scholarly journals PENATAAN KOTA DAN MASYARAKAT PERKOTAAN: MAKASSAR SEBAGAI IBUKOTA NEGARA INDONESIA TIMUR (NIT) 1946-1950

2019 ◽  
Vol 2 (1) ◽  
pp. 315
Author(s):  
Ilham Daeng Makkelo

The main focus of this article was dynamics and transformation of Makassar when it became the capital of the State of East Indonesia (NIT), 1946-1950. The discussion is emphasized mainly on two main issues namely the arrangement of cities and community life. The first issue relates to the burden of providing infrastructure to support the role of the nation's capital. The development of facilities and infrastructure is a necessity that must be provided for smooth government at the central level. From this city, the NIT government apparatus, such as the President, ministry, and parliament, have offices and organize their activities. The second issue relates to the consequences of the arrival of people from outside Makassar to work in various institutions or organizations. Makassar is synonymous with a diverse population, concerning ethnicity, religion and profession. This working paper is more detail explain about infrastructure both in terms of administration and physical development of the city, as well as the dynamics of urban community life, especially in cultural activities. In the context of progress, they become the space of expression of modernity as the times change. The described reality explains that many different responses are occurring in each region of Indonesia in responding to the changing times. Especially in this period is better known as the revolution.

2018 ◽  

This book examines the active role of urban citizens in constructing alternative urban spaces as tangible resistance towards capitalist production of urban spaces that continue to encroach various neighborhoods, lanes, commons, public land and other spaces of community life and livelihoods. The collection of narratives presented here brings together research from ten different Asian cities and re-theorises the city from the perspective of ordinary people facing moments of crisis, contestations, and cooperative quests to create alternative spaces to those being produced under prevailing urban processes. The chapters accent the exercise of human agency through daily practices in the production of urban space and the intention is not one of creating a romantic or utopian vision of what a city "by and for the people" ought to be. Rather, it is to place people in the centre as mediators of city-making with discontents about current conditions and desires for a better life.


2021 ◽  
Vol 4 (1) ◽  
pp. 53
Author(s):  
Heristama Anugerah Putra

In the changing times from year to year the development process is always progressing. No exception to the construction of settlements and housing scattered in the city of Surabaya. Arrangement of a housing environment is an important factor in improving the quality of life of residents in society. The residential space pattern in Babatan Pilang still maintains the brandgang system. The function of this brandgang itself is as a fire breaker to slow down or stop fires. Apart from the two main functions, brandgang indirectly also acts as a connection path between alleys or roads. The existing condition of the brandgang in the Babatan Pilang housing complex is not neat and well maintained. In general, the brandgang should not present a tense and frightening atmosphere. The method used is extracting data again looking at the aspects of the problems that exist in relation to the existence of brandgang so far. The function and role of brandgang wherever good and their existence are not necessarily forgotten and are more important, this is because brandgang is one of the main factors of a security system in a settlement or housing. Presenting a neat and orderly brandgang will create a good impression in restoring its main function.


2021 ◽  
pp. 76-99
Author(s):  
Daniel-Joseph MacArthur-Seal

The chapter examines the succeeding leg of soldiers’ journeys to the eastern Mediterranean. It first explores the factors that shaped how soldiers viewed the city at a distance, informed by principles of the picturesque and the confidence of British predominance at sea, before examining their responses to arrival in port and their sensory immersion in the urban Levant. The chapter then shows how soldiers moved through and mentally constructed the image of the Levantine city, taking on the role of flaneur familiar from literary studies. Finally, it explores soldiers’ relationship with the crowd and their attempt to categorize the diverse population they encountered on city streets, using their writings to interrogate the notion of cosmopolitanism in history writing about the region.


PRIMO ASPECTU ◽  
2021 ◽  
pp. 16-20
Author(s):  
Nadezhda A. Ovchar

The article presents the author's view of youth as a socio-demographic group that performs very important functions in society. Thus, the retention of young people in the urban community ensures the social continuity of the territorial settlement, as well as adaptability, readiness for change. The author substantiates his position, drawing on the works of P. Bourdieu and G. Becker, V.V. Radaev. The author presents the characteristics of youth as resources of not only a social group, but also the human capital of the entire urban settlement.


KOMUNITAS ◽  
2017 ◽  
Vol 9 (1) ◽  
pp. 15-21
Author(s):  
Derry Ahmad Rizal

The village becomes a comfortable place to live, because it still looks beautiful and fresh air. The urban community who originally came from the village even flocked to leave their village to earn money. Long life in the city, it causes the boredom for the urban community and they miss the village that was ever occupied. Tourism village becomes one of the urban communities to release the longing for the village that once lived. Tourism village is intentionally designed, made a tourismplace with the concept of rural life in general. In the process of rural tourism development, it must all elements in the village to be built, including the young generation. Today, many young people do not care about their respective villages,whereas the young generation becomes the hope to be the next local wisdom. How is the role of the young generation in building a tourism village? The purposes are to find out how far the role of the young generation in building a tourism village, with various problems experienced by the young generation. This type of research used descriptive qualitative method, the approach that researcher used in this research was phenomenological approach. Researcher in this research tried to understand how the role of the young generation in developing tourism village and various problems faced by the young generation. How is the process towards becoming a tourism village?


2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Sri Sundari ◽  
Yulimarni Yulimarni

<p>The study was conducted aiming to find the aesthetic values that exist in the mosque building ornament in the city of Padang. The development and spirit of changing times has accompanied the development of the Mosque in Padang City, not only in the function and role of the Mosque, but also seen from the model of the mosque building and ornaments attached to the building. To achieve this goal the approach used in this paper is the aesthetic approach, and multi-disciplinary approach. The aesthetic value of mosque building ornaments can be viewed through the quality structures that make up beauty; first, unity; that each element in the mosque's ornament is a unified and mutually supportive unit, summarized in the quality of art consisting of rhythm, lines and shapes. Second, harmony (harmony); placement of motifs on the mosque building shows harmony by considering the balance between the shape of the motif with the field of placement. Third; symmetry; Almost all the ornaments contained in the mosque building contain symmetrical elements in vertical and horizontal forms. Symmetry can be seen in the motif lines and also the building lines themselves. Fourth; balance (balance); Mosque ornaments in the city of Padang, has three types of balance, namely; symmetrical balance, asymmetrical balance, and centering balance. And the fifth resistance (contras); the contrast does not only occur because of differences in the size of the motif, the contrast can also be seen from the shape and color of the ornament attached to the mosque building.</p>


Author(s):  
Mary G. Dietz

Florentine diplomat, dramatist and political thinker, Machiavelli’s treatise, Il principe (The Prince) (1532a), has earned him notoriety as a political immoralist (or at least an amoralist) and a teacher of evil. In The Prince, Machiavelli posits a complex relationship between ethics and politics that associates princely virtù with the capacity to know and act within the political world as it ‘is’, and with the beastly abilities to dispense violence and practise deception. Behind this argument dwells the distinctly Machiavellian insight that politics is a realm of appearances where the practice of moral or Christian virtues often results in a prince’s ruin, while knowing ‘how not to be good’ may result in greater security and wellbeing for both prince and people. Machiavelli warns that the prince’s possibilities for success in this matter are always mediated by fortune; hence the prudent prince is one who is prepared to resist fortune by adapting his procedure to the times and his nature to ‘the necessity of the case’. A less notorious but equally influential text is the Discorsi sopra la prima deca di Tito Livio (Discourses on the First Ten Books of Titus Livy) (1531), in which Machiavelli offers a defence of popular liberty and republican government that takes the ancient republic of Rome as its model and emphasizes the role of the people in the ‘public administration’ of the city. However, Machiavelli also argues that a republic is only as successful in self-governance as its citizens are infused with civic virtùand therefore not corrupted. Accordingly, he praises the work of political founders who craft republican laws and institutions, and religious founders who fuse God and patria as one in the people’s hearts. The apparent tension between Machiavelli’s republican sympathies in Discourses and his elitist proclivities in The Prince has helped to fuel a vast interpretive literature concerning his political attitudes, his theory of politics, and the nature and meaning of ‘machiavellianism’ in Western political thought.


2020 ◽  
Vol 5 (1) ◽  
Author(s):  
Sri Sundari ◽  
Yulimarni Yulimarni

<p align="center"><strong>Abstract</strong></p><p><em>The study was conducted aiming to find the aesthetic values that exist in the mosque building ornament in the city of Padang. The development and spirit of changing times has accompanied the development of the Mosque in Padang City, not only in the function and role of the Mosque, but also seen from the model of the mosque building and ornaments attached to the building. To achieve this goal the approach used in this paper is the aesthetic approach, and multi-disciplinary approach. The aesthetic value of mosque building ornaments can be viewed through the quality structures that make up beauty; first, unity; that each element in the mosque's ornament is a unified and mutually supportive unit, summarized in the quality of art consisting of rhythm, lines and shapes. Second, harmony (harmony); placement of motifs on the mosque building shows harmony by considering the balance between the shape of the motif with the field of placement. Third; symmetry; Almost all the ornaments contained in the mosque building contain symmetrical elements in vertical and horizontal forms. Symmetry can be seen in the motif lines and also the building lines themselves. Fourth; balance (balance); Mosque ornaments in the city of Padang, has three types of balance, namely; symmetrical balance, asymmetrical balance, and centering balance. And the fifth resistance (contras); the contrast does not only occur because of differences in the size of the motif, the contrast can also be seen from the shape and color of the ornament attached to the mosque building.</em></p><p><strong><em>Keywords :</em></strong><em> Aesthetic, Ornaments, Mosque</em></p><p align="center"><strong>Abstrak</strong></p><p><em>Penelitian dilakukan ber</em><em>tujuan </em><em>untuk me</em><em>nemukan </em><em>nilai-nilai</em><em> estetik </em><em>yang ada pada </em><em>ornament b</em><em>angunan Masjid di Kota Padang</em><em>. P</em><em>erkembangan dan semangat zaman yang berubah telah mengiringi perkembangan Masjid di Kota Padang, tidak hanya dalam fungsi dan peran Masjid, tetapi juga terlihat dari model bangunan Masjid dan ornamen yang melekat pada bangunannya.Untuk mencapai tujuan tersebut p</em><em>endekatan yang digunakan dalam </em><em>tulisan</em><em> ini adalah pendekatan estetika, dan pendekatan multi disiplin.</em><em> </em><em>Nilai estetik ornamen bangunan </em><em>M</em><em>asjid dapat ditinjau melalui struktur kualitas pembentuk keindahan; pertama, kesatuan (unity); </em><em>bahwa s</em><em>etiap unsur dalam ornamen Masjid merupakan satu kesatuan yang utuh dan saling mendukung, yang terangkum dalam kualitas seni yang terdiri dari irama, garis dan bentuk. </em><em>Kedua, keselarasan (harmony); penempatan motif pada bangunan Masjid menunjukan keselarasan dengan mempertimbangkan keseimbangan antara bentuk motif dengan bidang penempatannya. Ketiga; kesetangkupan (symetry); </em><em>Hampir semua ornamen yang terdapat pada bangunan Masjid mengandung unsur simetris dalam bentuk vertikal maupun horizontal. Simetri dapat terlihat pada garis motif dan juga garis bangunan itu sendiri.</em><em> </em><em>Keempat; keseimbangan (balance); ornamen bangunan Masjid di kota Padang, memiliki tiga jenis keseimbangan yaitu; keseimbangan simetris, keseimbangan asimetris, dan keseimbangan memusat. Dan kelima perlawanan (contras); k</em><em>ontras tidak hanya terjadi karena perbedaan ukuran </em><em>motif </em><em>saja, </em><em>kontras </em><em>juga </em><em>terlihat dari</em><em> bentuk dan warna ornament yang melekat pada bangunan Masjid.</em></p><strong><em>Kata kunci </em></strong><em>: Estetik, Ornamen, Masjid</em>


2020 ◽  
Vol 4 (02) ◽  
pp. 99-119
Author(s):  
Ludowikus Panduhadi Pangestu ; Yasmin Suriansyah

Abstract- Monumen Perjuangan Rakyat Jawa Barat (MPRJB) is an element of city that was built for being a landmark of the Bandung City. This city element was built for commemorating the spirit of West Javan repelled Colonizer. This monument is one of the Primary Element of Bandung in the Gedung Sate-Lapangan Gasibu-MPRJB area. This area is a very unique place in Bandung which is able to direct the orientation towards Tangkuban Parahu Mountain because there is an imaginary axis which is formed by straight line from Gedung Sate towards MPRJB. So that the MPRJB cannot be separated from this area and has potency to signify the area or often referred to as landmark.             Along with the development of the city, physical changes in the Gedung Sate-MPRJB area such as the growth of building intensity become high and infrastructure such as bridges and widening of roads has led to the movement in the city becoming fast. This will affect MPRJB's visual obstruction due to the physical development of the city and changes in the way observers observe the city from stay to moving due to the rapid circulation movement. This issue becomes interesting to study how far the city and element development blocking the visbility of MPRJB out. The research aims are to identify how much visibility MPRJB as a landmark and any city object that is able to obstruct or support MPRJB's visibility.            The research uses descriptive method with a quantitative approach to visibility of the MPRJB physical. This research is describing the existing condition of MPRJB through recording images of sequential points (serial vision) and segmenting them to get a comparison of MPRJB silhouettes with surrounding objects in that scene. After that the segemented pictures are given a score from each point and compared with the theory of the visibility of an object in acting as a landmark. The MPRJB area data are collected by field study observations and literature studies. Data are collected in the form of documentation photos at sequential points, objects around the MPRJB area, and observer activity data that could potentially see the MPRJB used to find out how much the MPRJB's visibility and objects that block or support MPRJB's visibility.            The result is MPRJB's visibility level at the sequensial points is majorly low in its role as Bandung City landmark because of many objects that block the visuals of MPRJB. The higher the visibility of an object, the higher the role of an object becomes a landmark to be remembered and used as orientation by city observers. Another finding is a list of identification of barrier objects and supporting MPRJB visibility that can be used in further research to increase MPRJB visibility. Key Words: Urban Landmark, visibility, serial vision, Monumen Perjuangan Rakyat Jawa Barat


2007 ◽  
Vol 31 (1) ◽  
pp. 29-38 ◽  
Author(s):  
Anna Januchta-Szostak

In the times of unification of cultural patterns the art in public areas takes on a very responsible role – creating cognitive map and emphasizing identity of the place. Valuable architectural and sculpture monuments take deserved top position in creating unique townscape. But not only spectacular buildings create the image of the city, sometimes inconspicuous sculptures become city symbols. The subject of research conveyed by the author in Poznan was the quality of public areas and possibilities of making them more attractive by introducing monuments and water elements. Autor define the typology of public art objects (considering their function, form and scale) and methodology of lacalization from the city-scale (according to the viewing popularity aspects and rank of the place) to the csale of indyvidual urban interior. The spatial and social role of sculpture in urban area was analized on examples of public places in Poznan. Vizualinio meno lokalizacijos viešosiose erdvėse metodologija poznanės pavyzdžiu Santrauka Vienodėjant kultūriniams kontekstams viešųjų erdvių menas įgyja ypatingą ir labai svarbią reikšmę kaip atpažinimo elementais atskleidžiantis ir pabrėžiantis vietos identitetą. Vertingi architektūriniai ir skulptūriniai elementai tampa svarbiausiais unikalių miestovaizdžių formantais. Tačiau ne tik įspūdingi statiniai kuria miesto vaizdą. Kartais niekuo neišsiskiriančios, vos pastebimos skulptūros tampa miesto simboliais. Tyrimo, atlikto Poznanės mokslininkės, tema yra viešųjų erdvių kokybė ir galimybė padidinti jų patrauklumą meno kūriniais ir vandens elementais. Autorė apibrėžė viešojo meno objektų tipologiją, įvertindama jų paskirtį, formą ir mastelį, ir lokalizacijos metodiką nuo viso miesto masto iki mažiausiojo mastelio nominalių erdvių, įvertindama apžvalgos populiarumą ir vietos kategoriją. Poznanės pavyzdžiu išanalizuotas tiek erdvinis, tiek visuomeninis miesto skulptūrų vaidmuo.


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