scholarly journals Алгоритм шахидки по роману Марины Ахмедовой Дневник cмертницы. Хадижа

2018 ◽  
Vol 167 ◽  
pp. 511-521
Author(s):  
Joanna Kula
Keyword(s):  
Social Problems ◽  
Psychological Process ◽  
The Novel ◽  
Main Character ◽  
The Caucasus ◽  
Love Story ◽  
Caucasian Girl

The algorithm of Shahida Khadijah. Notes of a Death Girl by Marina AkhmedovaThe author of the article aims to identify facts in the biography of the main character of the book Khadijah. Notes of a Death Girl by Marina Akhmedova, which influenced her decision to commit a terrorist act. Khadijah seems to be a typical contemporary Caucasian girl. The author presents various cultural and customs aspects specific to the Caucasus, which could influence her future. There are considered elements such as the patriarchal arrangement of the Dagestan community, the influence of Islam on education, shaping the girl’s identity, etc. The author also draws attention to social problems such as corruption. A separate, very important issue is the love story in the novel. The article attempts to reconstruct the psychological process of Khadijah on the basis of her notes. Algorytm szahidyMusiałam umrzeć Mariny AchmedowejСelem artykułu jest określenie faktów w biografii głównej bohaterki powieści Mariny Achmedowej Musiałam umrzeć, które wpłynęły na jej decyzję o dokonaniu aktu terrorystycznego. Chadiża, główna bohaterka powieści, zdaje się typową współczesną kaukaską dziewczyną. Autorka artykułu przedstawia różne kulturowe i obyczajowe aspekty charakterystyczne dla Kaukazu, które mogły wpłynąć na jej dalsze losy. Rozpatrzono między innymi takie elementy, jak układ patriarchalny społeczności dagestańskiej, wpływ islamu na wychowanie czy kształtowanie tożsamości bohaterki. Zwrócono także uwagę na problemy społeczne, takie jak korupcja. Osobną kwestię stanowi w powieści wątek miłosny. W artykule dokonano próby rekonstrukcji procesu psychologicznego bohaterki na podstawie jej notatek.

H. Kant’s Autobiographical Novel «The Stay» («Der Aufenthalt», 1976): Fiction and Reality

2021 ◽  
pp. 117-127
Author(s):  
Rimma Gurevich
Keyword(s):  
Psychological Process ◽  
The Novel ◽  
Main Character ◽  
Prisoner Of War ◽  
Russian Woman ◽  
The Real ◽  
Woman Doctor ◽  
Narrative Distance ◽  
Mature Person

The theme of Kant’s autobiographical novel «The Stay» (Der Aufenthalt, 1976) is the spiritual rebirth of German prisoner of war, a soldier of the Hitlerite ar-my. The article reveals the interaction of two components found in the novel: the fic-tional and the real ones in depicting this complex psychological process. The analysis of the chapters (X, XV, VI) shows various forms of artistic –aesthetic processing of authentic autobiographical material. In Chapter X the author «collects» his own emotional impressions, experienced by him in different periods of his life (such as cold, loneliness, hunger) and «ties» them to the situation of the main character sitting in a lonely cell in a prison. In Chapter XV he «adds» to real autobiographical facts an important artistic detail –a school pencil case of a Jewish girl killed by Nazis. In Chapter VI Kant makes a masterful use of temporal and narrative distance: the hero estimates the decisive episode of his youth –a conversation with a Russian woman-doctor from the viewpoint of a mature person recalling his life.

scholarly journals Deconstruction of Ethical Predicament in J. M. Coetzee’s Waiting for the Barbarians

2018 ◽  
Vol 23 (1) ◽  
pp. 136-143
Author(s):  
Huang Hui
Keyword(s):  
Literary Criticism ◽  
Cognitive Process ◽  
Social Problems ◽  
The Novel ◽  
Main Character ◽  
Binary Opposition ◽  
Ethical Discourse ◽  
Ethical Choices ◽  
Civilization And Barbarism ◽  
Waiting For The Barbarians

Waiting for the Barbarians is an allegorical novel by J. M. Coetzee, which tells a story of the confrontation of civilization and barbarism. The old Magistrate, as the main character of the novel is called, is a defender of the civilization of the Empire at the very beginning. He falls into the dilemma of the binary opposition between civilization and barbarism through the cruel torture of the Empire and the contact with the barbarians; he breaks completely with the civilization of the Empire, and achieves the salvation of his soul ultimately, after witnessing the torture of the Empire by himself. This paper, with the approaches of Ethical Literary Criticism, throws light on the construction of ethical discourse and metaphor in the novel, and analyzes how the old Magistrate falls into the ethical predicament and comes out of it through ethical choices, thus deconstructing the old Magistrate’s psychological cognitive process of civilization and barbarism, and revealing the ethical callings and moral reflections of this work in relation to realistic social problems.

scholarly journals AUTONOMOUS MOTIVATION OF PROTAGONIST’S SELF DETERMINATION IN NICHOLAS SPARKS’ THE BEST OF ME

2021 ◽  
Vol 3 (1) ◽  
pp. 73-78
Author(s):  
Irma Oktia Waila ◽  
Sri Wulan
Keyword(s):  
Qualitative Research ◽  
Social Class ◽  
Autonomous Motivation ◽  
The Self ◽  
Self Determination ◽  
The Novel ◽  
Main Character ◽  
Moral Value ◽  
Love Story ◽  
Controlled Motivation

Nicholas Sparks’ The Best of Me is a novel that tells the story of a love journey between Dawson Cole and Amanda Collier, who is forced to be blocked by Amanda's parents who do not approve of their love because of differences in social class so that in the end they have to separate. However, after being separated for so long they are reunited with different circumstances. The strength of this novel is the moral value of the main character. This study aims to examine the self-determination that exists in the protagonist. In examining this novel, the writers adopt descriptive qualitative research. There two forms of self-determination. They are autonomous motivation and controlled motivation. The study is focused only on the autonomous motivation of the protagonist’s self determination in the novel. Two aspects are found as the protagonist’s autonomous motivation. These aspects happen to the protagonist’s love story in the novel. The first is loyalty and the second firmness of love. The protagonist shows his self-determination by means of two aspects.

RACHEL CHU AS LIBERAL FEMINIST IN KEVIN KWAN’S CRAZY RICH ASIANS (2013)

2020 ◽  
Vol 4 (3) ◽  
pp. 123
Author(s):  
Ni Komang Arie Suwastini ◽  
I Dewa Ayu Ogik Vira Juspita Banjar ◽  
Luh Putu Cornea Arya Tienty ◽  
I Made David Garcia Sasmita ◽  
Putu Kerti Nitiasih
Keyword(s):  
Data Analysis ◽  
Fairy Tale ◽  
Qualitative Data ◽  
The Novel ◽  
Main Character ◽  
Data Display ◽  
Love Story ◽  
Collection Data ◽  
Simultaneous Process

This study aims to identify the characterization of Rachel Chu as a liberal feminist in Crazy Rich Asians, written by Kevin Kwan, published in 2013. By employing McKee's textual analysis with liberal feminism's perspective, the present study was designed in Miles' and Huberman's interactive model of qualitative data analysis. Through the repetitive and simultaneous process of data collection, data reduction, data display, and conclusion drawing, the present study elaborates on the characterizations of Rachel Chu as an attractive, intelligent, and independent woman representing Rachel Chu as a liberal feminist. Thus, it is implied that although the novel may be fairy-tale-like in the sense that it is centered in a romantic love story with a glamorous setting of the affluent society in Singapore, the novel also inserts feminist traits that can inspire its reader to be intelligent and independent like Rachel Chu as the main character in this novel.

KONSEP DIRI “ I “ DAN “ME” TOKOH HIROKO DALAM NOVEL NAMAKU HIROKO KARYA NH.DINI

2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar
Keyword(s):  
Point Of View ◽  
The Other ◽  
Self Concept ◽  
The Novel ◽  
Main Character ◽  
Fictional Character ◽  
Social Customs ◽  
The Social ◽  
The Village ◽  
The City

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.

Hubungan Intertekstual Novel Candra Kirana dan “Tjerita Panji Angreni”: Perspektif Riffaterre

ATAVISME ◽  
2020 ◽  
Vol 23 (1) ◽  
pp. 104-116
Author(s):  
Muhammad Rosyid H.W.
Keyword(s):  
Content Analysis ◽  
Gender Equality ◽  
The Novel ◽  
Main Character ◽  
The People

Penelitian ini bertujuan membahas hubungan intertekstual novel Candra Kirana karya Ajip Rosidi dengan "Tjerita Panji Angreni". Unsur apa saja dan bagaimana novel Candra Kirana memiliki hubungan intertekstual dengan "Tjerita Panji Angreni' sebagai teks hipogramnya adalah pertanyaan penelitian ini. Dalam menelaah hubungan intertekstual ini, penulis menggunakan teori intertekstual Michael Riffaterre yang menitikberatkan pada analisis isi dengan metode pembacaan heuristik dan hermeneutik. Temuan penelitian ini adalah bahwa novel Candra Kirana menunjukkan hubungan intertekstual dengan Tjerita Panji Angreni melalui unsur tema, citra tokoh, dan alur cerita. Meskipun demikian, novel Candra Kirana juga mentransformasikan makna-makna progresif yang berbeda dengan "Tjerita Panji Angreni", seperti makna nasionalisme yang berupa cinta akan kerajaan, makna kesetaraan gender yang berupa kesetiaan laki-laki, keberanian, kekuatan, perjuangan dan ketidakpasrahan perempuan, makna kerakyatan dengan pelibatan tokoh utama dari kalangan rakyat dan makna religiusitas yang berbentuk dasar niat Panji dalam mencari pasangan hidup.[Intertextuality on Novel Candra Kirana and "Tjerita Panji Angreni": Riffaterres Perspective] This research aims to discuss the intertextuality of Candra Kirana novel by Ajip Rosidi with "Tjerita Panji Angreni". What elements and to what extend Candra Kirana novel has an intertextual relationship with Tjerita Panji Angreni as the hipogram text were the questions of this research. In examining this intertextual relationship, the writer used Michael Riffaterre's intertextual theory which focused on content analysis with heuristic and hermeneutic readings. The findings of this study were that the novel Candra Kirana showed intertextuality with the "Tjerita Panji Angreni" through elements of themes, character images, and story lines. Even so, Candra Kirana's novel also transformed progressive meanings that differ from the Tjerita Panji Angreni such as the meaning of nationalism in the form of love for the kingdom, the meaning of gender equality in the form of male loyalty, courage, strength, struggle and women's insecurity, the meaning of populist with engagement the main character of the people and the meaning of religiosity in the form of Panji's intention in finding a life partner.Keywords: intertextuality; novel; "Tjerita Panji Angreni"

The problem of language identity in Volodymyr Vynnychenko’s novel I want! in contemporary sociocultural context

2020 ◽  
Vol 2019 (2 (11)) ◽  
pp. 211-227
Author(s):  
Ekaterina V. Baydalova ◽  
Keyword(s):  
National Identity ◽  
Russian Literature ◽  
The Novel ◽  
Sociocultural Context ◽  
Main Character ◽  
Life Goal ◽  
Language Identity ◽  
National Question ◽  
In The Beginning ◽  
Ukrainian Society

The novel by Volodymyr Vynnychenko I want! (1915) was, on one hand, his literary answer to the discussion on the national question in Ukrainian society, and, on the other, it was his reaction to the accusations of him being a renegade resulting from his shift towards Russian literature. In 1907-1908, after the publication of his dramas and novels which were impregnated with the idea of “being honest with oneself” (it implied that all thoughts, feelings, and acts were to be in harmony), his works could be more easily published in Russian than in Ukrainian. This situation was taken by his compatriots as a betrayal against his native language and the national cause. In the novel I want! the problem of language identity is directly linked with national identity. In the beginning of the novel the main character, poet Andrey Halepa, despite being ethnic Ukrainian, spoke, thought, and wrote poems in Russian, and consequently his personality was ruined and his actions lacked motivation. It seems that after his unsuccessful suicide attempt and under the influence of a “conscious” Ukrainian, Halepa got in touch with his national identity and developed a life goal (the “revival” of the Ukrainian nation and the building of a free-labour enterprise). However, in the novel, national identity turns out to be incomplete without language identity. Halepa spoke Ukrainian with mistakes, had difficulty choosing suitable words, and discovered with surprise the meaning of some Ukrainian words from his former Russian friends. The open finale emphasises the irony of the discourse around a fast national “revival” without struggle and effort, and which only required someone’s will.

ISU FEMINISME DALAM NOVEL PUTRI KARYA PUTU WIJAYA

2017 ◽  
Vol 5 (2) ◽  
pp. 133
Author(s):  
Arriyanti Arriyanti
Keyword(s):  
Gender Stereotypes ◽  
Human Being ◽  
The Novel ◽  
Main Character ◽  
Ways Of Thinking ◽  
Women Rights

This paper discusses about issues of feminism in a novel titled Putri written by Putu Wijaya. The discussing about women issues will be analyzed by applying feminism ways of thinking. Issues of feminism will be seen by looking at the main character of the novel. Feminism issues in the novel appear because of the behavior and attitude of the heroine in struggling her will. The rejection toward different gender stereotypes which tends to cut women rights as human being and member of society is the reflection of the heroine‘s attitude.AbstrakTulisan ini mengkaji isu feminisme yang terkandung di dalam novel Putri karya Putu Wijaya. Pembahasan wacana perempuan ini dikupas dengan memanfaatkan kajian feminis. Isu feminisme ini diamati dari tokoh utama cerita, yaitu Putri. Isu feminisme dalam novel Putri muncul karena adanya sikap dan perilaku tokoh utama perempuan dalam mewujudkan dan memperjuangkan keinginannya. Penolakan terhadap perbedaan stereotip gender yang cenderung mengebiri hak-hak perempuan sebagai manusia dan anggota masyarakat merupakan wujud perilaku tersebut.

TYPES OF HEDONISM ON THE MAIN CHARACTER SIR WALTER ELLIOT IN THE NOVEL PERSUASION BY JANE AUSTEN

2020 ◽  
Vol 8 (1) ◽  
pp. 30-43
Author(s):  
Enggin Valufi ◽  
Retno Budi Astuti
Keyword(s):  
Qualitative Method ◽  
Jane Austen ◽  
18Th Century ◽  
The Novel ◽  
Main Character ◽  
Philosophical Approach ◽  
High Culture ◽  
Descriptive Qualitative

Hedonism is a view of life in philosophy that seeks to avoid pain and make pleasure as the main goal in life. People who embrace hedonism tend to over-pursue pleasure. The hedonism lifestyle is mostly carried out by 18th century people especially the nobles who live in high culture. They are as close to hedonism as they are in the Persuasion novel by Jane Austen. Sir Walter Elliot the main character is a nobleman who did a lot of hedonism. Hedonism which is seen as too glorifying personal pleasure to ignore others. The purpose of this study was to find out the types of hedonism done by Sir Walter Elliot in Persuasion. This research uses descriptive qualitative method because all data are in the form of sentences. The researcher uses a philosophical approach and analyzes data using Weijers' theory as the main theory. The results of this study found that Sir Walter Elliot performed two types of hedonism, namely aesthetic hedonism and selfish hedonism.

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