scholarly journals Editorial Strategies of Hungarian Women Editors in the Second Half of the Nineteenth Century

2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Petra Bozsoki
Keyword(s):  
Nineteenth Century ◽  
Female Group ◽  
Women Readers ◽  
Group Consciousness ◽  
Women Editors ◽  
Significant Research ◽  
History Of ◽  
History Of Journalism ◽  
History Of Literature ◽  
Editorial Strategies

While significant research has been done on periodicals for women readers published in Hungary in the second half of the nineteenth century, little is known about the editors of these periodicals. This article offers a brief discussion of how Hungarian women’s editorial strategies differed from those adopted by their male colleagues. It argues that although periodicals edited by women tended to feature more female literary authors than those edited by men, they generally had no aim of creating a female group consciousness. The essay then goes on to focus on one significant exception, the first periodical edited by a woman in the Austro-Hungarian Monarchy, Emília Kánya's (1828–1905) Családi Kör [Family Circle] (1860–80), which, on the contrary, connected its marketing strategy with female community building. The analysis draws on insights from the fields of women’s studies, history of literature, and history of journalism.

scholarly journals The Reception of Petrarch’s Africa in Fascist Italy

2021 ◽  
Author(s):  
Samuel Asad Abijuwa Agbamu
Keyword(s):  
Nineteenth Century ◽  
Roman Empire ◽  
Fourteenth Century ◽  
Critical Edition ◽  
Classical Scholar ◽  
Italian Fascism ◽  
Second Punic War ◽  
History Of ◽  
History Of Literature

AbstractIn his 1877 Storia della letteratura (History of Literature), Luigi Settembrini wrote that Petrarch’s fourteenth-century poem, the Africa, ‘is forgotten …; very few have read it, and it was judged—I don’t know when and by whom—a paltry thing’. Yet, just four decades later, the early Renaissance poet’s epic of the Second Punic War, written in Latin hexameters, was being promoted as the national poem of Italy by eminent classical scholar, Nicola Festa, who published the only critical edition of the epic in 1926. This article uncovers the hitherto untold story of the revival of Petrarch’s poetic retelling of Scipio’s defeat of Hannibal in Fascist Italy, and its role in promoting ideas of nation and empire during the Fascist period in Italy. After briefly outlining the Africa’s increasing popularity in the nineteenth century, I consider some key publications that contributed to the revival of the poem under Fascism. I proceed chronologically to show how the Africa was shaped into a poem of the Italian nation, and later, after Italy’s invasion of Ethiopia, of Italy’s new Roman Empire. I suggest that the contestations over the significance of the Africa during the Fascist period, over whether it was a national poem of Roman revival or a poem of the universal ideal of empire, demonstrate more profound tensions in how Italian Fascism saw itself.

Corruption and Redemption: The Legend of Valluvar and Tamil Literary History

2000 ◽  
Vol 34 (2) ◽  
pp. 449-482 ◽  
Author(s):  
Stuart Blackburn
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Language Ideologies ◽  
Cultural Identities ◽  
Colonial India ◽  
Literary Historiography ◽  
The Past ◽  
History Of ◽  
Literary Histories ◽  
History Of Literature

This [the Valluvar legend] is one of the traditions which are so repugnant to inveterate popular prejudice that they appear too strange for fiction, and are probably founded on fact. (Robert Caldwell 1875:132).If we now recognize that literary history is more than a history of literature, it is perhaps less widely accepted that the writing of literary history is an important subject for literary historiography. Yet literary histories are a rich source for understanding local conceptions of both history and literature. More accessible than archaeology, more tangible than ethnology, literary histories are culturally constructed narratives in which the past is reimagined in the light of contemporary concerns. Certainly in nineteenth-century India, the focus of this essay, literary history was seized upon as evidence to be advanced in the major debates of the time; cultural identities, language ideologies, civilization hierarchies and nationalism were all asserted and challenged through literary histories in colonial India. Asserted and challenged by Europeans, as well as Indians.

scholarly journals As mulheres e a afirmação histórica da profissão jornalística: contributos para uma não-ossificação da História do jornalismo.

2012 ◽  
Vol 21 ◽  
pp. 165-182
Author(s):  
Maria João Silveirinha
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Twentieth Century ◽  
Early Stage ◽  
The United States ◽  
Industrial Activities ◽  
Female Journalists ◽  
History Of ◽  
History Of Journalism ◽  
Almost All

The place and role that women played in the history of journalism is still, amongst us, quite invisible and unquestioned. In the spirit of not only documenting, but theorizing history, the text aims to consider the intersection of the early stages of journalism as a profession with the entrance of the first women in the profession, and revisits the national and international press in the nineteenth century and the turn to the twentieth century, recalling the papers and female journalists of the time. As with almost all industrial activities, women were strongly sidelined in the early stage of industrialization of journalism in the terms under which it was defined. Learning about the experiences that make up the affirmation of journalism as a profession not only in Portugal but also in countries such as France, England or the United States establishes knowledge of a bodily and gendered experience. Assigning gender to the news, as it was originally defined, extends the range of problems we study and allows a deeper understanding not only of what may or may not be journalism, but also of a set of transnational problems and issues shared by women in their historical relations with the profession.

Modern Arabic Literature as Seen in the Late Nineteenth Century: Jurji Murqus’s Contribution to Korsh and Kirpichnikov’s Vseobshchaya Istoriya Literatury*

2015 ◽  
Author(s):  
Hilary Kilpatrick
Keyword(s):  
Nineteenth Century ◽  
Travel Writing ◽  
Arabic Language ◽  
Arabic Literature ◽  
Late Nineteenth Century ◽  
History Of ◽  
Late Nineteenth ◽  
The University ◽  
History Of Literature ◽  
Modern Arabic

This chapter discusses modern Arabic literature as seen in the late nineteenth century by focusing on Jurji Ibrahim Murqus's contribution to Vseobshchaya Istoriya literatury (Universal History of Literature), edited by V. F. Korsh and A. I. Kirpichnikov. Murqus was a Syrian academic migrant who left Damascus in 1860. He studied at the Faculty of Oriental Languages of the University of St Petersburg and taught Arabic at the Lazarev Institute of Oriental Languages in Moscow. This chapter presents a slightly abridged rendering of Murqus's text, which concentrates on the evolution of the Arabic language, on prose writers and on translators. It also considers Murqus's position where prose genres are concerned, with particular emphasis on his recognition of the significance of travel writing, as well as his views on translation. Finally, it suggests that Mustafa Badawi would have disputed some of Murqus's statements on sound scholarly grounds.

Edward Lear

2019 ◽  
Vol 12 (2) ◽  
pp. 17-44
Author(s):  
Marco Graziosi
Keyword(s):  
Nineteenth Century ◽  
Travel Writing ◽  
Graphic Narrative ◽  
History Of ◽  
Comic Art ◽  
History Of Literature ◽  
The Relationship ◽  
Picture Stories

Edward Lear has secured a prominent position in the history of literature and travel writing thanks to his nonsense books and his journals; he is considered one of the most innovative zoological illustrators of the nineteenth century and is being rediscovered as a landscape painter in watercolour and oil. This article argues that he also deserves to be remembered among the precursors of modern comic art. His picture stories, though never published in his lifetime, represent an early instance of autobiographical graphic narrative, while his limericks, never out of print since 1861, introduced a radically innovative caricatural style and a conception of the relationship between pictures and text that strongly influenced modern comic artists.

On the Methodology of Journal (Almanac) Context Study

2021 ◽  
pp. 40-56
Author(s):  
Alexey A. Gaponenkov ◽  
◽  
Yulia S. Romaykina ◽  
Keyword(s):  
Print Media ◽  
Editorial Policy ◽  
Cross Cultural ◽  
Practical Implementation ◽  
History Of ◽  
History Of Journalism ◽  
History Of Literature ◽  
Context Theory

The study considers theoretical and practical aspects of journal (almanac) context methodology. The study of the print media raises the issue of integrity and indivisibility between the history of journalism and the history of literature. The article proposes the fundamental principles of journal (almanac) context theory based on the context division into external and internal, textual and non-textual ones, revealing the media’s editorial policy. The article gives examples of the practical implementation of the proposed theory for a certain press organ study. The conclusion reached is that there is a need for a complex journal or almanac-focused study (specifically historical and cross-cultural).

scholarly journals Mary Howitt and Howitt's Journal (1847–48)

2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Joanne Shattock
Keyword(s):  
Nineteenth Century ◽  
Print Culture ◽  
Social Issues ◽  
Methodological Issue ◽  
Political Agenda ◽  
Women Editors ◽  
Rare Phenomenon ◽  
The World ◽  
History Of ◽  
New Evidence

This article examines a rare phenomenon in nineteenth-century British print culture, a periodical jointly edited by a husband and wife team. Howitt’s Journal, a weekly miscellany with a progressive political agenda, ran for only eighteen months from January 1847 to June 1848, edited by William and Mary Howitt. The history of Howitt’s Journal is particularly relevant to the question of women’s agency in the world of periodicals, the ways in which women editors could have a public voice and engage in debate on political and social issues. One methodological issue the article raises is how we assess an editor’s contribution to any publication, the nature of their input, and the extent to which they drive the agenda. In the case of a joint editorship, how do we identify the contributions and responsibilities of each editor? The paper is based on an examination of Mary Howitt’s unpublished letters in the Houghton Library, Harvard, which provide new evidence of the extent of her involvement in the Journal. It tests the Howitts’ editorial style, and Mary’s in particular, against theories of editorship put forward by Patten and Finkelstein (2006) and Matthew Philpotts (2012) and suggests that these models of editorship are essentially masculine.

A history of some fruit models in wax and other materials: scientific teaching aids and courtly table decorations

2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck
Keyword(s):  
Nineteenth Century ◽  
Fruit Trees ◽  
Visual Aids ◽  
Early Nineteenth Century ◽  
Teaching Aids ◽  
Scientific Teaching ◽  
Glass Marble ◽  
History Of ◽  
By Products ◽  
Wax Models

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.

Adam Zalužanský’s “De sexu plantarum” (1592): an early pioneering chapter on plant sexuality

2013 ◽  
Vol 40 (2) ◽  
pp. 244-256 ◽  
Author(s):  
Holger Funk
Keyword(s):  
Nineteenth Century ◽  
English Translation ◽  
History Of Botany ◽  
Main Work ◽  
Botanical History ◽  
History Of ◽  
The University ◽  
First Time

In the history of botany, Adam Zalužanský (d. 1613), a Bohemian physician, apothecary, botanist and professor at the University of Prague, is a little-known personality. Linnaeus's first biographers, for example, only knew Zalužanský from hearsay and suspected he was a native of Poland. This ignorance still pervades botanical history. Zalužanský is mentioned only peripherally or not at all. As late as the nineteenth century, a researcher would be unaware that Zalužanský’s main work Methodi herbariae libri tres actually existed in two editions from two different publishers (1592, Prague; 1604, Frankfurt). This paper introduces the life and work of Zalužanský. Special attention is paid to the chapter “De sexu plantarum” of Zalužanský’s Methodus, in which, more than one hundred years before the well-known De sexu plantarum epistola of R. J. Camerarius, the sexuality of plants is suggested. Additionally, for the first time, an English translation of Zalužanský’s chapter on plant sexuality is provided.

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