scholarly journals What is wrong with Singapore

2021 ◽  
Vol 20 ◽  
pp. 87-92
Author(s):  
Roopesh Sitharan ◽  

This artwork was produced as part of the residency programme organised by the Centre of Contemporary Art, Nanyang Technological University, Singapore, and the Museum of Contemporary Art and Design, Philippines called Acts of Life, with support from the Goethe-Institut. During the residency, the artist observed that media technology is utilised to abate the narratives by the nation state to define how a subject should operate and experience the world. Reflecting this, the artist created a work to discern the truthfulness and relevancy of a national narrative in individual lives. For this, a survey is devised as an artistic strategy to juxtapose the desires of a subject with the expectations of a nation state. An opinion booth was set up as part of the 2019 Singapore Art Week. With the header “What is wrong with Singapore”—the booth invites the audience to contribute their opinion towards the statement by writing it down on a postcard and pasting it on a designated wall. The accessibility, dissemination, and restriction of these opinions are left completely to the judgement of the audience visiting the booth.

Author(s):  
A.A. Zhogolevа ◽  
◽  
E.G. Stolyarova

The article is devoted to the study of the symbols of the Mezen painting as a single system. The spinning wheel is viewed as a cosmogonic model of our ancestors, where painting is directly related to the content of the image. The object of the research is the archaic symbols of the Mezen painting. The subject is the development of ornaments and prints for decor and product design. The history of the Mezen craft (geography, origins, traditions), the artistic features of the craft (materials, technology) and the semantics of the ornament are studied. The article considers archaic ornaments of Mezeno in connection with the ancient cultures of mankind (the Neolithic era, Andronov culture, Ancient Greece, etc.) and Slavic traditional culture. The article deals with deciphering the semantics of the ornament of the Mezen spinning wheel as a reflection of the idea of the world of our ancestors. The author's development "The symbolism of the Mezen painting in contemporary art" is given, showing the possibility of using the Mezen ornament at the present stage of the development of artistic culture in art and design. The authors of the article propose to use the ornaments and symbols of Mezeno as decor and prints in modern art and design.


Author(s):  
Mykola Kuzminets ◽  
Kateryna Tyshkevych

Purpose of Research. The purpose of the research is to analyse the influence of contemporary art on the architecture of printed advertising publications as a factor in the development of visual messages with cultural principles of the world perception. Methodology. The methodology of the research is based on the use of a set of tools: axiological approach has allowed to establish patterns of formation, manifestation and development of printed advertising publications, elucidation of the content and value status of design in contemporary art, historical method has been used to establish chronological sequence of formation, formation and development of advertising design architecture. Scientific Novelty. The scientific novelty is to highlight the essence of the architecture of print advertising and the influence of contemporary art on the formation of visual communication. Conclusion. Thus, the authors have defined the communicativeness as the main feature of modern society, the issue of the influence of modern art on the architecture of printed publications. Today, visual messages (any product of graphic design, printed advertising) form stereotypes of behavior in various spheres of life. Works of design, as well as architectural, are close to the forms of modernist art, despite the fact that the design, related to the architectural sense of artistic activity, is separated from architecture and not identical to art. To theoretically substantiate this assumption, we can compare art and design at the level of their creative methods. In addition, art history should be reviewed with specific Ukrainian material, ranging from the peculiarities of the national visual and plastic speech to the peculiarities of Ukraine's integration into the world community in accordance with the Ukrainian mentality.


Author(s):  
Alma Delia Gonzalez-Ramos ◽  
Juan Pablo Ibañez-Bautista ◽  
Nayeli Zamacona-Prado ◽  
Edebaldo Peza-Ortiz

The purpose of this document is to develop a method for assigning IP v4 addressing subnets within a simulated network scenario, using the binary-decimal numbering systems according to the ICN 1 CNACO CCNA curriculum, which will make it possible to streamline times in the allocation of IPs as well as the correct administration of them, The above will allow students of the Higher University Technical Degree in Information Technology in the area of Digital Network Infrastructure at the Fidel Velázquez Technological University to understand the theoretical concepts that They should be used in this area and they are used correctly for their professional performance, this will help them to fulfill the professional competences that are the skills and attitudes that allow the student to develop activities in their professional area, specific competencies such as developing media technology solutions nte the application of network fundamentals, which meet the needs of organizations and the generic competences that their professional profile requires.


Author(s):  
Hallie M. Franks

In the Greek Classical period, the symposium—the social gathering at which male citizens gathered to drink wine and engage in conversation—was held in a room called the andron. From couches set up around the perimeter of the andron, symposiasts looked inward to the room’s center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the specter of Dionysos, the god of wine, riding in his chariot or on the back of a panther. This book takes as its subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, it argues that the andron’s mosaic imagery actively contributed to a complex, metaphorical experience of the symposium. In combination with the ritualized circling of the wine cup from couch to couch around the room and the physiological reaction to wine, the images of mosaic floors called to mind other images, spaces, or experiences, and, in doing so, prompted drinkers to reimagine the symposium as another kind of event—a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.


The nineteenth century saw a new wave of dictionaries, many of which remain household names. Those dictionaries didn’t just store words; they represented imperial ambitions, nationalist passions, religious fervour, and utopian imaginings. The Whole World in a Book explores a period in which globalization, industrialization, and social mobility were changing language in unimaginable ways. Dictionaries in the nineteenth century became more than dictionaries: they were battlefields between prestige languages and lower-status dialects; national icons celebrating the language and literature of the nation-state; and sites of innovative authorship where middle and lower classes, volunteers, women, colonial subjects, the deaf, and missionaries joined the ranks of educated white men in defining how people communicated and understood the world around them. This volume investigates dictionaries in the nineteenth century covering languages as diverse as Canadian French, English, German, Frisian, Japanese, Libras (Brazilian sign language), Manchu, Persian, Quebecois, Russian, Scots, and Yiddish.


Author(s):  
Alec Stone Sweet ◽  
Clare Ryan

The book provides an introduction to Kantian constitutional theory and the European system of rights protection. Part I sets out Kant’s blueprint for achieving Perpetual Peace and constitutional justice within and beyond the nation state. Part II applies these ideas to explain the gradual constitutionalization of a Cosmopolitan Legal Order: a transnational legal system in which justiciable rights are held by individuals; where public officials bear the obligation to fulfil the fundamental rights of all who come within the scope of their jurisdiction; and where domestic and transnational judges supervise how officials act. The authors then describe and assess the European Court’s progressivie approach to both the absolute and qualified rights. Today, the Court is the most active and important rights-protecting court in the world, its jurisprudence a catalyst for the construction of a cosmopolitan constitution in Europe and beyond.


Agronomy ◽  
2021 ◽  
Vol 11 (5) ◽  
pp. 978
Author(s):  
Beatrice Aighewi ◽  
Norbert Maroya ◽  
Lava Kumar ◽  
Morufat Balogun ◽  
Daniel Aihebhoria ◽  
...  

Yam (Dioscorea spp.) is a valuable food security crop in West Africa, where 92% of the world production occurs. The availability of quality seed tubers for increased productivity is a major challenge. In this study, minitubers weighing 1, 3, and 5 g produced from virus-free single-node vine cuttings of two improved yam varieties (Asiedu and Kpamyo) growing in an aeroponics system were assessed for suitability in seed production at a population of 100,000 plants ha−1. A 3 × 2 factorial experiment with randomized complete block design and three replications was set up during the cropping seasons of 2017 to 2019 at the International Institute of Tropical Agriculture Research Station in Kubwa, Abuja, Nigeria. Results showed field establishments of 87%–97.8%. Yields differed with minituber size, variety, and cropping season; the highest was 31.2 t ha−1 in 2019 and the lowest, 10 t ha−1 in 2018 from 5 and 1 g Kpamyo minitubers, respectively. The estimated number of tubers produced per hectare by 1, 3, and 5 g minitubers was 101,296, 112,592, and 130,555, with mean weights per stand of 159.2, 187.3, and 249.4 g, respectively. We recommend using less than 6 g minitubers for seed yam production due to their high multiplication rates.


2021 ◽  
Vol 10 (1) ◽  
pp. 86-109
Author(s):  
Clara Bellamy

This article discusses how Zapatista women have built themselves as transformative political subjects that disrupt the racist, classist, and patriarchal nation-state. It underscores the importance of reflecting on Zapatista women, on their struggle for particular demands specified in the Revolutionary Women’s Law, especially the collective struggle for obtaining rights such as to land, to participate politically, and to organize themselves in the armed struggle. Instead of entering into debate over whether Zapatista women are feminists or not, this article recognizes how, besides transforming living conditions, the Zapatistas have organized politically and gone from a process of invisibility, silence, and obedience to one of recognition, speech, and command. In this sense, the struggle of Zapatista women is an example of theoretical and practical ruptures within the history of class, gender, and race struggled in Mexico and the world.


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