scholarly journals Transformasi Lagu “Kacang Dari” ke Dalam Chamber Music

2020 ◽  
Vol 4 (2) ◽  
pp. 96
Author(s):  
Komang Wira Adhi Mahardika ◽  
Hendra Santosa ◽  
Ni Wayan Ardini

This article aims to reveal the transformation process of a traditional lullaby entitled Kacang Dari into chamber music so that the song can rise from the of extinction. The problems discussed in this article are focused on the rapid development of technology that has indirectly made the legacy of traditions, especially traditional songs, increasingly abandoned. One of the traditional songs that is on the verge of extinction is Kacang Dari. Kacang Dari is a traditional song originating from Pujungan Village, Pupuan, Tabanan-Bali. This song is a lullaby that is rarely sung now, even very few children in Pujungan Village know about the song Kacang Dari. In order to approach this problem, the researcher uses the theory of transformation and composition theory to represent the song into a new form, namely chamber music. In this transformation process the researcher uses the creation method which refers to the method offered by Alma Hawkins consisting of the exploration, improvisation, and formation stage. This creation concludes that a traditional song that is getting extinct and not sung by the song can be picked up and transformed into a new form so that it can maintain its existence and attract the public's interest to be able to re-enjoy the song.

2018 ◽  
Vol 3 (2) ◽  
pp. 189
Author(s):  
Naely Farkhatin ◽  
Thomas Afrizal ◽  
Arif Ubaidillah

Culture is a life aspect covering all behaviors, beliefs, ways to behave and results of human activities typical of society or certain community. The culture includes traditional house, traditional attire, traditional song and traditional ceremony. North Sumatra is a province that has varied culture in many fields. Therefore, the researcher interviews many informants, especially historians or traditional figures in North Sumatra to study its culture. With the increasingly rapid development of technology, the researcher initiates the creation of an application to introduce the culture of North Sumatra using android Development Tools. It is expected that this application can be an interactive and interesting learning medium for society and tourists who want to learn the culture of North Sumatra.


2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Elsa Karino

Production is an activity to convert inputs into outputs through the transformation process. Input in the form of man, money, method, material, machine. While the output is in the form of goods or services. The purpose of production in general is to meet individual needs. There are several factors that influence production namely land and all economic potential that is processed and cannot be separated from the production process, labor is directly related to the demands of property rights through production, and capital, management and technology. In production there are various types of production, namely production which is intermittent and continuous. The production, if viewed from an Islamic perspective, it must fulfill the following principles. First, produce in a halal circle. Second, managing natural resources in production is interpreted as the process of creating wealth by utilizing natural resources must rely on the vision of the creation of this nature and along with the vision of human creation, namely as a blessing for all nature. Third, the Caliph on the earth is not only based on the activity of producing the usefulness of an item but work is done with the motive of benefiting to seek the pleasure of Allah SWT. Key Words: Production, Red Sugar, benefiting


Author(s):  
Marina Y. Neshcheret

The article is devoted to the comprehensive study of the professional information needs (IN) of specialists of the central libraries of the subjects of the Russian Federation. The rapid development of high technologies in the field of accumulation, transmission and processing of information, the creation of modern telecommunications systems have led to the emergence of fundamentally new opportunities for organizing the information process. This, in turn, led to the qualitative growth of IN specialists, including those employed in the field of library activities. The specific features of IN library specialists are determined by their place and role in the modern process of cultural activity, industry orientation, nature of work and specialization. During 2018—2019, the Centre for Research of Problems of the Development of Libraries in the Information Society of the Russian State Library carried out research aimed at comprehensive study of the information needs of cultural workers employed in the library sphere. At the first stage of the research, there was comprehended the existing experience of studying professional information needs in the national library science. At the second stage, using the method of questionnaire survey, information needs of library specialists were studied in order to identify the most rational forms and methods of providing them. The analysis of the survey results made it possible to identify the sources of professional information, to reveal information resources that have the greatest importance and characterize specific features of librarians’ information needs.The author concludes on the need to expand the access to full-text databases and electronic versions of periodicals for library staff. The creation of integrated information centre could help providing library professionals with professional information. Currently, the function of such a centre is performed by the National Electronic Library, which includes the professional section for library specialists. The results of the study form theoretical and methodological basis for the rational use of resources and potential of libraries in providing information to professional information needs of library specialists and determine the prospects for further research related to improving the forms and methods of information service for this category of users.


Author(s):  
Melissa Anne-Marie Curley

Miki Kiyoshi (1897–1945) worked at the intersection of Marxism and Kyoto School philosophy. His later work explored the place of imagination in the historical dialectic. Miki held that the power of imagination was apparent in myths, institutions, and technologies, each of which represented the mediation of subjective will and objective reason. This subjective will could be either individual or collective—in his discussion of the institution, Miki posited that a collective subject he referred to as “creative society” drove the creation of new historical forms. Miki described creative society moving toward a new form of egalitarian fellowship that would transcend the existing state; Iwasaki Minoru points out, however, that Miki’s logic was used by the state to support its imperialist projects in Asia. The chapter closes by suggesting the possibility of rehabilitating Miki’s logic of imagination by refocusing on his treatment of affect and desire.


Author(s):  
Iskander Umarov ◽  
Maxim Mozgovoy

The rapid development of complex virtual worlds (most notably, in 3D computer and video games) introduces new challenges for the creation of virtual agents, controlled by artificial intelligence (AI) systems. Two important subproblems in this topic area which need to be addressed are (a) believability and (b) effectiveness of agents’ behavior, i.e., human-likeness of the characters and high ability to achieving their own goals. In this paper, the authors study current approaches to believability and effectiveness of AI behavior in virtual worlds. They examine the concepts of believability and effectiveness, and analyze several successful attempts to address these challenges.


2021 ◽  
Vol 16 (1) ◽  
pp. 177-184
Author(s):  
Marfitsyna Arina R. ◽  

The topicality of the article is determined by the fact that it examines the specifics of modern digital content in the context of the transformation processes, which take place in modern media in the context of transmedia that influence the formation of digital etiquette. The rapid development of the technical and technological components of communication contributes to the constant transformation of digital etiquette and this is one of the problems of modern transmedia space, which actualizes the identification of the content features of digital content, the role of the axiological component of modern media materials, the definition of effective ways of their representation that corresponds with the needs of the modern digital audience. The aim of the research is to describe the key characteristics of digital content in modern media that promote the formation of digital etiquette. The novelty of the article is in the concept analysis of print media, television and radio broadcasting in the context of transmedia according to the approach of the general key characteristics of the current digital content that contribute to the formation of digital etiquette and have the prospect of further research. The methodological basis was the scientific works of media theorists in Russian and foreign scientific communities. During the work on the article in the field of researching the content of modern mass media and the transformation processes that take place in the media, the author used the methods of analysis and comparison, the synthesis method was applied in terms of discussing the research results, formulating conclusions. The results of the research show that today not only adaptation in the digital environment is required but also close integration with all processes of the digital development of society is necessary for the successful functioning of modern media. The typical key features for modern digital content, which are the environment for the formation of digital etiquette, were identified during the research. It includes the ability to consume content through various gadgets; creation of interactive materials that satisfy the demands of a certain audience and give the right to participate in the creation of content and to choose it; the creation of complex multi-component materials that are endowed with the features of the project and also the transmedia narrative pattern. The article represents the interest to practicing journalists, as well as to researchers in the sphere of development of digital journalism, transmedia storytelling, digital content features and digital etiquette. Keywords: journalism, digital content, mass media transformation, transmedia, storytelling, digital etiquette


2020 ◽  
Author(s):  
John F. Burkhart ◽  
Felix N. Matt ◽  
Sigbjørn Helset ◽  
Yisak Sultan Abdella ◽  
Ola Skavhaug ◽  
...  

Abstract. This paper presents Shyft, a novel hydrologic modelling software for streamflow forecasting targeted for use in hydropower production environments and research. The software enables the rapid development and implementation in operational settings, the capability to perform distributed hydrologic modelling with multiple model and forcing configurations. Multiple models may be built up through the creation of hydrologic algorithms from a library of well known routines or through the creation of new routines, each defined for processes such as: evapotranspiration, snow accumulation and melt, and soil water response. Key to the design of Shyft is an Application Programming Interface (api) that provides access to all components of the framework (including the individual hydrologic routines) via Python, while maintaining high computational performance as the algorithms are implemented in modern C++. The api allows for rapid exploration of different model configurations and selection of an optimal forecast model. Several different methods may be aggregated and composed, allowing direct intercomparison of models and algorithms. In order to provide an enterprise level software, strong focus is given to computational efficiency, code quality, documentation and test coverage. Shyft is released Open Source under the GNU Lesser General Public License v3.0 and available at https://gitlab.com/shyft-os, facilitating effective cooperation between core developers, industry, and research institutions.


2016 ◽  
Vol 59 (1) ◽  
pp. 54-71 ◽  
Author(s):  
JOHN STEPHENSON

Abstract The elements of visual culture preserved in late Roman houses confirm an intense interest in dramatic visual display. This study employs an interpretive lens of spectacle to examine a new form of banquet space amd furnishings in the period, as well as a new style of ‘dinner-theatre’ they served. By considering ancient art as inseparable from active contexts and ephemeral events, a more sophisticated understanding of a society's self-definition through art emerges. Rather than being epiphenomenal to the poliltical culture of late antiquity, spectacle is argued to be central to the creation and contestation of power structures: performance is politics.


2017 ◽  
Vol 2 (3) ◽  
pp. 239-252
Author(s):  
Nathanael Edward Bassett ◽  
Jason Edward Archer

Ubiquitous technology depends upon imposing standards. Choices in function and form reflect the homogenization of artifacts, necessitated by the intentions of experts to satisfy a plurality of users. In material publics, users with expert knowledge can develop customized artifacts satisfying desired affordances or aesthetics. This project involves a media archaeology of computer keyboard design to explore the relationship between experts, publics, and the creation of these artifacts. Participation in these communities and study of enthusiast records result in a public-expert knowledge. The importance granted to minutia of design, from the choice of plastics to spring tensioning, parallels new form factors that reflect highly personalized choices. These reassert user control over the materiality of an otherwise ubiquitous and mundane mediating artifact. Publics then create a new political materiality by recomposing artifacts beyond what commercial expertise prescribes.


Author(s):  
Amy Sodaro

Emerging from the extremely violent 20th century, memorial museums are a new form of commemoration, created to both commemorate and educate about past genocide, human rights abuses and other injustices with the goal of instilling in their visitors an ethic of “never again.” However, these ambitious goals are often compromised by the politics behind the creation of memorial museums. The focus of this paper is on the ways in which memorial museums produce history according to the dictates, needs and desires of the regimes that build them, using the example of the Kigali Genocide Memorial Center in Rwanda. Despite the fact that the Kigali Center commemorates the 1994 Rwandan genocide using the increasingly familiar, global memorial museum form, it reveals much more about current Rwandan politics and the government’s hopes for the future of Rwanda than it does confront the terrible past.


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