TIDINGS FROM CHARLES—SIGNS OF A NEW CROP OF MEN AND WOMEN IN YAZOO—REVOLUTIONS—WHAT IS TO BECOME OF “WE ALL NOW THAT NIGROS CAN PURCHASE LAND”—MORE STRAW FOR BRICKS—THE WAY TO YAZOO “UPPER CRUST”—NOW THAT GRANT IS PRESIDENT, RARETY “KICKS AGAINST THE PRICKS”—TIME TO TAKE A WIFE.

2021 ◽  
pp. 324-329
Keyword(s):  
New Crop ◽  
Author(s):  
Omar Shaikh ◽  
Stefano Bonino

The Colourful Heritage Project (CHP) is the first community heritage focused charitable initiative in Scotland aiming to preserve and to celebrate the contributions of early South Asian and Muslim migrants to Scotland. It has successfully collated a considerable number of oral stories to create an online video archive, providing first-hand accounts of the personal journeys and emotions of the arrival of the earliest generation of these migrants in Scotland and highlighting the inspiring lessons that can be learnt from them. The CHP’s aims are first to capture these stories, second to celebrate the community’s achievements, and third to inspire present and future South Asian, Muslim and Scottish generations. It is a community-led charitable project that has been actively documenting a collection of inspirational stories and personal accounts, uniquely told by the protagonists themselves, describing at first hand their stories and adventures. These range all the way from the time of partition itself to resettling in Pakistan, and then to their final accounts of arriving in Scotland. The video footage enables the public to see their facial expressions, feel their emotions and hear their voices, creating poignant memories of these great men and women, and helping to gain a better understanding of the South Asian and Muslim community’s earliest days in Scotland.


Author(s):  
Megan Strain ◽  
Donald Saucier ◽  
Amanda Martens

AbstractDespite advances in women’s equality, and perhaps as a result of it, sexist humor is prevalent in society. Research on this topic has lacked realism in the way the humor is conveyed to participants, and has not examined perceptions of both men and women who use sexist humor. We embedded jokes in printed Facebook profiles to present sexist humor to participants. We manipulated the gender of the individual in the profile (man or woman), and the type of joke presented (anti-men, anti-women, neutral) in a 2×3 between-groups design. We found that both men and women rated anti-women jokes as more sexist than neutral humor, and women also rated anti-men jokes as sexist. We also found that men who displayed anti-women humor were perceived less positively than men displaying anti-men humor, or women displaying either type of humor. These findings suggest that there may be different gender norms in place for joke tellers regarding who is an acceptable target of sexist humor.


2016 ◽  
Vol 4 (1) ◽  
pp. 81
Author(s):  
Léonard KOUSSOUHON ◽  
Fortuné AGBACHI

<p>This paper is an attempt to examine the way male and female participants perform gender in 03 novels, <em>Everything Good Will Come</em> (2006), <em>Swallow</em> (2010) and <em>A Bit of Difference</em> (2013), by a contemporary Nigerian writer called Sefi Atta. The study draws on Gender Performative Theory as developed by the feminist Butler (1990/1999). This theory considers gender identities as being socially constructed. The study highlights the multiple ways in which male and female participants perform gender according to established social norms in the selected novels. Regarding the existing social norms in Nigeria, the findings by scholars like Fakeye, George and Owoyemi (2012), Mejiuni and Awolowo (2006), Bourey et al (2012), Gbadebo, Kehinde and Adedeji (2012), Okunola and Ojo (2012) exude that men are traditionally portrayed as career people, assertive, powerful and active, independent and violent while women are stereotypically depicted as housewives, submissive, powerless and passive, dependent and non-violent (or victims). Based on the above dichotomies between men and women, the study unveils the ideology that underpins gender performances in the novels.</p>


1957 ◽  
Vol 16 (4) ◽  
pp. 24-27 ◽  
Author(s):  
Ernestine Friedl

The rural population of the province of Boeotia in Greece now makes considerable use of hospital care for childbirth and for serious illness.1 Both men and women, even those of the older generation, allow themselves to be hospitalized without objection, often, indeed quite willingly. This is a new phenomenon. It is a particularly interesting one because of the many psychological and practical obstacles in the way of the hospitalization of a Greek village patient. Traditionally, there has been a tendency to view hospitalization as a form of desertion of the sick person by the members of his family.2 Transportation to and from the villages to the provincial town in which the hospitals are located is difficult and expensive. Besides, doctors' bills and hospital costs themselves are quite high by local standards.


Author(s):  
Juanne Clarke

Heart disease is a major cause of death, disease and disability in the developed world for both men and women. Nevertheless, the evidence suggests that women are under-diagnosed both because they fail to visit the doctor with relevant symptoms and because doctors tend to dismiss the seriousness of women's symptoms of heart disease. This study examines the way that popular mass print media present the possible links between gender and heart disease. The findings suggest that the ‘usual candidates’ for heart disease are considered to be high achieving and active men for whom the ‘heart attack’ is sometimes seen as a ‘badge of honour’ and a symbol of their success. In contrast, women are less often seen as likely to succumb, but they are portrayed as if they are and ought to be worried about their husbands. Women's own bodies are described as so problematic as to be perhaps useless to diagnose, because they are so difficult to understand and treat.


2005 ◽  
Vol 20 (2) ◽  
pp. 341 ◽  
Author(s):  
Albert Esteve Palós

A partir de los microdatos de los censos mexicanos de 1970, 1990 y 2000, en este artículo se examina la homogeneidad de los matrimonios y uniones atendiendo al nivel de instrucción de los cónyuges en las últimas tres décadas, caracterizadas por una fuerte expansión de la escolaridad, por el incremento de los rendimientos de la educación y por la reducción progresiva de las diferencias de género en materia educativa. Tres conclusiones brotan del examen de los datos: el aumento significativo de la homogamia entre los más escolarizados, la consolidación de dos zonas extendidas de homogamia, y la reducción de las diferencias en torno a la manera en que los hombres y las mujeres incorporan la educación en la selección conyugal. AbstractOn the basis of microdata from Mexican censuses taken in 1970, 1990 and 2000, this article examines the homogeny of marriages and consensual marriages by level of spousal educational attainment over the past three decades, characterized by the enormous expansion of schooling, the increase in educational performance and the progressive reduction in gender differences in educational matters. Three conclusions emerge from the examina­tion of the data: the significant increase in homogamy among those with the highest levels of educational attainment, the consolidation of two extended zones of homogamy and the reduction of differences between the way men and women incorporate education in the selection of marriage partners.


2013 ◽  
Vol 18 (1) ◽  
pp. 128-142 ◽  
Author(s):  
Jenny Hockey ◽  
Rachel Dilley ◽  
Victoria Robinson ◽  
Alexandra Sherlock

This article raises questions about the role of footwear within contemporary processes of identity formation and presents ongoing research into perceptions, experiences and memories of shoes among men and women in the North of England. In a series of linked theoretical discussions it argues that a focus on women, fashion and shoe consumption as a feature of a modern, western ‘project of the self’ obscures a more revealing line of inquiry where footwear can be used to explore the way men and women live out their identities as fluid, embodied processes. In a bid to deepen theoretical understanding of such processes, it takes account of historical and contemporary representations of shoes as a symbolically efficacious vehicle for personal transformation, asking how the idea and experience of transformation informs everyday and life course experiences of transition, as individuals put on and take off particular pairs of shoes. In so doing, the article addresses the methodological and analytic challenges of accessing experience that is both fluid and embodied.


BMJ ◽  
2005 ◽  
Vol 331 (7526) ◽  
pp. 1211.1
Author(s):  
Christopher Schofield ◽  
Zena Schofield
Keyword(s):  

2020 ◽  
pp. 86-122
Author(s):  
Erika Hanna

Chapter 3 explores the practices of photography clubs. Throughout Ireland, during the twentieth century, men and women spent their evenings in the dark rooms of photography clubs, and their weekends on days out to historic sites and beauty spots organized by these groups. As such, these organizations played an important role in mediating ideas of photographic value, technical perfection, and the picturesque. This chapter explores their history, and uses the way photography was taught to explore the relationship between photographic aesthetics and how society and people were envisioned through landscape. Until the late 1960s, the photographic conventions propounded by organizations such as the Photographic Society of Ireland and the Belfast Central Camera Club tended towards conservatism in both content and style. Amateur enthusiasts in general adhered to the pictorial tradition of studied set pieces—of sweeping hills or the curve of a beach offset by a white cottage—cropped and adapted to reach a standard of technical formalism and perfection in line with conventions derived from painting. Moreover, discussions of the respective merits of documentary and pictorial styles for depicting landscape within the amateur photographic press, although framed as aesthetic arguments, encompassed bigger issues. Correspondents debated their ability to respond to the upheavals of European modernity and their responsibility to depict uncomfortable themes through photography. As such, concerns about style became broader arguments regarding Ireland’s position within Europe, the boundaries of society, and the nature of the visible within Irish life.


Author(s):  
Jelle J.P. Wouters

This chapter examines how protracted political conflict shapes the ways ordinary Naga men and women ‘see’ the postcolonial state. For most Nagas, long decades of conflict were marked by a dual relation to the state. On the one hand, they experienced the coercive, repressive powers of the state, while, after the enactment of Nagaland in 1963, the state manifested itself as a source of largesse and livelihood, as part of a politically driven policy of ‘seduction’ to tie Nagas to existing state structures and the political status quo. These historical experiences muddled distinctions between the state as a benevolent provider and protector, and that of a dispenser of bodily violence and misery, between the state as a lucrative resource and reservoir of public resentment. The way Naga villagers engage and ‘see’ the state, I argue, is mediated by this historical ambiguity.


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