scholarly journals Personality Psychology in Margaret Atwood’s Short Story Under Glass

2019 ◽  
Vol 7 (2) ◽  
pp. 10
Author(s):  
Dr. Y. Vidya

Margaret Atwood is one of the most important and influential writers alive today. Margaret Atwood’s literature, both in the form of poetry and prose, is significant to an understanding of ‘female experiences’ more broadly speaking, though, Atwood attempts to explore questions of identity. She thus attempts to achieve the creation of a space and time in which readers can think critically about the world and their place in it. This self-reflexive form of analysis is significant in a modern and post-colonial world in which issues of gender have become increasingly critical, as it allows readers both a way of imagining and a way of criticizing ourselves and our own culture and that of others we perceive around us. Her stories are acute depictions of men and women, and are therefore interested in human curiosity but also in control and power.  Atwood focus lies also in the effects and dynamics of unequal power relations.  

IIUC Studies ◽  
1970 ◽  
Vol 3 ◽  
pp. 55-62 ◽  
Author(s):  
Mohammed Sarwar Alam

Imperialism has been the most powerful force in world history over last four or five centuries. The world has moved from the colonial to post-colonial era or neoimperialism. Throughout the period, the imperialists have changed their grounds and strategies in imperialistic rules. But the ultimate objective has remained the same- to rule and exploit the natives with their multifaceted dominance-technological, economic and military. Through dominance with these, they have been, to a great extent, successful in establishing their racial and cultural superiority. George Orwell is popularly known to be an anti-imperialist writer. This paper, I believe, will lead us to an almost different conclusion. Here, we discover the inevitable dilemma in a disguised imperialist. We discover the seeds of imperialism under the mask of anti-imperialism. In this regard, it studies his revealing short story "Shooting an Elephant". It also humbly approaches to refute Barry Hindess' arguments supporting neoimperialism.   doi: 10.3329/iiucs.v3i0.2664   IIUC STUDIES Vol. - 3, December 2006 (p 5-62)  


2020 ◽  
Vol 38 ◽  
pp. 205-214
Author(s):  
Martine Renouprez ◽  

The Western view of the world is fundamentally a binary one, in which institutions (political, scientific and religious) have tried to pass off as natural those distinctions which are cultural in origin, particularly those concerning men and women. The male/female organic distinction has been used as supposed evidence for the creation of gender constructs. However, biology today shows that an infinite diversity of sexual orientations and identities exists within both animal and human worlds. What is the effect of “otherness” within oneself when “I am the other”? The post-modern novel Chéri-Chéri by Philippe Djian questions the legitimacy of human binary and the distinction between sexes and genders.


2015 ◽  
Vol 1 (1-2) ◽  
pp. 133-151 ◽  
Author(s):  
Amiena Peck ◽  
Christopher Stroud

The paper argues for extending linguistic landscape studies to also encompass the body as a corporeal landscape, or ‘moving discursive locality’. We articulate this point within a narrative of a developing field of landscape studies that is increasingly attentive to the mobility and materiality of spatialized semiotics as performative, that is, as partially determining of how we come to understand ourselves ‘in place’. Taking Cape Town’s tattooing culture as an illustration, we unpack the idea of ‘the human subject as an entrepreneur of the self, as author of his or her being in the world’ (Comaroff & Comaroff, 2012: 23), by using a phenomenological methodology to explore the materiality of the body as a mobile and dynamic space of inscribed spatialized identities and historical power relations. Specifically, we focus on: how tattooed bodies sculpt future selves and imagined spaces, the imprint they leave behind in the lives of five participants in the study and ultimately the creation of bodies that matter in time and place. The paper will conclude with a discussion of what studies of corporeal landscapes may contribute to a broader field of linguistic landscape studies.


2021 ◽  

The first volume of The Cambridge History of America and the World examines how the United States emerged out of a series of colonial interactions, some involving indigenous empires and communities that were already present when the first Europeans reached the Americas, others the adventurers and settlers dispatched by Europe's imperial powers to secure their American claims, and still others men and women brought as slaves or indentured servants to the colonies that European settlers founded. Collecting the thoughts of dynamic scholars working in the fields of early American, Atlantic, and global history, the volume presents an unrivalled portrait of the human richness and global connectedness of early modern America. Essay topics include exploration and environment, conquest and commerce, enslavement and emigration, dispossession and endurance, empire and independence, new forms of law and new forms of worship, and the creation and destruction when the peoples of four continents met in the Americas.


2019 ◽  
Vol 9 (1) ◽  
pp. 72
Author(s):  
Sura M. Khrais ◽  
Hana A. Daana

This paper is a study of the post-colonial polarity of the Self/the Other in Hanan Al Shaykh's short story "The Land of Dreams". It investigates the sub-textual tensions between her admiration of the European model (the Self) and her status as an Arab writer representing the Other. Thus, Al Shaykh presents a prejudiced text in which the Other is misrepresented and rather stereotypically portrayed. While the Self is civilised and a savior-like figure, the Other (Yemini men and women) is primitive, superstitious and ignorant.  Furthermore, the researcher will show that what seems to be a meaningful connection across the racial line where the Self (Ingrid; the civilised European) and the Other (Yemini people) find a contact zone is no more than an illogical oversimplification of the relationship. While Hanan Al Shaykh introduces this model of racial liberation through unification of the Self and the Other, the question remains to what extent would that relationship sustain the pressures of the primitive culture of the Other? Indeed, Al Shaykh tends to simplify and generalise the relationship to the point of producing romantic and idealised images of a human contact beyond cultural and racial gaps, which strikes the reader as naïve and unrealistic.


2017 ◽  
Vol 6 ◽  
pp. 1-19 ◽  
Author(s):  
Maria Tamboukou

We usually perceive archives as the end of the active life of a document, a place where a document is deposited to be protected and preserved for the creation of future memories and histories. And yet archives are beginnings as much as they are ends: they give their documents a new life and particularly with the advent of digitisation, new and diverse forms of life; but they can also deprive their documents of a future life, by hiding them through mysterious cataloguing structures, complex classification practices or merely spatial arrangements. Apart from curators and archivists who create and organise archives, often hiding documents in them, researchers also create archival assemblages when they bring together documents from diverse archives and sources around the world. But researchers, like archivists, often hide the archival strategies or sources of their research, through their immersion in the power relations of knowledge production. In this paper I look at the creation of an archival assemblage from my research with documents of life written by French seamstresses, active in the feminist circles of the romantic socialist movements of the nineteenth century. What I argue is that as researchers we need to become more sensitive to the life of the documents of life we work with; simply put: we cannot engage with documents of life while ignoring the life of documents within the archive and beyond. This article was submitted to EJLW on January 16th 2016, and published on April 9th 2017


Author(s):  
Michael Newman

What is socialism? The Introduction outlines the beliefs socialists have in common, including their opposition to gaps in wealth and equality and commitment to the creation of an egalitarian society. Socialism, capitalism, and liberalism are products of a post-19th-century age in which people see themselves as having the agency to effect change. Socialism’s detractors focus on its negative manifestations, such as Stalinism. Socialism has been interpreted differently around the world, inspiring distinct types of communism in Russia and China. Cuba has one of the best-known socialist political systems. Smaller socialist experiments include the kibbutz movement and post-colonial Arab and African efforts to combine socialism with existing traditions.


2020 ◽  
Vol 7 (1) ◽  
pp. 17-23
Author(s):  
Nina Czegledy

Nature may be considered as the world of living organisms and their environment; in a larger sense, the shape of nature can also be understood to include particular extents of space and time. The visual perspectives of nature form a particular course that begins with the earliest historical depictions and might be currently expressed by a variety of cross-disciplinary contributions. The diverse perspectives form eclectic threads that today are frequently manifested within the eco-activist art movement. Several of the contemporary ecological art projects are grounded in explicit experiences and connections to specific spaces relevant to where the work is created. The local or international ecological labs, experimental urban gardens, projects on the migration of plants and the creation of new species included here are all new models contributing to a speculative future culture.


2018 ◽  
Vol 42 (2) ◽  
pp. 103-111 ◽  
Author(s):  
Sumantra Misra ◽  
Manjari Chakraborty ◽  
N. R. Mandal

Critical Regionalism as expounded by Kenneth Frampton has found its use in many parts of the world as a reaction to the international architecture practised in the Western world. India, which was deprived of exposure to the advanced developments in architecture in the US and Europe was at one stroke brought into world contact after gaining independence. This paper traces the exposure of the Indian architects to Western training and philosophy and how they developed their works to suit the regional context. Important aspects of the paper are mentioned below: ‒ International exposure of the Indian architects after independence. ‒ Their designs and their approaches to the creation of an Indian flavour on their return to homeland. ‒ Examined the works of a few prominent architects and inferred on their special regional contributions.


This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason of these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.


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