their worries and do not need their parents, as, for example, in the short story «Angel», where old Tymchykha, feeling unnecessary for children, prepares for death as a salvation from loneliness. The writer raises a similar theme of loneliness of old parents with living children in such short stories as, in particular, «Sama samisinka», which depicts a gruesome picture of the death of a helpless mother left to fend for her children who went to work. The other side of lonely old age depicts the image of old Maxim, who can’t forget his dead sons. A lone widower who sent two sons to fight for Ukraine, he complains about his fate, rages in the field at work, shouts at the horses. At the same time, in despair, Maxim doesn’t accept any sympathy from neighbors, proudly carries his loneliness and despair, lamenting the whole world. He is disgusted by everything around him, he lives only by memories of the past, when his sons and wife were alive, when life was raging in his house. Thus, as we can see, many of Vasyl Stefanyk’s short stories are imbued with existential problems of man concerning the negative nature of human existence. Among them the loneliness and despair of the person in difficult life situations are especially penetratingly considered by the writer.

1982 ◽  
Vol 11 (1) ◽  
pp. 25-28
Author(s):  
Jorge Musto

Among the exodus of Uruguayan artists and intellectuals described by Hortensia Campanella (p 29) is Jorge Musto. whose short story ‘Pale Browns and Yellows’ we published in Index on Censorship 2/1981. As actor, theatre director and journalist, Jorge Musto was associated with the two best-known standard bearers of the rich cultural movement which blossomed in Uruguay before the 1973 military coup: the El Galpón theatre company (Index on Censorship 2/1977 and 2/1979) and the weekly magazine Marcha (4/1974 and 2/1979). He has published several novels and short stories, and now works as a translator in Paris, having fallen victim in 1972 to the repression which paved the way for the final military takeover. It was in Paris that the following interview was carried out in February 1981 by Index on Censorship's Latin America researcher. Our apologies for having held it over for so long, for reasons entirely of space. The interview is translated from Spanish.


2018 ◽  
Vol 17 (3) ◽  
pp. 245-256
Author(s):  
Logamurthie Athiemoolam

Purpose The purpose of the paper is to provide a detailed account of pre-service teachers’ viewpoints on the use of tableaux as pedagogy to analyse short stories in secondary schools based on their exposure to the use of tableaux and their active participation in the process of tableau creation. Design/methodology/approach The study adopted a qualitative approach and a phenomenological design as it provides a detailed account of PGCE English Methodology pre-service teachers’ views on the use of tableaux to teach a short story. The data collection method used was written narratives based on the participants’ detailed accounts of their learning during the process of tableau creation and their viewpoints on the use of such an approach in the teaching of literature within secondary school contexts. The “rich, thick data” extracted from the written narratives were analysed thematically. Findings The findings indicated that although pre-service teachers were initially sceptical towards the use of tableaux as a strategy to teach a short story, as they grew in their understanding of the practices involved their insights into the themes, motifs and characters’ emotional, personal and psychological states of being were enhanced. Originality/value Research in the use of tableaux as a strategy for pre-service teachers to critically analyse and engage with short stories is a novel approach to teaching and limited research has been conducted in the field.


2017 ◽  
Vol 163 ◽  
pp. 499-510
Author(s):  
Jana Vrajová

Forms of literary representation of age through changes in characters of old women in Czech short stories of 80s and 90s of the 19th centuryThe study deals with different representations of the character of old women in Czech literature of the second half of the nineteenth century. It focuses mainly on three short stories which show exceptof the literary image of old age also the proof of the vertical stratification of Czech literature of the end of the nineteenth century. The study also shows the literary controversy related to literary movements and intertextual relations. The latest short story which the study refers to is called Babiččin pohřeb and was written by Rudolf Karel Zahrádka. It has a specific position in the context of thinking about the use of motifs associated with old age: not only could it be characterized as a subversive text due to the intertextual passages referring to Babička by Božena Němcová, but it can be also identified as a proof of the penetration of the modernistic tendency in Czech literature.Obrazy literackich reprezentacji starości na podstawie postaci starej kobiety w opowiadaniach autorów z lat 80. i 90. XIX wiekuArtykuł dotyczy sposobu reprezentacji postaci starej kobiety w literaturze czeskiej drugiej połowy XIX wieku. Autorka skupia swoją uwagę zwłaszcza na opowiadaniach, które, oprócz literackiego obrazu starości, są również wertykalną stratyfikacją czeskiej literatury końca XIX wieku, jej wewnętrznych dyskursywnych polemik i związków intertekstualnych. Jako najbardziej interesujące jawi się opowiadanie Rudolfa Karla Zahálki Babiččin pohřeb, które można, biorąc pod uwagę związki intertekstualne, oznaczyć za tekst subwersyjny i pokazać na jego podstawie przenikanie do literatury czeskiej tendencji naturalistycznych.


2011 ◽  
Vol 14 (2) ◽  
pp. 22-32
Author(s):  
Chuong Ngoc Dao

Basing on poetics, structure of works and motif / archetype of the Wise Old Man, the paper examines and compares the image of the Old Man in three short stories: Tocka by Anton Chekhov (Russian), A Clean, Well-Lighted Place by Ernest Hemingway (American) and Lao Hac by Nam Cao (Vietnamese). In each short story, the old man leads a lonely life. Their loneliness can’t sometimes be shared or isn’t shared such as the case of Iona Potapov, in Tocka of Anton Chekhov, who just lost his son last week; of the Old Man, in A Clean, Well-Lighted Place of Ernest Hemingway who suffered from loneliness in his old age; and of Lao Hac, in Nam Cao’s work of the same title, who, with hopelessness, has gone away to work in plantation for three years because his poor son couldn’t afford to get married. If the impact of rural elements in the process of social development from agriculture to industry is taken into consideration, we can put these three short stories in the following sequence: Lao Hac (1943) of Nam Cao, Tocka (1871) of Anton Chekhov, and A Clean, Well-Lighted Place (1933) of Ernest Hemingway. It seems that the more the society is urbanized, the more loneliness can’t be wiped out. Now, the deeply rooted characters of the archetype of the Wise Old Man (according to Jung) are expressed in only three points: how to best bahave in loneliness.


2020 ◽  
pp. 187-207
Author(s):  
Saskia McCracken

In 1931, Virginia Woolf was commissioned to write a series of six articles for Good Housekeeping, a middlebrow women’s magazine, which have typically been read by critics as five essays and a short story. Woolf’s series takes her readers on a tour of the sites of commerce and power in London, from the Thames docks and shops of Oxford Street, to ‘Great Men’s Houses,’ abbeys, cathedrals, and the House of Commons, ending with a ‘Portrait’ of a fictitious Londoner. This chapter has three aims. First, it suggests that Woolf’s Good Housekeeping publications can be read not simply as five essays and a short story, but, considering Woolf’s ethics of the short story, as a series of short stories or, as the magazine editors introduced them, word pictures and scenes. Secondly, this chapter argues that Woolf’s Good Housekeeping series responds to, and resists the Stalinist politics of, Aldous Huxley’s series of four highbrow essays on England, published in Nash’s Pall Mall Magazine. Finally, this chapter analyses a critically neglected short story by Ambrose O’Neill, ‘The Astounding History of Albert Orange’ (February 1932), published in Good Housekeeping, which features both Woolf and Huxley as characters, and which critiques, satirises, and destabilises the boundaries of highbrow literary culture. Thus, the focus turns from highbrow writers’ short stories to a story about highbrow writing, all published in the supposedly middlebrow Good Housekeeping, demonstrating the rich complexity of the magazine, its varied politics, and its generically hybrid publications.


Author(s):  
Elena S. Annenkova ◽  

In the article �The Lemon Table� by Julian Barnes is analyzed from the point of view of �the mighthave-beens� plot functioning in this storybook. This plot is an essential part of the fundamental for this book plot of aging and associated with its physical and mental processes that heroes of these short stories are experienced. The analysis of the majority of the short stories makes it possible to talk about �the might-have-beens� as metaplot that ties separate short stories of this storybook with each other and forms the unity of the storybook as an artistic whole. A metaplot in prosaic text is understood as that invariant plot that permeates the texts of one or another writer, which is realized in these texts in various versions of event scenarios and expressed in a figurative-motive complex, at the ideological-thematic and narrative levels, at the level of stylistics and artistic tropes of writer�s works. �The might-have-beens� metaplot repeats and manifests itself in the short stories in its different event variations and with especial completeness and emphasis in such short stories as �Story of Mats Israelson�, �Hygiene�, �The Revival�, �Bark�, �The Fruit Cage�, �The Silence�. Thus each short story enters into dialogical relationships with other stories, due to the formed internal intertextuality of this storybook and made metatext of J. Barnes� fictional prose, as a consequence of the invariant plot of �the might-havebeens� as the source code of the generation of meaning in the artistic consciousness of the English writer evinced in many of his other works. So the main aim of this article is to discover and analyse the plot of �the might-have-beens� that becomes metaplot and metamotif of �The Lemon Table� by J. Barnes. The elements of motif, comparativetypological, receptive-interpretive, and intertextual methods of analysis have been used in this work, which helped to achieve our aim. In �Story of Mats Israelson� the invariant of �the might-have-beens� plot is presented in its fullest expression, and this plot in different variations will be repeated in other stories of the storybook. It will become its key motif, which will be related with other central motifs of other short stories of this storybook (the motif of loneliness, love, vanity of life, old age, death and immortality). �The might-have-beens� metaplot will determine the development of event situations of the short stories with a predictable culmination of misunderstanding and dissatisfaction and with the denouement of feelings or actions that have not found their embodiment, which reveals itself in a separation, alienation or death of the heroes. �The might-have-beens� metaplot will show the peculiarities of the heroes� characters and their reactions to life situations, which will be the result of their individual life fears and complexes, aggravated by the limit situation of imminent death. �The might-have-beens� metaplot is supported by specific chronotope, which becomes space and time of the unrealized and non-embodied. This plot and motif are evinced in the short stories of �The Lemon Book� with the help of artistic metonymy and a discourse of silence, that fully expresses the impossibility of embodying the heroes� feelings and their deepest desires. But in any event variations, �the might-have-beens� metaplot keeps structural and semantic core that is the life path of the short stories� heroes determined by non- embodiment of their innermost desires, intentions and expectations. However, the precise impracticability of dreams, the unfulfillment of aspirations cause the piercingly sad and universal meaning of life of the heroes of �The Lemon Table� by J. Barnes.


Author(s):  
Novi Diah Haryanti

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun),  Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima  cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.  


Imbizo ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 92-98
Author(s):  
Faith Mkwesha

This interview was conducted on 16 May 2009 at Le Quartier Francais in Franschhoek, Cape Town, South Africa. Petina Gappah is the third generation of Zimbabwean writers writing from the diaspora. She was born in 1971 in Zambia, and grew up in Zimbabwe during the transitional moment from colonial Rhodesia to independence. She has law degrees from the University of Zimbabwe, the University of Cambridge, and the University of Graz. She writes in English and also draws on Shona, her first language. She has published a short story collection An Elegy for Easterly (2009), first novel The Book of Memory (2015), and another collection of short stories, Rotten Row (2016).  Gappah’s collection of short stories An Elegy for Easterly (2009) was awarded The Guardian First Book Award in 2009, and was shortlisted for the Frank O’Connor International Short Story Award, the richest prize for the short story form. Gappah was working on her novel The Book of Memory at the time of this interview.


Author(s):  
Oksana Galchuk

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.


Jurnal KATA ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 89
Author(s):  
Nanny Sri Lestari

<p>Sebuah peristiwa, dalam kehidupan manusia, dapat menjadi inspirasi bagi penulisan sebuah cerita. Pengarang, sebagai bagian dari masyarakatnya, mengangkat relung-relung kehidupan manusia, ke dalam sebuah cerita. Namun harus dipahami, bahwa pengalaman pengarang dalam kehidupannya sehari-hari, juga mempengaruhi subjek yang ditulisnya. Saat ini tidak dapat dipungkiri lagi, bahwa teknologi komunikasi yang sangat canggih, telah mempengaruhi perkembangan karya sastra. Media penulisan karya sastra, tidak lagi melalui media cetak seperti kertas tetapi sudah melalui peralatan modern yang sesuai jamannya. Namun demikian ragam karya sastra prosa, seperti cerita pendek, justru mampu mengisi ruang media kommunikasi tersebut. Dua orang pengarang, yang menulis cerita pendek di media masa, berusaha mengangkat isu tentang lingkungan. Isu yang diangkat, lebih menekankan kepada masalah lingkungan alam dengan mengangkat isu tentang pohon sebagai bagian dari kehidupan manusia. Tujuan penelitian ini, untuk menelusuri struktur cerita pendek yang mengangkat isu lingkungan dalam jalinan ceritanya. Untuk memenuhi tujuan penelitian, langkah awal dari penelitian ini, adalah melakukan pendekatan struktur cerita, yang kemudian dikaitkan dengan pencarian makna cerita tersebut. Sering sekali di balik sebuah cerita ada pesan yang ingin disampaikan kepada masyarakat pembacanya. Bentuk pesan tersebut tersirat, dalam jalinan struktur cerita pendek tersebut. Pesan yang disampaikan, dalam kedua cerita pendek tersebut,  adalah pesan tentang lingkungan alam, yang  saat ini tidak pernah diperhatikan oleh masyarakat. Dengan alasan, kebutuhan ekonomi yang sangat dominan.</p><p><em>An event, in human life, can be an inspiration for writing a story. The author, as a part of his society, lifts the niches of human life, into a story. But it must be understood, that the author's experience in everyday life, also affects the subject he wrote.</em><em> </em><em>Today it is undeniable, that highly sophisticated communication technology, has influenced the development of literary works. Media writing literature, no longer through print media such as paper but have been through modern equipment that fit his era.</em><em> </em><em>However, the variety of prose literary works, such as short stories, is able to fill the media space communications. Two authors, who write short stories in the mass media, try to raise issues about the environment. Issues raised, more emphasis on the issue of the natural environment by raising the issue, about the tree as part of human life. The purpose of this research, is to trace the structure of short stories, which raised environmental issues in the composition of the story. To fulfill the purpose of research, the first step of this research, is to approach the structure of the story, which is then linked with the search for the meaning of the story. Very often, behind a story, there is a message to be conveyed to the readers. The form of the message is implied, in the composition of the short story structure. The message conveyed, in both short stories, is a message about the natural environment, which today is never noticed by society. The message conveyed, in both short stories, is a message about the natural environment, which today is never noticed by society.</em></p>


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