scholarly journals Visões de Lisboa em dissonância: dinâmicas do poder no espaço urbano e escritas em trânsito

Author(s):  
Luca Fazzini

This article aims to analyse the literature produced in Europe and in Portugal in particular, by people in transit, contemporary migrants, focusing on the dissonances present in these texts in relation to the he-gemonic collective imaginary. Considering the urban dynamics and the action of public power in Lisbon, as well as the representation of the city space in contemporary literary texts - including the novel Luanda, Lisboa, Paraíso (2018), by Djaimilia Pereira de Almeida -, this article highlights the relationship between contemporary capitalist development and colonial persistence in the daily life of the city of Lisbon.

Author(s):  
Jordan T. Camp

While many analysts have commented on the representation of 1968 campus events and antiwar demonstrations, less attention has been paid to the global significance of the dramatic struggles in industrial Detroit during the period. The meanings of events in the city were intensely fought over. As Stuart Hall, Chas Critcher, Tony Jefferson, John Clarke, and Brian Roberts observed, the events of 1968 were “an act of collective will, the breaks and ruptures stemming from the rapid expansion in the ideology, culture and civil structures of the new capitalism . . . in the form of a ‘crisis of authority.’” In Detroit the crisis of authority was expressed in the form of popular political struggles against racism, state violence, and the contradictions of life in the industrial capitalist city. This article asks and answers the following research questions about the struggle over the meaning of this decisive turning point in US history: What was the relationship between racial ordering, uneven capitalist development, and mass antiracist and class struggles? How did Black working-class organic intellectuals resist and alter hegemonic definitions of the situation? How are the dialectics of insurgency and counterinsurgency to be best theorized during this precise historical conjuncture? 


2020 ◽  
Vol 52 (4) ◽  
pp. 607-621
Author(s):  
Faedah M. Totah

AbstractThe camp and the city are both important for understanding the relationship between space and identity in the refugee experience of exile. In the Palestinian example, the camp has emerged as a potent symbol in the narrative of exile although only a third of refugees registered with UNRWA live in camps. Moreover, the city and urban refugees remain missing in most of the scholarship on the Palestinian experience with space, exile, and identity. Furthermore, there is little attention to how refugees understand the concept of the city and camp in their daily life. This article examines how Palestinian urban refugees in the Old City of Damascus conceptualized the relationship between the camp and the city. It illustrates how the concept of the camp remained necessary for the construction of their collective national identity while in Syria. However, the city was essential in the articulation of individual desires and establishing social distinction from other refugees. Thus, during a protracted exile it is in the interstice between the city and the camp, where most urban refugees in the Old City situated themselves, that informed their national belonging and personal aspirations.


2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Shirzad Tayefi ◽  
Mohammad Hossein Ramezani Fookulaee

Contrary to the French school of comparative literature, according to which it is merely possible to compare the two written texts in terms of conditions, in the American approach, the adaptation of literary texts to various arts, including cinema, is possible, which leads to a better understanding of literature. Since novels and films have many similarities, they are in many respects similar to each other, and two genres are considered analogous.These commons provide a good ground for discussing a movie from the perspective of a new literary theory and critique, and allow us to use the concepts and terminology we normally know as a tool for discussing the novel to critically explore the structure and art and the themes of the film. On the other hand, in recent years, the term "postmodernism" has been widely criticized about the novel in our country, and many new fiction writers also have a fascination with postmodern style fiction. Therefore, in this research, first, reviewing the views of some of the most important postmodern literature scholars, nineteen techniques used in postmodern novels are explored, and their qualitative method of applying them to Naser al-Dinshah film actor have been investigated.The results of the study show the relationship between literature and cinema (as a visual text) and the ability to compare the two written and visual texts; as many techniques used in the writing of postmodern novels are also with a high frequency have been used in the studied film


2015 ◽  
Vol 40 (1) ◽  
pp. 33-42
Author(s):  
Çılga Resuloğlu ◽  
Elvan Altan Ergut

This paper aims to examine the formation of Kavaklıdere as a ‘modern’ residential district during the 1950s. Contemporary urbanization brought about changes in various regions of Ankara, among which Kavaklıdere emerged as an important location with features that defined a new stage in the development of the identity of the capital city. The construction of houses in this district from the early 1950s onwards was in accordance with new functional requirements resulting from the needs of the contemporary socio-economic context, and exemplified the relationship between architectural approaches and social developments. In line with the rapid urbanization of Ankara throughout the 1950s, daily life in Kavaklıdere was transformed, as experienced in the apartment blocks that were the newly constructed sites of modernization. The contemporary transformation of Kavaklıdere was apparently formal and spatial, with the modernist architectural approach of the period, i.e. the so-called International Style, beginning to dominate in the shaping of its changing character. Nonetheless, the transformation was not only architectural but also social: the characteristics of this part of the city were then defined by structures like these apartment blocks, which brought modernist design features, together with modern ways of living, into wider public use and appreciation. The paper discusses how the identity of Kavaklıdere as a residential district was formed in the context of the mid-twentieth century, when these new residences emerged as pioneering modernist architectural housing, the product of social change, which housed and hence facilitated the ‘modern’ lifestyle of that time.


GEOgraphia ◽  
2021 ◽  
Vol 23 (51) ◽  
Author(s):  
Rafael Roxo

O objetivo deste artigo é analisar a relação entre a reestruturação urbano-industrial e os conflitos na conservação do patrimônio industrial de Campinas. A análise privilegia o final dos anos 1970 até 2014, anos de intensificação dos processos destacados. Nossa pesquisa teve como procedimentos metodológicos: revisão bibliográfica, trabalhos de campo, entrevistas, pesquisa documental, produção cartográfica. O estudo mostra que, em Campinas, o elevado número de tombamentos associados à dimensão cotidiana do trabalho indica uma tendência política de preservação da memória trabalhadora, ferroviária e industrial. Entretanto, muitos dos tombamentos contribuíram contraditoriamente para a deterioração de exemplares do patrimônio industrial da cidade. Nesse sentido, os projetos e as ações impelidas pelos agentes produtores do espaço urbano de Campinas – o poder público municipal, os empresários, os moradores (antigos e novos), as instituições e os grupos políticos de defesa do patrimônio – evidenciam os conflitos pelos usos, funções e apropriação material e simbólica da cidade.  Palavras-chave: reestruturação urbano-industrial; patrimônio cultural; produção do espaço urbano. PRESERVE FOR WHOM? THE CONTRADICTIONS IN THE PRESERVATION OF THE URBAN-INDUSTRIAL HERITAGE IN CAMPINAS (SP) Abstract: The purpose of this article is to analyze the relationship between urban-industrial restructuring and conflicts in the conservation of the industrial heritage of Campinas. The analysis privileges the late 1970s to 2014, years in which the highlighted processes were intensified. As methodological procedures, our research had: bibliographic review, fieldwork, interviews, documentary research, cartographic production. The study shows that, in Campinas, the high number of legally protected buildings associated with the daily dimension of work indicates a political tendency to preserve working, railway and industrial memory. However, many rules contradictorily contributed to the deterioration of specimens of the city's industrial heritage. In this sense, the projects and actions driven by the producing agents of the urban space of Campinas – the municipal public power, the businessmen, the residents (old and new), the institutions and the political groups for the defense of the heritage – evidence the conflicts over the uses, functions and the material and symbolic appropriation of the city. Keywords: urban-industrial restructuring; cultural heritage; urban space production. ¿CONSERVAR PARA QUIÉN? LAS CONTRADICCIONES EN LA PRESERVACIÓN DEL PATRIMONIO URBANO-INDUSTRIAL EN CAMPINAS (SP) Resumen: El propósito de este artículo es analizar la relación entre la reestructuración urbano-industrial y los conflictos en la conservación del patrimonio industrial de Campinas. El análisis privilegia los últimos años de la década de 1970 hasta 2014, años de intensificación de los procesos destacados. Nuestra investigación tuvo como procedimientos metodológicos: revisión bibliográfica, trabajo de campo, entrevistas, investigación documental, producción cartográfica. El estudio muestra que, en Campinas, el elevado número de edificios legalmente protegidos asociados a la dimensión cotidiana del trabajo indica una tendencia política a preservar la memoria laboral, ferroviaria e industrial. Sin embargo, muchas de las normas han contribuido de forma contradictoria al deterioro de ejemplares del patrimonio industrial de la ciudad. En este sentido, los proyectos y acciones impulsados ​​por los agentes productores del espacio urbano de Campinas – el poder público municipal, los empresarios, los vecinos (viejos y nuevos), las instituciones y los grupos políticos de defensa del patrimonio – evidencian los conflictos por los usos, funciones y apropiación material y simbólica de la ciudad. Palabras clave: reestructuración urbano-industrial; patrimonio cultural; producción de espacio urbano.


Author(s):  
Swati Arora

I discuss the walking practice of Delhi-based artist Mallika Taneja in the context of its engagement with, and intervention in, the contemporary conversations on sexualised violence, gender, space and mobility in India. Taneja’s work is part of a variety of feminist activism to take place in India since the horrific gang rape of Jyoti Singh in Delhi in December 2012. Taneja organises regular midnight walks in various parts of the city, which are advertised via social media. This essay explores the significance of walking as a pedagogical tool to understand the relationship between gender, city, space and mobility in Delhi. When conversations on sexualized violence are accelerating in the wake of #MeToo, I examine the contours of embodied knowledge practices enabled by collective walking by women at midnight. I discuss how walking-based methodologies allow for a learning process that is lived, somatic, and personal and which is rooted in specific spatial contexts based on listening and care. Using an intersectional perspective that pays close attention to the role of region, class, caste, sexuality and ethnicity (Mohanty, 2013), this essay is also a prompt against a unified theory of gender, safety, and mobility.


2020 ◽  
Vol 4 (2) ◽  
pp. 167-179
Author(s):  
Fan Fang ◽  
Zhixiang Gao

AbstractThe memory of judgment and the Holocaust is of great interest in postmodernists’ writings. The relationship between postmodernism and the Holocaust is always paradoxically juxtaposed. William Gass, an American postmodern writer and critic, touches the topic of the Holocaust in his masterpiece Middle C (2013). Gass tends to trivialize fascism to every man and every ordinary life, to disrespect the “sacred”. The novel has the skill in faking the identity or the details of its putative history. Is the Holocaust a subcategory of war crimes or the inhumanity of genocide? Is there any reliable way of establishing the reality of the Holocaust either through the memory of groups or individuals? Are genocide and occasional or no systematic atrocities the inevitability of a state? In this paper, we tend to explore the collective memory and individual memory of witnesses of the Holocaust presented in Middle C and the puzzlement of judgment as a war crime or inhuman genocide, thus arguing the ethos of history and shock of mediocrity in our daily life.


2021 ◽  
Vol 11 (4) ◽  
pp. 301-311
Author(s):  
Tatiana Martsinkovskaya ◽  

The article considers various aspects of urban everyday life, its role in the development of motivation and individualization of human life strategies. The concept of urban capital is introduced and its forms, which positively and negatively affect the formation of the features of urban everyday life, are revealed. The levels of urban capital, which allow to explore the individual style of urban socialization are highlighted. Furthermore, the relationship between urban identity and the internal form of the city chronotope is analyzed. It is shown that common to all variants of human positioning in the city space is the identification or attitude to various aspects of urban capital — localization, city status, social and ecological environment. It is proved that the main difference between these concepts is in the focusing of urban identity (as well as in a sharper form of urban capital) on the external parameters of the city environment, while the internal form of the urban chronotope emphasizes the inner feeling of a person, his own experience in certain places and time in a particular cityscape. This difference indicates the role of the personal chronotope, its internal form in the self-development and self-realization of a person and the connection with existence, intentionality of the personality. The similarity of the concepts of individual chronotope and small chronotope is shown; their influence on the development of the plot (in literature) and the structuring of the human world (in psychology) is analyzed. The relationship between individual parameters of the internal form of a personal chronotope as well as places and times in a small chronotope in their role in restructuring the large chronotope of a city into the human world is examined.


2020 ◽  
Vol 26 (4) ◽  
pp. 676-696
Author(s):  
Sandra Jovchelovitch ◽  
Maria Cecilia Dedios Sanguineti ◽  
Mara Nogueira ◽  
Jacqueline Priego-Hernández

We focus on the notion of borders to explore how mobility and immobility in the city affect the relationship between human development and urban culture. We define borders as a relational space made of territoriality, representations and different possibilities of mobility and immobility. Drawing on research in the favelas of Rio de Janeiro, we suggest a systematic approach to the analysis of borders and identify the socio-institutional, spatial and symbolic elements that make them more or less porous and thus more or less amenable to human mobility. We highlight the association between porosity in city borders and human development and illustrate the model contrasting two favela communities in Rio de Janeiro. We show that participation in the socio-cultural environment by favela grassroots organisations increases the porosity of internal city borders and contributes to the development of self, communities and the city. To focus on borders, their different elements and levels of porosity means to address simultaneously the psychosocial and cultural layers of urban spaces and the novel ways through which grassroots social actors develop themselves through participation and semiotic reconstruction of the socio-cultural environment.


Urban History ◽  
2015 ◽  
Vol 43 (2) ◽  
pp. 200-214
Author(s):  
VINCENT DENIS ◽  
VINCENT MILLIOT ◽  
CHIARA LUCREZIO MONTICELLI

ABSTRACT:The articles gathered here aim at outlining a complex view of the relationship between cities in a state of ‘crisis’ and changes to policing systems, in a period marked by rapid urbanization and industrialization. They explore the connections between the rhythms of urban change and the changes in the institutions responsible for policing the city. This introduction defines ‘urban crisis’ as a brief paroxysm and a way of describing rapid urban change that is considered problematic especially in terms of social control. It examines three sets of issues to highlight the relationships between policing powers and urban dynamics: first, how the police managed to handle unforeseen, traumatic events in emergency situations; second, how the police forces tried to legitimize their status through their understanding and control of urban dynamics; and third, how the police used the discourse of urban crisis they helped to produce, as a tool for their own ends.


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