Management of geotourism stakeholders experiences from the Network History of the Earth

Author(s):  
Christof Pforr ◽  
Andreas Megerle

A sharp increase in interest in geotourism worldwide in recent years has transformed many suitable regions into unique geotourism destinations opening up great opportunities for geoconservation and regional sustainable development. To fully capitalize on this potential, however, it is essential to bring together the fragmented stakeholders from the public and private sectors and establish appropriate structures and processes to facilitate their effective communication and collaboration. Only through such a partnership can an adequate knowledge base, built on diverse experiences and expertise, be established to provide certainty and guidance in the sustainable development of local geotourism products. Thus, effective communication networks and an open exchange of information are cornerstones of a successful implementation of geotourism in a region. The Network History of the Earth is a case in point for such a successful geotourism partnership. It was founded in 1997 as a framework for cooperation between a range of diverse stakeholders working together to develop a high quality sustainable tourism product based on the unique georesources of South-West Germany (Pforr and Megerle, 2006). South-West Germany mainly comprises the State of Baden-Württemberg and covers an area of 35,752 square kilometres with a population of around 10.7 million people (see Figure 8.3). A typical feature of the state is its wide variety of natural landscapes which can be subdivided into three main landforms, the Upper Rhine Graben (Oberrheingraben) in the west surrounded by the Black Forest (Schwarzwald) in the east and the Vosges Mountains (Vogesen) on the western French side, the southwestern cuesta landscape (Schichtstufenland) gently sloping towards the south-east as well as the Alpine piedmont (Alpenvorland). These diverse and distinct landscapes form the resource base of tourism, and, in some cases, like the jurassic geopark Swabian Alb and the mining areas of the Black Forest, also for geotourism (Geyer and Megerle, 2003). The service sector industries contribute almost 34 per cent to the state’s economic activities with tourism being an important industry for the state in general, but especially economically significant for regional areas.

2017 ◽  
pp. 263-276
Author(s):  
Maciej Walkowiak

The paper is mainly concerned with Gottfried Benn’s complex attitude to the state and history. By means of introductory prefigurations, such as existential tensions related to the conflict between Protestant ethics and modern aesthetics, there emerges Benn’s difficult and complex relation to the state as such, seen as a product of history, and to its particular examples, starting from the Second Reich until the initial phase of West Germany. Friedrich Nietzsche’s philosophy, and in particular the philosophy of art, is of great importance in this context. This issue is discussed using Benn’s key works such as Roman des Phänotyp or Doppelleben. Benn’s literary and life self-creations played a vital role in his relations with the political reality and the state, which is discussed at the end of this analysis. His ambivalent relation to early West Germany has a strong biographical basis, i.e. his involvement with the history of the Nazi Germany on the one hand, and on the other – the period of his literary fame at the end of his life.


2018 ◽  
Vol 15 (6) ◽  
pp. 754-763 ◽  
Author(s):  
Natalia V. Gerasimova

The article is devoted to one of the Soviet State’s policy directions at the first stage of its existence, aimed at the preservation of cultural va­lues and the formation of museum art collections. The poorly studied question about the features of this policy implementation is revealed on the example of the TASSR (Kazan Province — before May 1920), where in the 1920s a whole network of museums was created; almost in each of them, an art department was organized. The appeal to this topic is relevant in connection with the opening of a large number of public and private museums, which face similar challenges, as well as the active scientific activities of museums to study their own collections, in the framework of creation of the State Catalogue of the Museum Fund of the Russian Federation. For the first time, the article introduces into scientific circulation a number of sources, on the basis of which the main directions of this activity, as well as the museums’ art collections themselves, are analyzed. In the TASSR, the interaction with the State Museum Fund (SMF) was carried out by the Department for Museums and Protection of Monuments of Art, Anti­quities and Nature, employees of which (P.M. Dulsky and P.E. Kornilov) were engaged not only in organization of the artworks’ transferring to museums, but also in their selection. The article states that, thanks to the SMF, the Central Museum of the TASSR had the most complete and valuable art collection, and an interesting collection was formed in the Kozmodemyansky District Museum, which was part of the Kazan Province until 1920. This study shows that the SMF was an important and effective mechanism for the implementation of state policy in the field of culture: its activities contributed to the creation of provincial museums’ collections, based on scientific principles and aimed at presenting the history of fine arts development.


1794 ◽  
Vol 3 (2) ◽  
pp. 77-85 ◽  
Author(s):  
James Hutton

Since reading the paper upon the theory of the earth, I have been employed in examining many parts of this country, in order to enquire into the natural history of granite. In this undertaking, I have succeeded beyond my most flattering expectations; and I am now to communicate to this Society the result of my observations.In the paper just referred to, it was maintained, from many different arguments, that all the solid strata of the earth had been consolidated by means of subterraneous heat, softening the hard materials of those bodies; and that in many places, those consolidated strata had been broken and invaded by huge masses of fluid matter similar to lava, but, for the most part, perfectly distinguishable from it. Granite also was considered there as a body which had been certainly consolidated by heat; and which had, at least in some parts, been in the state of perfect fusion, and certain specimens were produced, from which I drew an argument in support of this conclusion.


Author(s):  
Naila Iqbal Qureshi Khan

Waqf is a Sadaqah Jariyyah, a Capital Gift to Allah which is useful for Sustainable development and beneficial to Muslim, Poor, Marginalised, and disadvantaged communities. The important thing is waqf properties must be used for the benefit of needy. It can be achieved through investing the waqf in infrastructure development through the generation of profits from waqf infrastructure and utilization of Waqf property by common and needy public. The proper management of waqf properties through modern techniques of risk and asset management so that maximum benefits can be achieved through any Waqf property is the need of time. The history of Waqf is very old in Madhya Pradesh and this research is undertaken to study the methods used to commercially develop Waqf lands which are regulated by waqf board of MP located in the state of MP. The researcher is trying to find out the potential of economic development through waqf properties in MP and the welfare which can be achieved of poor and marginalized classes in this chapter.


2019 ◽  
Vol 7 (2) ◽  
pp. 135-143
Author(s):  
Anthony Carty

Abstract The Western international law of territory starts from a standpoint of the priority of the State over its population. The latter is merely an object of the ownership of the State. Title to territory rests on dominant evidence of State activity. The activity of so-called private individuals or economic activity of peoples do not count towards title to territory in the case law of international tribunals. This article contests the foundations of such a perspective. The so-called Western law of territory was devised by Western States to divide up among themselves the territory of non-Western ‘non-peoples’, culminating in the racist Island of Palmas Arbitration. Carl Schmitt provides the makings of an alternative history of the law of territory. It is, and should be, the law of the homelands of peoples, historically located on particular spaces. Peoples precede States, which are merely institutions used by Peoples to protect and administer their homelands. Whatever the difficulties of locating the homelands to which Peoples belong, escape into the so-called Western law of territory as a way to ‘Peace through the Rule of Law’ is an illusion – described contemptuously by the political theorist Raymond Aron as a Law of empty spaces. Without justice, there is no law.


2018 ◽  
Vol 9 (3) ◽  
pp. 27-36
Author(s):  
Vivian Ntemgwa Nkongmenec

Abstract The ever-increasing environmental crises and the subsequent decay of the earth is a veritable call for concern which has stimulated man’s consciousness vis-à-vis his own very existence and his natural surroundings. There is therefore, the need for continuous resistance against the socio-cultural, political and economic manoeuvres that place man and his environment at extreme ends. This paper, therefore, focuses on the study of Bole Butake’s play: Lake God. It adopts both the eco-critical and eco-feminist approaches and hypothesizes that Butake’s depiction of a panoply of issues that centre around the female body and the land foreshadow a quest to overcome ecological and female oppression in order to render the land a more fertile ground for sustainable development and female empowerment. The paper contends that Butake’s play resonates a feminist self-consciousness which is suggestive of the need to seek alternative means of combating land exploitation in order to sustain a symbiotic relationship between man and his eco-space. In reading Butake’s work from an eco-feminist perspective, this paper intends to show that the characters he creates and the milieu in which they are positioned place the woman in a precarious state. Drawing therefore, from the global tenets of eco-feminism which posit that the woman and nature are related based on their history of domination and exploitation, this paper intends to revisit the eco-space and female agency in Butake’s work to postulate that the woman has the power to preserve the land and to create a healthy and conducive atmosphere. The paper, thus, exemplifies the author’s admiration for one’s native land which must be treasured and protected.


Author(s):  
Anna V. Voloshko ◽  

This article focuses on the history of a series of paintings by Alexey Bogolyubov which was devoted to Peter the Great’s naval campaigns and created between 1860 and 1877 at the commission of Alexander II. Bogolyubov’s series of naval battle scenes has not been studied individually before. Dispersed across various public and private collections, the paintings have lost their role as a pictorial ensemble. Besides, the fate of three of the eight paintings remains unknown, and they can only be judged by indirect sources: archival and literary sources, copies, studies, and preparatory graphic works. Collected and systematised in this article, these materials make it possible to present the development of the series and Bogolyubov’s pictorial language over a decade and a half at the peak of his artistic career. An analysis of the pictorial features of this cycle of paintings and some other works reveals a change in the artistic techniques during the creation of the series. Also, the author identifies works of Bogolyubov’s predecessors on similar subjects and reveals features of their stylistic similarities and differences from those of Bogolyubov’s. The author traces the connection between Bogolyubov’s choice of subjects in the paintings and the state of naval history, more particularly, their connection with the works of Feodosy Veselago. In addition, the author reveals a case of change in the original idea of the composition of The Battle of Gangut and its division into three paintings consistently reflecting the course of the battle. Additionally, the article compares the routes of hydrographic expeditions and travels as part of the entourages of Tsesarevich Nicholas Alexandrovich and Tsesarevich Alexander Alexandrovich and places related to events of Peter the Great’s reign. Thus, the research demonstrates Bogolyubov’s search for a maximum accumulation of historical material and documentary depiction of events.


2015 ◽  
Vol 5 (1) ◽  
pp. 99-110
Author(s):  
Algimantas Urmonas ◽  
Virginijus Kanapinskas ◽  
Agnė Tvaronavičienė ◽  
Indrė Juozapaitytė

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