scholarly journals CHARACTER DEVELOPMENT OF FLORENTINO ARIZA AS SEEN IN GABRIEL GARCIA MARQUEZ’S LOVE IN THE TIME OF CHOLERA

Lexicon ◽  
2014 ◽  
Vol 2 (1) ◽  
Author(s):  
Mala Hernawati
Keyword(s):  
Character Development ◽  
Main Character ◽  
Personality Changes ◽  
Two Factors

Florentino Arriza is the main character in Gabriel Garcia Marquez’s novel, Love in the Time of Cholera. This main character experiences the change from an innocent young man to become an indecent man. This change is mainly caused by his love to a woman named Fermina Daza. Destiny makes him wait for more than half a century to finally win her love. This article results in several conclusions. First, Florentino Ariza fits the criteria of the combination of the dynamic and round characters. Second, he belongs to the group of Melancholy. In addition, there are two factors for his personality changes: lovesickness and environmental temptation.

scholarly journals Anne Shirley’s Character Development and its Causes as Seen in Anne of Green Gables by Lucy Maud Montgomery

Lexicon ◽  
2020 ◽  
Vol 6 (2) ◽  
Author(s):  
Fatimah Salsabila Az-Zahra ◽  
Nur Saktiningrum
Keyword(s):  
Character Development ◽  
External Factors ◽  
The Novel ◽  
Main Character ◽  
Internal Factor ◽  
Anne Of Green Gables ◽  
The People ◽  
Lucy Maud Montgomery ◽  
Two Factors

This research discusses the character development of Anne Shirley, the main character of the novel Anne of Green Gables by Lucy Maud Montgomery. The objective of the research is to understand the character development of Anne Shirley and also examines the factors that cause development. The analysis is conducted by using the objective approach by M.H Abrams because the approach is suitable to analyze character, characterization, and character development. The result of this research shows that the character of Anne Shirley is developed from a loveless girl to a mature teenager. Her character development is caused by two factors, internal factor which is her own motivation and external factors which come from the people around her and new environment.

scholarly journals Perubahan Karakter Rangga Sebagai Salah Satu Bentuk Proses Kreatif Mira Lesmana Dalam Film Ada Apa dengan Cinta 2 (2016)

2018 ◽  
Vol 13 (2) ◽  
pp. 107
Author(s):  
Sugeng Nugroho ◽  
Danissa Dyah Oktaviani
Keyword(s):  
Character Development ◽  
Main Character ◽  
Psychological Approach ◽  
Great Opportunity ◽  
Basic Character ◽  
Structure Dynamics ◽  
Story Character

Mira Lesmana, produser terkemuka Indonesia, membuat gebrakan dengan meliris dan menulis sendiri cerita film Ada Apa dengan Cinta 2. Kekuatan film ini tidak semata-mata bersandar dari sekuel sebelumnya, namun juga dikemas dengan aliran cerita yang menarik. Alur menggantung pada sekuel sebelumnya merupakan peluang besar untuk mengembangkan kreatifitas. Bentuk kreativitas Mira Lesmana dalam menulis cerita film ini adalah untuk mengubah karakter utama, Rangga. Karakter Rangga sengaja dibuat berbeda didasari tokoh Cinta. Perubahan karakter Rangga terjadi pada awal dan akhir cerita. Perubahan karakter Rangga dapat dilihat dari ekspresi, dialog dan tanggapan dari orang lain mengetahui sehingga dapat diketahui perubahan karakter dasar (karakter tokoh 3D) adalah fisiologis, sosiologis, dan psikologis. Perubahan karakter Rangga dapat diketahui melalui pendekatan psikologi yang didalamnya memuat karakterisasi tokoh, kostelasi tokoh, dan konsepsi tokoh. Melalui pendekatan tersebut akan nampak struktur, dinamika, dan perkembangan tokoh Rangga sehingga dapat diketahui perubahan karakter Rangga yang berdampak pada kehidupannya dalam film ini. Mira Lesmana, Indonesia's leading producer, made a breakthrough by writing  story itself and released the film “What’s Up with Love? 2”. The strength of the film is not simply leaning on the previous sequel, but also packed with interesting stories flow. Flow hang on previous sequel is a great opportunity to develop creativity. Mira Lesmana form of creativity in the writing of this movie is to change the main character, Rangga. Characters of  Rangga deliberately made different based on the character of Cinta. Rangga character changes occur at the beginning and end of the story. Character of Rangga change can be seen from the expression, dialogue and feedback from others to know that it can be seen changes in the basic character (characters 3D) is a physiological, sociological, and psychological. Rangga character change can be known through the psychological approach which includes the characterization of the figures, kostelasi character, and character conception. Through this approach would seem the structure, dynamics and character development that can be known Rangga character changes that have an impact on life in this film.

scholarly journals THE INNER CONFLICT OF THE MAIN CHARACTER IN THE AVIATOR (2004) USING SIGMUND FREUD PERSPECTIVE

2018 ◽  
Vol 2 (01) ◽  
pp. 41-54
Author(s):  
Cut Novita Srikandi
Keyword(s):  
Sigmund Freud ◽  
Life Story ◽  
Main Character ◽  
The Past ◽  
Personality Changes

This study aimed to analyze the inner conflict of the main character in the movie entitled The Aviator. The Aviator takes the life story of world aviation named Howard Hughes. Howard Hughes is a young millionaire, entrepreneur, and also a movie director. He succeed seize his ambition at 24 years old. Freud's psychoanalysis approach used in analyzing the main characters is experiencing growth or personality changes dynamically. Changes and developments in the main characters' personalities due to their inner conflicts are complicated. The main character is kept up haunted by inner conflict, anxiety, and helplessness facing reality outside itself. Inner conflicts triggered by the sequences of events in the past, directly and indirectly influence or change the personality of the character. The inner conflict was traced and understood by using the theory of Freud's psychoanalysis.

scholarly journals Kepribadian Sebelum Dan Setelah Perubahan Pada Tokoh Utama Haruki Shiga Dalam Novel Kimi No Suizou Wo Tabetai Karya Sumino Yoru

2017 ◽  
Vol 6 (1) ◽  
pp. 16-24
Author(s):  
Muhammad Dena Firdaus
Keyword(s):  
Research Method ◽  
Indirect Method ◽  
Direct Method ◽  
The Novel ◽  
Main Character ◽  
Personality Changes ◽  
Before And After ◽  
Descriptive Method

Abstrak   Penelitian ini bertujuan untuk mengetahui kepribadian sebelum dan setelah mengalami perubahan pada tokoh utama Haruki Shiga dalam novel Kimi No Suizou Wo Tabetai karya Sumino Yoru. Metode penelitian yang digunakan oleh penulis yaitu metode deskriptif analisis pada tokoh dengan pendekatan psikologi sastra. Teori yang digunakan pada penelitian ini yaitu teori tentang penokohan dan plot dengan cara menggunakan metode penokohan yaitu metode langsung (telling) dan metode tidak langsung (showing) untuk mengidentifikasi kepribadian sebelum dan setelah perubahan tokoh utama Haruki Shiga dalam novel Kimi No Suizou Wo Tabetai karya Sumino Yoru. Data yang menjadi objek penelitian berupa kutipan-kutipan penokohan pada Haruki yang menggambarkan kepribadian tokoh Haruki sebelum mengalami perubahan kepribadian dan setelah mengalami perubahan kepribadian. Hasil dari kepribadian tokoh utama Haruki sebelum mengalami perubahan kepribadian yaitu adanya sifat yang tertutup, acuh tak acuh dan pemalu. Sedangkan hasil dari kepribadian tokoh utama Haruki setelah mengalami perubahan yaitu lebih peduli dan lebih membuka diri. Kesimpulan dari penelitian ini yaitu dalam meneliti kepribadian sebelum dan setelah perubahan tokoh utama dapat menggunakan metode penokohan supaya mendapatkan hasil secara langsung yang dilihat dari sifat tokoh utama dan plot dalam cerita.     Kata Kunci : Novel, Metode langsung dan tidak langsung   Abstract   This study aims to determine the personality before and after experiencing a change in the main character Haruki Shiga in the novel Kimi No Suizou Wo Tabetai by Sumino Yoru. The research method used by the author is a descriptive method of analysis of figures with a literary psychology approach. The theory used in this research is the theory of characterizations and plots by using the characterization method, namely the direct method (telling) and the indirect method (showing) to identify the personality before and after the change of the main character Haruki Shiga in Kimi's No Suizou Wo Tabetai novel by Sumino Yoru The data are the object of research in the form of characterizations in Haruki characterizations that describe the personality of Haruki's character before experiencing changes in personality and after experiencing changes in personality. The results of the personality of the main character Haruki before experiencing personality changes are the nature of being closed, indifferent and shy . While the results of the personality of the main character Haruki after undergoing change are more caring and more open. The conclusion of this research is in examining the personality before and after the change of the main character can use the characterization method in order to get results directly as seen from the character's main character and plot in the story.   Keywords : Novel, telling method and showing method

scholarly journals The Significance of the Hero’s Journey in Siddhartha’s Character Development as Seen in Herman Hesse’s Siddhartha

Lexicon ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 233
Author(s):  
Adelia Damayanti ◽  
Achmad Munjid
Keyword(s):  
Turning Point ◽  
Character Development ◽  
Hero's Journey ◽  
Main Character ◽  
Joseph Campbell ◽  
Wise Person

This paper discusses the character development of Siddhartha, the main character in Herman Hesse’s novel, Siddhartha (1973). This research aims to study how Siddhartha’s character develops during his journey to reach enlightenment. The analysis is conducted by using the theory of the hero's journey by Joseph Campbell. The result shows that Siddhartha’s journey follows twelve out of seventeen stages of the hero’s journey proposed by Campbell. All of the stages appear in the same order except the stage Belly of The Whale that comes late. It functions as a turning point rather than a preparation for a greater ordeal. The analysis also shows that Siddhartha undergoes two major changes; from an individualistic to a wise person and from someone who is always persistent and thirsty for knowledge to someone who is flexible.

scholarly journals Pengembangan Karakter Ikari Shinji Dalam Anime Neo Genesis Evangeliom

2021 ◽  
Vol 3 (2) ◽  
pp. 144
Author(s):  
Marisa Rianti Sutanto ◽  
Adriel Hans Wahyudi
Keyword(s):  
Character Development ◽  
Descriptive Analysis ◽  
Main Character ◽  
Running Away ◽  
Neon Genesis Evangelion ◽  
Research Show

This research discusses the character development of the main character Ikari Shinji from the anime Neon Genesis Evangelion. Neon Genesis Evangelion is an anime series directed by Hideaki Anno that tells the story of humanity's struggle against shitos using a giant robot called Evangelion. To interpret the character of the main character, the method used is descriptive analysis, and the analysis refers to Weiland's theory of character development. The results of the research show that Ikari Shinji at the beginning of the story has a ‘lie’ that he believes in, namely running away from problems. However, he has the capability to beat ‘the lie’. Throughout the story he gets the consequences of his ‘lie’, he also finds out the truth and what he actually needs. At one point he had to make a decision between the truth and the ‘lie’. The result was Ikari Shinji's old self becomes 'dead' after he made that decision. He left the ‘lie’ and proved that he had developed into a better person. The story’s ending is the answer to this anime thematic question.

scholarly journals Karakterskepping in die rolprent Cry Freedom - ’n analise

Literator ◽  
1990 ◽  
Vol 11 (2) ◽  
pp. 17-35
Author(s):  
H. Human
Keyword(s):  
Character Development ◽  
Main Character ◽  
Character Formation ◽  
Feature Films ◽  
Black Activist

This article looks critically at the aspect of charactarisation in the film Cry Freedom. A model is introduced for the analysis of characterisation in feature films. The model analyses the main characters in the film as symbols of the intended message. The aim is to determine the meaning of the message and to place the response to the film in perspective. Particular attention is paid to the following aspects of the process of character creation: character formation, character revelation and character development. The author comes to the conclusion that the main character in the film is the scriptwriter Donald Woods, and not the black activist, Steve Biko as has generally been accepted.

scholarly journals GAY REPRESENTATION IN BECKY ALBERTALLI'S SIMON VS THE HOMO SAPIENS AGENDA

2019 ◽  
Vol 2 (1) ◽  
pp. 37-48
Author(s):  
Irvan Gading ◽  
Linusia Marsih
Keyword(s):  
Homo Sapiens ◽  
Literary Work ◽  
The Novel ◽  
Social Phenomenon ◽  
Main Character ◽  
Same Sex ◽  
Sociological Approach ◽  
Two Factors ◽  
Opposite Sex

This study aims to reveal gay habitus in Becky Albertalli's Simon VS The Homo Sapiens Agenda. This study is descriptive qualitative which applies both intrinsic and extrinsic approaches. The intrinsic approach is applied due to the fact that the study deals with the characterization of the main character in the novel. Moreover, the sociological approach is applied because the study is primarily concerned with a social phenomenon reflected in  literary work as the novel portrays the representation of gay habitus reflected in the attitude and behaviours of one of the main characters in the novel. In revealing the gay habitus reflected in the novel, Bourdieu's theory of habitus is applied. The discussion is focused on the Simon's habitation as a gay and the factors that contribute to the formation of Simon's habitus as a gay. The result of the study shows that Simon develops gay habitus. The representations of his gay habitus include are having no attraction to the opposite sex, adoring the same sex, obsessing and fantasizing about the same sex, feeling jealous and cynical to the suspected competitors, and falling in love with the same sex. There are two factors that support the development of Simon's gay habitus i.e. primary and secondary socialization.

scholarly journals Elaine Risley’s Character Development in Margaret Atwood’s Cat’s Eye

Lexicon ◽  
2018 ◽  
Vol 5 (2) ◽  
Author(s):  
Nur Afifah Widyaningrum ◽  
Eddy Pursubaryanto
Keyword(s):  
Young Woman ◽  
Character Development ◽  
Margaret Atwood ◽  
Early Adulthood ◽  
Theoretical Framework ◽  
Virgin Mary ◽  
The Novel ◽  
Main Character ◽  
Men And Women ◽  
Library Research

This research explores the character development of Elaine Risley, the main character of the novel Cat’s Eye by Margaret Atwood (2009), throughout her childhood, adolescence, early adulthood, and adulthood years. The objectives of this research are to explain how the character of Elaine Risley develops in Cat’s Eye and to examine the factors which affect Elaine Risley’s character development. This research employs the objective approach proposed by Abrams (1976) as its theoretical framework and the library research as its method of research. The results show that Elaine Risley always experiences development in her character throughout her life; she develops from a bullied little girl in her childhood, a mean but passionate girl in her adolescence, and an independent young woman in her early adulthood to finally become a woman who struggles to let go of her past in her adulthood. Elaine Risley’s character development is affected by several factors, namely, Toronto as her environment, her experiences with bullying, the men and women in the society around her, her own paintings, the cat’s eye marble, and the Virgin Mary.

scholarly journals THE CHARACTER DEVELOPMENT OF ‘BEN’ IN GIFTED HANDS: THE BEN CARSON'S STORY THROUGH ERIKSON'S PSYCHOSOCIAL THEORY

2020 ◽  
Vol 14 (2) ◽  
pp. 261-270
Author(s):  
Cicilia Angelis AGM ◽  
Ira Miranti ◽  
Nina Dwiastuty
Keyword(s):  
Character Development ◽  
Focal Point ◽  
Early Adulthood ◽  
Psychological Development ◽  
School Age ◽  
Main Character ◽  
Qualitative Descriptive

This study aims to identify and provide a description of the development of the main character in the film Gifted Hands: The Ben Carson Story by Thomas Carter based on the approach of textual literary psychology through qualitative descriptive techniques, namely listening, observing, and copy-writing. Erikson's theory of psychological development, which reviews the development of the character influenced by those who are nearby becoming the focal point of the discussion - in terms of dialogue, action-reaction, and the situation depicted in the film. The findings in this study are four stages of character development from eight stages, namely school age, adolescence, early adulthood, and adulthood, at each stage, there are two elements namely dystonic (disruptive) and syntonic (harmony).

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