scholarly journals Breaking the Silence: A Testimonial of Resistance to Jewish Invisibility in Simone Veil’s Une jeunesse au temps de la Shoah

2021 ◽  
Vol 10 ◽  
pp. 41-60
Author(s):  
Nancy M. Arenberg

Simone Veil had a remarkable career as a public figure in France, but her personal life was shrouded in profound trauma as a victim of the Holocaust. Veil’s autobiographical narrative reveals a unique form of testimonial writing in which she uses her agency, as a survivor, to demonstrate resistance to Jewish absence and ‘otherness’. As will be shown, a close study of the writer’s autobiography reveals a multilayered text in which the author acts as a spokeswoman for the victims to impart global awareness of the Shoah, especially to young people. This essay will focus on the pedagogical objective of Veil’s memoir, the impossibility of conveying unimaginable suffering, and the power of feminine solidarity as a survival strategy. The latter part of the analysis will broaden the perspective, with emphasis on how writing a testimonial narrative serves as a way in which the autobiographer can recover the shattered self.

Humanities ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 12
Author(s):  
Rachel F. Brenner

To appraise Martel’s non-Jewish perspective of Holocaust thematic, it is important to assess it in the context of the Jewish relations with the Holocaust. Even though the Jewish claim to the uniqueness of the Holocaust has been disputed since the end of the war especially in Eastern Europe, the Jewish response determined to a large extent the reception of the disaster on the global scene. On a family level, the children of survivors have identified themselves as the legitimate heirs of the unknowable experience of their parents. On a collective level, the decree of Jewish annihilation constructed a Jewish identity that imposed an obligation to keep the Holocaust memory in the consciousness of the world. Martel proposes to supersede the history of the Holocaust with a story which would downplay the Jewish filiation with the Holocaust, elicit an affiliative response to the event of the non-Jewish writer and consequently integrate it into the memory of humanity at large. However, the Holocaust theme of Beatrice and Virgil refuses to assimilate within the general memory of humanity; rather, the consciousness of the event, which pervades the post-Holocaust world, insists on its constant presence. The omnipresence of the Holocaust blurs the distinctions between the filiative (Jewish) and affiliative (non-Jewish) attitudes toward the Jewish tragedy, gripping the writer in its transcendent horror. Disregarding his ethnic or religious origins, the Holocaust takes over the writer’s personal life and determines his story.


2014 ◽  
pp. 541-665
Author(s):  
Magdalena Łukasiuk ◽  

How is the memory of the Holocaust and Auschwitz seen today among young Poles and Germans, is it different from that of the past? What are the differences in the memory space and education about the Holocaust between the two countries, and what do they have in common? The article is based on three pillars, and what served as foundations for them was a survey conducted with Polish and German youth in late April and May 2013, immediately after their visit to the Auschwitz-Birkenau. The first part concerns the individual and family memory of young people from Poland and Germany, who came to the Memorial and Museum of Auschwitz-Birkenau (MMA-B); there are also issues related to the intergenerational transmission of war fate of the relatives. The second pillar takes on teaching about the Holocaust at school and the evaluation of historical education from the student’s point of view. There are presented the opinions of many historians, teachers and educators struggling with the effects of the reform of history teaching. The third and most extensive part of the article presents the issues related to historical education in the memorial site and young people confronting their past experience, knowledge, notions with the authenticity of MMA-B. Fundamental questions has been raised about the sense of maintaining authenticity of the memorial site and the reason that makes the memory of the Holocaust such an important task for future generations.


2013 ◽  
Vol 1 (1-2) ◽  
pp. 217-233

This paper focuses on Ecoweek, an environmental project for young people in Moldova, in order to explore the themes of post-Soviet cultural identity construction and the adaptation of Western ideas to local contexts. It considers how Ecoweek participants’ establishment of international connections allowed them to create an environmentalism that was cosmopolitan, yet distinctly Moldovan. Their approach reflects the strong global awareness of many urban young people in Moldova, who often look outside of the country for opportunities. The paper argues that students’ participation in the project was related not just to a determination to solve environmental problems, but also to a desire to be part of a global trend, to gain experience, and to make useful contacts. Moreover, it suggests that the same factors leading the students to produce a globally informed environmentalism also made it difficult to build a lasting movement


Author(s):  
Tony Williams

Taking the tributes made to Dickens at the end of his life as its starting point, this chapter seeks to explore ways in which Dickens was regarded by his public and the range of opportunities which existed to create that image. It considers his association with Christmas, his relation with his reading public, his journalism and editing of two major periodicals, his social awareness and philanthropic involvement, his performance in public readings and giving speeches, and his cultivation of his public image through prefaces, addresses, and correspondence. Many people felt he was personally known to them. But alongside this sense of him that he cultivated throughout his lifetime ran a depth of privacy and indeed secrecy about certain aspects of his personal life only partially revealed posthumously by his designated biographer, John Forster. The connections and disconnections between his public life and his private one continue to be subjects for further study.


Part 1 tells ten stories of young people who chose to be civil rights lawyers. Part 1 includes chapters 1, “Children of the South,” and chapter 2, “Children of the North.” Some of the lawyers were children of the South. All had grown up in a completely segregated society. For blacks, the opportunity to challenge the status quo they had always known contained a large measure of personal and cultural gratification and moral outrage. For whites, the evolution was one of a growing conviction of the immorality of the system that had nurtured them. Some of the lawyers were children of the North. Through a variety of experiences, they caught the fever of the civil rights movement in the Deep South and came south to help make changes. Some were Jews whose feelings were informed by the Holocaust. Some were blacks who had had a big enough taste of racism in the North to be lured into the rapidly changing South. For young lawyers from both the North and the South, their experience was materially impacted by their race


Author(s):  
Evgeny Finkel

This chapter examines evasion—an attempt to escape persecution by hiding, emigrating, or assuming a false identity—as a Jewish survival strategy during the Holocaust. It compares evasion patterns in Minsk, Kraków, and Białystok and considers which factors were the most important in contributing to the Jews' decision to evade. There were people who helped the Jews in their quest for evasion. If Jews were helped because of the rescuers' personality traits, psychology, and humanistic worldviews, then there should not be any noticeable patterns in who exactly was rescued and sheltered. The chapter shows that the rescuers, even if guided by altruism, tended to help Jews they knew personally. The chapter also explores how human and physical geography influences the adoption (if not always the success) of the evasion strategy.


Author(s):  
Gregor Gall

For four reasons, it is important to examine the person, personal life and personal interests of Crow. First, the personal was very political with him. He made it this way so it was not entirely a product of media manufacture. That is to say, the way he lived his life often epitomized what he was about and what he stood for. Second, the media did use aspects of his personal life to attack him with in order to undermine him. As became well known, he was defiant and unapologetic in response. Third, it is important to have some idea of the private person behind the public figure given that his personality was such an important part of what made him up. Fourth and related to this, his ability to get on and work with people in order to exert influence in the RMT, the wider union movement and the radical left was very much helped by his personality. Consequently, this chapter examines his personal traits (self-confidence, humour, temperament, workaholic) as well as his interests and lifestyle (holidays, housing, hobbies).


Author(s):  
Evgeny Finkel

This chapter examines resistance as a Jewish survival strategy during the Holocaust. Jewish resistance has historically been of interest to Holocaust scholars, mainly due to the desire to counter accusations that Jews were passive, complacent, and went “like lambs to the slaughter.” Holocaust historians, especially those based in Israel, have explored the Jews' resistance to Nazi persecution. They argue that armed resistance was infrequent, but equating resistance with violence is unnecessarily restrictive, and that the Jews had almost unanimously engaged in amidah (“standing up against” in Hebrew), or unarmed resistance. The chapter looks at Jewish resistance organizations in the ghettos of Minsk, Kraków, and Białystok and suggests that people with a history of pre–World War II political activism were significantly overrepresented in the resistance. It explains why some resistance groups failed early on, while others managed to put up a sustained fight.


Comunicar ◽  
2012 ◽  
Vol 20 (39) ◽  
pp. 185-192 ◽  
Author(s):  
Mercè Oliva-Rota

The main aim of this paper is to identify the values conveyed by «Operación Triunfo» and «Fama ¡a bailar!». Their popularity (especially among young people) and prescriptive nature (they convey life models by means of identifying problems and proposing objectives and solutions) make them relevant study objects. This paper focuses on how work and fame are depicted in «Operación Triunfo» and «Fama ¡a bailar!», two areas that have hardly been studied in Spain. In order to fulfil the objectives of this paper, these programmes were analysed using a methodology that combines narrative semiotics, audiovisual style and narrative form analysis, as well as ludology and game design theory. The analysis shows that these programmes depict professional success as personally and socioeconomically rewarding, although it is extremely difficult to achieve. To obtain this success, the contestants are transformed through education and celebritisation. Finally, in these programmes there is a conflict between talent and fame. This paper concludes that «Operación Triunfo» and «Fama ¡a bailar!» present fame as a life aspiration and also show the mechanisms used to produce it. The programmes depict modern society as meritocratic and evidence the importance of image in the modern workplace. Finally, they describe a «good worker» as someone passionate about their work, adaptable and capable of sacrificing his/her personal life.El presente artículo tiene como objetivo analizar los valores vehiculados por «Operación Triunfo» y «Fama ¡a bailar!». Su relevancia como objeto de estudio reside en su popularidad (especialmente entre los jóvenes) y su carácter prescriptivo (transmiten modelos de vida a partir de la identificación de problemas y la propuesta de objetivos y soluciones). Este artículo explora cómo representan el ámbito profesional y el concepto de la fama «Operación Triunfo» y «Fama ¡a bailar!», dos temas poco analizados hasta ahora en España. Para ello, se propone una metodología que combina la semiótica narrativa, el análisis de la enunciación audiovisual y el estudio de las reglas del concurso. El análisis revela que en estos programas se representan el éxito profesional como gratificante a nivel personal y socioeconómico, aunque también muy difícil de conseguir. Para alcanzarlo, los concursantes son transformados mediante el aprendizaje y la «celebritización». Finalmente, hay en estos programas una fuerte tensión entre el talento y la popularidad como formas de llegar al éxito. El artículo concluye que «Operación Triunfo» y «Fama ¡a bailar!» son programas que prescriben la fama como aspiración vital y reflexionan sobre su proceso de producción; transmiten una visión meritocrática de la sociedad actual; ponen en escena la importancia de la imagen en el entorno laboral y definen un buen profesional como alguien apasionado, maleable y capaz de sacrificar su vida personal.


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