scholarly journals Transformation of Cultural Values in The Novel Di Bawah Langit yang Sama by Helga Rif (Literary Anthropology Approach)

2019 ◽  
Vol 3 (1) ◽  
pp. 193-208
Author(s):  
Asep Ricky Subagya ◽  
Sri Suhita

This study aims to obtain information about transformation of the cultural value in the novel titled Di Bawah Langit yang Sama by Helga Rif. This research use qualitative descriptive method based on anthropology of literature approach. This research was conducted from January to July 2019. In this study, there is a focus that is studied, which is the form transformation of cultural values, while the study's sub-focus includes (1) preservation cultural values ​​and (2) revolution in cultural values. As for identifying and raising anthropological features in the novel using Koentjaraningrat theory which includes (1) human life equipment, (2) occupation, (3) social system, (4) language system, (5) arts, (6) knowledge system, and (7) religious system. In the novel entitled Di Bawah Langit yang Sama had been found the elements of transformation of cultural values ​​as much 103 data. Preservation of cultural values are 75 data, meanwhile the changes in the cultural values are 28 data. The most dominant data on maintaining cultural values ​​is an element of human life equipment and social systems. Meanwhile, the most dominant data on changes in cultural value is an element of the social system. The results of this study have implications for 2013 Learning Curriculum 2013 Revision 2018 in grade XII, KD 3.8 interpret the author's view of life in novels that are read and KD 4.8, which presents the results of interpretation of the views of the author either verbal or scripted.

2017 ◽  
Vol 12 (1) ◽  
pp. 31
Author(s):  
Miftahur Rohman ◽  
Mukhibat Mukhibat

INTERNALIZATION OF SOCIO-CULTURAL VALUE BASED ON ETHNO-RELIGIOUS IN MAN YOGYAKARTA III<strong>. </strong><em>The phenomenon of violence in the name of religion, ethnicity, and culture has shown that humans have failed to understand heterogeneity, diversity, and plurality as main characteristics of the Islamic educational institutions, such as Madrasa. For responding that phenomenon, MAN Yogyakarta III (Mayoga) believes that they will create the humanist and inclusive education. This research with phenomenological approach and qualitative descriptive method was focused on best practice done by Mayoga, humanist and inclusive education. The results showed that the values of diversity in Mayoga were internalized in learning activities by integrating the values of religion, culture, and diversity. The integration generates socio-cultural values, such as appreciating ‘mazhab’ differences in religious practices, cultural assimilation and regional languages, tolerance and human rights, and social coherence among the school communities. Thus, the social values that grow in Mayoga can keep the values of social cohesion among people in Madrasa.</em>


2021 ◽  
Vol 3 (4) ◽  
pp. 264-275
Author(s):  
Hutham Badr HUSSEIN

(Parsons) defines the social system, of several definitions, and perhaps the clearest one is the one in which he believes that the social system is composed of two or more actors (individuals), each of whom occupies a distinct social position or and plays a distinct role, as it is an organized pattern that governs relations between individuals Or a network of interactive relationships that organizes their rights and duties towards each other, as it is a framework of common standards or values, as well as it includes different types of symbols and different cultural issues. While the novel is a very complex structure, and it is difficult to imagine that it was born with an individual invention and without a basis in the social life of the group, it is not possible to imagine that this complex form has no similarity or dialectical relationship between it and the social life of the heroes, this literary form depicts the daily relationship of people. And their different relationships with the society in which they live, the novel as seen by (René Girard) is what reveals the truth about man and reveals the inauthenticity of the human being. And if we know that some see that the literary creator is no less important than the social world, but that he surpasses him in many stages due to his delicate sensitivity and his ability to capture the parts of social life, the anatomy of individuals’ psyche, and to track the stages of social change and their implications for values and behavior And the directives, to what extent was the social system in Iraq able to maintain its social patterns, and what led to the collapse of that coherent system of social systems? And how was the Iraqi novel able to reverse this collapse in all its details? All this we will review in this research, which will be taken from novels published after 2003, material for it, and these narrations are: 1. The novel: Death in the Cherry Field.by the novelist Azhar Gerges. 2. The novel: The Killers, by the novelist Dia al-Khalidi. 3. The novel: the name on the soles, of the novelist Dia Jebili


SALINGKA ◽  
2021 ◽  
Vol 18 (1) ◽  
pp. 89-102
Author(s):  
Emawati Emawati ◽  
Achmad Wahidy ◽  
Kiki Aprillianti Rifai

AbstrakPenelitian ini merupakan penelitian antropologi sastra yang bertujuan untuk mendeskripsikan secara mendalam berbagai nilai budaya masyarakat suku Banjar dan Dayak yang direpresentasikan dalam novel Jendela Seribu Sungai karya Miranda Seftiana dan Avesina Soebli. Pendekatan yangdigunakan dalam penelitian ini yaitu pendekatan antropologi sastra, suatu pendekatan interdisipliner yang secara khusus mengkaji berbagai aspek kebudayaan manusia yang tercermin melalui karya sastra. Selanjutnya, metode yang digunakan adalah metode deskriptif kualitatif. Untuk menganalisis data, digunakan teknik analisis isi yang meliputi tahapan identifikasi data, klasifikasi data, dan interpretasi data. Berdasarkan hasil penelitian ditemukan lima nilai budaya masyarakat suku Banjar yang direpresentasikan dalam novel Jendela Seribu Sungai karya Miranda Seftiana dan Avesina Soebli. Pertama, percaya adanya kekuasaan Tuhan dan senantiasa terus berdoa kepada Tuhan. Kedua, manusia harus dapat menjaga dan menggunakan alam dengan sebaik-baiknya agar dapatbermanfaat dalam kehidupan. Ketiga, manusia tidak dapat hidup sendiri karena merupakan makhluk sosial. Keempat, musyawarah, saling membantu dan saling mengasihi antarsesama. Kelima, manusiabertanggung jawab terhadap kelangsungan hidupnya sendiri untuk membuat hidupnya menjadi lebih baik.Kata kunci: kebudayaan, nilai budaya, antropologi sastra  AbstractThis study aims to describe the cultural values of the people of Banjar and Dayak tribes are represented in the novel of Jendela Seribu Sungai by Miranda Seftiana and Avesina Soebli.The method used in this research is literary anthropology approach. It examines various aspects of human culture which is reflected through literary works. Furthermore, the research used qualitative descriptive method and content analysis technique are used to analyze the data, they are respectively, data identification, data classification, and data interpretation. The results found five cultural values of the people of Banjar tribe and Dayak that is representedin the novel of Jendela Seribu Sungai by Miranda Seftiana and Avesina Soebli. First, believe in the power of God and always continue to pray to God. Second, humans must be able to maintain and use nature as well as possible so that it can be useful in life. Third, humans cannot live alone because the people are social creatures. Fourth, deliberation, helping each other and sharing among each other. Fifth, humans are responsible for their own survival to make their lives better.Keywords: cultural, cultural value, literary anthropology


2019 ◽  
Vol 7 (2) ◽  
pp. 79
Author(s):  
Raras Arum Wulandari

Wood Job! is a film produced by Japanese theme-rural comedy-drama. The film, directed by Yaguchi Shinobu is an adaptation of the novel �Kamusari naa naa Nichijo�by Miura Shion. It tells a story of a high school student from the city that had to go through life as a forest farmer (lumberjack) in a remote village, with still so many myths, traditions, and the homage. The existences of the film in the community have a unique meaning among other communication media. Besides regarded as effective communication media in the dissemination of ideas and concepts, the film is also a medium of artistic expression provide disclosure paths of creativity, as well as culture media which depict human life and personality of a nation. Film can be considered as the transformation of people's lives, because in the film we can see the reflection of reality. To find out how the overview of cultural values and local wisdom in this film, researcher using a qualitative descriptive analysis with reference to the use of semiotics model of Roland Barthes. Researcher examine the signs appearing through three levels of meaning, denotation, connotation, and myth. Semiotic approach chosen for semiotics can be used to describe many things that are not visible on the surface. Semiotics able to peels more about the hidden meanings in it. This research is expected to broaden the Indonesian peoples to further the preservation of nature, using natural resources wisely. It is unfortunate if Indonesia's forests which are the lungs of the world misused by elements who are not responsible for the sake of mere group.�Keywords: Culture, Local Wisdom, Semiotics, Film��AbstrakWood Job! adalah sebuah film produksi Jepang yang mengusung tema komedi-drama-rural. Film yang disutradarai oleh Shinobu Yaguchi ini merupakan adaptasi dari novel �Kamusari naa naa Nichijo� karya Shion Miura. Mengisahkan tentang seorang pelajar SMA dari kota harus menjalani kehidupan sebagai seorang petani hutan di sebuah desa terpencil, dengan masih begitu banyak mitos, tradisi, dan sisi penghormatan. Keberadaan film di tengah masyarakat mempunyai makna yang unik diantara media� komunikasi lainnya. Selain dipandang sebagai media komunikasi yang efektif dalam penyebarluasan ide dan gagasan, film juga merupakan media ekspresi seni yang memberikan jalur pengungkapan kreativitas, serta media budaya yang melukiskan kehidupan manusia dan kepribadian suatu bangsa. Film dapat dikatakan sebagai transformasi kehidupan masyarakat, karena dalam film kita bisa melihat cerminan dari realitas. Untuk mengetahui bagaimana gambaran nilai budaya dan kearifan lokal dalam film ini, peneliti menggunakan analisis deskriptif kualitatif dengan mengacu pada penggunaan model semiotika Roland Barthes. Peneliti mengkaji tanda-tanda yang muncul melalui tiga tingkatan makna, yaitu denotasi, konotasi, dan mitos. Pendekatan semiotika dipilih karena semiotika dapat digunakan untuk menjelaskan berbagai hal yang tidak tampak di permukaan. Semiotika mampu mengupas lebih dalam mengenai makna-makna yang tersembunyi di dalamnya. �Penelitian ini diharapkan mampu membuka wawasan masyarakat Indonesia untuk lebih menjaga kelestarian alam, dengan menggunakan sumber daya alam secara bijaksana. Sangat disayangkan jika hutan Indonesia yang merupakan paru-paru dunia disalahgunakan oleh oknum-oknum yang tidak bertanggung jawab demi kepentingan kelompok semata.


2021 ◽  
Vol 14 (2) ◽  
pp. 58
Author(s):  
Kheryadi Kheryadi ◽  
Zuriyati Zuriyati ◽  
Ninuk Lustyantie

Abstract: The purpose of this research is to learn more about the cultural value of the novel Charlotte’s Web - E.B White. The qualitative descriptive technique was used in this study, which is based on the literary anthropology approach. The information was gathered by carefully reading the text, identifying, and categorizing it. The goal of this study is to help find the friendship depicted in the novel Charlotte's Web. This study focuses on the many forms of friendship and how they are depicted in the novel. W. D. Ross (1999) theory was used to identify and classify the data, while Robert Stanton's (1965) theory was utilized to analyze the friendship depicted in the novel Charlotte's Web. The findings of this study reveal three forms of friendship in the characters represented. The three forms of friendship are as follows: 1) friendship of utility, 2) friendship of pleasure, and 3) friendship of kindness.


Jurnal KATA ◽  
2017 ◽  
Vol 1 (2) ◽  
pp. 137
Author(s):  
Erlina Erlina

<p><strong>            </strong><em>This research is motivated by the analysis extrinsic elements novel </em><em>Sang Pemimpi</em><em>. This study aimed to describe the social values, cultural values, moral values, and religious values in the novel </em><em>Sang Pemimpi</em><em>. The research is a qualitative study using descriptive methods. The data in this study is a form of social values, cultural values, </em><em>religius </em><em>values and moral </em><em>on Sang Pemimpi</em><em> novel by Andrea Hirata. Data source is </em><em>Sang Pemimpi</em><em> novel by Andrea Hirata. Data collection techniques in this study are: (1) to read and understand the Novel </em><em>Sang Pemimpi</em><em> by Andrea Hirata, and (2) give coding by underlining sentences containing social values, cultural values and political values in the note of the novel </em><em>Sang Pemimpi</em><em> by Andrea Hirata all data regarding speech acts in a novel study. While the steps in analyzing data are: (1) read data that has been </em><em>record</em><em>ed, (2) classify or record data for the purpose for researchers based on the novel </em><em>Sang Pemimpi</em><em> by Andrea Hirata, (3) interpreting or interpretation of data for the purpose of research is to analyze the novel Sang </em><em>Pemimpi</em><em> by Andrea Hirata, and (4) make the conclusion of the study. The results of this study stated that extrinsic elements contained in </em><em>Sang Pemimpi</em><em> novel by Andrea Hirata is the value of cultural education, where cultural rights set forth in the novel The Dreamer ie when they are a teenager then it started to work for money. Social educational value, namely the attitude of helping each other like Arai and Mak Cik, and as pastor and Jimbron. the value of religious education that is visible on the pastor and Jimbron, although Jimbron raised by a pastor, but the pastor did not impose his religion on Jimbron. moral and political education value seen in a leader who has no morals and honesty.</em></p><p> </p><p><em>            Penelitian ini dilatarbelakangi oleh analisis unsur ekstrinsik novel Sang Pemimpi. Penelitian ini bertujuan untuk mendeskripsikan nilai sosial, nilai budaya, nilai politik, nilai moral, dan nilai religius dalam novel Sang Pemimpi. Jenis penelitian ini adalah penelitian kualitatif dengan menggunakan metode deskriptif. </em><em>Data dalampenelitian iniadalah bentuk nilai sosial,  nilai budaya, nilai realigi dan moral dalam novel Sang Pemimpi karya Andrea Hirata. Sumber datanya adalah novelSang Pemimpi karya Andrea Hirata.Teknik pengumpulan data dalam penelitian ini adalah: (1) membaca dan memahami Novel Sang Pemimpi karya Andrea Hirata</em><em>, dan (2) </em><em>memberi pengkodean dengan menggarisbawahi kalimat-kalimat yang mengandung nilai sosial, nilai budaya, dan nilai politik dalam Mencatat Novel Sang Pemimpi karya Andrea Hirata  semua data mengenai tindak tutur dalam novel yang diteliti. Sedangkan langkah-langkah dalam menganalisis datanya adalah: (1) membaca data yang sudah dicatat, (2) mengklasifikasikan atau mencatat data sesuai tujuan peneliti berdasarkan novel Sang Pemimpi karya Andrea Hirata, (3) menginterprestasikan atau penafsiran data dengan tujuan penelitian yaitu menganalisis novel Sang Pemimpi karya Andrea Hirata, dan (4) membuat simpulan penelitian.</em><em>Hasil penelitian ini menyatakan bahwa unsur ekstrinsik yang dapat dalam novel Sang Pemimpi karya Andrea Hirata adalah nilai pendidikan budaya, di mana budaya yang tercantum dalam novel Sang Pemimpi yaitu apabila sudah beranjak remaja maka sudah mulai bekerja untuk mencari uang. nilai pendidikan sosial, yaitu adanya sikap saling tolong menolong seperti Arai dan Mak Cik, dan seperti pendeta dan Jimbron. nilai pendidikan religius yaitu terlihat pada pendeta dan Jimbron, walaupun Jimbron diasuh oleh seorang Pendeta, tetapi pendeta tersebut tidak memaksakan agamanya pada Jimbron. nilai pendidikan moral dan politik terlihat pada seorang pemimpin yang tidak mempunyai moral dan kejujuran.</em></p>


Author(s):  
Alexander A. Somkin

Introduction. The paper analyzes the specificity of the dialectical development of the integrated social systems of such a personality and society. The presence of positive (natural) contradictions is recognized as a necessary and creative factor in social practice. Under the influence of this type of contradiction, the old, outdated forms of social structure (individual components of the social system) are denied and transformed to new, more perfect ones occurs as a result of their successful resolution. Methods. In the analysis, the author relied on a system-holistic approach, traditional general philosophical methods: induction and deduction, theoretical analysis and synthesis, extrapolation, etc. Discussion. The social system as an integrated unity goes through a number of stages from inception, formation and maturity to the transition to a qualitatively new state. Accordingly, the process of the emergence and development of dialectical contradictions also has several stages: from insignificant differences between opposite sides at the beginning of the emergence of the system to their strengthening and exacerbation. The nature of the contradictions depends on the specifics of the opposing sides, as well as on the conditions in which their interaction unfolds. The determining factor here, in the opinion of the author, is the positive (natural) direction of social opposition, under the influence of which the essence of the contradictions themselves is formed. Conclusion. According to the dialectical approach, the source of social development is the unity and struggle of opposites within the social system. However, the presence of opposite sides is a necessary but insufficient condition for development. They create the preconditions for it, but do not act as its driving force. Only a change in one opposition relative to another creates alternative tension, giving rise to a dialectical contradiction. Therefore, the antagonistic or non-antagonistic character of the latter is due to the positive (natural) or negative character of the social opposition itself.


2020 ◽  
Vol 5 (2) ◽  
Author(s):  
Denasya Nasution ◽  
Said Fadhlain ◽  
Reni Juliani

The novel Bumi Manusia is a controversial novel that contains Indigenous life in the Dutch colonial period. Pram depicts the cultural differences between Indigenous and Dutch with a very contrast in all aspects in more detail and depth. The purpose of this research is to expose the cultural differences which are framed in the novel Bumi Manusia. This research is also intended to expose the differences between Javanese and Dutch cultures which not only distinguish culture based on appearance and language. This research is a qualitative descriptive study with secondary data which are obtained from the library research, in the form of literature which are related to this research. The results of this study are: 1) Culture can affect one's personality and mindset. 2) The author describes broader cultural differences and is able to criticize the social gap or strata which are formed from the different cultures at the same time. Keywords :Framing Analysis, Media Studies, Bumi Manusia


2016 ◽  
Vol 1 (1) ◽  
pp. 92
Author(s):  
SARWINAH SARWINAH

AbstrakPenelitian ini bertujuan untuk menemukan jawaban atas fokus permasalahan yang telah dirumuskan yakni mendeskripsikan nilai sastra hideonik, nilai artistik, nilai kultural, nilai etis,moral, dan agama, serta nilai praktis yang terdapat pada lirik lagu Ridwan Sau, kondisi sosial budaya kota Makassar, ditinjau dari makna lagu Ridwan Saud dan relevansi nilai sastra pada lirik lagu Ridwan Sau dengan kondisi sosial budaya masyarakat Kota Makassar. Penelitian ini sebagai penelitian kualitatif, dengan pendekatan struktural genetik yang mempergunakan strategi berpikir fenomenologis yang lentur dan terbuka dari pencipta lagu daerah Makassar. Adapun lirik-lirik lagu yang digunakan sebagai objek penelitian ini adalah Julei Rikau, Tea Tonja, Burakne Tonja, Panngukrangi, Sarengku, Kakde Kapang Na Suruga, Harangmi, Larokong Tojengma Kapang, Naloko Nakku, I Kattemi Antu, Tea Lapanra Pinruang, dan Kere Tekneku. Pengumpulan data dengan teknik kaji dokumen. Analisis data dilakukan sejak awal peneliti mengumpulkan data, lalu mereduksi data kemudian menyajikan data, dan melakukan penelitian data dan penarikan kesimpulan. Selanjutnya diadakan teknik pemeriksaan keabsahan data. Hasil penelitian ini mendeskripsikan relevansi nilai sastra pada lirik lagu Ridwan Sau dengan kondisi sosial budaya masyarakat Kota Makassar. Yaitu antara nilai hideonik, nilai artistik, nilai cultural, nilai etis, dan nilai praktis dengan kondisi sosial budaya kota Makassar yang antara lain masih menganut ketat budaya Tau, budaya Sirik, budaya Pacce, budaya Panngalik, budaya Panngadakkang, dan budaya Agama (Batara). Budaya-budaya tersebut masih dianut sampai sekarang dan sudah menjadi kebiasaan dalam keseharian masyarakat Kota Makassar yang semuanya tercantum dan tergambar dalam lagu-lagu ciptaan Ridwan Sau. Kata Kunci: nilai sastra, lirik lagu Ridwan Sau, sosial budaya Makassar AbstractThis research aims to find answers to focus the issues that have been formulated to describe the value hideonik literary, artistic value, cultural values, ethical values, morals, and religion, as well as practical value contained in the lyrics of the song Ridwan Sau, socio-cultural city of Makassar, reviewed of the meaning of the song Ridwan Saud and the value relevance literature Ridwan Sau lyrics with social and cultural conditions of Makassar. This research was qualitative research with the genetic structural approach that used the phenomenology strategy openly from the outhor of Makassar song. The lyrics was used by the researcher was Julei Rikau, Tea Tonja, Burakne Tonja, Panngukrangi, Sarengku, Kakde Kapang Nasuruga, Harangmi, Larokong Tojengma Kapang, Naloko Nakku, I Kattemi Antu, Tea Lapanra Pinruang, and Kere Tekneku. The technique in collected, then taking reduction and presenting the data, and concluding. The next technique was validation. The research findings described The Relevance of Literature Value Toward the Lyrics of Ridwan Sau song with the condition of Social Culture of Makassar. It was the hedonic value, art value, cultural value, ethic value, and practical value with the social culture condition of Makassar community that submitted the Tau culture, Sirik culture, Pacce culture, Panngalik culture, Panngadakkang culture, and Religious (Batara) culture. Those culture still submit until now and became a habit in daily life of Makassar Community that quoted in Ridwan Sau song. Key words: literature value, Lyrics of Ridwan Sau Song, Makassar Social Culture


2020 ◽  
Vol 19 (1) ◽  
pp. 1-12
Author(s):  
Sura Kassim Ameen ◽  
Ibrahim Jawad Al-yusif ◽  
Ali Musa Hussein

Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether Western and local and dependent on the nature of cultural, social and environmental thought, and for this the aim of the research was to activate the role of the philosophy of abstraction in the formal formations of both the vocabulary of heritage architecture and contemporary architecture by architectural elements, Analysis of international, Arab and local architectural productions, to reach a conscious understanding of the philosophy and thought of abstraction in contemporary heritage architecture, and its spiritual values to reach the essence of things. The practical study was the analysis of Western and Arab and local projects with heritage architectural values and a practical study compared to them to see which architectural outputs were able to generate heritage values stable from its past in abstract geometric forms reflecting different ideas


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