Actes sexuels, horreur et sorcellerie au cinéma. La copulation avec le Diable : une perspective psychanalytique

2021 ◽  
Vol 66 (1) ◽  
pp. 109-133
Author(s):  
Ioan Pop-Curșeu
Keyword(s):  
Seventeenth Century ◽  
18Th Century ◽  
Common Features ◽  
Analytical Process ◽  
Starting Point ◽  
Roman Polanski ◽  
The Devil

"Sexual Acts, Horror and Witchcraft in Cinema. The Copulation with the Devil: a Psychoanalytical Perspective. This paper tries to approach, taking as a starting point a Romanian painting from the 18th century, a scene with a strong phantasmatic load: the sexual act of a woman, who is considered a witch, with the devil. Several films are analyzed: Häxan by Benjamin Christensen (1922), Rosemary’s Baby by Roman Polanski (1968), L’Anticristo by Alberto de Martino (1974), Angel above, Devil below by Dominic Bolla (1975). These films share some common features, important for the analytical process: the copulation with the devil, the presence of traumatized characters who are submitted to a psychological cure, the recycling of psychoanalytical vocabulary, especially “hysteria”, the problems with parental instances. In order to interpret these films, there is a coming back to Freud’s ideas on the Devil, as expressed in the letters to Wilhelm Fliess or in the study A Seventeenth-Century Demonological Neurosis (1923). The devil as an image of unconscious impulsions or as a substitute of the father are the main Freudian intuitions used here for an optimal interpretation of the chosen films. Keywords: sex, sexual act, horror, witchcraft, psychoanalysis, Freud, cinema. "

Dreams Give Birth to Reality”. Engraving Austroseraphicum Coelum as an Attempt to Create a New Reality by the Spanish Habsburgs Dynastic Propaganda / Sny rodzą rzeczywistość…”. Grafika Austroseraphicum Coelum jako próba kreowania nowej rzeczywistości za pomocą propagandy dynastycznej Habsburgów hiszpańskich

2014 ◽  
Vol 39 (1) ◽  
Author(s):  
Jan Kurowiak
Keyword(s):  
Seventeenth Century ◽  
The Netherlands ◽  
General Condition ◽  
Symbolic System ◽  
Political Situation ◽  
Mission Of God ◽  
Starting Point ◽  
The World ◽  
The Church

AbstractAs a work of propaganda, graphics Austroseraphicum Coelum Paulus Pontius should create a new reality, make appearances. The main impression while seeing the graphics is the admiration for the power of Habsburgs, which interacts with the power of the Mother of God. She, in turn, refers the viewer to God, as well as Franciscans placed on the graphic, they become a symbol of the Church. This is a starting point for further interpretation of the drawing. By the presence of certain characters, allegories, symbols, we can see references to a particular political situation in the Netherlands - the war with the northern provinces of Spain. The message of the graphic is: the Spanish Habsburgs, commissioned by the mission of God, they are able to fight all of the enemies, especially Protestants, with the help of Immaculate and the Franciscans. The main aim of the graphic is to convince the viewer that this will happen and to create in his mind a vision of the new reality. But Spain was in the seventeenth century nothing but a shadow of former itself (in the time of Philip IV the general condition of Spain get worse). That was the reason why they wanted to hold the belief that the empire continues unwavering. The form of this work (graphics), also allowed to export them around the world, and the ambiguity of the symbolic system, its contents relate to different contexts, and as a result, the Habsburgs, not only Spanish, they could promote their strength everywhere. Therefore it was used very well as a single work of propaganda, as well as a part of a broader campaign

‘More Product, Less Process’ (MPLP): An early printed book project

2021 ◽  
pp. 096100062110267
Author(s):  
Karen Attar
Keyword(s):  
18Th Century ◽  
The United States ◽  
Global Changes ◽  
Main Research ◽  
Advantages And Disadvantages ◽  
Main Research Interest ◽  
Printed Books ◽  
Starting Point ◽  
19Th And 20Th Century

This article addresses the challenge to make printed hidden collections known quickly without sacrificing ultimate quality. It takes as its starting point the archival mantra ‘More product, less process’ and explores its application to printed books, mindful of projects in the United States to catalogue 19th- and 20th-century printed books quickly and cheaply with the help of OCLC. A problem is lack of time or managerial inclination ever to return to ‘quick and dirty’ imports. This article is a case study concerning a collection of 18th-century English imprints, the Graveley Parish Library, at Senate House Library, University of London. Faced with the need to provide metadata as quickly as possible for digitisation purposes, Senate House Library decided, in contrast to its normal treatment of early printed books, to download records from the English Short Title Catalogue and amend them only very minimally before releasing them for public view, and to do this work from catalogue cards rather than the books themselves. The article describes the Graveley Parish collection, the project method’s rationale, and the advantages and disadvantages of sourcing the English Short Title Catalogue for metadata. It discusses the drawbacks of retrospective conversion (cataloguing from cards, not books): insufficient detail in some cases to identify the relevant book, and ignorance of the copy-specific elements of books which can constitute the main research interest. The method is compared against cataloguing similar books from photocopies of title pages, and retrospective conversion using English Short Title Catalogue is compared against retrospective conversion of early printed Continental books from cards using Library Hub Discover or OCLC. The control groups show our method’s effectiveness. The project succeeded by producing records fast that fulfilled their immediate purpose and simultaneously would obviously require revisiting. The uniform nature of the collection enabled the saving of time through global changes.

Arthur Benjamin's Operas

Tempo ◽  
1950 ◽  
pp. 15-18
Author(s):  
Dennis Arundell
Keyword(s):  
Seventeenth Century ◽  
Royal College ◽  
Practical Knowledge ◽  
Good Work ◽  
National Opera ◽  
School Girls ◽  
First Time ◽  
The Devil ◽  
English Opera ◽  
Vaughan Williams

Ever since the seventeenth century composers of English operas have been handicapped by the snob-preference for foreign works irrespective of their merits. In Purcell's day a second-rate French composer, whose past is still shrouded in Continental mystery, was so boosted in London even by Dryden that it was only through an open-air performance by Mr. Priest's school-girls at Chelsea that Dido and Aeneas convinced both London theatre managers and eventually Dryden himself that Purcell was “equal with the best abroad.” In this century, when the usual opera favourites were established, it has been even more difficult for English opera-composers to get a showing (at one time it had not been unheard of for English operas to be translated into Italian or German for production in this country): but twenty-five years ago the Royal College of Music followed the example of Mr. Priest by producing for the first time Vaughan Williams' Hugh the Drover, which was afterwards given publicly by the British National Opera Company, and in 1931 under the auspices of the Ernest Palmer Opera Fund, introduced The Devil Take Her, the first opera by the Australian composer Arthur Benjamin. The enthusiasm of the singers, headed by Sarah Fischer and Trefor Jones, the cunning skill of the conductor, Sir Thomas Beecham and the practical knowledge of the producer, John B. Gordon, who had had so much experience at Cologne and who was at the time doing such good work for opera at the Old Vic, all combined to make the performance outstanding.

scholarly journals Cosmogonies and mythopoesis in the Balkans and beyond

2014 ◽  
Vol 14 ◽  
pp. 87-147 ◽  
Author(s):  
Florentina Badalanova Geller
Keyword(s):  
Oral Tradition ◽  
18Th Century ◽  
The Balkans ◽  
Biblical Literature ◽  
The Earth ◽  
Different Types ◽  
To Come ◽  
Academy Of Sciences ◽  
First Time ◽  
The Devil

Cosmogonies and mythopoesis in the Balkans and beyondCompared and contrasted in this article are three different types of accounts dealing with the cosmogonic and eschatological themes employed in Slavonic and Balkan oral tradition, para-Biblical literature and modern poetry. The focus of analysis is the cluster of motifs attested in the creation narrative of the apocryphal Legend of the Sea of Tiberias. Two versions are examined: the South-Slavonic one discovered in 1845 by V. Grigorovich in the Monastery of Slepche, and the 18th century Russian account from MS № 21.11.3 (fols. 3a–5b) from the Archaeographic Department of the Library of the Academy of Sciences [Библиотека Академии наук, Рукописный отдел] in St. Petersburg, composed most probably by an Old Believer; this manuscript is published here for the first time. Folklore counterparts of the apocryphal Legend of the Sea of Tiberias are treated, with special emphasis on the oral narratives from the Bulgarian diaspora in Bessarabia (God and the Devil Create the World Amicably but then Fall Out). Finally, a poem of the 20th century Bulgarian intellectual Pencho Slaveykov [Пенчо Славейков] from his anthology “On the Island of the Blessed” is discussed; the poem, entitled How God willed the Earth to come to be and what did Satanail do after that? was designated by Slaveykov himself as “a legend of the Bogomils”, and blended within his lyrics are dualistic themes and motifs attested in vernacular Christianity, with the hallmark of Haeresis Bulgarica. Kosmogonie i mitopoetyki na Bałkanach i nie tylkoW artykule zostały porównane trzy typy narracji zawierających wątki kosmogoniczne i eschatologiczne, które funkcjonują w słowiańskiej i bałkańskiej tradycji ustnej, literaturze parabiblijnej oraz poezji doby modernizmu. Przedmiotem uwagi stała się grupa motywów poświadczonych w narracji o stworzeniu, znanej z Legendy o Morzu Tyberiadzkim. Analizom poddane zostały dwie wersje: południowosłowiańska, odkryta w 1845 roku przez W. Grigorowicza w Monastyrze w Slepče, oraz ruska – z XVIII wieku, znajdująca się w kodeksie MS № 21.11.3 (fols. 3a–5b), przechowywanym w Oddziale Rękopisów Biblioteki Akademii Nauk w Sankt Petersburgu – skomponowana najprawdopodobniej w środowisku staroobrzędowców (rękopis ten jest tu publikowany po raz pierwszy). Następnie przeprowadzona została analiza odpowiedników folklorystycznych apokryficznej Legendy o Morzu Tyberiadzkim, ze szczegól­nym uwzględnieniem narracji ustnych funkcjonujących w bułgarskiej diasporze w Besarabii (Bóg i Diabeł tworzą świat w przyjaźni ale potem stają się wrogami). Na końcu został poddany interpretacji poemat z XX wieku autorstwa bułgarskiego modernisty Penczo Sławejkowa [Пенчо Славейков] z antologii Na wyspie błogosławionych [На острова на блажените]; poemat ten, zatytułowany Jak Bóg zezwolił, aby powstała ziemia i co potem uczynił Satanael?, został nazwany przez samego autora „legendą Bogomiłów”, i skompilowany w jego tekstach z dualistycznymi motywami występującymi w chrześcijaństwie tego regionu, a rozpoznawa­nymi jako haeresis bulgarica.

scholarly journals A Monstrous Ideal

2020 ◽  
Vol 6 (1) ◽  
pp. 1-23
Author(s):  
Robert Stearn
Keyword(s):  
Seventeenth Century ◽  
18Th Century ◽  
17Th Century ◽  
Intermediate Position ◽  
Domestic Service ◽  
High Status ◽  
Written Materials

The paper suggests that 17th-century writers sometimes thought about disciplines, methods, and concepts as skilful, in the sense that these objects and processes held information, were used as tools to aid discrimination (where their use might also be skilful), and were the aggregated experience of people with skill as well as the product of their activities. The paper also suggests that servants were thought about in a similar way. Drawing on range of printed texts and a series of 'ideal servant' emblems from the 16th to the 18th century – in which servant chimeras and cyborgs appear with limbs and heads replaced by animal parts and/or inanimate objects connected with domestic service – the paper asks: in what ways did these materials place servants placed in relation to skill, or make them part of an institution in which one might be skilled, or part of a practice susceptible to modification by skill? The paper concludes by looking closely at a 1682 print and argues that it articulates a similar sense of skill as that found in 17th-century written materials. The print – in which a servant holds the tools of high-status arts in which one might be skilled, but servants were not – occupies an intermediate position between the emblematic servant of the sixteenth to mid-seventeenth century (whose capacities and attributes are expressed by the conventional significance of animals and tools) and the joke automaton maidservant of the eighteenth and nineteenth (made out of the objects around which and through which the work of domestic service takes place – the composite servant-body figures the energy of the living servant that puts them in motion).

scholarly journals Orthographies in Grammar Books – Rationalism and Enlightenment

2018 ◽  
Author(s):  
Tomislav Stojanov
Keyword(s):  
18Th Century ◽  
Point Of View ◽  
Strong Connection ◽  
European Languages ◽  
The Enlightenment ◽  
Starting Point

This work describes the orthographic content in grammars of European languages in the 17th and the 18th century. Reviewed were 17 grammars for 7 languages in Rationalism, 15 grammars for 11 languages in the Enlightenment, and 12 Latin orthographies. As for orthographic entities in the broader sense (orthography as a way to write down speech), our starting point were orthographic grapheme units which are contrasted to meaning (i.e. orthographic entities in the narrower sense, e.g. punctuation). Contrary to the traditional description which focused on spelling, this work observes the beginnings of orthographic content in grammars and its development into an autonomous language phenomenon and norm. The strong connection between orthography and grammar is described and it is established that, from the diachronic point of view, orthography cannot be integrally reviewed without studying the grammatical teachings.

Conclusion

2008 ◽  
Author(s):  
Richard Hingley
Keyword(s):  
Seventeenth Century ◽  
Point Of View ◽  
Roman History ◽  
King Arthur ◽  
State Control ◽  
Scottish Highlands ◽  
History Of ◽  
New Interpretation ◽  
Extension Of State ◽  
The Devil

The works examined above have been explored through a chronological study based upon the four overlapping themes of civility/ Romanization, the walling out of humanity, Roman incomers, and ruination, emphasized through a reading of the sources to explore how the discovery of objects and sites has helped to inform a number of contrasting interpretations that went in and out of fashion. A number of more local and fragmented tales have also been addressed in passing and it is evident that a very different account could have been articulated if I had drawn more directly upon such ideas. Tales, such as those of Onion the Silchester Giant, Graham’s creation of a breach in the Antonine Wall, King Arthur and his ‘O’on’ at Camelon in central Scotland and the activities of the devil at Rodmarton, provide information about how local people interpreted the physical remains of the Romans in Britain. The focus on elite tales in this book should not detract from the potential of local myths, but a thorough study of such material remains to be undertaken. Instead, this book has emphasized stories that have been told about the pre- Roman and Roman history of Britain that served to develop relevant national and imperial tales. The significance of the civilizing of the ancient Britons drove a particular approach to the ancient sources during the early seventeenth century that emphasized the passing on of Roman civility to people of England (or Lowland Britain). From this point of view, the ruined Roman Walls projected the territorial limit of civility, beyond which were the lands of barbarians. Towards the end of the century, a new interpretation arose that placed emphasis on the Roman settlers, their ‘stations’, and roads, reflecting the contemporary military aspect of society while envisaging England (or Lowland Britain) as the inheritor of Roman civility. This military conception was redefined and updated during the succeeding centuries as an analogy for the extension of state control over the Scottish Highlands and later for the exploration, documentation, and domination of territories in India and elsewhere.

scholarly journals Introduction: from the British Tertiary into the future – modern perspectives on the British Palaeogene and North Atlantic Igneous provinces

2009 ◽  
Vol 146 (3) ◽  
pp. 305-308 ◽  
Author(s):  
DOUGAL A. JERRAM ◽  
KATHRYN M. GOODENOUGH ◽  
VALENTIN R. TROLL
Keyword(s):  
North Atlantic ◽  
18Th Century ◽  
North Atlantic Ocean ◽  
Volcanic Rocks ◽  
Large Igneous Province ◽  
The North ◽  
Igneous Provinces ◽  
Starting Point ◽  
Igneous Province ◽  
Dyke Swarms

The study of volcanic rocks and igneous centres has long been a classic part of geological research. Despite the lack of active volcanism, the British Isles have been a key centre for the study of igneous rocks ever since ancient lava flows and excavated igneous centres were recognized there in the 18th century (Hutton, 1788). This led to some of the earliest detailed studies of petrology. The starting point for many of these studies was the British Palaeogene Igneous Province (BPIP; formerly known as the ‘British Tertiary’ (Judd, 1889), and still recognized by this name by many geologists around the globe). This collection of lavas, volcanic centres and sill/dyke swarms covers much of the west of Scotland and the Antrim plateau of Northern Ireland, and together with similar rocks in the Faroe Islands, Iceland and Greenland forms a world-class Large Igneous Province. This North Atlantic Igneous Province (NAIP) began to form through continental rifting above a mantle plume at c. 60 Ma, and subsequently evolved as North America separated from Europe, creating the North Atlantic Ocean.

Between the Devil and the Deep Blue Sea: The Christian Paravas: A ‘Client Community’ in Seventeenth-Century Southeast India

Itinerario ◽  
2002 ◽  
Vol 26 (2) ◽  
pp. 64-98 ◽  
Author(s):  
Markus P.M. Vink
Keyword(s):  
Seventeenth Century ◽  
The Other ◽  
Deep Blue ◽  
Long Time ◽  
To Receive ◽  
The Devil ◽  
Southeast India

[T] he Paravas [are] a maritime people, seated on this Pearle Coast, whose greatest livelihood is Natures bounty, which she in that kind annually bestowes and which art qualifies them in like manner to receive… This nation about one hundred and thirty yeares agoe was a limb of heathenisme, out of which roughquarry it was hewen by papall industry and so became a Jewell of the Triple Crown. The Jesuites, who at first converted them, for a long time after govern'd them in a way both ecclestiasticall andcivill. This latter yoake weares of and delivers up civill concernments into the hands of the civill power, the corruption of one kindof government being the generation of the other. In this state matters rested when, about five yeares agoe (the Portugall greatnesse being then far declin'd from its zenith) the Dutch possesse[d] themselves of this coast, which ever since, they have govern'd by way of judicature and awed by their power. This gave occasion for the persons above mentioned [certaine persons of quality, natives of Tutticorrim and heads of their nation] to recede [into the interior]… This [loss of Cochin in early 1663] involves them in fresh cares, and those send them in great quest of other props to stay themselves upon… Their desires therefore are that themselves, together with their adherents, may be taken into the protection of the English; that they with their padre (who is the hinge whereon they turne) may have their dwellings at Cale Velha [Palaiyakkayal], the seate of our factorie, free from violence; and their boates, by virtue of our passeports, to navigate the seas void of all disturbances.

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