scholarly journals Nazwy ukraińskich klubów piłkarskich w Galicji w pierwszej połowie XX wieku

2020 ◽  
Vol 31 ◽  
pp. 79-88
Author(s):  
Iryna Protsyk
Keyword(s):  
20Th Century ◽  
Point Of View ◽  
Natural Phenomena ◽  
Natural Areas ◽  
Historical Significance ◽  
National Symbols ◽  
Football Clubs

In the article the author analyses the names of Ukrainian football clubs in Galicia in the first half of the 20th century from the point of view of their determinants. The sources encompass sports magazines functioning in Galicia in the inter-war period — in the 1920s and 1930s. The names of Galician football teams from the first half of the 20th century are combinations of abbreviations and onyms. The abbreviations do not differ considerably, but the onyms represent a broad range of names. The basic sources of names of Galician football clubs included names of towns: Dobromyl, Kolomyia, Zaluzhe, Pavlivka, Toporivci, and regions: Lemkivshchyna, Podolia in Ukraine; toponyms of historical significance to Ukrainians: Baturyn, Zaporozhian Sich; hydronyms: Dnieper, Dniester, Prut; oronyms: Beskid, Hoverla, and anthroponyms: Bohun, Dovbush, Karmeluk. A smaller group comprises general nouns: names of natural phenomena (hurricane, storm), topographical names and names of natural areas (cliff, rock, steppe), names of birds (eagle, falcon, lapwing) as well as names of state and national symbols (trident, unity, kalyna).

scholarly journals Subject Metaphors of Stars in Lithuanian and Russian Poetic Texts

2021 ◽  
pp. 349-374
Author(s):  
Jelena Konickaja ◽  
Birutė Jasiūnaitė
Keyword(s):  
20Th Century ◽  
Point Of View ◽  
Natural Phenomena ◽  
Traditional Beliefs ◽  
Written Texts ◽  
Research Cycle ◽  
Current Article ◽  
The Subject ◽  
Poetic Texts ◽  
Poetic Metaphor

The current article, that follows the research cycle analyzing natural phenomena metaphors, examines the star metaphors identified in the works of 40 Lithuanian and 54 Russian poets (mostly 20th century). It also studies the subject metaphors which constitute from the ethnolinguistic point of view the most numerous and most interesting group of six semantic subgroups of star metaphors. The subject metaphors of stars can be both substantive and verbal. However, the article focuses on substantive metaphors. They are divided into nine groups: 1) something written, drawn or embroidered (letters, written texts, books, drawings, figures); 2) lighting devices and other lighting means; 3) clothing, fabrics, yarn, knitted or woven items; 4) small metal, shiny, rounded or sharp objects (jewelry, coins, nails, needles, weapons, etc.); 5) buildings and their parts; 6) kitchen utensils; 7) food and drinks; 8) vehicles; 9) fragments of large objects and debris. The study showed the similarity of the poetic systems of the two languages, in which the same metaphorical models are presented, as well as their differences. The largest number of subject metaphors of stars in both poetic traditions was found in the first four groups, the examples from the following three groups were less common, while the examples in which star metaphors related to vehicles were hardly found. The differences between the two poetic systems may be observed due to the differences in cultures and traditional names of stars and constellations in the languages. The article noted that the author’s poetic metaphor in both Lithuanian and Russian could correlate with folklore tradition, that is with riddles, proverbs, legends and traditional beliefs, which are often common to the two languages.

The Limit Situation And The Narrative Of War (On The Material Of The Novel “My Lieutenant” By Daniil Granin)

2020 ◽  
Vol 6 (1) ◽  
pp. 90-104
Author(s):  
Anatoly S. Kuprin ◽  
Galina I. Danilina
Keyword(s):  
20Th Century ◽  
Scientific Work ◽  
Point Of View ◽  
Continuous Limit ◽  
The Novel ◽  
Term Limit ◽  
Abstract Author ◽  
The Third ◽  
Definition Of

The purpose of this study is the analysis of limit situation in the narrative of war. The material of the study is the novel of Daniil Granin “My Lieutenant” and related texts. In the first part of the paper, the authors explore existing approaches to the term “limit situation” and similar concepts into scientific and philosophical traditions; limits of its applicability in literary studies and its relation to the categories of “narrative instances” and “event”. Proposed a literary-theoretical definition of the limit situation, which can be used in the analysis of fiction texts. Existing approaches to the examination of the situation of war are analyzed: philosophical-existential, psychoanalytic, sociological, literary. In the second part of the paper, the authors propose their method for analyzing limit situations in texts about war, which basis on existing approaches and preserves the text-centric principle of studying the structure of the story. Two interrelated areas of research have been identified: the study of war as a continuous limit situation in the intertextual aspect (the discourse of war); the study of limit situations (death, suffering, guilt, accident) in the narrative of war as part of a specific text. In the third part of the scientific work,the analysis of war as a continuous limit situation results in the study of the concept of “limit” (border) in a fiction text. The role of “limit” (border) concept in the texts about the war is studied, the possible types of limits in the discourse of war are examined. Limit situations in the narrative of war are analyzed on the basis of the novel “My Lieutenant” by Daniil Granin. A review of journalistic and scientific works about the novel revealed both the continuity and the differences between the novel and the “lieutenant” prose of the 20th century. An analysis of the limit situations in the novel revealed their key position in the narrative. These situations are independent of the fiction time, of the fluctuation of the point of view’; the function of the abstract author is to build the narrative as a “directive” immersion of the hero and narrator in these situations.

Ultra-high Temperature (UHT) Processing: Technological Significance and Updates

2020 ◽  
Vol 16 (8) ◽  
pp. 1183-1195
Author(s):  
Prasad Rasane ◽  
Nitya Sharma ◽  
Sana Fatma ◽  
Sawinder Kaur ◽  
Alok Jha ◽  
...  
Keyword(s):  
High Temperature ◽  
Shelf Life ◽  
Raw Milk ◽  
Fundamental Principle ◽  
Point Of View ◽  
Cold Chain ◽  
Historical Significance ◽  
Perishable Commodity ◽  
Quality Of Milk ◽  
Ultra High Temperature

Background: Background: Milk forms an integral part of the human diet from the nutritional point of view. Besides nutrition, it has also unique functional properties which are harnessed by the industry for numerous uses. Being highly perishable specific techniques are required to minimize the losses during processing and adequate preservation of this precious commodity. In the U.S. and many other parts of the world, the traditional pasteurization of milk requires a minimum heat treatment of 72ºC for 15 seconds with subsequent refrigeration. However, the advent of Ultra High Temperature (UHT) treatment of milk has added a new dimension to the marketing of liquid milk in urban as well as remote areas without the requirement of cold chain management. The distinctive feature of UHT processed milk is that it is commercially-sterile-not pasteurized and so has long shelf life at room temperature. UHT milk, also known as long-life milk, is emerging as an attractive commercial alternative offering a hygienic product of unmatched quality, which can be bought anywhere, at any time and in any quantity. The present review will discuss numerous aspects of UHT processing of milk with reference to historical significance, fundamental principle, various systems used and prerequisites, type of exchangers used, fouling and other defects in system, chemical and microbiological effect of the treatment, its effect on nutritional components, organoleptic quality of milk and the advantage and involved challenges of the process. Conclusion: Raw milk is easily contaminated with pathogens and microbes and hence its consumption of raw milk is associated with certain ill health effects. Therefore, heating milk before consumption is strongly suggested. Thus, UHT treatment of milk is done to ensure microbial safety and also to extend the shelf life of this highly perishable commodity. Heating milk at such a high temperature is often associated with the change of organoleptic properties like change in flavor or cooked flavor, rancidity due to microbes or acid flavor, etc. But UHT treatment does not substantially decrease the nutritional value or any other benefits of milk.

scholarly journals Mathematics in the spirit of Joe Keller

2017 ◽  
Vol 28 (5) ◽  
pp. 708-715
Author(s):  
J. R. OCKENDON ◽  
B. D. SLEEMAN
Keyword(s):  
20Th Century ◽  
Natural Phenomena ◽  
Wide Range ◽  
The World ◽  
Mathematical Techniques

Over the two days 2–3 March 2017, about 80 mathematicians and friends gathered in Cambridge to celebrate the life and work of Joseph Bishop Keller (1923–2016), one of the pre-eminent applied mathematicians of the 20th century. Joe, as he was known throughout the world, made pioneering contributions to a wide range of natural phenomena and developed fundamental mathematical techniques with which to understand them. Twenty-four talks were presented at the meeting, given by mathematicians who have either worked with Joe or have been influenced by his work. Rather than summarise each presentation, we have collated all the contributions under the headings of waves, fluids, solids, chemistry and biology, and finally some history.

TRADITION AND INNOVATION IN MODERN KAZAKH POETRY (XX century and independence)

2021 ◽  
Vol 76 (2) ◽  
pp. 118-128
Author(s):  
Sh. Kuttybaev ◽  
◽  
Е. Abdimomynov ◽  
Keyword(s):  
20Th Century ◽  
Large Scale ◽  
Point Of View ◽  
Soviet Period ◽  
Evolutionary Development ◽  
Spiritual Values ◽  
Literary Traditions ◽  
New Perspective ◽  
National Poetry ◽  
In The Beginning

The article analyzes views on innovation in the literary science of the early twentieth century and the work of Alash representatives in an era that is a period filled with profound changes and large-scale innovations in Kazakh society. In addition, works related to freedom, enlightenment, politics, spiritual values, the position of the people as a whole and social changes are considered the idea of independence and continuity. On the way of evolutionary development of the Kazakh literature, artistic power, thematic and ideological character, substantial and stylistic features of poetry of poets in the beginning of the XX century and during the Great Patriotic War, in subsequent years and years of independence are discussed in detail. In addition, on the basis of literary traditions and novelty, the works of prominent poets of Kazakh poetry of the 20th century and Independence are considered and comprehensively characterized, i.e. internal motives, the content of life phenomena in national poetry are analyzed in close connection with the works of poets. The original vision of the traditional and differentiated in the literature of the Soviet period in the works of poets from a new perspective, from the point of view of today. In addition, the works of outstanding poets of Kazakh poetry in the period of the 20th century and independence are considered on the basis of classical tradition and novelty in literature.

Review of: Рикёр П. Genesis, essence and substance in Plato and Aristotle. Course taught at the University of Strasbourg in 1953-1954 / transl. from french G. V. Vdovina. Moscow: Publishing house of humanitarian literature, 2019. 286 p. ISBN 978-5-87121-051-2

2019 ◽  
pp. 279-287
Author(s):  
Алексей Михайлович Гагинский
Keyword(s):  
20Th Century ◽  
Publishing House ◽  
Point Of View ◽  
History Of ◽  
The University ◽  
Formal Point

Курс лекций П. Рикёра, прочитанный более полувека назад, интересен по ряду причин. Во-первых, потому что он посвящён крайне важной теме — античной онтологии; во-вторых, потому что он был прочитан одним из ведущих философов XX в.; в-третьих, потому что этот философ был крупнейшим представителем герменевтического направления, вследствие чего особенно любопытно проследить, как он читает тексты, без преувеличения, самых важных философов в истории человечества. Впрочем, с формальной точки зрения есть некоторые сомнения в возожности исполнения замысла работы: П. Рикёр всё-таки не антиковед, его знание греческого языка, что видно из текста, весьма скромного уровня; кроме того, изданный текст представляет собой курс лекций, автор которых, как кажется, не столько хочет донести до слушателей результаты кропотливых исследований и продуманных идей, сколько разобраться вместе со студентами в античной онтологии. P. Ricoeur's course of lectures, delivered more than half a century ago, is interesting for a number of reasons. Firstly, because it is devoted to an extremely important topic - ancient ontology; secondly, because it was read by one of the leading philosophers of the 20th century; thirdly, because this philosopher was the biggest representative of the hermeneutic direction, so it is especially interesting to trace how he reads texts of, without exaggeration, the most important philosophers in the history of mankind. However, from the formal point of view, there are some doubts about the feasibility of the idea of the work: Ricoeur is not an antiquarian and his knowledge of Greek, as the text shows, is rather modest; besides, the published text is a course of lectures, the author of which seems to want not so much to convey the results of laborious research and elaborated ideas to his students, as to understand ancient ontology together with the students.

Idealism in Judicio of the Red Etatism

2020 ◽  
Vol 65 ◽  
pp. 476-482
Author(s):  
Boris V. Mezhuev
Keyword(s):  
Present Article ◽  
20Th Century ◽  
Point Of View ◽  
The Political ◽  
Soviet Power ◽  
Detailed Review ◽  
Destructive Potential

The article is devoted to the detailed review of the publications almanac of prominent Russian historian M.A. Kolerov who mainly specialized in the works of Russian political idealists of the beginning of the 20th century, and especially those of P.B. Struve. The author draws attention to the fact that in 2018 almanac and in his latest works M.A. Kolerov directly contrasts Struve’s consistent anti-Bolshevism and “White activism” with the powerful national Bolshevist views of his student and disciple N.V. Ustryalov, who accepted Soviet power in 1920, returned to the USSR in 1935 and perished in the period of Stalin repressions. In the present article the author makes the attempt to critically assess national Bolshevism mainly not from the political, but from the moral and philosophic point of view. He notes that the major mistake of Ustryalov and his associates was in their refusal to politically criticize Bolshevism, thus underestimating the destructive potential of the terrorist practices of the Communist dictatorship for the destiny of the country and its people.

scholarly journals Aesthetic and Methodologic Resources of Ezra Pound’s Poetry

2012 ◽  
Vol 19 (-) ◽  
pp. 88-103
Author(s):  
Gabriel C. Gherasim
Keyword(s):  
20Th Century ◽  
Two Dimensions ◽  
Point Of View ◽  
Literary Modernism ◽  
The Cantos

Abstract The study of The Cantos, one of the most complex and difficult works belonging to literary modernism makes possible, precisely due to this observation, the exploration of a series of characteristics and dimensions of Pound’s work that have either remained in a programmatic stage or should be revisited more closely in order for their meanings to be discerned. ‘Analyticity’ and ‘scientism’ can be considered relevant characteristics of Pound’s work, with both aesthetic and methodologic meanings. The present study aims at investigating these two dimensions of Pound’s poetry as they appear in the second and the fourth decades of the 20th century. In conclusion the question is whether Pound’s analyticity and scientism could still be considered valuable from an aesthetic or methodologic point of view.

scholarly journals Leis, causas e poderes

2019 ◽  
Vol 23 (3) ◽  
pp. 401-422
Author(s):  
Luiz Henrique De A. Dutra
Keyword(s):  
John Stuart Mill ◽  
Point Of View ◽  
Natural Phenomena ◽  
Perspectival Realism

This paper deals with the notions of scientific law, natural causes, and the powers of causes to produce their effects from the point of view of perspectival realism. In the first section I deal with the conception of cause defended by George H. Lewes, one of the forerunners of British emergentism, along with John Stuart Mill. In the next section I deal with the notion of heteropathic laws of Mill. In the last section I deploy these notions in my explanation of natural phenomena as emergent processes. I put emphasis on the fact that the base conditions of an emergent are not its causes.

scholarly journals Śmierć porwana. O terezińskiej sztuce Hledáme strašidlo Hanuša Hachenburga z 1943 roku

2019 ◽  
Vol 168 ◽  
pp. 327-335
Author(s):  
Agata Firlej
Keyword(s):  
20Th Century ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Point Of View ◽  
Main Character ◽  
Zygmunt Bauman ◽  
The Holocaust ◽  
German Speaking ◽  
Puppet Theatre ◽  
East And West

The stolen death: About the play Hledáme strašidlo by Hanuš Hachenburg from 1943The puppet theatre play Hledame strašidlo by Hanuš Hachenburg was written in the Terezín/Theresienstadt ghetto in 1943 and over 50 years was hidden in the archive until it was presented to readers and viewers in the 1990s — but it turned out to be still surprisingly valid and cogent. The author, a 14-year-old prisoner of the ghetto, used the conventions of the puppet theatre, the carnival and the fairy tales. The mythical or fairy-tale-like “timelessness” allowed him to show the absurdity of Nazism and — yet unnamed — the Holocaust. The main character of the play, the King, captures Death itself, which soon becomes so ordinary and kitschy that no one is afraid of her. The confinement of Death — a motif known, among others, from the myth of Sisyphus — is an important theme of the theatre in Terezín; it appears also in the German-speaking opera by Peter Kien and Viktor Ullmann, Der Keiser von Atlantis Emperor of Atlantis. In this article, I show how the old themes of enslaved Death and the dance macabre between extasy and destruction become the symbols of the war, and indeed of the 20th century, which culminates in the devastating forces of the great ideologies and in which there can be found the origins of retrotopia, which is now, according to Zygmunt Bauman, the dominating point of view in East- and West-European and in American discourse.  Únos smrti. O terezίnske divadelnί hře Hledáme strašidlo Hanuše Hachenburga z roku 1943Divadelní hra Hledáme strašidlo od Hanuše Hachenburga byla napsána v ghettu Terezín / Theresienstadt v roce 1943 a více než padesát let byla ukryta v archivu, aby v 90. letech si našla cestu pro své čtenáře a diváky — a ukázalo se, že je překvapivě platná a přitažlivá. Autor, čtrnáctiletý vězeň ghetta, využil konvencí loutkového divadla, karnevalu a pohádek. Mýtická nebo pohádková „nadčasovost“ mu umožnila ukázat absurditu nacismu a — tehdy ještĕ nemenovaného — holocaustu. Hlavní postava hry, Král, zachytí samotnou Smrt, která se brzy stane tak obyčejnou a kyčovitou, že se ji nikdo nebude bát. Únos smrti — motiv známý mimo jiné i z mýtu Sisyfa — je důležitým tématem divadla v Terezíně; objevuje se také v německojazyčné operě Petera Kiena a Viktora Ullmanna Der Keizer von Atlantis Císař Atlantidy. V tomto textu ukazuji, jak se staré motivy zotročené Smrti a danse macabre mezi extázi a zničení stávají symbolem války a celého dvacátého století, v který vyvrcholily ničivými sily velké ideologie a kde lze nalézt počátky retrotopie, která je podle Zygmunta Baumana dominantním hlediskem ve východním, západoevropským a americkým diskurzu.

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