scholarly journals Decir la «persona» según Duns Escoto

2007 ◽  
Vol 14 ◽  
pp. 11
Author(s):  
Isidoro MANZANO

In Scotus the person is treated in an intelectual atmosphere in which has already been enhanced a considerable effort intelectual in views to an understanding and clarification of what is the person. The author of this work on Scotus, professor emeritus of Antonianum of Rome, intends to make understand the originality of the grief escotista on the person. For it, it is about creating the place in which makes sense speak of person, as Escoto. This place is not other but that in the one that the ontological language is overcome. The person, indeed, indicates and she says something that surpasses and she is added the intellectual constituted individual or the individual of rational nature. In consequence, Prof. Manzano pursues and it indicates the roads from Scotus to this original reality that is the one of being person. These roads are, in short, the road toward the person’s understanding like «an absolute event that happens», the road of the person’s understanding like «absolute independence» and the road of the person’s understanding like «incommunicable existence». At the end, the author treats the scotish dialectic on the question of if the person is carácter of being something positive real, although not ontological, or she is merely somethig relational. In this lasta case, it will be abolut a «relationship» extremely original and diverse of the nature of the relationship as predicament.

2020 ◽  
Vol 2 (1) ◽  
pp. 121-141
Author(s):  
Osama Sami AL-Nsour

The concept of citizenship is one of the pillars upon which the modern civil state was built. The concept of citizenship can be considered as the basic guarantee for both the government and individuals to clarify the relationship between them, since under this right individuals can acquire and apply their rights freely and also based on this right the state can regulate how society members perform the duties imposed on them, which will contributes to the development of the state and society .The term citizenship has been used in a wider perspective, itimplies the nationality of the State where the citizen obtains his civil, political, economic, social, cultural and religious rights and is free to exercise these rights in accordance with the Constitution of the State and the laws governing thereof and without prejudice to the interest. In return, he has an obligation to perform duties vis-à-vis the state so that the state can give him his rights that have been agreed and contracted.This paper seeks to explore firstly, the modern connotation of citizenship where it is based on the idea of rights and duties. Thus the modern ideal of citizenship is based on the relationship between the individual and the state. The Islamic civilization was spanned over fourteen centuries and there were certain laws and regulations governing the relationship between the citizens and the state, this research will try to discover the main differences between the classical concept of citizenship and the modern one, also this research will show us the results of this change in this concept . The research concludes that the new concept of citizenship is correct one and the one that can fit to our contemporary life and the past concept was appropriate for their time but the changes in the world force us to apply and to rethink again about this concept.


Author(s):  
David Gillis

This introductory chapter provides a background of Maimonides and his code of Jewish law, the Mishneh torah. Maimonides applied the highest literary art to the highest of tasks: to bequeath, as philosopher-statesman, a law that would regulate the life of the individual and of society and move people closer to the knowledge of God. The result of that art is a book to be read and experienced, not just consulted. The central feature of Mishneh torah as a work of art is the casting of the commandments of the law in the form of the cosmos. The microcosmic form suggests, in the first place, that studying Mishneh torah, like the study of the universe, can be a way to the knowledge and love of God. On the plane of ideas, this form embodies the relationship between the ‘small thing’ and the ‘great thing’, between halakhah, on the one hand, and physics and metaphysics on the other. It depicts philosophy as the matrix of halakhah, reflecting the view of the relationship between philosophy and religion in the Islamic philosophers.


2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Małgorzata Sztubecka ◽  
Jacek Sztubecki

Abstract The paper describes the differences between the actual results of the measurement of equivalent sound level and the feelings of people visiting "a Spa Park". Noise, as one of the environmental pollutants, cause detrimental effects on the recipient. Measurements of noise are usually performed in urban areas, especially in the road environments, providing a basis for measures to limit their impact on the environment. Often in the measurement there are ignored areas for recreation. Usually, they do not determine the relationship between the results of measurements of noise equivalent sound level and the individual feelings of the people living in these areas. The analysis was performed with the use of fuzzy set theory. The evaluation of the acoustic climate on the "Spa Park" should be determined on the basis of sound level measurements and questionnaires.


2020 ◽  
pp. 46-52
Author(s):  
Е.В. Яковлева ◽  
Н.В. Исакова

Рассмотрена культурная определенность творческой деятельности в аспекте отношения между творчеством как созданием чего-то принципиально нового и воспроизводством культуры, основанным на экспликации заложенных в нее смыслов. Материалами послужили результаты исследований философов и культурологов, изучавших проблемы социокультурной обусловленности творчества. Проводится аналитическое рассмотрение основных концепций, связанных с трактовкой творчества, изучены подходы к определению творческого статуса отдельных продуктов культуры, затронуты проблемы соотношения содержания и формы в творческой деятельности, охарактеризованы современные условия ее осуществления. Выделены варианты творческой деятельности по критерию характера выражаемых смыслов. Сделан вывод, что в настоящее время присутствуют социальные и технологические предпосылки как для множественной проработки уже известных мейнстримовых направлений, так и для формирования уникальных по форме и содержанию смысловых конструкций. The main problem of the study is to identify the relationship between the individual and culturally predetermined aspects of creative activity with the subsequent extension of the findings to the modern sociocultural situation. The sources were materials and research results of philosophers and culturologists studying the problem of the sociocultural conditioning of creativity. The authors proceed from a methodological premise that implies that, in the creative sphere, there are mechanisms for the “elaboration” of individual ideas, similar in their principles to the development of paradigms in the meaning that Thomas Kuhn attached to this term. The authors ask themselves the question of what the status of creativity is in modern research thought and determine the general points that are characteristic of almost all philosophical systems when considering creativity. The contradictions inherent in the problem of the cultural conditioning of creativity are analyzed. On the one hand, creativity is conditioned by the influence of culture and its development; on the other, it is the product of the free activity of an individual. The authors argue that a simple explication of culture is impossible, but one cannot reject the presence of direct objective factors that, to one degree or another, affect the creative process. Trying to determine the degree of conditionality of the creative process, the authors turn to the analysis of musical notation as a universal language of music. The conclusion is made about the limited (albeit calculated in huge numbers) options for expressing sound combinations. At the same time, this limitation acts simultaneously as determinacy, the so-called “field for maneuver”. Abstracting from this observation, the authors argue that the novelty of creative activity is not absolute: when faced with its product, we observe “the unknown in the known”. It is this aspect that determines the connection between creative individuals when they are forming cultural heritage. Four variants of creative activity are distinguished according to the criterion of the nature of the meanings expressed and the means used for this. The authors argue that the degree of variability of creative activity largely depends on how much society considers it permissible to introduce something new into the existing. They conclude that at present there are social and technological prerequisites both for the multiple elaboration of already known, mainstream areas and for the formation of semantic structures that are unique in their form and content.


2017 ◽  
Vol 5 (3) ◽  
pp. 272
Author(s):  
Jordi Morell Rovira

The article explores the relationship of the person with the hole through both literal and metaphorical situations. On the one hand, it points up the body in seclusion and suspended in a time interval, as in the case of the accident at the mine in San José (Chile) or works by artists like J. Wall, G. Schneider or R. Ondák. In this way, opposed feelings evoke the experiences of waiting and/or punishment, which are explanatory of a confined body or a hole. Literature, cinema and art deal with these events from multiple aspects, which become existential allegories about the individual. On the other hand, the act of digging gains prominence as a symbol of work, but also of the absurd. Recalling the ambivalence that may suggest a person making a hole, this article carries out a drift through works by artists of different generations and contexts, such as C. Burden, M. Heizer, F. Miralles, Geliti, S. Sierra, F. Alÿs, M. Salum, X. Ristol or N. Güell. A series of clearly performative or conceptual works, where the act of digging, drilling, burying or unburying become common practices that show the diversity of meanings and intentions.


Author(s):  
Sabine Huschka

This chapter rethinks the relationship between Mary Wigman and Pina Bausch from a viewpoint informed by recent philosophical approaches to dance history. Dance research often draws a genealogy that connects Wigman's approach to that of Bausch, the central representative of German Tanztheater as it emerged in the 1970s. However, it is argued Bausch took a fundamentally different position compared to the one propagated by her predecessor: turning her attention away from absolute truth and toward the truthfulness of any given physical movement on stage, while retaining the appeal to feeling, she sought to develop emotionally determined forms of movement and to create a shared space of human experience beyond any essentialism. But what about the choreographed body in these theatrical spaces of experience? How do movements and gestures function to reveal a perspective on the human being? Which choreographic or theatrical means are used, at the discretion of the individual body, to produce an impression of unmediated immediacy? The radical difference between Wigman and Bausch can be detected in their aesthetics of representation, in the way in which they choreograph emotion.


2007 ◽  
Vol 9 (2) ◽  
pp. 185-137
Author(s):  
ʿAbd Allāh ibn Muḥammad al-Mufliḥ

This study discusses the influence of the Qur'an on the formulation of titles in Saudi poetry, whether it be the title of a dīwān or qaṣīda. It also discusses how the title indicates the contents of the dīwān or qaṣīda, and its relationship with the words and contents of the Qur'anic ayas. In addition this study analyses the relations between two contexts: that of the individual aya and ‘group’ of ayas within the Qur'anic discourse, and that of the underlying context of the qaṣīda or dīwān creation, in order to arrive at the relationship that connects title and qaṣīda on the one hand, and qaṣīda and aya(s), and their context, on the other.


Author(s):  
Di Chen ◽  
Claus Danielson ◽  
Masahiro Iezawa

Abstract This paper examines using electric vehicles with independently actuated wheels and anti-squat/lift/dive suspensions to improve passenger comfort by reducing the lift, pitch, and roll motion of the vehicle chassis. Anti-squat/lift/dive suspensions use an angled suspension bar to transfer a portion of the longitudinal driving force into a vertical reaction force on the chassis. Using this effect, we derive a control-oriented model of the lift, pitch, and roll of the chassis where the steering angle and the four driving forces of the individual wheels are the control inputs and the road-height is a disturbance. The model is simplified under the assumption that the suspension deflections are small during normal, comfortable driving. Finally, we use steady-state analysis and open-loop simulations to provide intuition about the relationship between the driving forces and the chassis motions.


2019 ◽  
Vol 12 (3) ◽  
pp. 213-224 ◽  
Author(s):  
Jessica Nihlén Fahlquist

Abstract In contrast to medical care, which is focused on the individual patient, public health is focused on collective health. This article argues that, in order to better protect the individual, discussions of public health would benefit from incorporating the insights of virtue ethics. There are three reasons to for this. First, the collective focus may cause neglect of the effects of public health policy on the interests and rights of individuals and minorities. Second, whereas the one-on-one encounters in medical care facilitate a compassionate and caring attitude, public health involves a distance between professionals and the public. Therefore, public health professionals must use imagination and care to evaluate the effects of policies on individuals. Third, the relationship between public health professionals and the people who are affected by the policies they design is characterized by power asymmetry, demanding a high level of responsibility from those who wield them. Against this background, it is argued that public health professionals should develop the virtues of responsibility, compassion and humility. The examples provided, i.e. breastfeeding information and vaccination policy, illustrate the importance of these virtues, which needed for normative as well as instrumental reasons, i.e. as a way to restore trust.


Author(s):  
Олег Александрович Устинов

Статья посвящена анализу эволюции религиозно-философской антропологической парадигмы в советской философии в 1920-1940-е гг. Данная парадигма занимала доминантное положение в отечественной интеллектуальной традиции с XI в. и до начала XX в. Ее последовательное развитие было прервано революцией 1917 г. и приходом к власти коммунистической партии, исповедующей материалистические взгляды. Однако на протяжении всего периода советской истории в «научном подполье» продолжалась работа по изучению актуальных проблем религиозной антропологии, представленная именами А.Ф. Лосева, А.А. Мейера, Г.И. Челпанова, Я.С. Друскина, М.М. Бахтина, К.Э. Циолковского и др. Обосновав взгляд на человека как богосотворенное бессмертное существо, призванное к обожению, философы-нонконформисты продолжили защиту религиозно-философской антропологической парадигмы как адекватной исследовательской модели, обладающей значительным эвристическим потенциалом. В статье реконструируются и анализируются базовые положения данной парадигмы: представления о сотворении человека, соотношении души и тела, свободы воли, смысла и назначения жизни, соотношении личности и общества. Делается вывод о том, что развитие религиозно-философской антропологической мысли в 1920-1940-е гг. определялось, с одной стороны, тенденцией к консервации ее смыслообразующих концептов, а с другой стороны, их творческим развитием с помощью заимствования отдельных идей марксистского учения. Вторая тенденция свидетельствовала о готовности части философов-идеалистов к межпарадигмальному диалогу, который был понят как «великий синтез неба и земли», способный поставить точку в противостоянии идеалистов и материалистов. Но в условиях тоталитарного режима указанная инициатива не имела шансов на успех. The article is devoted to the analysis of the evolution of the religious and philosophical anthropological paradigm in Soviet philosophy in the 1920-1940s. This paradigm occupied a dominant position in the domestic intellectual tradition from the 11th century to the beginning of the 20th century. Its consistent development was interrupted by the revolution of 1917 and the coming to power of the Communist Party, which professed materialistic views. However, throughout the entire period of Soviet history, work continued in the «scholarly underground» on the study of urgent problems of religious anthropology, which was carried out by A.F. Losev, A.A. Meyer, G.I. Chelpanov, Y.S. Druskin, M.M. Bakhtin, K.E. Tsiolkovsky, and many others. Having substantiated the view of man as a divine immortal being called to deification, nonconformist philosophers continued to defend the religious and philosophical anthropological paradigm as an adequate research model that has serious heuristic potential. The article reconstructs and analyzes the basic provisions of this paradigm: ideas on the origin of man, the correlation of soul and body, free will, the meaning and purpose of life, the relationship between the individual and society. It is concluded that the development of religious and philosophical anthropological thought in the 1920-1940-ies was determined, on the one hand, by the tendency to conserve its semantic concepts, and, on the other hand, by their creative development by borrowing certain ideas from Marxism. The second tendency testified to the readiness of some idealist philosophers for inter-paradigmatic dialogue, which was understood as a «great synthesis of heaven and earth». However, under the conditions of a totalitarian regime, this initiative did not have a chance of success.


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