scholarly journals Sex is a Funny Word: A Book about Bodies, Feelings, and YOU by C. Silverberg & F. Smyth

2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Kyle Marshall
Keyword(s):  
New York ◽  
Sexual Activity ◽  
Sex Education ◽  
Public Library ◽  
Hard Work ◽  
High Contrast ◽  
Adult Readers ◽  
University Of Alberta ◽  
Age Appropriate ◽  
The University

Silverberg, Cory and Fiona Smyth. Sex is a Funny Word: A Book about Bodies, Feelings, and YOU. New York: Seven Stories Press, 2015. Print.“Having a penis isn’t what makes you a boy. Having a vulva isn’t what makes you a girl. The truth is much more interesting than that!”In a watershed year for transgender activism, Cory Silverberg and Fiona Smyth have broken ground with their trans-inclusive sex education book Sex is a Funny Word. This new release follows a cast of four 8-10 year old kids, including gender queer Zai, as they learn about and explore that strange and funny word - sex. Throughout the book, Smyth’s illustrations employ bright, opaque and high-contrast colours to great effect, and readers are exposed to characters of wonderfully diverse abilities, races, shapes and sexualities.It is however reductive to merely draw attention to the diversity in Sex is a Funny Word, as a wide gamut of topics are discussed with age-appropriate aplomb, including anatomy, “touch” and relationships. Silverberg’s opening notes to adult readers provide tips for co-reading the book with children, explaining that the text is meant to be read over many sittings to aid comprehension and reflection. By bookending each chapter with interactive questions, readers identify and reflect on personal morals anchored in four concepts - trust, respect, joy and justice. These questions do the hard work for parents, who can defer to one of the lively and inquisitive characters for discussion points. Moreover, the only sexual activity mentioned in this book is masturbation, so even the most squeamish adult readers should feel comfortable co-reading Sex is a Funny Word.Sex is a Funny Word is the second of a three-part, age-specific sex education series written by Silverberg and illustrated by Smyth. Those with younger children can find reproduction discussed in What Makes a Baby, while intercourse will specifically be covered in the series’ next title. For a positive, fun and healthy introduction to these concepts, parents and librarians will be well-served by seeking out Sex is a Funny Word for their collection.Highly Recommended: 4 out of 4 starsReviewer: Kyle MarshallKyle Marshall is the School-Aged Services Intern Librarian for Edmonton Public Library. He graduated with his MLIS from the University of Alberta in June 2015, and is passionate about diversity in children's and youth literature.

Poindexter Makes a Friend by M. Twohy

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sarah Polkinghorne
Keyword(s):  
New York ◽  
Group Discussion ◽  
Public Library ◽  
New Yorker ◽  
University Of Alberta ◽  
New School ◽  
School Year ◽  
Age Appropriate ◽  
Soft Spot ◽  
The University

Twohy, Mike. Poindexter Makes a Friend. New York: Simon & Schuster, 2011. Print. Full disclosure: this is a book, reviewed by a librarian, about making a friend at the library. However, the gentle charms of Poindexter Makes a Friend will appeal to most everyone, regardless of the size of one’s soft spot for libraries. Poindexter is an introverted young pig who would rather read a story to his stuffed animals than go out to play in his neighbourhood. His adores his local public library, where he helps to shelve books and push the book cart. Poindexter’s comfortable life of library volunteerism is interrupted when Shelby, a shy turtle, asks for help finding a book about how to make friends. Some children make friends easily, and some do not. Either way, friends are a pressing concern for the pre-school and early elementary crowd, the audience for Poindexter Makes a Friend. The book’s appeals include the friendly, expressive watercolours of author Mike Twohy, a veteran New Yorker cartoonist. However, the book’s most valuable facet is its discussion of how to make friends, which takes place, not pedantically, between Poindexter and Shelby. This discussion includes concrete, age-appropriate parsing of concepts such as “sharing” and “being nice,” and could make a good launching point for a group discussion at a library story hour or at the beginning of a new school year. This is a tale that is simple, but not simplistic. As Poindexter helps Shelby, so will Poindexter Makes a Friend help bashful souls to emerge a little bit from their shells. Recommended: 3 out of 4 starsReviewer: Sarah PolkinghorneSarah is a Public Services Librarian at the University of Alberta. She enjoys all sorts of books.

Where Do Diggers Sleep at Night? by B. Sayers

2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
New York ◽  
Picture Book ◽  
Public Library ◽  
Young Adult Fiction ◽  
Construction Site ◽  
Good Night ◽  
University Of Alberta ◽  
Heavy Equipment ◽  
The University ◽  
First Time

Sayres, Brianna K. Where Do Diggers Sleep at Night? Illus. Christian Slade.  New York: Random House, 2012. Print.If the title Where Do Diggers Sleep at Night? seems a tad familiar, well, it probably is.  In the same vein as the ultra-popular Good Night, Good Night, Construction Site, Diggers presents the sweet nighttime rituals of diggers, trucks and other heavy machinery.  At first I thought this was a simple effort to take advantage of a similar, bestselling title however Sayres’ work does indeed hold its own.In this picture book aimed at ages 3-6, first time picture book author Sayres gives young heavy equipment aficionados a delightful take on the bedtime story.  In rhyming couplets and often in a humorous manner, all sorts of trucks, cranes and tractors get ready for rest under the watchful headlamps of their caregivers: “Where do garbage trucks sleep / when they’re done collecting trash? / Do their dads sniff their load and say, / ‘Pee-yew—time to take a bath’?”  Sure to get the young ones giggling.The sleepy-eyed dozers and tow trucks eventually give way to an equally sleepy young boy in his cozy bed, with a reminder that the trucks will be waiting for him when he wakes.  Save for one naughty truck, winking, under the bed (my five-year-old happily pointed this out).Though the illustrations by former Disney animator Christian Slade are rather cartoon-like and not realistic, they match the text well, are in soothing nighttime colours and allow for the trucks to have droopy eyes and smiling faces. Read in a lyrical fashion, or even as a song, this would be a nice end to any wee truck lover’s day.  This would make a nice addition to any public library or as a gift.Reviewer: Debbie Feisst Recommended: 3 stars out of 4Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

scholarly journals The Good Little Book by K. Maclear

2017 ◽  
Vol 7 (1) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
Children's Literature ◽  
Children’S Literature ◽  
Public Library ◽  
University Of Alberta ◽  
The Public ◽  
Child Psychologists ◽  
Clear Vision ◽  
Intended Reader ◽  
Age Appropriate ◽  
The University

Maclear, Kyo.  The Good Little Book. Illustrated by Marion Arbona.  Tundra Books, 2015.In this work, Maclear uses allegorical techniques to expand on compelling themes.  Her protagonist is unnamed; he is “the boy,” every boy who loves to read.  The Good Little Book is every book that captivates a reader.  Its author is unnamed.   Its characters are not delineated.  Only a captioned illustration, one of Arbona’s many colorful offerings, provides clues to the book’s plot and impact:“It carried him to the deep sea and steered him towards a faraway land. It dazzled him and stumped him and made him laugh and gasp.  He read it through.  Then he turned back to the beginning and read it again.”[pp.11-12]Humour is a feature of the work; Maclear likes to play with words--literary words. The Good Little Book resides with others, one of which has won the “Called a Cat” medal.  We are informed, however, that “The good little book…had no shiny medals…it didn’t even own a proper jacket.” [p.3]The protagonist’s compulsion to read and reread his good little book introduces the first theme: books transport us to imagined worlds.  When the book is lost, then rediscovered, a secondary theme emerges: books are to be shared.Text and illustration lead the reader to surmise that “the boy” is school-aged, a child physically mature enough to walk his dog while riding a skateboard.  He is, of course, an avid and independent reader.  Tormented by the loss of his book, he is old enough to hunt for it on his own, to scour crowded and heavily trafficked streets, to search the public library.  Initially, he appears to have an age appropriate appreciation of the book’s capacity to occupy his mind, to move his thoughts.“The book the boy thought couldn’t do anything did many things.” [p.11] “It did become a loyal companion, there to see him to sleep and distract him when he had to “think things over.””[p.13].To this point, the boy’s relationship with the book seems in keeping with the primary theme: book as intellectual transport.  Suddenly, his thought processes revert to those of a much younger child.“The boy worried. How would such a good and quiet book survive?  What would it do if it found itself at the edge of the unknown? Or among frightful enemies?...the book did not have skills that would help it in the dangerous wild….”[pp.19-20 ]The story becomes even more anthropomorphic when the book is discovered by various creatures:“A squirrel thought it might be a thriller.  A sparrow thought it might be a romance.  A raccoon thought it might be a sandwich.” [p.29 ]These developments raise a question: “Who is the intended reader?”  A child who has completed grade three would generally have both the ability and the maturity to read the book and to appreciate its messages.  This reader might, initially, identify with the protagonist’s dilemma. But would this same youngster identify with thinking that becomes, in the lexicon of child psychologists, animistic?  One can readily imagine a nine-year-old reader’s sudden dismissal of the work as, “…a little kid’s book.” One can also imagine that a preschooler would listen with rapt attention to the anthropomorphic sections, but zone out during the development of the book’s themes. Finally, it may be that only librarians, booksellers, and children’s literature specialists would appreciate the humour.  In sum, maintaining a clear vision of the intended reader or listener is a requisite in any kind of storytelling; The Good Little Book falls short in this regard.Recommended: 3 out of 4 stars Reviewer:  Leslie AitkenLeslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special, and university collections.  She is a former Curriculum Librarian at the University of Alberta.

scholarly journals Fortunately, The Milk by N. Gaiman

2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Hanne Pearce
Keyword(s):  
Social Sciences ◽  
New York ◽  
Public Service ◽  
Support Staff ◽  
Adult Readers ◽  
University Of Alberta ◽  
Black And White ◽  
Corner Store ◽  
Long Time ◽  
The University

Gaiman, Neil, Fortunately, The Milk. Illus. Skottie Young. New York: HarperCollins, 2013. Print.Mum has left to present a paper on lizards at a conference leaving a young boy and his sister at home with Dad for a few days. In addition to frozen meals she leaves Dad a long list of things to do and remember, including the fact that they were running low on milk. On the second day of Mum’s absence the children are dismayed to realize that the refrigerator is now void of milk. Dad heads out to the corner store to remedy this unfortunate disruption to their breakfast, only to be gone an exceptionally long time. When Dad finally returns, he recounts the most unbelievable adventure he had on his way home with the milk, including an encounter with space aliens, pirates and a time travelling stegosaurus named “Dr. Steg”.I am familiar with Neil Gaiman’s works for adult readers and this was the first book I have read by him intended for children. I was delighted to see that his imaginative style shines as bright, or dare I say even brighter, in this juvenile genre.  The narrator tells the story in a very candid style and I particularly enjoyed the places where the children interrupt their father to dispute the details of his story.The black and white illustrations on nearly every page of the book have an edgy hand-drawn quality to them that complement the lighthearted nature of the story. Skottie Young has conveyed exceptional detail in his drawings, focusing not only on the zany cast of characters but also with the depth using background images. I enjoyed how his artistry weaved and wrapped itself around the text on the page.Fortunately, The Milk is an adventure tale born out of the commonplace that shows one can find adventure even in a simple jaunt down to the corner store. As an adventure story it has a narrative momentum that will appeal to those who enjoy movement and action. Readers like myself, who enjoy action alongside breaks of description and character development, may find these aspects a bit lacking. Overall, this is a fun story that when accompanied by the illustrations would make it easy to read together with the whole family, as even younger children would manage to follow along.Recommended: 3 out of 4 starsReviewer: Hanne PearceHanne Pearce has worked at the University of Alberta Libraries in various support staff positions since 2004 and is currently a Public Service Assistant at the Rutherford Humanities and Social Sciences Library. In 2010 she completed her MLIS at the University of Alberta. Aside from being an avid reader she has continuing interests in writing, photography, graphic design and knitting.

scholarly journals The Lonely Book by K. Bernheimer

2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Robert Desmarais
Keyword(s):  
New York ◽  
Book History ◽  
Picture Book ◽  
English Literature ◽  
Public Library ◽  
University Of Alberta ◽  
The Public ◽  
Special Collections ◽  
Information Studies ◽  
The University

Bernheimer, Kate. The Lonely Book. Illus. Chris Sheban. New York: Random House, 2012. Print.This charming story about a well-loved book will not easily be forgotten. It’s the sort of picture book I would have loved to discover during my childhood visits to the public library. The tale begins in a classic fairytale style, “Once there was a brand-new book that arrived at the library.” As the story unfolds, young readers learn all sorts of details about the inner workings of a public library, including the custom that many of the newest books are placed on a special shelf in a high traffic area.The “lonely book” of this story initially had a popular and fulfilling life on the new book shelf but eventually it is relegated to the children’s section, along with countless other well-loved titles. Years pass, the book becomes a little tattered and worn, and is now checked out all too infrequently. Then, one morning, a little girl named Alice discovers it and falls in love with the story about the girl and her life under a toadstool, and so she takes it home. “The book had never felt so beloved.” Readers will discover how lonely it becomes when Alice forgets to renew her old book, and especially so when it begins a new life in the library’s storage basement. In time, Alice longs for her favourite book and despairs that she may never see it again. The story ends on a cheerful note, however, when Alice is reunited with her once cherished book at the library’s big book sale.For those of us who understand what it is like to cherish a book from our childhood, this book will bring back fond memories. The soft watercolour illustrations complement the story beautifully and they evoke a magical time when children fall in love with books, read them late into the night, fall asleep with them under their pillows, and dream sweet dreams about favourite characters and events.Highly recommended: 4 out of 4 starsReviewer: Robert DesmaraisRobert Desmarais is Head of Special Collections at the University of Alberta and Managing Editor of The Deakin Review of Children’s Literature. A graduate of the University of Toronto’s Faculty of Information Studies, with a Book History and Print Culture designation, he also has university degrees in English literature and publishing. He has been collecting and enjoying children’s books for as long as he can remember.

scholarly journals This Book is Gay by J. Dawson

2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Kyle Marshall
Keyword(s):  
Sex Education ◽  
School Library ◽  
Community Building ◽  
Public Library ◽  
Cultural Identification ◽  
University Of Alberta ◽  
Queer Youth ◽  
Sexual Health Information ◽  
The University ◽  
High School Library

Dawson, James. This Book is Gay. London: Hot Key Books, 2014. Print.As North American jurisdictions play host to battles over proposed sex education curricula, barriers to providing basic sexual health information to youth are becoming painfully evident. In the place of strong classroom instruction, many governments expect parents to engage in these conversations, but even progressive parents may feel inadequately prepared for discussing sex education with their LGBT children. Similar issues exist surrounding cultural identification and attainment; where most youth simply observe or take part in family and societal practices, queer youth must undertake greater lengths to self-educate and identify.Enter James Dawson’s publication, This Book is Gay, which serves as part sex education, part cultural information manual for all things LGBT. With strong credentials as a former teacher and YA author, Dawson also deployed an international survey and conducted interviews to add statistics and quotations that expand and diversify the experiences captured within the book. The book covers a vast array of topics complete with catchy chapter titles, including terminology (“The Name Game”), homophobia and transphobia (“The Fear” and “Haterz Gonna Hate”) and, a topic of interest to most LGBT teens, same sex education (“The Ins and Outs of Gay Sex”). Within these chapters is a balance of reader empowerment, stereotype dismantling, community building and jokes - lots of jokes - to keep the reader entertained and informed throughout. Adding to the levity and frankness of Dawson’s tone are illustrator Spike Gerrell’s ebullient comics (think lightning bolts retreating from a gonorrhea patient’s groin).An uplifting read that will inform and entertain all types of readers, I highly recommend This Book is Gay. The book does use certain colloquialisms native to Dawson’s United Kingdom, but these should serve as only very minor distractions - or even points of curiosity - to the non-British reader. This Book is Gay would work as a very thoughtful gift to a newly out or questioning teen, but there needs to be a place for it in every junior high and high school library. As a stand-in for a funny, frank and extremely knowledgeable older sibling, this book should do the trick.Highly Recommended: 4 out of 4 starsReviewer: Kyle MarshallKyle Marshall is the School-Aged Services Intern Librarian for Edmonton Public Library. He graduated with his MLIS from the University of Alberta in June 2015, and is passionate about diversity in children's and youth literature.

scholarly journals Listen, Slowly by T. Lai

2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Kyle Marshall
Keyword(s):  
New York ◽  
Public Library ◽  
The United States ◽  
International Studies ◽  
Bicultural Identity ◽  
University Of Alberta ◽  
Summer Vacation ◽  
The Face ◽  
The University ◽  
Cultural Colonialism

Lai, Thanhha. Listen, Slowly. New York: HarperCollins Children’s Books, 2015. Print.Twelve year-old Mai wants nothing more for her summer vacation than to spend her days on the beach hanging out with her best friend, getting to know her first romantic crush. Instead, her parents expect Mai to chaperone her grandmother (Bà) on a return trip to Vietnam to uncover the secrets of her grandfather’s disappearance and death in “THE WAR” over 40 years ago. Despite being raised in a home that carried on some Vietnamese traditions, Mai’s parents could not have prepared her for the heat, mosquitoes or infrequent Internet access in her grandfather’s rural northern village. In a display of her preteen angst, Mai immediately starts counting down the days until she can return to the known comforts of life back home in California.With time, however, her language skills improve and she begins to form relationships in the community, particularly with Ut, a girl her age with a serious interest in frogs, and Minh, the local teenage translator with a Texan drawl he acquired through his international studies in the United States. In Mai’s ensuing journey she travels across Vietnam, from the rural rhythms of her ancestral village to the colonial splendour of Hanoi and the humid chaos of Ho Chi Minh City. The nation’s contrasts provide her with an unforgettable summer that far surpasses anything she could have imagined with her initial Laguna Beach plans.After receiving a 2011 National Book Award and 2012 Newbery Medal Honor for Inside Out and Back Again, Thanhha Lai’s second novel continues to explore Vietnamese-American experiences. In contrast to her first book’s focus on a refugee family’s journey, Listen, Slowly examines the frustrations of a second-generation American attempting to reconcile her Vietnamese cultural deficits. Mai’s path to settle within her bicultural identity is an experience familiar to thousands of children her age, who are raised in part with traditions from their parents’ country yet never fully feel immersed in that culture. In her protagonist, Lai has created a relatable character who eventually, and maybe reluctantly, shows capacity for adaptation and resilience in the face of adversity.Lai depicts a vibrant Vietnam with verdant landscapes and mouth-watering descriptions of the nation’s notoriously fresh cuisine. The novel’s humour generally hits the mark, including a hilarious passage of cultural colonialism in which Mai convinces young Vietnamese girls to transform their comfortable underwear to thongs. While the disruption of the story’s pace during philosophical Vietnamese translations might test the patience of young readers, this challenge will be welcomed by many. Overall, this story of adventure, family history and bicultural identity is one that should have a home in all school and public libraries.Recommended: 3 out of 4 StarsReviewer: Kyle MarshallKyle Marshall is the School-Aged Services Intern Librarian for Edmonton Public Library. He graduated with his MLIS from the University of Alberta in June 2015, and is passionate about diversity in children's and youth literature.

Pete the Cat and His Four Groovy Buttons by E. Litwin

2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Kim Frail
Keyword(s):  
New York ◽  
Web Site ◽  
The Other ◽  
High Contrast ◽  
University Of Alberta ◽  
School Aged Children ◽  
Early Elementary School ◽  
The University ◽  
The Web ◽  
At Home

Litwin, Eric. Pete the Cat and His Four Groovy Buttons.  Illus. James Dean. New York: Harper, 2012. Print. Pete, the laid back, imperturbable puss is back and this time author and children’s performer Eric Litwin incorporates math into the story. Pete puts on his favourite shirt and begins to sing about his buttons. There is lots of repetition to help kids learn about numbers and subtraction. First Pete thinks about the total number of buttons and the numeral is displayed. Then the word “four” appears twice in the refrain: “My buttons my buttons, my four groovy buttons”. One by one the buttons pop-off and each time the resulting equation is displayed: “How many buttons are left? 4-1=3”.  This sequence repeats until he is down to his belly button! As with the other Pete books, there is also a very important underlying message: don’t sweat the small stuff.  Each time he loses another button, the author asks: “Did Pete cry? Goodness, no! Buttons come and buttons go”. This is reinforced in the conclusion: “I guess it simply goes to show that stuff will come and stuff will go.  But do we cry? Goodness, No! We keep on singing”. Artist James Dean first painted an image of Pete in 1999 and the little bluish-black cat with the big yellow eyes is still going strong.  His images are composed of bright, high-contrast colours. The visible brush strokes and thick black outlines create lots of interesting textures and highlights.  Of particular note are the buttons that leave long spirals of black trailing behind them and look as if they are popping right off the page. Again, as with previous Pete books, ( I Love my White Shoes and Rockin’ My School Shoes),  there is a free downloadable song available from the Harper Collins Web site (http://www.harpercollinschildrens.com/feature/petethecat/). The book is certainly engaging enough to be enjoyed on its own. However, there is also a substantial amount of bonus material on the web site that can be incorporated into school lessons or enjoyed at home: the song, links to a YouTube video that pairs animated images from the book with the song, printable activities and a link to a “School Jam” ipad/iphone app featuring Pete. A clever fusion of music and math sprinkled with a life lesson in resilience, this book would make a groovy addition to school and home libraries for preschool to early elementary school-aged children. Highly Recommended: 4 out 4 starsReviewer: Kim Frail Kim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her two-year old.

scholarly journals Cheesie Mack Is Not a Genius or Anything by S. Colter

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Dale Storie
Keyword(s):  
New York ◽  
Elementary School ◽  
Public Library ◽  
Health Sciences ◽  
Fifth Grade ◽  
University Of Alberta ◽  
Young Readers ◽  
Best Friend ◽  
Grade 5 ◽  
The University

Cotler, Steve.  Cheesie Mack Is Not a Genius or Anything. Illus. Adam McCauley.  New York: Random House, 2011. Print. The protagonist of this story is Ronald “Cheesie” Mack, an energetic boy who, at ten years and ten months of age, has just finished Grade 5.  In his own words, his story is about “a mysterious old coin, an evil sister…a dead sister…runaway rodents, a super-best friend, a fifth-grade graduation disaster, some really unusual words (including a few that I made up), and The Haunted Toad”. The plot is equal parts mystery novel, elementary school pranks, and sibling rivalry, with a running commentary on friendship woven through the book. The strength of this novel is the first-person narration, which stays lively from Chapter 0 (“This Story is Over!”) to the very last page (“This is not a Chapter. Visit CheesieMack.com if…”).  Cheesie Mack is a self-aware narrator who makes frequent asides to the reader, in order to provide foreshadowing, define words, explain character motives, and encourage readers to visit his website.  Readers who enjoy plot-driven books may find Cheesie’s interludes annoying, since they act as frequent distractions from a plot that seems meandering at times.  The book weaves multiple plot threads together, but takes its time doing so.  Readers may feel as though the author will never return to earlier plot threads to resolve them (although he does successfully tie these pieces together at the end). However, young readers who appreciate a light-hearted character-driven story will definitely enjoy this book.  Readers of a similar age will be able to relate to Cheesie’s sentiments towards his best friend and to his ongoing battles with his sister.  His comical interjections and mock dialogue with his readers ensure that the book remains playful and engaging, even when the plot may not be.  For those who don’t want the story to end, there is always the CheesieMack.com website. Recommended: 3 out of 4 starsReviewer: Dale StorieDale Storie is Public Services Librarian at the John W. Scott Health Sciences Library at the University of Alberta. He has a BA in English, and has also worked in a public library as a children's programming coordinator, where he was involved with story times, puppet shows, and book talks.

scholarly journals The Rabbit Who Wants to Fall Asleep: A New Way of Getting Children to Sleep by C.-J. Forssen Ehrlin

2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Leslie Aitken
Keyword(s):  
New York ◽  
Children's Literature ◽  
Children’S Literature ◽  
Public Library ◽  
Psychological States ◽  
University Of Alberta ◽  
Young Readers ◽  
Domestic Instability ◽  
The University ◽  
Selection Of

Forssen Ehrlin, Carl-Johan.  The Rabbit Who Wants to Fall Asleep: A New Way of Getting Children to Sleep. Illus. Irina Maununan.  New York: Crown Books for Young Readers, 2014. Print.Carl-Johan Forssen Ehrlin, the psychologist who wrote this book, introduces the work with instructions for its calm, slow, emphatic reading.  He then begins the bedtime story proper, a ten page text in which he uses the word sleep or one of its variants (asleep, sleeping, sleepy) approximately 100 times.  It may be that he uses the words “yawn,” “tired,” and “relax” just as frequently; frankly, it seems too daunting a task to count and confirm this possibility.  The literary effect is tedious—given the subtitle, probably intentionally so. There is a storyline, albeit a thin one.  It is much enhanced by the delicate drawings by Irina Maununen; a young child might well pore over these.  However, storytelling is not the main purpose of the book.  Its main purpose would appear to be hypnosis.   That is just a guess; the publisher’s blurb does not actually confirm it.  The blurb does, however, rave about the book’s ability to put children to sleep.  Quite so. This is not a work of children’s literature; it is a “how to” book for adults.  Its advice should not replace common sense.  Childhood sleeplessness can stem from serious causes.  It can be the result of underlying medical conditions, of pain, of breathing difficulties.  It can indicate worrisome psychological states: stress, anxiety, and fear.  It can be the result of a socio-economic environment that is typified by deprivation and hunger, domestic instability, the presence of danger.  A book outlining hypnotic techniques does not obviate any of these root causes of sleeplessness.  However, in the event that they are all ruled out or remedied, and that a child is found to suffer from nothing more than a deep need for the comforting presence of a loving adult as he or she falls asleep, why not just ensure that one can be there?All this being said, the book is currently popular.  As I write this review, my public library lists thirty holds on fourteen copies of it.  Many parents must be waiting in line for an introduction to Forssen-Ehrlin’s methods.  Meanwhile, the old standbys of sleep induction, the rocking, the reassuring, the crooning of lullabies, might just prove equally effective as his book.Not RecommendedReviewer: Leslie AitkenLeslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special and academic libraries.  She is a former Curriculum Librarian of the University of Alberta.

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