Islam and Suicide: A Short Personal Communication

2009 ◽  
Vol 58 (1) ◽  
pp. 77-85 ◽  
Author(s):  
Mohsen Rezaeian

Islamic countries display lower suicide rates compared to the other countries of the world. Since most studies dealing with the relationships between Islam and suicide have focused on the extent of the problem and not the underlying mechanisms, the focus of this brief communication is to provide a rather more in-depth discussion regarding the mechanism of this relation. It also covers issues which may have an adverse effect on suicide within Islamic countries and consequently tries to sketch a path ahead in the area of suicide research within the Islamic countries.

2016 ◽  
Vol 21 (1) ◽  
pp. 39-58 ◽  
Author(s):  
Don Soo Chon

The current study assessed the relationship between national religious affiliation and lethal violence by simultaneously examining homicide and suicide rates. The information on homicide and suicide rates for 124 countries came from the World Health Organization (WHO). Regression results suggested no significant difference in lethal violence between predominantly Catholic and Protestant countries, although Islamic countries revealed significantly lower homicide, suicide, and overall lethal violence rates than non-Islamic countries. Countries with a high level of religious heterogeneity are subject to an increased suicide rate. The implications of these findings were discussed.


2021 ◽  
Vol 8 ◽  
Author(s):  
Md Abu Noman ◽  
Jun Sun ◽  
Mohammad Belal Hossain

The world has already experienced the severe adverse effects of COVID-19 at every level. When it became understood that the COVID-19 infection is spread in the community via respiratory transmission from humans, then the widespread use of plastic-made personal protective equipments (PPEs) like face masks and hand gloves tremendously increased throughout the world. Although it has reduced the spreading of virus, however, careless disposal or mismanagement of these single use PPEs has created another major concern for the environment, as plastics are a known source of environmental contamination. On one hand, they are infected with SARS-CoV-2, while on the other, they act as a carrier or vector or pathway for other pathogens or diseases, and hence can increase the degree of continuing the pandemic. Besides, there might be a chance that plastics or microplastics may be responsible for introducing new pathogenic viruses or bacteria to humankind. As such, it is clear that more research needs to be conducted to clarify this fact, and its underlying mechanisms. In this review, we briefly explored how PPE used in the COVID-19 pandemic aggravated existing microplastic pollution, how they could act as disease routes or vectors, and how they could introduce new pathogens to the terrestrial and marine environment. Addressing these questions may create awareness of plastic use, waste management, and enact relevant policy which may protect our environment and health.


Author(s):  
السعيد سليمان عواشرية

تبحث الورقة في التحدي الذي يمثلة إعلام العولمة للخصوصيات الثقاقية لبلدان العالم بصفة عامة والبلدان العربية والإسلامية بصفة خاصة، وتكشف عن أهم المشكلات التي يعاني منها الإعلام العربي في مواجهة ذلك التحدي. وتزداد حدة المشكلات حين لا يتوفر البديل الإعلامي المناسب، ويعاني ما تيسر منه فيها من معوقات عدة.كما اقترحت الورقة بعض الاستراتيجيات الكفيلة بمواجهة تحديات إعلام العولمة، وتقديم تصور للبديل الإعلامي الذي من شأنه تحقيق ذلك، موظفاً بعض سمات الحداثة في البناء المنشود، بصورة تربط ماضي الأمة بحاضرها من أجل المستقبل، وتؤسس على ثقافة الأصالة، في إطار الاحترام والاعتراف بالآخر. The paper examines the challenge posed by the globalization of the media to the cultural specificities of the countries of the world in general and the Arab and Islamic countries in particular. It reveals the problems of the Arab and Muslim media in facing that challenge.The problems become more acute when there is no appropriate media alternative, and with presence of the constraints that limit the function of what is available. The paper also suggests some strategies to meet the challenges of media globalization, an introduce and alternative media that employs some attributes of modernity, links the nation past with its present to build its future, and establish a culture of authenticity in a framework of respect and recognition of the other.


Crisis ◽  
2010 ◽  
Vol 31 (1) ◽  
pp. 30-35 ◽  
Author(s):  
Sudath Samaraweera ◽  
Athula Sumathipala ◽  
Sisira Siribaddana ◽  
S. Sivayogan ◽  
Dinesh Bhugra

Background: Suicidal ideation can often lead to suicide attempts and completed suicide. Studies have shown that Sri Lanka has one of the highest rates of suicide in the world but so far no studies have looked at prevalence of suicidal ideation in a general population in Sri Lanka. Aims: We wanted to determine the prevalence of suicidal ideation by randomly selecting six Divisional Secretariats (Dss) out of 17 in one district. This district is known to have higher than national average rates of suicide. Methods: 808 participants were interviewed using Sinhala versions of GHQ-30 and Beck’s Scale for Suicidal Ideation. Of these, 387 (48%) were males, and 421 (52%) were female. Results: On Beck’s Scale for Suicidal Ideation, 29 individuals (4%) had active suicidal ideation and 23 (3%) had passive suicidal ideation. The active suicidal ideators were young, physically ill and had higher levels of helplessness and hopelessness. Conclusions: The prevalence of suicidal ideation in Sri Lanka is lower than reported from the West and yet suicide rates are higher. Further work must explore cultural and religious factors.


Crisis ◽  
2004 ◽  
Vol 25 (4) ◽  
pp. 187-188
Author(s):  
Bijou Yang ◽  
David Lester
Keyword(s):  

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.


Author(s):  
Iia Fedorova

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.


CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.


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