scholarly journals O zakopiańskich rezydentkach

2021 ◽  
Vol 15 ◽  
pp. 159-173
Author(s):  
Anna Pigoń
Keyword(s):  
20Th Century ◽  
Interwar Period ◽  
Tatra Mountains ◽  
Main Subject ◽  
Cultural Phenomenon ◽  
Cultural Life ◽  
Historical Figures ◽  
The Social ◽  
Social Demographic ◽  
The Tatra Mountains

The residents of Zakopane are the group of permanent inhabitants who were not born in the Podhale region, but it was their choice to connect themselves to it. The formation of this group is the result of the social-demographic changes in the Tatra mountains at the beginning of the 20th century and in the interwar period. It is a group that is diversified and therefore difficult to define. It figures as a link between the highlanders who are ingrained into the space of Podhale and those who treat it in a pragmatic and utilitarian way. The residents constitute the cultural phenomenon present in literary works as well as in the cultural life of Zakopane during the end of 19th and the beginning of the 20th century. The main subject of the article is a portrayal of the residents — historical figures and literary heroines — taking into account their functions in the society of Zakopane of those times: the groups which have been highlighted are schoolgirls, the women who provide accommodation to the tourists, and the organizers of literary saloons.

scholarly journals Zakopane i Tatry fin de siècle. Jan Kasprowicz – podróże artysty

2020 ◽  
Vol 6 ◽  
pp. 309-335
Author(s):  
Klaudiusz Święcicki ◽  
Keyword(s):  
National Identity ◽  
20Th Century ◽  
19Th Century ◽  
Fin De Siecle ◽  
Tatra Mountains ◽  
Relationship Of ◽  
The 19Th Century ◽  
The Tatra Mountains ◽  
The Impact ◽  
The Relationship

The article discusses the process of increased interest in Zakopane and Podhale culture in the second half of the 19th century and at the beginning of the 20th century. Discusses the problem of highlanders acquiring national identity. Characterizes the environment of the intellectual and artistic elite of Zakopane. Attempts to analyse how fascination with the Tatra landscape and highlander culture influenced the formation of one of the myths that fund modern national identity. Tries to show how the artists influenced the development of Zakopane as a holiday spa. It also shows the impact of bohemia on the transformation of the culture of highlanders in the Podhale region. The second part of the article discusses the relationship of the poet Jan Kasprowicz with Podhale. His peregrinations to Zakopane and Poronin were presented. On the selected example from creativity, an attempt was made to analyse the poet’s fascination with the Tatra Mountains and highlander culture.

scholarly journals Wciąż terra incognita? Turystyka górska w Karpatach Wschodnich w okresie autonomii galicyjskiej

2019 ◽  
Vol 12 ◽  
pp. 237-249
Author(s):  
Patrice M. Dabrowski
Keyword(s):  
Present Article ◽  
20Th Century ◽  
Tatra Mountains ◽  
Mountain Climbing ◽  
Terra Incognita ◽  
Eastern Carpathians ◽  
Mountain Climbers ◽  
The Tatra Mountains

Still terra incognita? Mountain climbing in the Eastern Carpathians in the period of Galician autonomyEarly mountain climbing in the distant, expansive, and wild Eastern Carpathians in a far corner of Galicia then part of Austria-Hungary, today in Ukraine looked rather different from that practiced in the Tatra mountains. This is attested to by the near universal use of the services of the local Hutsul highlanders with their horses in order to cover the greater distances from the piedmont localities, reachable by carriage or railway, to the mountain peaks. The present article — based on descriptions of expeditions in newspapers and specialized journals, books, and memoirs — considers the experience of various individuals and groups that conquered or attempted to conquer the peaks of Czarnohora from about 1873 to to the first years of the 20th century.  Among the climbers of the period one finds Tatra Society activists, students from the Galician capital of Lwów/Lemberg/L’viv, as well as a young Scotchwoman. Among other things, the article analyzes the challenges of the expeditions and the motivation and impressions of the participants in order to better understand why, despite the passage of time as well as the experiences of earlier mountain climbers, the peaks of Czarnohora in this period long remained only lightly frequented.

scholarly journals Contribuția lui Petre Ștefănucă la dezvoltarea folcloristicii românești din Basarabia interbelică

2021 ◽  
pp. 77-84
Author(s):  
Victor Pletosu ◽  
Keyword(s):  
Cultural Heritage ◽  
20Th Century ◽  
Interwar Period ◽  
Traditional Culture ◽  
Intangible Cultural Heritage ◽  
Special Role ◽  
Prestigious Journal ◽  
Cultural Life

In this article, the author explains the special role of the ethnologist Petre V. Ştefănucă in creating national folkloric archive. Petre V. Ştefănucă is an illustrious personality of the cultural life in Bessarabia from the first half of the 20th century, who asserted himself through his program to substantiate a historiography of the traditional culture in Romanian. Preservation and promotion of intangible cultural heritage has its roots in the interwar period, by the prodigious activity of Romanian Social Institute in Basarabia, led by Professor Petre Ştefănucă - disciple of Romanian Sociological School of Academician Dimitrie Gusti, who organized monographic research in ethnographic areas: Valea Nistrului de Jos, Câmpia Sorocii, Zona Codrilor and valuable materials published in prestigious journal ,,Anuarul Arhivei de Folclor”.

Cinematic Search for Identity in the Shade of Turkey’s 1960 Coup: The Social Realism Debate and The Hope

2017 ◽  
Vol 6 (1) ◽  
pp. 153-168
Author(s):  
Celal Hayir ◽  
Ayman Kole
Keyword(s):  
Party System ◽  
Social Realism ◽  
New Era ◽  
Cultural Life ◽  
The Social ◽  
Turkish Cinema ◽  
To Come ◽  
First Time ◽  
Democratic Constitution ◽  
Realism Debate

When the Turkish army seized power on May 27th, 1960, a new democratic constitution was carried into effect. The positive atmosphere created by the 1961 constitution quickly showed its effects on political balances in the parliament and it became difficult for one single party to come into power, which strengthened the multi-party-system. The freedom initiative created by 1961’s constitution had a direct effect on the rise of public opposition. Filmmakers, who generally steered clear from the discussion of social problems and conflicts until 1960, started to produce movies questioning conflicts in political, social and cultural life for the first time and discussions about the “Social Realism” movement in the ensuing films arose in cinematic circles in Turkey. At the same time, the “regional managers” emerged, and movies in line with demands of this system started to be produced. The Hope (Umut), produced by Yılmaz Güney in 1970, rang in a new era in Turkish cinema, because it differed from other movies previously made in its cinematic language, expression, and use of actors and settings. The aim of this study is to mention the reality discussions in Turkish cinema and outline the political facts which initiated this expression leading up to the film Umut (The Hope, directed by Yılmaz Güney), which has been accepted as the most distinctive social realist movie in Turkey. 

Könyvismertetések

2007 ◽  
Vol 62 (3) ◽  
pp. 407-420
Author(s):  
Magda Ritoókné Ádám ◽  
Olivér Nagybányai Nagy ◽  
Csaba Pléh ◽  
Attila Keresztes
Keyword(s):  
Social Psychology ◽  
20Th Century ◽  
History Of Psychology ◽  
Modern Psychology ◽  
The Social ◽  
History Of ◽  
Theoretical Issues

VárinéSzilágyiIbolya: Építészprofilok, akik a 70-es, 80-as években indultak(Ritoókné Ádám Magda)      407RacsmányMihály(szerk.): Afejlődés zavarai és vizsgálómódszerei(Nagybányai Nagy Olivér)     409Új irányzatok és a bejárt út a pszichológiatörténet-írásban (Mandler, G.: Interesting times. An encounter with the 20th century; Hergenhahn, B. N.: An introduction to the history of psychology; Schultz, D. P.,Schultz, S. E.: A history of modern psychology; Greenwood, J. D.: The disappearance of the social in American social psychology;Bem, S.,LoorendeJong, H.: Theoretical issues in psychology. An introduction; Sternberg, R. J. (ed.)Unity in psychology: Possibility or pipedream?;Dalton, D. C.,Evans, R. B. (eds): __

Main Forms of Propagandistic Activities of the Right-Wing Parties (1904–1914)

2020 ◽  
Vol 102 ◽  
pp. 656-676
Author(s):  
Igor V. Omeliyanchuk
Keyword(s):  
20Th Century ◽  
Social Groups ◽  
Right Wing ◽  
Periodical Press ◽  
Political Movement ◽  
The People ◽  
The Social ◽  
The Right ◽  
In The Beginning ◽  
The 19Th Century

The article examines the main forms and methods of agitation and propagandistic activities of monarchic parties in Russia in the beginning of the 20th century. Among them the author singles out such ones as periodical press, publication of books, brochures and flyers, organization of manifestations, religious processions, public prayers and funeral services, sending deputations to the monarch, organization of public lectures and readings for the people, as well as various philanthropic events. Using various forms of propagandistic activities the monarchists aspired to embrace all social groups and classes of the population in order to organize all-class and all-estate political movement in support of the autocracy. While they gained certain success in promoting their ideology, the Rights, nevertheless, lost to their adversaries from the radical opposition camp, as the monarchists constrained by their conservative ideology, could not promise immediate social and political changes to the population, and that fact was excessively used by their opponents. Moreover, the ideological paradigm of the Right camp expressed in the “Orthodoxy, Autocracy, Nationality” formula no longer agreed with the social and economic realities of Russia due to modernization processes that were underway in the country from the middle of the 19th century.

27. Immigration and other evils: A profile of Dr. C. K. Clarke and the eugenics movement in Canada

2007 ◽  
Vol 30 (4) ◽  
pp. 41
Author(s):  
L. Lee
Keyword(s):  
Mentally Ill ◽  
The United States ◽  
Cornell University ◽  
The Public ◽  
Canadian Population ◽  
Historical Figures ◽  
The Social ◽  
Eugenics Movement ◽  
The Government ◽  
Mental Defectives

Dr. C.K. Clarke (1857-1924) was one of Canada’s most prominent psychiatrists. He sought to improve the conditions of asylums, helped to legitimize psychiatry and established formal training for nurses. At the beginning of the 20th Century, Canada experienced a surge of immigration. Yet – as many historians have shown – a widespread anti-foreigner sentiment within the public remained. Along with many other members of the fledgling eugenics movement, Clarke believed that the proportion of “mental defectives” was higher in the immigrant population than in the Canadian population and campaigned to restrict immigration. He appealed to the government to track immigrants and deport them once they showed signs of mental illness. Clarke’s efforts lead to amendments to the Immigration Act in 1919, which authorized deportation of people who were not Canadian-born, regardless of how many years that had been in Canada. This change applied not only to the mentally ill but also to those who could no longer work due to injury and to those who did not follow social norms. Clarke is a fascinating example of how we judge historical figures. He lived in a time where what we now think of as xenophobia was a socially acceptable, even worthy attitude. As a leader in eugenics, therefore, he was a progressive. Other biographers have recognized Clarke’s racist opinions, some of whom justify them as keeping with the social values of his era. In further exploring Clarke’s interest in these issues, this paper relies on his personal scrapbooks held in the CAMH archives. These documents contain personal papers, poems and stories that proclaim his anti-Semitic and anti-foreigner views. Whether we allow his involvement in the eugenics movement to overshadow his accomplishments or ignore his racist leanings to celebrate his memory is the subject of ongoing debate. Dowbiggin IR. Keeping America Sane: Psychiatry and Eugenics in the United States and Canada 1880-1940. Ithaca and London: Cornell University Press, 1997. McLaren A. Our Own Master Race: Eugenics in Canada 1885-1945. Toronto: McClelland and Stewart, 1990. Roberts B. Whence They Came: Deportation from Canada 1900-1935. Ottawa: University of Ottawa Press, 1988.

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

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