scholarly journals Reception of peri's image in Russian poetry of the XIX century (the second article)

2021 ◽  
Vol 7 (3) ◽  
pp. 560-566
Author(s):  
Tatiana A. Yashina ◽  
Dmitry N. Zhatkin
Keyword(s):  
Scientific Research ◽  
Literary Work ◽  
Russian Poetry ◽  
Xix Century ◽  
Symbolic Image

The article presents additions to the scientific research of D.N. Zhatkin and A.P. Dolgov «Peri in Russian poetry», published in 2007 in the magazine «Russian speech» and comprehending the facts that influenced on the process of assimilation of the symbolic image of Peri, who came from Eastern mythology and appeared in the works of Russian writers and translators thanks to the reception of the works of Thomas Moore, namely one of his frame tales of the eastern story «Lalla Rookh» «Paradise and Peri». This article is the first to systematize materials on the topic related to the literary work of such poets of the «second row» as D.V. Davydov, I.P. Myatlev, E.P. Rostopchina, L.A. Yakubovich, V.S. Pecherin, S. Ya.Nadson, P.F. Yakubovich. In their works, Russian poets of the «second row» traditionally continued to use the symbolic image of the peri to describe a woman with an unusual attractiveness and lightness.

scholarly journals THE PROBLEM OF STUDYING OF THE APPLIED ART OF ARTSAKH OF THE 19TH CENTURY ON THE PAGES OF THE EASTERN ARMENIAN ERIODICAL PRESS

2021 ◽  
Vol 4 (10(74)) ◽  
pp. 4-7
Author(s):  
M. Harutyunyan
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
Scientific Research ◽  
Scientific Article ◽  
Color Structure ◽  
Applied Art ◽  
Technical Mastery ◽  
Xix Century ◽  
The 19Th Century

Thus, our scientific research led to the conclusion that the applied art which originated in the previous centuries continued to develop along with other branches of the culture of Artsakh in the second half of the XIX century and the beginning of the XX century.  In this scientific article, we have presented mainly the following branches of the applied arts of Artsakh: carpet weaving, handicrafts, embroidery, silversmithing, pottery. We have mainly presented interesting information about the branches of the applied art which were covered in the periodicals of the second half of the XIX century and the beginning of the XX century. Noting about the carpet weaving of Artsakh, we emphasized that the carpets of that region of Artsakh stood out with their color structure, richness of ornaments, technical mastery. We highlighted the role of handicrafts in the life of Armenian women, emphasizing that this form of the applied art was developed in Artsakh in the Middle Ages. In this article, we also presented a number of pottery samples found during excavations by foreign archaeologists. 

scholarly journals The Song of Nibelungen Bodies and How They are Described, Idealised and Eroticized. Part I. Der Helt Was Wol Gewahsen...

Corpus Mundi ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 112-134
Author(s):  
Elina A. Sarakaeva
Keyword(s):  
Fine Arts ◽  
Literary Work ◽  
National Character ◽  
Original Text ◽  
Cultural Codes ◽  
Heroic Epic ◽  
Xix Century ◽  
The Way ◽  
National Mythology

The discovery of the medieval heroic epic “Das Nibelungenlied”in the XIX century Germany coincided with the search for new national mythology and symbols within the movement of Romantic medievalism. The heroic epic got a country-wide recognition asa great literary work that was supposed to serve as a source of German values and to reflect the German national character. With this approach the characters of the epic were re-constructed as embodiments of these German values, as ideals to follow. The article analyses the iconography of these characters, the “nibelungs”: the way they were visualized and depicted in fine arts and fiction and what ideological concepts were ascribed to their bodies and appearances. The first part of the article compares the descriptions of Nibelungen characters in the works of German authors of XIX-XXI centuries and compares them to the descriptions in the original text of the poem to see how cultural codes are constructed and interpreted through visualization of human bodies.

scholarly journals RIVER IN THE WORKS BY M. F. ISTOMIN: ON THE PROBLEM OF MODELING THE IMAGE OF THE NORTH IN THE WORKS OF KOMI WRITERS OF THE XIX CENTURY

2021 ◽  
Vol 15 (4) ◽  
pp. 654-662
Author(s):  
Valentina Aleksandrovna Limerova
Keyword(s):  
Literary Work ◽  
Russian Language ◽  
The North ◽  
Russian Literary ◽  
Literary Process ◽  
History Of ◽  
Literary Portrait ◽  
Xix Century ◽  
Literature Material ◽  
Made In

The works of Mikhail Fedorovich Istomin (1821-1862) are part of the unexplored and, until recently, not included in the history of Komi literature material - essays created by Komi writers of the XIX century in Russian language. Meanwhile, the work of M. Istomin is very representative both in terms of the formation of General regional characteristic of all the literature of the North, and the ways of familiarizing Komi intelligentsia to literary work. The analysis of works of M. Istomin made in this work, allows to judge about actual for the writer-“foreigner” of the XIX century connection to all-regional and all-Russian literary process, and also about a problem of creation of a native literary portrait for different people of the North. The description of the territory, its geographical and climatic features, the creation of descriptions of places was chosen by the writer as a priority, the most important task of creativity. This allows him to embody fragments of the Northern world through the focus of view of autochthon, to identify and record the most important, especially important for the northerner, locations and objects of environment. The writer paid special attention to the rivers as the most important geographical and natural attractions of the region. In essence, the North in the essays of M. Istomin takes the form of world saturated with many waters. The writer is far from symbolizing natural objects, does not endow their images with figurative meanings, at the same time, many descriptions of different rivers in his essays indicate the movement of regional and Komi literature by the way of creation its own concept of the North as a natural environment-centered world.

scholarly journals The Early Illustrated Editions of W. Shakespeare in the Holdings of the Russian State Library

2014 ◽  
pp. 54-59
Author(s):  
T. A. Dolgodrova
Keyword(s):  
Scientific Research ◽  
William Morris ◽  
Research Department ◽  
Russian State ◽  
Rare Books ◽  
State Library ◽  
Xix Century

The article is devoted to the early illustrated editions of W. Shakespeare, stored at the Scientific Research Department of Rare Books (Museum of Book) of the Russian State Library. There is carried out the analysis of the illustrations - engravings from the books of XVIII-XIX centuries, starting from the first edition of W. Shakespeare with illustrations (1709) up to the publication of the end of XIX century with ornaments of William Morris.

scholarly journals The results of the examination of German and some French institutions for the mentally ill

2020 ◽  
Vol VIII (1) ◽  
pp. 31-96
Author(s):  
E. Delov
Keyword(s):  
Mentally Ill ◽  
Medical Knowledge ◽  
Scientific Research ◽  
Psychiatric Hospitals ◽  
Human Knowledge ◽  
Sick People ◽  
Xix Century ◽  
As If

The XIX century, marked by a colossal progress in all branches of human knowledge, as expected, did not remain without influence in cultural countries to improve the situation of keeping, treating and looking after the mentally ill. A hundred years ago, the famous French psychiatrist Pinel, who removed the chains from the mentally ill, to whom they were attached, and preached humane treatment of such patients, gave a push to this at the end of a hundred years ago. A whole series of the following psychiatrists in all civilized countries tried to put this principle into practice and develop it further; thanks to their scientific research, they raised psychiatry as a science to the respectable place that it occupies among other branches of medical knowledge. The society, awakened from the gripping of its perpetual indifference to the fate of its unfortunate fellows who got sick, as if conscious of its guilt for the deprivation that the mentally ill previously experienced in the old hospitals - prisons, begins to worry little about the result In recent years, in our country and in all civilized states, one after another, new psychiatric hospitals are growing whole palaces, where, down to the smallest details, everything is foreseen, according to the newest views, for the rational maintenance and treatment of their sick people. Hospitals such as Herzberge and Wuhlgarten near Berlin, Dziekanka near Gnezen, the famous colony for the mentally ill Alt-Scherbitz, clinics in Halle and Hedelberg, Munsigen hospitals in Switzerland and Kierling in Switzerland, with their orders and orders, amaze in them, and the achieved results in the maintenance and treatment of the mentally ill.

scholarly journals LEGAL REGULATION OF NAVAL FORCES ACTIVITY: WORLD EXPERIENCE

2021 ◽  
Vol 117 (4) ◽  
pp. 36-47
Author(s):  
BORYSOV Yevhen
Keyword(s):  
Seventeenth Century ◽  
Scientific Research ◽  
Armed Forces ◽  
Legal Regulation ◽  
Empirical Generalization ◽  
Regulation Of Activity ◽  
History Of ◽  
New Research ◽  
Xix Century ◽  
Historical Thought

Background. The analysis of the evolution of the regulation of the navy cannot be carried out without considering the reflection of the relevant aspects in the naval historical thought. These scientific researches first of all have no legal orientation and have as their subject the content and nature of the activity of the navy, in particular in measuring its formation and development. At the same time, their generalization and evaluation in the legal dimension would be useful in the context of determining the relationship between historical thought and the development of naval law. An analysis of recent research and publications has shown that, despite aspects of the attention of legal historians to the issue of regulatory support of the armed forces, there is no relevant works on the evolution of the legal regulation of the navy. The aim of the article is to correlate global historical thought and legal support for the activities of the navy. To solve this goal, it is necessary to determine the development of relevant historical thought, to characterize its implementation in the works on naval doctrine and strategy, to assess the importance of relevant works for the development of naval law. Materials and methods. In the course of the research historical-legal, comparative, systemic, epistemological, hermeneutic, biographical methods were used. Results. The reflection of aspects of legal regulation of activity of naval forces in works of historians of fleet is investigated. The formation of the history of the navy from the seventeenth century in terms of special research and works on naval tactics and strategy is considered. It is proved that at the first stage these researches had the character of empirical generalization and provision of tactical activity of the sailing and then mechanized fleet, but from the end of the XIX century this experience was gained in the development of a maritime strategy. Conclusion. Historical studies of naval development first emerged at the appropriate scientific level as part of the development of naval tactics and strategies by French, British and American authors, whose works constitute an interconnected universal and universally recognized system of scientific research begun in the late seventeenth century. At the first stage, these studies were in the nature of empirical generalization and ensuring the tactical activities of the sailing and then mechanized fleet. But from the end of the XIX century this experience was gained in the development of a naval strategy, which gained universal character and indisputable authority for the naval forces of the most countries. In addition to use in works on naval tactics and strategy, the history of the navy from the eighteenth century reflected in biographical works, and in the twentieth century the most of the relevant historical works began to have the character of memoirs. Because the world-renowned fundamental works on naval strategy and tactics belong primarily to American and British authors, the domestic dimension of historical scientific research in this area is extremely limited. Thus, these issues require new research. Keywords: naval forces, history of navy, naval law, naval doctrine, naval strategy.

scholarly journals Концепции развития Этнографического музея Казанского университета в XIX в.

2020 ◽  
pp. 115-124
Author(s):  
Елена Геннадьевна Гущина ◽  
Татьяна Алексеевна Титова ◽  
Елена Валерьевна Фролова
Keyword(s):  
Scientific Research ◽  
Educational Process ◽  
Museum Collection ◽  
Xix Century ◽  
The University

На основе архивных материалов в статье рассмотрены концепции развития этнографического музея Казанского университета. Особое внимание уделено этапам создания этнографического собрания, специфике формирования коллекций и особенностям реорганизации музейных структур. Авторами отмечены проблемы, с которыми столкнулся музей на этом пути, одной из них стало отсутствие заинтересованных специалистов-этнографов. Вместе с тем отмечается, что само функционирование этнографического музея в XIX в. способствовало накоплению большого разнопланового собрания, которое могло быть использовано для сопровождения учебного процесса и проведения научных исследований в Казанском университете в последующие периоды. По мнению авторов, практически за столетнюю историю своего существования этнографическое собрание Казанского университета несколько раз меняло свою «прописку», оказываясь в фондах различных структурных подразделений, и, по сути, так и не оформилось в музей. Профиль же этнографического подразделения зачастую определялся научными интересами его руководителя. Т.о. это собрание сформировалось не в результате запланированного, целенаправленного пополнения, а спонтанно, в значительной степени за счет различных подарков университету, поэтому большую часть этнографических предметов музея составляли экспонаты из регионов, далеких от «малого отчества». The article discusses the developmental concept of the Ethnographic museum of Kazan University in the context of development of ethnographic knowledge. Particular attention is paid to the stages of formation of the ethnographic collection, the specifics of formation of collections and aspects of reorganization of museum structures. The authors highlighted the problems that the museum collection faced in the period under review: the lack of interested ethnographers and planned museum work. However, it was concluded that functioning of the Ethnographic museum in the XIX century contributed to accumulation of a large diverse collection, which provided support for the educational process and scientific research at Kazan University later. Over almost a hundred-year history the ethnographic collection of Kazan University changed its affiliation several times, ending up in funds of various structural divisions, and, in fact, never became a museum. The profile of an ethnographic unit was often defined by the scientific interests of its head. Thus, this collection was formed not as a result of a planned, purposeful replenishment, but rather spontaneously, largely due to various gifts to the university, and therefore, most of the museum's ethnographic exhibits came from regions that were far from the “small motherland”.

scholarly journals Peculiarities of Reconstructing Russian Rhyme in English Translations

2020 ◽  
Vol 17 (1) ◽  
pp. 59-64
Author(s):  
Anastasia V. Sycheva
Keyword(s):  
Significant Role ◽  
Scientific Research ◽  
Linguistic Analysis ◽  
Theory And Practice ◽  
English Poetry ◽  
Main Emphasis ◽  
Russian Poetry ◽  
English Translations ◽  
Poetic Translation ◽  
English Speaking

The article deals with the problem of preserving the rhyme traditional for Russian poetry in translations into English. A brief analysis of Russian and foreign linguists’ works on the theory and practice of poetic translation shows that rhyme in English poetry does not play such a significant role as it does in Russian poetry. Opinions of English-speaking readers coincide with the opinion of translators. However, adequate versions of Russian poems in English with preservation of rhymes of original verses are the preferred type of poetic translation. The article deals with the problem of preserving the rhyme, characteristic of Russian poetry, in translations into English. The purpose of this scientific research is to conduct a brief analysis of the works of Russian and foreign linguists on the theory and practice of poetic translation to reveal the role and significance of the category of rhyme in English and Russian poetry. The author pays special attention to the opinion of translators of Russian poetry into English and English-speaking readers of translated Russian lyrics in the context of preserving rhyme or deviation from it. As a result of the conducted research, the author comes to the conclusion that rhyme does not play such a significant role for foreign linguists and translators as it does for their Russian-speaking counterparts. A more attractive form of poetry for them is vers libre. Consequently, the issues of rhyme reproduction for English translators are not of paramount importance. The main emphasis is on the meaning of the translated text, not its form. Opinions of English-speaking readers coincide with the opinion of translators. In addition, the article presents summary information of the conducted comparative linguistic analysis of 275 poems by B. Okudzhava and their originals. The analysis shows that in percentage terms the number of rhymed translations from the total number of translated texts is about 40%. However, the overwhelming number of English translations of poems Okudzhava - about 60% - belongs to unrhymed translations. Nevertheless, the author of the article emphasizes the need to preserve rhyme in translations as an integral part of the Russian classical verse and believes that adequate versions of Russian poems in English with preservation of original rhyme are the preferred type of poetic translation.

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