scholarly journals A participação da comunidade no estudo das práticas devocionais e culturais da Foz do Douro

Author(s):  
Marisa Pereira Santos

The definition of cultural heritage brings together the several elements of culture and makes us reflect on cultural practices that go beyond the built and artistic heritage. In fact, culture is a universal phenomenon that can arise anywhere and in any time as long as human presence exists. In the process of identifying and valuing the heritage asset, the community participation is essential, which is an active agent in the heritage co-production. When an investigator studies a particular material or immaterial asset, it is essential to understand its current framework within the community to which it belongs. This is only achieved if it is involved in the process of researching, valuing and safeguarding the good. Not infrequently it is the community that provides the researcher with essential sources through interviews, that allow the registration of oral memory, and often unpublished written and visual documentation. Such participation is clearly evident in the current process of investigation of Foz do Douro's cultural and devotional practices. This chapter intends to make known the involvement of this community in the study, in particular, of the Procession of Senhor dos Passos, the S. Bartolomeu Parade and the Foz do Douro Martial Band, whose members are also witnesses of the history of the group.

2011 ◽  
Vol 18 (2) ◽  
pp. 179-200 ◽  
Author(s):  
Emma Lees

AbstractThis article considers the measures being taken in Bhutan to support the cultural practices and traditions of weaving as Bhutan rapidly moves to modernize. Woven cloth is one of a number of artisan practices in Bhutan that contribute to a unique body of intangible cultural heritage, and a distinctive and instantly recognizable Bhutanese identity. Cloth and cloth production have come to have significant influence on the cultural, socioeconomic and political, as well as the ceremonial and religious life of the people of Bhutan. However with modernization and an increasingly global outlook, many socioeconomic transformations are taking place, challenging traditional cultural practices to remain relevant and viable to younger generations. Bhutan offers a unique case study as a country engaging only relatively recently with globalization after a long history of cultural isolation. Bhutan also offers up a unique policy response to modernization, its Gross National Happiness (GNH) measure, which attempts to embody a strong social, cultural, and environmental imperative within the development process. This article will analyze the various measures taking place to maintain cultural identity and cultural practices within the context of development policy and practice, and will link this discussion to measures and approaches taking place at an international level by agencies such as UNESCO.


2021 ◽  
Vol 02 (09) ◽  
pp. 117-122
Author(s):  
Dilorom Shabonovna Fayziyeva ◽  

This article gives a brief overview of the life, manuscripts, and works of Yusuf Hamadoni, who contributed to the spread of the Khojaly sect. Through this information, we are exploring our history and cultural heritage, as well as promoting the teachings of Naqshbandi, the information given in these manuscripts is the most valuable information about the “Khojagon sect” and its pir today. At the same time, it is more important than ever that the books published today have a deeper content and a better style. This, in turn, leads to clear conclusions about changes in the manuscripts, eliminating errors and confusions in sentences and phrases. As a result, the quality and weight of research on manuscripts written in the last century will increase. Addressing these shortcomings has become one of the most pressing issues today. Issues such as the problem of the history of the text of written sources in the early days of the Khojagon sect and the definition of the scientific and theoretical basis of the text of these works are the features that determine its relevance today. In particular, it is necessary to acquaint our people, especially our youth, with the beliefs and views of Abdukhalik Gijduvani, Khoja Arif Revgari, Khoja Ali Romitani in these manuscript sources.


Pravovedenie ◽  
2020 ◽  
Vol 64 (1) ◽  
pp. 23-34
Author(s):  
Valentina L. Zingari ◽  

According to the Convention for the Safeguarding of Intangible Cultural Heritage (ICH), social actors are at the core of the ICH. Article 2 proposes a subjective, creative and dynamic definition of heritage based on community, groups and individuals (CGIs), highlighting a spiritual connection: ICH safeguarding must respect the “sense of identity and continuity” of CGIs — the main actors in the process of heritage transmission. This community-based vision of heritage is developed in the text of the Convention, the Operational Directives, and reinforced since 2016 by the Twelve Ethical principles introduced in the Basic Texts. A Convention is much more than a text: it determines political, social and cultural contexts, as well as processes of change. A normative tool conceived as guidelines for governments, permeates social life, becoming a framework for the actions and evolution of civil society. This article reflects on the following case study: the “Tocatì Programme for the Safeguarding of Traditional Games and Sports” (TGS). The programme started in Verona, Italy in 2003, connecting a network of communities and building relationships through the organization of an international event: The “Tocatì Festival of Games in the Streets”. From the beginning, this social movement has strengthened the support of institutions at different levels, connecting people, communities and living traditions with representatives of institutions, researchers, artists and policymakers. The cultural association coordinating Tocatì, Associazione Giochi Antichi (AGA) met the UNESCO ICH Convention in 2007. The author examines what has changed in the framework of the Convention in regard to the history of a community-based process and how the Tocatì experience contributes to the effective implementation of the Convention today. An attempt is made to identify the key factors, actors and steps of the Tocatì cultural, social and political process. This is a story that improves our understanding of the role of civil society in the complex, often conflictual and powerful dynamic of heritage-making.


The field of cultural heritage is no longer solely dependent on the expertise of art and architectural historians, archaeologists, conservators, curators, and site and museum administrators. It has dramatically expanded across disciplinary boundaries and social contexts, with even the basic definition of what constitutes cultural heritage being widened far beyond the traditional categories of architecture, artifacts, archives, and art. Heritage now includes vernacular architecture, intangible cultural practices, knowledge, and language, performances, and rituals, as well as cultural landscapes. Heritage has also become increasingly entangled with the broader social, political, and economic contexts in which heritage is created, managed, transmitted, protected, or even destroyed. Heritage protection now encompasses a growing set of methodological approaches whose objectives are not necessarily focused upon the maintenance of material fabric, which has traditionally been cultural heritage’s primary concern. This handbook charts some of the major sites of convergence between the humanities and the social sciences—where new disciplinary perspectives are being brought to bear on heritage. These convergences have the potential to provide the inter-disciplinary expertise needed not only to critique but also to achieve the intertwined intellectual, political, and socio-economic goals of cultural heritage in the twenty-first century. This volume highlights the potential contributions of development studies, political science, anthropology, management studies, human geography, ecology, psychology, sociology, cognitive studies, and education to heritage studies and management.


2015 ◽  
Vol 18 (1) ◽  
pp. 47-63
Author(s):  
Manh Duc Pham ◽  
Chien Ngoc Do

This paper introduces Memorial Tombs in the context of memorial compound tomb types for the aristocrat of the Nguyen Dynasty (1802- 1945) in Southern Vietnam in The Medieval and Post-Medieval Time. This type was of rare tangible and intangible cultural heritage at the time (1.5%). These heritage assets are very valuable because they are associated with historical figures – “state founders, meritorious officials” in country expansion time “The Great South Unification (Dai Nam Nhat thong)”. In addition to the typical complex of mausoleums in Southern Vietnam (Nguyen Huu Canh, 1650-1700; Le Van Duyet, 1763-1832; Le Van Phong, Truong Tan Buu, 1752-1827 or Tran Van Hoc, Phan Tan Huynh, Huynh Van Tu, and "Sir Nhieu Loc"), the authors studied Vo Tanh mausoleum at both Hoang De (emperor) and Gia Dinh (emperor) citadels, and the mausoleum of his warmates related to the last and biggest-scaled sea fight between the Nguyen dynasty’s army and the Tay Son insurgent army on Thi Nai lagoon in 1801 (Vo Di Nguy, 1745-1801; Ngo Tung Chau; Thu Ngoc Hau, etc.). In our opinion, the presence of memorial tomb types of Vo Tanh and his warmates – historic-cultural-artistic heritage sites of national/provincial levels in Southern Vietnam relating the honoring of heroes who “wholeheartedly served the King, defended the country, saved the people” in the history of country expansion “Towards the South” in medieval and post-medieval times. They contribute to the moulding of prominent features of the comtemporary Southerners’ personality. Those historical stories of the Southern heroes are preserved and worshipped by their descendants bearing in mind the Vietnamese way of life “praising the bridge carrying one over” and pay homage to ancestors for their nation-building service.


2018 ◽  
Vol 28 ◽  
pp. 1-32 ◽  
Author(s):  
Ove Eriksson

There is currently a growing concern that biocultural heritage is threatened in many landscapes. This paper focuses on biological cultural heritage, broadly meaning biological cultural traces that are considered as heritage, but leaving out other aspects of the biocultural heritage concept. An operational definition of biological cultural heritage (BCH) is suggested, based on niche construction theory: “biological manifestations of culture, reflecting indirect or intentional effects, or domesticated landscapes, resulting from historical human niche construction”. Some factors that influence recognition of BCH are discussed, using a comparison between Swedish open to semi-open vs. forested landscapes. While the former landscapes are generally associated with biological cultural values, BCH is generally over-looked in forests. Two main reasons for this are suggested: loss of cultural memory and a perception of forests as wilderness. A conclusion is that recognition of BCH is essential for guiding development of biological conservation programmes in forests, irrespective of whether the conservation goal is to focus on culturally impacted forests or to conserve what is considered as close to pristine forests. Furthermore, recognising BCH in forests will promote interest and learning of the history of forests and their values and will be informative for developing conservation programmes for all biota in forests, not only those that historically were favoured by culture. Hence, there is no inherent conflict between preserving relatively untouched forests and those with remaining traces of pre-industrial forest management. The recognition of BCH in forests will inspire and promote further integration of cultural and natural heritage research.


Bastina ◽  
2021 ◽  
pp. 55-80
Author(s):  
Ana Mumović

The paper discusses five monographs by Jovan Deretić, which the author considers "accompanying books" of his History of Serbian Literature. These are: Marko Kraljević's riddle - about the nature of historicity in Serbian folk epics, The path of Serbian literature - identity, borders, aspirations, Poetics of Serbian literature, Serbian folk epics and Etudes from old Serbian literature. In this paper, we analyze them as a contribution to the interpretation of the History of Serbian Literature, the most comprehensive history of literature in Serbian science to the extent that they are important as proof of Deretić's great synthesis and consideration of the function of literary criticism in Serbian culture. An important definition of the "accompanying books" is provided by the author in their prefaces and notes. It is summarized in the theoretical and applied level in the process of considering important issues of Serbian literary history: periodization and classification of literature, poetic or historical determinants and the significance of particular epochs, writers, or genres. A review of the critical evaluation of Serbian literature and historical and cultural heritage in the accompanying books shows that Deretić pragmatized his scientific thought and reaffirmed literary criticism, directing it "for the benefit of the people". This means that he gave it a practical and social function and intended it "for a distant generation".


2013 ◽  
Vol 24 (2) ◽  
pp. 87-115 ◽  
Author(s):  
Anne Malena

This paper explores two interrelated problems of method of concern to translation historians and that are part of the overarching issue of interdisciplinarity. The first has to do with conflicting methods used in history and the second with deciding whether or not it is necessary for a translation scholar to define her or his philosophical position with regards to history. This article is part of a book project on the history of translation in Louisiana, which has been understudied. The writing of a translation history implies the act of rendering visible what has been obscured by the official grand narrative of History, or what Nietzsche called “monumental” history. To look for translation where officially there was none, or very little, amounts to search for multiple histories of people who do not necessarily fit into the dominant definition of what it means to be American, because they spoke languages other than English and adhered to cultural practices that resisted melting into the common pot. From this perspective history is viewed as discourse because, very much like translation, it is made up of language, seen as living matter shaped and manipulated by power relations. The focus of the study is two local 19th-century historians from Louisiana who repeatedly doubled up as translators—from French to English and back into French—to produce histories of Louisiana. The conclusion states that translation historians are first historiographers, imbued with all the disciplinary and ethical responsibilities that entails. Since historiography forms a nexus for history and translation, it is not only necessary to theorize both but also to develop methods that can be integral to both.


2021 ◽  
Vol 14 (3) ◽  
pp. 14
Author(s):  
Manola Maria ◽  
Angelopoulos Marios

The purpose of this paper is to present the phenomenon of wine-making in Greece and Italy. To highlight the characteristics of wine tourism in those countries either positive or negative. Also the “Road of wine” in both countries is analyzed and the way they manage this event to welcome tourists and locals who want to learn more things about local wine. The first section analyzes the definition of tourism, tourist incentive, forms of alternative tourism and the consequences arising from tourism on the economy and society. The second section analyzes the history of wine in Greece and Italy. Immediately after, the classification of the wine is developed based on the aging time but also based on the color. The concept of wine tourism and its goals are also being developed. The third section mentions the routes of the Peloponnese in general and in particular which wineries and which places / islands take part in the event. Immediately after, the routes of wineries of Achaia are analyzed in the event “Wine Road”. Then it is mentioned how the event “Wine Road” started in Italy and especially in Venice. Keywords: Cultural heritage, Wine history, Italy, Greece, Culture,  Wine roads .


Author(s):  
Sergey Vasil'ev ◽  
Vyacheslav Schedrin ◽  
Aleksandra Slabunova ◽  
Vladimir Slabunov

The aim of the research is a retrospective analysis of the history and stages of development of digital land reclamation in Russia, the definition of «Digital land reclamation» and trends in its further development. In the framework of the retrospective analysis the main stages of melioration formation are determined. To achieve the maximum effect of the «digital reclamation» requires full cooperation of practical experience and scientific potential accumulated throughout the history of the reclamation complex, and the latest achievements of science and technology, which is currently possible only through the full digitalization of reclamation activities. The introduction of «digital reclamation» will achieve greater potential and effect in the modernization of the reclamation industry in the «hightech industry», through the use of innovative developments and optimal management decisions.


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