scholarly journals CONTINUITY AND CHANGE OF THE ISLAMIC INTELLECTUAL DISCOURSE IN INDONESIA MALAY WORLD

2018 ◽  
Vol 2 (2) ◽  
pp. 147-166
Author(s):  
Nor Huda
Keyword(s):  
19Th Century ◽  
16Th Century ◽  
Young Generation ◽  
Historical Approach ◽  
Intellectual Discourse ◽  
Continuity And Change ◽  
Religious Vision ◽  
Strong Difference ◽  
Islamic Thought ◽  
The 19Th Century

In its history, there has been a strong difference between the doctrine of Sufism and the philosophical Sufism, including Indonesia. In the period of the end of the 16th century until the end of the 19th century even the emergence of the beginning of Islamic intellectualism in Indonesia was brilliantly marked by monumental works. Then, in the era of the 1970s, the discourse of renewing Islamic thought was increasingly being studied. The young generation of educated Muslims in this decade has shown a tendency towards thinking that is no longer normative in view of religion. Very different in the era of mystical and sufistic Islam. So, they tend to be more interested in Islamic understanding based on empirical and historical approaches in the formation of their religious vision. In this paper, a philosophical historical approach will be discussed on the issue of continuity and change in Islamic intellectual discourse in the Malay world of Indonesia and at the same time analyzing broader mystical and philosophical mysticism in Indonesia, friction in it, and efforts to reconcile it.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

An Egyptian Medical Officer and Qurʾān Commentator in Ottoman Syria

2021 ◽  
Vol 101 (1) ◽  
pp. 44-69
Author(s):  
Majid Daneshgar
Keyword(s):  
19Th Century ◽  
Medical Officer ◽  
Empirical Science ◽  
Limited Information ◽  
Professional Background ◽  
Scholarly Literature ◽  
Islamic Thought ◽  
The 19Th Century

Abstract This article pays a particular attention to an Arab army physician and scholar from the mid-19th century who placed empirical science at the center of Islamic thought and situated it within Qurʾānic exegetical debates. He is the Egyptian Muḥammad ibn Aḥmad al-Iskandarānī, a medical officer who ended up working in Ottoman Syria, and whose works were copied and printed (in)directly by the Ottomans. Apart from the limited information contained in previous scholarly literature, which, on the basis of his first commentary alone, repeatedly presents this commentator as one of the first people to have produced a “scientific interpretation of the Qurʾān”, little is known about his personal and professional background and the production of his commentaries. This study also sheds light on exegetical and intellectual directions produced outside Egypt in the 19th century.

scholarly journals Nauka sztuki kupieckiej w Krakowie XVI–XIX wieku. Zarys problemu

2019 ◽  
pp. 7-20
Author(s):  
Marcin Gadocha
Keyword(s):  
19Th Century ◽  
Foster Parents ◽  
18Th Century ◽  
Birth Certificate ◽  
16Th Century ◽  
The 19Th Century

The article is a survey and an attempt to bring closer the questions connected with the education of future tradesmen in Cracow from the 16th century until the first half of the 19th century. Thus far, there has been no thorough study devoted to this topic. In the 16th century, young adepts of trade would start learning this occupation in their father’s business, further family’s business or in the dynamically developing trading houses in Cracow. In the 16th c. and 17th c. there was no merchants’ guild in Cracow, which could oversee the process of learning the “art of trade”. Only the establishment of the Merchants’ Congregation in 1722 brought about changes in this respect. Ultimately, in the new statute of the Congregation from 1833, the new principles of training were formulated. Candidates had to present their birth certificate, the recommending certificate written by their parents or foster parents. Moreover, the candidate had to be able to read, write and calculate in Polish or German. Learning took three years in the 16th and 17th centuries; in the 18th century this period was prolonged, in the 19th century lasted from 4 to 6 years. According to the author, the problem still requires further in-depth research. After the archival query, it seems that there are good possibilities to obtain valuable material connected with mercantile art in Cracow.

scholarly journals Collections d’ethnographie et musées d’archéologie: entre désaveux muséologiques et jalons de l’histoire des sciences de l’Homme

ORGANON ◽  
2020 ◽  
pp. 75-100
Author(s):  
Adèle Chevalie
Keyword(s):  
Material Culture ◽  
19Th Century ◽  
Human Sciences ◽  
Historical Approach ◽  
The Past ◽  
The 19Th Century

The fact that ethnographical collections, often ancient, are preserved in archaeological museums nowadays might not be obvious. The material culture of living societies is not, indeed, the priority of archaeologists, who are mainly interested in societies of the past. However, a museological and historical approach makes it possible to study these collections and highlight their differential management according to institutions and epistemological developments in the human sciences, since the middle of the 19th century.

„… wo der Dollmetsch allzeit interpretirt.“

2013 ◽  
Vol 58 (1) ◽  
Author(s):  
Clara Reiter
Keyword(s):  
Present Article ◽  
19Th Century ◽  
Professional Group ◽  
16Th Century ◽  
Habsburg Monarchy ◽  
Complex Group ◽  
Imperial Court ◽  
Main Components ◽  
The 19Th Century

AbstractThe present article focuses on court interpreters at the Imperial court of Vienna, who were employed in the Habsburg Monarchy from the early 16th century until the end of the 19th century. Based on the methodological concepts of professional intercultures introduced by Anthony Pym the article discusses the question whether or not court interpreters formed a professional group at the court. Different aspects of their profession such as competencies, remuneration, duties, reputation and their place in the organization of the court are discussed. For the application of Anthony Pyms model it will be shown that two main components, time and the intern differentiation of the group, are necessary to apply the model on a professional group like the court interpreters that was a highly complex group characterized by strong changes throughout their existence.

The Drawings and the Modine of Francesco Pieroni for the Ministero delle Finanze in Rome

2019 ◽  
pp. 242-272
Author(s):  
Liliana Ninarello
Keyword(s):  
19Th Century ◽  
16Th Century ◽  
Archival Research ◽  
Construction Companies ◽  
Different Types ◽  
The 19Th Century ◽  
Work Done ◽  
Real Scale

The main focus of this chapter is the highly valued work done by the architect Francesco Pieroni at the Ministero delle Finanze in Rome. This contribution can to attribute to Pieroni various drawings and numerous modine, i.e. real scale cardboard templates of various shapes used in the realization phases of the mouldings. Pieroni's activity represents, in the Roman context, one of the first applications of typical 16th century mouldings, to modern and prefabricated metal bar structures, spreading in the 70's of the 19th century. The construction companies were resilient to agree for changes in building techniques due to a lack of expertise. The realization of the Ministero is a case study of this phenomenon. The archival research developed casts new light on the numerous modifications carried out by Peroni during construction phases, which demonstrate the accuracy employed by the architect in designing the stuccos. The chapter analyses two different types of archive documents: the report Spoglio modificazioni lavori di stucco, and the examples of modine authored by Pieroni.

The Ottomans in Northeast Africa

2018 ◽  
Author(s):  
A. C. S. Peacock
Keyword(s):  
Ottoman Empire ◽  
19Th Century ◽  
Red Sea ◽  
16Th Century ◽  
Nile Valley ◽  
The Third ◽  
Red Sea Coast ◽  
Northeast Africa ◽  
The 19Th Century ◽  
Sea Coast

In the mid-16th century, the Ottoman empire expanded to encompass parts of the modern Sudan, Eritrea, and the Ethiopian borderlands, forming the Ottoman province of Habeş. The Ottomans also provided aid to their ally Ahmad Grañ in his jihad against Ethiopia and fought with the Funj sultanate of Sinnar for control of the Nile valley, where Ottoman territories briefly extended south as far as the Third Cataract. After 1579, Ottoman control was limited to the Red Sea coast, in particular the ports of Massawa and Suakin, which remained loosely under Ottoman rule until the 19th century, when they were transferred to Egypt, nominally an Ottoman vassal but effectively independent. Politically, Ottoman influence was felt much more broadly in northeast Africa in places as distant as Mogadishu, at least nominally recognized Ottoman suzerainty.

The Franz Mayer Collection and the Rogerio Casas-Alatriste H. Library

2012 ◽  
Vol 37 (4) ◽  
pp. 27-30
Author(s):  
Miriam Velázquez Martínez
Keyword(s):  
19Th Century ◽  
Mexico City ◽  
Decorative Arts ◽  
16Th Century ◽  
25Th Anniversary ◽  
History Of ◽  
The 19Th Century ◽  
Temporary Exhibitions

The existence of the Franz Mayer Museum is due to the German philanthropist and naturalized Mexican, Franz Gabriel Mayer Traumann Altschul (1882-1975), who bequeathed to the Mexican people his library and decorative arts collection. Considered the most important of its kind in the country, it includes works from the 16th through the 19th centuries, from America, Europe and Asia. It is located in Mexico City, in a building dating from the second half of the 16th century, and celebrated its 25th anniversary in 2011. The Library, which is open to researchers, is currently made up of around 22,000 volumes, and specializes in decorative arts and the history of Mexico in the 19th century, among other subjects. As well as displaying the Mayer Collection the Museum also presents temporary exhibitions on decorative arts, contemporary design and photography, while the library holds two exhibitions a year highlighting the bibliographic collections.

scholarly journals Tradisi Keislaman Masyarakat Sunda pada Abad ke-19

2021 ◽  
Vol 5 (2) ◽  
pp. 152-169
Author(s):  
Agung Purnama
Keyword(s):  
19Th Century ◽  
Local Culture ◽  
Religious Expression ◽  
Historical Approach ◽  
Religious People ◽  
Historical Method ◽  
Local Traditions ◽  
The 19Th Century

This paper analyzes the religiosity of the Sundanese people in a historical approach, to be precise around the 19th century. The method used is the Historical Method which consists of heuristics, criticism, interpretation, and historiography stages. The results of the study show that the Sundanese people are known as religious people. Islam as a religion adopted by most of the Sundanese Tatar population has been acculturated with the local culture and with the noble values inherited by the Karuhun. In Sundanese society, Islamic teachings are often expressed with the taste of local traditions. Instead, local traditions are often given the breath of Islam, which further strengthens the religiosity of its adherents. In addition to carrying out the basic religious shari'ah, the religious expression of the Sundanese people is present in the form of religious holidays which are commemorated lively. Likewise, the stages of a person's life, such as birth, childhood, marriage, until death, have religious and cultural instruments attached to them.

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